30 January

NEW - Ferdinando Fontana – journalist and playwright

Prolific writer produced the words for Puccini’s early operas 

The dramatist Ferdinando Fontana, who is remembered chiefly for being the writer of the libretti for the first two operas written by Giacomo Puccini, was born on this day in 1850 in Milan.  He became a journalist as a young man to help provide for his younger sisters, and while he was working for the newspaper Corriere di Milano he wrote two plays in Milanese dialect which were both successes.  Through his interest in the Scapigliatura artistic movement, Fontana became a versatile writer. The word scapigliato means ‘unkempt’ or ‘dishevelled’ and the movement was the equivalent of the French Bohemian idea. Fontana also produced poems, travel books, and articles for the Milanese daily newspaper Corriere della Sera.  After being introduced by the composer Amilcare Ponchielli to the young Giacomo Puccini, he agreed to write the libretti for his early operas Le Villi and Edgar.  Read more…

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Bernardo Bellotto – landscape painter

Venetian artist blessed with uncle Canaletto’s talent

The landscape artist Bernardo Bellotto, a nephew and pupil of the masterful view painter Canaletto, was born on this day in 1721 in Venice, the city that brought fame to his illustrious uncle.  Bellotto painted some Venetian scenes but travelled much more extensively than his uncle and eventually became best known for his work in northern Europe, and in particular his views of the cities of Vienna, Warsaw and Dresden.  His work was notable for his use of light and shadow and his meticulous attention to detail.  His paintings of Warsaw became a point of reference for architects involved with the reconstruction of the city after the Second World War, so precise was he in terms of perspective and scale and the intricacies of architectural features.  Born in the parish of Santa Margherita in Venice, Bellotto was related to Giovanni Antonio Canal – Canaletto’s birth name – through his mother, Canaletto’s sister, Fiorenza Canal.  Read more…

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Elsa Martinelli – actress

Tuscan beauty was spotted by Kirk Douglas

Actress and former model Elsa Martinelli was born Elisa Tia on this day in 1935 in Grosseto.  She moved to Rome with her family as a teenager and was discovered by designer Roberto Capucci in 1953 while working as a barmaid in the city.   Her stunning looks helped her to become a successful fashion model and she eventually began playing small parts in films.  As Elsa Martinelli she appeared in Claude Autant-Lara’s Le Rouge et Le Noir in 1954.  Her first important role came a year later when Kirk Douglas is said to have seen her on a magazine cover and told his production company to hire her to appear opposite him in the film, The Indian Fighter.  In 1956 she won the Silver Bear for Best Actress at the Berlin Film Festival for playing the title role in Mario Monicelli’s Donatella.  Martinelli married Count Franco Mancinelli Scotti di San Vito and they had a daughter.  Read more…

Carlo Maderno - architect

Facade of St Peter's among most notable works

The architect Carlo Maderno, who has been described as one of the fathers of Italian Baroque architecture, died on this day in 1629 in Rome.  His most important works included the facades of St Peter’s Basilica and the other Roman churches of Santa Susanna and Sant’ Andrea della Valle.  Although most of Maderno's work was in remodelling existing structures, he had a profound influence on the appearance of Rome, where his designs also contributed to the Palazzo Quirinale, the Palazzo Barberini and the papal palace at Castel Gandolfo.  One building designed and completed under Maderno's full control was the church of Santa Maria della Vittoria in the Sallustiano district.   Maderno was born in 1556 in the village of Capolago, on the southern shore of Lake Lugano in what is now the Ticino canton of Switzerland. Read more…

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Hyacintha Mariscotti – saint

Noblewoman gave up luxurious lifestyle to help the poor

Hyacintha Mariscotti, an Italian nun of the Third Order Regular of Saint Francis, died on this day in 1640 in Viterbo in Lazio.  Pope Pius VII canonised her in 1807 and her feast day is now celebrated on 30 January every year.  Hyacintha, known as Santa Giacinta Marescotti in Italian, was born in 1585 into a noble family living in the castle of Vignanello in the province of Viterbo and was baptised as Clarice.  Her father was Count Marcantonio Marescotti, her mother Countess Ottavia Orsini, whose father built the famous gardens of Bomarzo.  The young Clarice was sent with her sisters to the monastery of Saint Bernardino to be educated by the nuns of the Franciscan Third Order Regular. When their education was complete, her elder sister, Ginevra, chose to enter the community as a nun. Clarice had set her sights on marrying the Marchese Capizucchi, but he chose her younger sister, Ortensia, instead.  Read more…

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Feast of Saint Martina of Rome

The day Pope Urban VIII’s own hymns are sung

The feast day of Saint Martina of Rome, who was martyred by the Romans in 228, is celebrated every year on this day.  Martina is now a patron saint of Rome and the patron saint of nursing mothers.  She was the daughter of an ex-consul, one of the chief magistrates of the Roman Republic, but became an orphan while still young.  Described at the time as a noble and beautiful virgin who was charitable to the poor, she openly testified to her Christian faith.  She was persecuted during the reign of Emperor Alexander Severus and arrested and commanded to return to idolatry, the worship of false gods.  When she refused she was whipped and condemned to be devoured by wild beasts in the amphitheatre. When she was miraculously untouched by the animals she was thrown on to a burning pyre from which she is also said to have escaped unhurt. Read more…

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Book of the Day: Puccini: His Life and Works, by Julian Budden

Blending astute musical analysis with a colourful account of Giacomo Puccini's life, this is an illuminating look at some of the most popular operas in the repertoire, including Manon Lescaut, La bohème, Tosca, Madama Butterfly, and Turandot. Julian Budden provides an illuminating look at the process of putting an opera together, the cut-and-slash of 19th-century Italian opera - the struggle to find the right performers for the debut of La bohème, Puccini's anxiety about completing Turandot (he in fact died of cancer before he did so), his animosity toward his rival Ruggero Leoncavallo (whom he called Leonasino or "lion-ass"). Puccini: His Life and Works provides an informative analysis of the operas themselves, examining the music act by act. He highlights, among other things, the influence of Richard Wagner on Puccini - alone among his Italian contemporaries, Puccini followed Wagner's example in bringing the motif into the forefront of his narrative, sometimes voicing the singer's unexpressed thoughts, sometimes sending out a signal to the audience of which the character is unaware. Budden paints an intriguing portrait of Puccini the man - talented but modest, a man who had friends from every walk of life: shopkeepers, priests, wealthy landowners, fellow artists. Affable, well mannered, gifted with a broad sense of fun, he rarely failed to charm all who met him.

Julian Budden is one of the world's foremost scholars of Italian opera and author of a monumental three-volume study of Giuseppe Verdi's works. 

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