Showing posts with label 1710. Show all posts
Showing posts with label 1710. Show all posts

12 April 2018

Caffarelli – opera singer

Tempestuous life of a talented male soprano


Caffarelli was taught to sing by the renowned composer and tutor Nicola Porpora
Caffarelli was taught to sing by the renowned
composer and tutor Nicola Porpora
The castrato singer who performed under the stage name of Caffarelli was born Gaetano Maiorano on this day in 1710 in Bitonto in the province of Bari in Apulia.

Caffarelli had a reputation for being temperamental and for fighting duels with little provocation, but he was popular with audiences and was able to amass a large fortune for himself.

One theory is that his stage name, Caffarelli, was taken from his teacher, Caffaro, who gave him music lessons when he was a child, but another theory is that he took the name from a patron, Domenico Caffaro.

When Maiorano was ten years old he was given the income from two vineyards owned by his grandmother to enable him to study music. The legal document drawn up mentioned that the young boy wished to be castrated and become a eunuch.

Maiorano became a pupil of Nicola Porpora, the composer and singing teacher, who is reputed to have kept him working from one sheet of exercises for years before telling him there was no more he could be taught because he was the greatest singer in Europe.

In 1726 Maiorano made his debut in Rome, aged 15, under the stage name Caffarellino. He sang the third female role in Domenico Sarro’s Valdemoro.

A drawing of Caffarelli by the caricaturist Pier Leone Ghezzi
A drawing of Caffarelli by the caricaturist
Pier Leone Ghezzi
His fame spread and he performed in Venice, Turin, Milan and Florence.

In London, at the King’s Theatre, he performed the title role in Handel’s Serse, singing the famous aria ‘Ombra mai fu.’

He went on to work in Madrid, Vienna and Lisbon, but his career in France was cut short after he badly wounded a poet during a duel and had to leave the country in disgrace.

Caffarelli took up a post at the royal chapel in Naples and often performed at the Teatro San Carlo in the city. As a first-rate castrato he was able to command large fees and he bought himself impressive estates in Naples and Calabria.

He was unpredictable on stage and sometimes conversed with people in boxes during other performer’s solos. He was sometimes kept under house arrest or put in prison after fighting duels or assaulting someone.

Caffarelli was a mezzo soprano with an extensive range and considered to be one of the finest singers of his time. Unlike his rival, Farinelli, who ended his career at 32, Caffarelli carried on performing well into his fifties.

In later life he is said to have given generously to charity. Caffarelli died in Naples in 1783.

The Piazza Cattedrale in Bitonto
The Piazza Cattedrale in Bitonto
Travel tip:

Bitonto, in Apulia, where Caffarelli was born, is known as the ‘City of Olives’ due to its numerous olive groves, which produce extra virgin olive oil for export to Europe and America. The city lies approximately 11km (7 miles) to the west of Bari and has a medieval castle and a Romanesque Cathedral, the Cattedrale di San Valentino.

Teatro San Carlo in Naples
Teatro San Carlo in Naples
Travel tip:

Teatro San Carlo in Naples, where Caffarelli regularly performed, is thought to be the oldest opera house in the world. It was officially opened in 1737, way ahead of La Scala in Milan and La Fenice in Venice. The theatre is in Via San Carlo close to Piazza Plebiscito, the main square in Naples. It was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I. In the magnificent auditorium the royal box is surmounted by the crown of the Kingdom of the Two Sicilies.

More reading:

How Farinelli became music's first superstar

Nicola Porpora - opera composer and brilliant teacher

Why Francesca Cuzzoni is remembered as opera's first diva

Also on this day:

1948: The birth of World Cup-winning soccer manager Marcello Lippi

1950: The birth of entrepreneur Flavio Briatore


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4 January 2017

Giovanni Battista Pergolesi – composer

Brief career of 'opera buffa' genius


A portrait of Pergolesi presented to the Naples Conservatory by his brother, Florimo
A portrait of Pergolesi presented to the Naples
Conservatory by his brother, Florimo
Opera composer Giovanni Battista Pergolesi was born on this day in 1710 as Giovanni Battista Draghi, in Jesi, in what is now the province of Ancona.

He later acquired the name Pergolesi, the Italian word for the residents of Pergola in Marche, which had been the birthplace of his ancestors.

Pergolesi was the most important early composer of opera buffa - comic opera. He wrote a two-act buffa intermezzo for one of his serious operas, which later became a popular work in its own right.

He also wrote sacred music and his Stabat Mater, composed in 1736, has been used in the soundtracks of many contemporary films.

Pergolesi received a musical education at the Conservatorio dei Poveri in Naples where he gained a good reputation as a violinist.

Watch a complete performance of Pergolesi's Stabat Mater





In 1732 he was appointed maestro di cappella to the Prince of Stigliano in Naples and produced for him an opera buffa, Lo frate ‘nnammorato, and a sacred work, believed to be his Mass in D, which were both well received.

The following year his serious opera, Il prigionier superbo, was produced but it was the comic intermezzo, La serva padrona, inserted between the acts, that was most popular, revealing his gift for comic characterisation.

A poster advertising a performance of Pergolesi's  intermezzo La Serva Padrona in 1739
A poster advertising a performance of Pergolesi's
 intermezzo La Serva Padrona in 1739
In 1734 Pergolesi went to Rome to direct the performance of his Mass in F.

After that his health began to fail and he went to live in the Franciscan monastery at Pozzuoli, near Naples, where he finished his last work, the celebrated Stabat Mater, which demonstrated his ability to handle large, choral and instrumental forces.

He died in extreme poverty at the age of 26 and was buried in the Cathedral at Pozzuoli.

When Pergolesi died, his fame had scarcely spread beyond Rome and Naples, but later in the century it grew enormously. The success of La serva padrona was mainly posthumous and it reached its peak after it was performed in Paris in 1752.

It led to the so called ‘guerre des bouffons’ - the war of the buffoons - which divided the supporters of serious opera and the supporters of the new Italian comic opera, with Pergolesi held up as a model of the Italian style. Musical forgers produced works claiming to be by Pergolesi, and a number of works originally attributed to him have since been shown to be by other composers.

Jesi's Teatro Pergolesi was named in honour of the composer
Jesi's Teatro Pergolesi was named in honour of the composer
Pergolesi was the subject of a 1932 Italian film, Pergolesi , directed by Guido Brignone with Elio Steiner playing the role of the composer.

His Stabat Mater was used in the films, Farinelli, Jesus of Montreal, Smilla’s Sense of Snow, Amadeus, The Mirror, Cactus and a 2016 documentary, Nothing Left Unsaid, which was about Gloria Vanderbilt and Anderson Cooper.

Pergolesi was honoured in his home town of Jesi in the 19th century when the Teatro della Concordia was renamed Teatro Pergolesi.

Travel tip:

The Conservatorio dei Poveri in Naples, where Pergolesi studied, was founded in 1589 by Marcello Fossataro, a Franciscan monk. It was adjacent to the Baroque Church of Santa Maria della Colonna in Via dei Tribunali. It was converted into a religious educational institution in 1743.


The Baroque church of Santa Maria della Colonna in Naples
The Baroque church of Santa Maria
della Colonna in Naples
Travel tip:

Pozzuoli is a comune of Naples in the region of Campania, lying in the centre of an area of volcanic activity. In the 1980s the city experienced hundreds of tremors and the sea bottom was raised by almost two metres, making the Bay of Pozzuoli too shallow for large craft. After Pergolesi died in poverty in Pozzuoli, his body was placed in an unmarked mass grave in the Cathedral.



More reading:

Why Domenico Cimarosa's Il Matrimonio Segreto is regarded as one of the greatest comic operas

The opening of Teatro San Carlo in Naples in 1737

Jacopo Peri - the 'inventor' of the opera

Also on this day:

1975: Death of writer Carlo Levi

(Picture credits: Teatro Pergolesi by Gaspa; church of Santa Maria della Colonna by Miguel Hermoso Cuesta)



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