Giorgio Vasari - the first art historian

Artist and architect who chronicled lives of Old Masters

Portrait of Giorgio Vasari

Giorgio Vasari, whose 16th century book on the lives of Renaissance artists led to him being described as the world's first art historian, died on this day in 1574 in Florence.

Born in Arezzo in 1511, Vasari was a brilliant artist and architect who worked for the Medici family in Florence and Rome and amassed a considerable fortune in his career.

But he is remembered as much for Lives of the Most Excellent Painters, Sculptors, and Architects, from Cimabue to Our Times, a collection of biographies of all the great artists of his lifetime.

The six-part work is remembered as the first important book on art history.  Had it not been written, much less would be known of the lives of Cimabue, Giotto, Donatello, Botticelli, Da Vinci, Giorgione, Raphael, Boccaccio and Michelangelo among many others from the generation known as the Old Masters.

Vasari, who is believed to have been the first to describe the period of his lifetime as the Renaissance, also went into much detail in discussing the techniques employed by the great artists.  It is partly for that reason that the book is regarded by contemporary art historians as "the most influential single text for the history of Renaissance art".

Vasari's wall paintings in the Palazzo Vecchio in Florence

In his own career, Vasari became friends with Michelangelo and studied the works of Raphael.  His frescoes in the Palazzo della Cancelleria in Rome and his wall and ceiling paintings in the Palazzo Vecchio in Florence gained him much admiration.

As an architect, he designed the loggia of the Palazzo degli Uffizi in Florence and the Vasari Corridor, which connects the Uffizi with the Medici residence at the Palazzo Pitti on the other side of the Arno river.

He also renovated the medieval Florentine churches of Santa Maria Novella and Santa Croce. In Santa Croce, he was responsible for the painting of The Adoration of the Magi which was commissioned by Pope Pius V in 1566 and has been recently restored.

The wealth he acquired enabled him to build a fine house in Arezzo, which now houses a museum dedicated to his life and work.

Travel tip:

The town of Arezzo in eastern Tuscany, where Vasari was born, was famous because of another artist, Piero della Francesco. The 13th century church of San Francesco contains Piero della Francesco’s frescoes, The Legend of the True Cross, painted between 1452 and 1466 and now considered to be one of Italy’s greatest fresco cycles.

The Galleria at the Uffizi, looking towards
Vasari's loggia, which opens on to the Arno

Travel tip:

The Uffizi complex on which Vasari worked from 1560 onwards was built to accommodate the offices of the Florentine magistrates, hence the name uffizi (offices). Cosimo I de' Medici, Grand Duke of Tuscany, who commissioned the building, planned to display prime art works of the Medici collections in the complex.  Over the years, more sections of the palace were recruited to exhibit paintings and sculpture collected or commissioned by the Medici.  In 1765 it was officially opened to the public as an art gallery.

(Photo of Uffizi by Samuli Lintula CC BY-SA 3.0)

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Cosimo I de' Medici

The grand designs of a powerful archduke

This 1545 portrait of  Cosimo I by Agnolo
 Bronzino is owned by the Art Gallery
of New South Wales

The second duke of Florence and first grand duke of Tuscany, Cosimo I, died on this day in 1574 at the Villa di Castello near Florence.

Cosimo had proved to be both shrewd and unscrupulous, bringing Florence under his despotic control and increasing its territories.

He was the first to have the idea of uniting all public services in a single building. He commissioned the Uffizi, which meant Offices, a beautiful building that is now an art gallery in the centre of Florence.

Cosimo was the great-great-grandson of Lorenzo the Elder, whose brother was Cosimo the Elder but played no part in politics until he heard of the assassination of his distant cousin, Alessandro.

He immediately travelled to Florence and was elected head of the republic in 1537 with the approval of the city’s senate, assembly and council.

He also had the support of the Holy Roman Emperor, Charles V. The Emperor’s general defeated an army raised against Cosimo, who then had the principal rebels beheaded in public in Florence.

Cosimo began to style himself as a duke and sidelined the other Government bodies in the city.  As the Emperor’s protégée, he remained safe from the hostility of Pope Paul II and King Francis I of France.

The gallery over the Ponte Vecchio was added by Cosimo I
to link the Palazzo Vecchio with the Pitti Palace

Cosimo launched an attack on Siena in 1554 and after a long siege the city capitulated to his troops. Having brought many other parts of Tuscany under his control, Cosimo then turned his attention to improving Florence.

He had the interior of Palazzo Vecchio redecorated and adopted the Pitti Palace as his residence, overseeing the design of the Boboli Gardens. He also had the gallery over the Ponte Vecchio built to enable him to move from one palace to the other easily.

Cosimo was deeply affected when his wife, two of his sons and two of his daughters all died within a few years of each other.

In 1564 he handed over the Government of the city to his eldest son, Francis. In 1569 Pope Pius V conferred the title of Grand Duke of Tuscany on Cosimo.

He retired to live at his country residence, the Villa di Castello, where he died in 1574.

Travel tip:

The Ponte Vecchio was built in 1345 and is the oldest bridge remaining in Florence. The medieval workshops inhabited by butchers and blacksmiths were eventually given to goldsmiths and are still inhabited by jewellers today. The private corridor over the shops was designed by the architect, Giorgio Vasari, to link the Palazzo Vecchio to the Palazzo Pitti, via the Uffizi, allowing the Medici to move about between their residences without having to walk through the streets.

The building that now houses the Uffizi Gallery was
originally designed to house a suite of offices

Travel tip:

Work on the Uffizi began in 1560 in order to create a suite of offices (uffici) for the new administration of Cosimo I. The architect, Vasari, created a wall of windows on the upper storey and from about 1580, the Medici began to use this well-lit space to display their art treasures, starting one of the oldest and most famous art galleries in the world. The present day Uffizi Gallery, in Piazzale degli Uffizi, is open from 8.15 am to 6.50 pm from Tuesday to Sunday.

More reading:

Piero di Cosimo - Florentine artist with works in the Uffizi

Niccolò Machiavelli, brilliant but ruthless statesman who served the Medici family

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(Uffizi picture is by Petar Milosevic CC BY-SA 4.0)