Giovanna Trillini - fencing champion

Four-times Olympic champion in foil

Giovanna Trillini won eight
Olympic medals, including four golds

The Olympic fencing champion Giovanna Trillini, one of Italy’s most successful female athletes, was born on this day in 1970 in Jesi, a medieval town in the Marche region.

Trillini won the individual gold medal in the foil event at the 1992 Olympics in Barcelona and was part of Italy’s gold-medal winning group in the team foil at Barcelona in 1992 as well as at Atlanta in 1996 and Sydney in 2000.

She competed at five consecutive summer Olympics between 1996 and 2008 and her total medal haul of eight, including one silver and two bronze medals in the individual foil, makes her Italy’s fifth most successful Olympian and the third most successful female competitor.

After winning individual gold in Barcelona, she was honoured by being asked to be the flag bearer for the azzurri team at the opening ceremony for the Games in Atlanta four years later.

Trillini’s career also encompassed 19 medals in world championship events, including nine golds, and six in the European championships.

Born into a sporting family, Trillini was encouraged to take up fencing by her two brothers, Ezio and Roberto, who were both regular competitors in the sport, in which Italy has a long tradition.

She studied at the University of Urbino, graduating in Sports Science, and developed her fencing skills under the master fencer Ezio Triccoli, another native of Jesi, who set up the Club Scherma Jesi in 1947, in order to teach the art he had learned from a British army officer while he was a prisoner of war during World War II.

Trillini on the medal podium after
her triumph in Barcelona in 1992

Triccoli, who died in 1996 at the age of 81, was responsible for training numerous champions, including Trillini’s close rival and team-mate, Valentina Vezzali, who was also born in Jesi.

Vezzali won gold in the individual foil at three consecutive games, in 2000, 2004 and 2008. Between them, Trillini and Vezzali dominated the foil scene throughout the 90s and 2000s. Only Vezzali, with six golds, has been more successful than Trillini in terms of Olympic medals.

Trillini won the foil competition at the fencing World Cup four times, in 1991, 1994. 1995 and 1998, but undoubtedly would have been champion on many more occasions but for the presence of Vezzali, four years’ her junior, to whom she was runner-up no fewer than seven times.

At the age of 38, Trillini was a beaten semi-finalist in the 2008 Olympics in Beijing, losing 15-10 to Nyam Hyun-Hee of Korea, who went on to lose to Veazzali in the final. She lost to another Italian, Margherita Granbassi, in the third-place final, before announcing her immediate retirement from the sport, claiming that her performance against her opponent in the semi-final had been deliberately undermarked to prevent an all-Italian final.

She made a comeback in 2010 but retired again two years later after failing to reach pre-2008 levels in her performance.

Fencing, which dates back to the Renaissance era in Italy, is a sport in which Italians have enjoyed success throughout the history of the Olympics. 

Seven of Italy’s top 10 Olympians in terms of medals won have been fencers, while no nation has won more gold medals in fencing than Italy, with 49 to date.

It remains Italy’s most successful Olympic sport in all disciplines. The next best in terms of gold medals won is cycling with 33, followed by athletics with 19.

The city of Jesi has well preserved walls
built along the lines of its Roman defences

Travel tip:

Jesi, alternatively spelled Iesi, which was the site of a settlement in the fourth century BC, has developed as an industrial centre but maintains its cultural heritage within perfectly preserved medieval walls, built along the lines of its old Roman defences between the 13th and 14th centuries.  Notable buildings include the Cathedral of San Settimio in Piazza Federico II, the nearby 12th century church of San Floriano, which once contained paintings by Lorenzo Lotto that are now housed in the Pinacoteca Civica.  The Teatro Giovanni Battista Pergolesi, named in honour of the 18th century musician and composer who was born in Jesi, stands in the elegant Piazza della Repubblica.

The Renaissance Palazzo Ducale in Pesaro, one
of many attractions away from the beach

Travel tip:

Jesi is in the northern part of the Marche region, only 25km (16 miles) from the Adriatic coast and the stretch between Ancona and Pesaro that includes Senigallia and Fano. Like many Italian coastal resorts, the towns and cities in the area popular for their wide expanses of sandy beach also have much history to commend them. Fano, for example, revels in its Roman past, having been established in 49BC by Julius Caesar in 49 BC, when it was named Fanum Fortunae. Caesar Augustus protected the city with monumental walls and the Arco d'Augustus, the primary gateway into the city, still remains, along with some sections of the walls.  Pesaro, which is the region’s second largest city with 94,000 residents, is another magnet for sun-seekers but also boasts a city centre criss-crossed with narrow, medieval streets, several pretty squares and a number of beautiful Renaissance palaces.

Also on this day:

1500: The birth of Federico II Gonzaga, Duke of Mantua

1510: The death of Renaissance master Sandro Botticelli

1963: The birth of motorcycle world champion Luca Cadalora 

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Giovanni Battista Pergolesi – composer

Brief career of 'opera buffa' genius

A portrait of Pergolesi presented to the Naples
Conservatory by his brother, Florimo

Opera composer Giovanni Battista Pergolesi was born on this day in 1710 as Giovanni Battista Draghi, in Jesi, in what is now the province of Ancona.

He later acquired the name Pergolesi, the Italian word for the residents of Pergola in Marche, which had been the birthplace of his ancestors.

Pergolesi was the most important early composer of opera buffa - comic opera. He wrote a two-act buffa intermezzo for one of his serious operas, which later became a popular work in its own right.

He also wrote sacred music and his Stabat Mater, composed in 1736, has been used in the soundtracks of many contemporary films.

Pergolesi received a musical education at the Conservatorio dei Poveri in Naples where he gained a good reputation as a violinist.

Watch a complete performance of Pergolesi's Stabat Mater

In 1732 he was appointed maestro di cappella to the Prince of Stigliano in Naples and produced for him an opera buffa, Lo frate ‘nnammorato, and a sacred work, believed to be his Mass in D, which were both well received.

The following year his serious opera, Il prigionier superbo, was produced but it was the comic intermezzo, La serva padrona, inserted between the acts, that was most popular, revealing his gift for comic characterisation.

A poster advertising a performance of Pergolesi's
 intermezzo La Serva Padrona in 1739

In 1734 Pergolesi went to Rome to direct the performance of his Mass in F.

After that his health began to fail and he went to live in the Franciscan monastery at Pozzuoli, near Naples, where he finished his last work, the celebrated Stabat Mater, which demonstrated his ability to handle large, choral and instrumental forces.

He died in extreme poverty at the age of 26 and was buried in the Cathedral at Pozzuoli.

When Pergolesi died, his fame had scarcely spread beyond Rome and Naples, but later in the century it grew enormously. The success of La serva padrona was mainly posthumous and it reached its peak after it was performed in Paris in 1752.

It led to the so called ‘guerre des bouffons’ - the war of the buffoons - which divided the supporters of serious opera and the supporters of the new Italian comic opera, with Pergolesi held up as a model of the Italian style. Musical forgers produced works claiming to be by Pergolesi, and a number of works originally attributed to him have since been shown to be by other composers.

Jesi's Teatro Pergolesi was named in honour of the composer

Pergolesi was the subject of a 1932 Italian film, Pergolesi , directed by Guido Brignone with Elio Steiner playing the role of the composer.

His Stabat Mater was used in the films, Farinelli, Jesus of Montreal, Smilla’s Sense of Snow, Amadeus, The Mirror, Cactus and a 2016 documentary, Nothing Left Unsaid, which was about Gloria Vanderbilt and Anderson Cooper.

Pergolesi was honoured in his home town of Jesi in the 19th century when the Teatro della Concordia was renamed Teatro Pergolesi.

Travel tip:

The Conservatorio dei Poveri in Naples, where Pergolesi studied, was founded in 1589 by Marcello Fossataro, a Franciscan monk. It was adjacent to the Baroque Church of Santa Maria della Colonna in Via dei Tribunali. It was converted into a religious educational institution in 1743.

The Baroque church of Santa Maria
della Colonna in Naples

Travel tip:

Pozzuoli is a comune of Naples in the region of Campania, lying in the centre of an area of volcanic activity. In the 1980s the city experienced hundreds of tremors and the sea bottom was raised by almost two metres, making the Bay of Pozzuoli too shallow for large craft. After Pergolesi died in poverty in Pozzuoli, his body was placed in an unmarked mass grave in the Cathedral.

More reading:

Why Domenico Cimarosa's Il Matrimonio Segreto is regarded as one of the greatest comic operas

The opening of Teatro San Carlo in Naples in 1737

Jacopo Peri - the 'inventor' of the opera

Also on this day:

1975: Death of writer Carlo Levi

(Picture credits: Teatro Pergolesi by Gaspa; church of Santa Maria della Colonna by Miguel Hermoso Cuesta)



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Virna Lisi - actress

Screen siren turned back on glamour roles to prove talent

Virna Lisi in a Hollywood publicity shot

The actress Virna Lisi, born on this day in 1936, might have become the new Marilyn Monroe if she had allowed Hollywood to shape her career in the way the movie moguls had planned.

She was certainly blessed with all the physical attributes to fulfil their commercial ambitions - no less a screen goddess than Brigitte Bardot called her 'the most beautiful woman in the world' - but decided she was too good an actress to be typecast as mere window dressing or eye candy and ultimately rejected their advances.

In time she proved to herself that she made the right decision when her portrayal of the manipulative Catherine de' Medici, the Italian who was Queen of France between 1547 and 1559, in Patrice Chéreau’s 1994 film La Reine Margot won her three awards - Best Actress at the Cannes Film Festival, a César (the French equivalent of an Oscar) and the Italian film critics' award, the Nastro d'Argento (Silver Ribbon).

Born Virna Pieralisi in the town of Jesi, in the province of Ancona  in Marche, where her father had a marble importing business, she moved with her family to Rome in the early 1950s and Virna's progress through school had her earmarked for a place at business college.

But on the recommendation of a friend of the family, the singer and actor Giacomo Rondinella, she was given a part in a film, E Napoli canta (And Naples sings).  Just 17 years old and a natural beauty, so much did she charm Italian film producers that she was quickly in demand.

It was clear to the critics that she could act, winning praise for her performance in Sergio Corbucci's Romolo e Remo (Romulus and Remus), and she won many parts in Italian TV dramas. But it was her looks that were most sought after, earning her a lucrative contract advertising toothpaste in a TV commercial, her face accompanied by the slogan 'con quella bocca può dire ciò che vuole' (with that mouth, she can say whatever she wants).

Hollywood studio bosses wanted Virna Lisi
 to become the new Marilyn 

She minded less about her acting talent being overlooked in the early 1960s than she would later, especially when the chance came to make significant money in Hollywood.

Transformed into a blue-eyed blonde temptress, Lisi starred opposite Jack Lemmon in the comedy How to Murder Your Wife, famously making her entrance by emerging from a giant cake, and had other hits with Tony Curtis, Frank Sinatra and Rod Steiger.

The press fawned over her, one magazine article describing her as 'like Marilyn Monroe and Grace Kelly put together', but although she accepted being a cover girl she soon tired of lightweight, fluffy roles. She wanted to be seen as an actress, rather than simply someone who looked good on screen.

She turned down an invitation to pose in Playboy magazine, bought herself out of her contract with United Artists and returned to Italy. Back home, as if to prove she was serious about wanting different, more challenging parts, she rejected the title role offered by Dino de Laurentiis in Roger Vadim's film Barbarella, which went instead to Jane Fonda.

It took a while to achieve her ambitions but, little by little, Lisi shed her former image.  Her performance alongside Anthony Quinn and Anna Magnani in The Secret of Santa Vittoria, in which an Italian wine-producing village hides millions of bottles from plundering Nazis, was one step in her chosen direction.

She took a break into the early 1970s to spend more time with her husband and their son, Corrado, but on her return was acclaimed for her role as the sister of the philosopher Friedrich Nietzsche in Beyond Good and Evil, which won her the first of six Nastro d'Argento awards for best actress or best supporting actress.

Virna Lisi achieved her ambition where her portrayal
of Catherine de' Medici won acclaim and awards

At the age of 57, she was overcome with emotion when he name was read out for La Reine Margot at Cannes. "My son told me not to cry," she said later. "It was very stupid - but it had taken me 35 years."

Two years later, Lisi won an Italian Golden Globe for best actress in Follow Your Heart (1996), in which she played an elderly woman dying of cancer.

Lisi continued to work until she died in Rome in December 2014, aged 78, having filmed a television comedy earlier in the same year.  Her husband, Franco Pesci, an architect she had met in Rome in the late 1950s and to whom she had been married 53 years, passed away in 2013.

Travel tip: 

Rome's Colosseum, the largest and most famous Roman amphitheatre in the world, was constructed over eight years between 72 AD and 80 AD. It was capable of accommodating 50,000 spectators and had 80 entrances. It remains the city's most visited tourist attraction, ahead of St Peter's Basilica and The Pantheon.

Hotels in Rome by venere.com

The 18th century Teatro Pergolesi in Jesi

Travel tip:

Jesi, which was the site of a settlement in the fourth century BC, has developed as an industrial centre but maintains its cultural heritage within perfectly preserved medieval walls, built along the lines of its old Roman defences between the 13th and 14th centuries.  Notable buildings include the Cathedral of San Settimio in Piazza Federico II, the nearby 12th century church of San Floriano, which once contained paintings by Lorenzo Lotto that are now housed in the Pinacoteca Civica.  The Teatro Giovanni Battista Pergolesi, named in honour of the 18th century musician and composer who was born in Jesi, stands in the elegant Piazza della Repubblica.

Hotels in Jesi by Hotels.com

More reading:

Anna Magnani - Oscar-winner whose characters shared her down-to-earth qualities

Dino de Laurentiis - producer who help take Italian cinema to the world

Roberto Benigni - eccentric comedian, actor and director who scored a first for Italy

Also on this day:

1830: Death of the king of Naples and Sicily

(Photos of Virna Lisi from YouTube; photo of Teatro Pergolese from gaspa via Wikimedia Commons)

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