Showing posts with label 1903. Show all posts
Showing posts with label 1903. Show all posts

24 August 2018

Peppino De Filippo - comedian, actor and playwright

Talented Neapolitan who lived in shadow of his brother

Peppino de Filippo enjoyed a successful career on stage and screen
Peppino de Filippo enjoyed a successful
career on stage and screen
The playwright and comic actor Peppino De Filippo was born Giuseppe De Filippo on this day in 1903 in Naples.

A highly accomplished performer on stage in serious as well as comedy roles, De Filippo also had a list of film credits numbering almost 100, of which he is best remembered for his screen partnership with the brilliant comic actor Totò.

To an extent, however, he spent his career in the shadow of his older brother, Eduardo De Filippo, who after Luigi Pirandello was regarded as the second great Italian playwright of the 20th century.

The two fell out in the 1940s for reasons that were never made clear, although it later emerged that they had many artistic differences.

They were never reconciled, and though Peppino went on to enjoy a successful career and was widely acclaimed it annoyed him that he was always seen as a minor playwright compared with his brother.

When Peppino published an autobiography in 1977, three years before he died, he called it Una famiglia difficile - A Difficult Family. In the book he described his relationship with his sister, Titina, as one of warmth and affection, but portrays Eduardo as something of a tyrant.

Peppini, second from the right, with his father, mother, brother and sister in about 1910
Peppini, second from the right, with his father,
mother, brother and sister in about 1910
The son of Eduardo Scarpetta, one of the most prominent Neapolitan playwrights of the early 20th century, and Luisa De Filippo, he was born in a house on the corner of Via Giovanni Bausan and Via Vittoria Colonna in the Chiaia district of central Naples, about a 20-minute walk from Piazza del Plebiscito and the Royal Palace.

Yet he spent the first five years of his life being cared for by a nanny in Caivano, a small town about 14km (9 miles) northeast of Naples, and returned to his family somewhat reluctantly.

He made his stage debut at the age of six in a play written by his father, learned to play the piano and worked in various theatre companies as he grew up, meeting Totò for the first time in 1920 at the Teatro Nuovo in Naples, in the Spanish Quarter.

Married in 1929 to Adela Carloni, he became a father the following year and soon afterwards joined his brother, Eduardo, and Titina in forming the Compagnia Teatro Umoristico: i De Filippo - the De Filippos’ Humorous Theatre Company.

They were very successful, touring Italy, presenting new comedies to full theatres and enthusiastic reviews.

However, in 1944, after a number of clashes with Eduardo - one story was that Eduardo disapproved of his brother’s relationship with another woman, Lidia Maresca, who later became his second wife  - Peppino left the company.

Peppino de Filippo, right, with Totò, centre, in a scene from their 1956 movie, La Banda degli Onesti
Peppino de Filippo, right, with Totò, centre, in a scene
from their 1956 movie, La Banda degli Onesti
His own plays were lighter in tone than Eduardo’s and, some critics argued, superior work, yet he never achieved the same recognition for his writing.

On the other hand, he became a highly respected actor known for his versatility. His performances in Harold Pinter’s play The Caretaker and in Molière’s The Miser attracted glowing reviews.

Nonetheless, Peppino’s career tends to be defined by the high profile he achieved in film and on television.

His films with Totò, of which there were 16, though snubbed by the critics, were hugely successful, so much so that the popularity of De Filippo in his own right meant that several movies in which the pair collaborated, such as Totò, Peppino e la malafemmina and Totò, Peppino e le fanatiche, had his name in the title as well as that of his more famous co-star.

He worked with Federico Fellini - in Boccaccio '70, for example - and with Alberto Lattuada and also invented Pappagone, a character for a TV show, who represented a servant employed by himself, a typical character in Neapolitan theatre, whose phrases and jargon became popular sayings.

He married three times in total but had only child, his son Luigi, who maintained the family tradition by becoming an actor, director and playwright, producing and performing in many works by his father and uncle.

De Filippo died in Rome in 1980 and was buried at the Campo Verano cemetery.

The Naples waterfront to the west of the city centre - Chiaia is the area behind the trees of Villa Comunale
The Naples waterfront to the west of the city centre - Chiaia
is the area behind the trees of Villa Comunale 
Travel tip:

Chiaia, where Peppino De Filippo was born, is a neighbourhood bordering the seafront in Naples, roughly between Piazza Vittoria and Mergellina. It has become one of the most affluent districts in the city, with many of the top fashion designers having stores on the main streets. It is the home of a large public park known as the Villa Comunale, flanked by the large palazzi along the Riviera di Chiaia on one side, and the sweeping promenade of the Via Francesco Caracciolo on the other.

An artist's sketch of the Teatro Nuovo in around 1900
An artist's sketch of the Teatro Nuovo in around 1900
Travel tip:

The Teatro Nuovo, where Peppino first met Toto, is located on Via Montecalvario in the Quartieri Spagnoli - Spanish quarter - of Naples, off the Via Toledo, a few steps from Piazza del Plebiscito. The original theatre was an opera house designed by Domenico Antonio Vaccaro completed in 1724. It specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday, including 15 by Cimarosa and seven by Donizetti. The theatre has twice been destroyed by fire, in 1861 and again in 1935.

More reading:

How Eduardo De Filippo captured the spirit of Naples

The brilliance of Luigi Pirandello

The versatility of Alberto Lattuada

Also on this day:

1540: The death of the artist Parmigianino

1902: The birth of Mafia boss Carlo Gambino


10 January 2017

Flaminio Bertoni - sculptor and car designer

Visionary ideas turned Citroën into style icon

Flaminio Bertoni in his workshop
Flaminio Bertoni in his workshop
The sculptor and automobile designer Flaminio Bertoni, the creative genius behind the groundbreaking Citroën cars of the 1930s, 40s and 50s, was born on this day in 1903 in what is now the Masnago district of Varese.

Bertoni, who lived in or near Paris from 1931 until his death in 1964, designed bodies for the stylish Traction Avant luxury executive car and the enduring workhorse 'Deux Chevaux' - the 2CV - which became almost a symbol of France.

Yes both of these were eclipsed, some would say, by the brilliance of Bertoni's aerodynamic, futuristic Citroën DS - also known as 'the Goddess' - which was named the most beautiful car of all time by the magazine Classic and Sports Car and was described by the Chicago Institute of Design soon after its launch as among the '100 most beautiful things in the world'.

Bertoni was fêted in France, where he was made a Knight of Arts and Letters by the government of Charles de Gaulle in 1961 but it was not until almost 40 years after his death that his achievements were given recognition in his home country, where his son, Leonardo, set up a museum in Varese to celebrate his work.

Even as a small child, Bertoni's ambitions were clear. He immersed himself in books about his idols, Michelangelo and Leonardo da Vinci, from the age of six.

Bertoni's Citroën DS was named 'the most beautiful car of all time' by the magazine, Classic and Sports Car
Bertoni's Citroën DS was named 'the most beautiful car
of all time' by the magazine, Classic and Sports Car
Although he would embrace car design with passion, his involvement with the nascent automobile industry came about by accident.  Having graduated from technical college in Varese, he was forced by the death of his father to look for a job rather than continue his formal education further.

It just so happened that the first offer of work came from a small car manufacturer in Varese, Carrozzeria Macchi, where he was taken on as a joiner's apprentice.  The company soon realised where his true talent lay, however, and within only a few years he was their head draftsman.

His first visit to France came in 1925, when he was invited to Paris following a visit to the Varese factory by some French engineers.  Bertoni met André Citroën and was impressed by his energy and forward thinking, yet at that stage wished to make his career in Italy.

Within six years, however, he had decided to make his home in Paris.  Having fallen out with Carrozzeria Macchi because his ideas were seen as too advanced, and when his mother made it clear she disapproved of his girlfriend, Giovanna Barcella, the lure of a new life in the sophisticated French capital, which was at the forefront of automotive design at the time, became too much to resist.

Bertoni's iconic 2CV remained in production for 42 years, with sales topping five million
Bertoni's iconic 2CV remained in production for 42
years, with sales topping five million
When he and Giovanna stepped off the train at Gard de Lyon in October 1931 he had no job and she was already three months' pregnant but everything fell into place the following year. Two months after the birth of his son, whom he would name Leonardo in honour of Da Vinci, he was taken on by Citroën.

His first design triumph came in 1934 with the Traction Avant - literally 'front wheel drive' - which he presented to the company not as a design on paper but a fully scaled sculpture in plasticine.  The car had a lightweight all-metal body and a substantially bigger passenger compartment than was typical. It seemed certain to be a success but its development had been so expensive that the company was bankrupted soon after its launch.

Fortunately, the tyre company Michelin not only came to the rescue of the company but were keen to see the Traction Avant project realised.  Eventually, 750,000 were sold.

The next few years were difficult for Bertoni.  In 1936, dismayed at how little time her husband spent at home - while not working, he was exhibiting his sculptures and drawings and enjoying the Paris nightlife - Giovanna returned to Italy, taking Leonardo with her.  After the outbreak of the Second World War, he was twice interned as an alien, although on each occasion he was quickly released.  He also spent a year in hospital after a serious motorcycle accident, although he put the time to good use by studying for an architecture degree.

Once recovered, he took Citroën's plans for what was originally named the TPV - a 'tres petite voiture' to rival the German 'people's car', the Volkswagen - and developed the distinctive bodywork lines that would instantly set apart the fabled 2CV.  Conceived at first as a purely functional vehicle aimed at agricultural workers, it would in time become a French icon.  Launched in 1948, it remained in production for 42 years, selling more than five million.

The 1930s luxury saloon the Traction Avant was Bertoni's first major success designing for Citroën
The 1930s luxury saloon the Traction Avant was
Bertoni's first major success designing for Citroën
By now married for the second time, to the dancer Lucienne Marodon, he followed the 2CV with a car aimed at a much different market as France recovered from war keen to reconnect with its opulent past.  The Citroën DS - the letters were a play on the French word 'Déesse', meaning Goddess - was unveiled at the Paris Motor Show in 1955, where visitors were wowed not only by the beautiful sculpted curves of the car's superstructure but by its hydro-pneumatic suspension, front power disc brakes and power steering. It was hailed as 'a magic carpet ride' and 12,000 orders were placed on the opening day.

Bertoni created one more fine car, the Ami 6, and also managed to put his architectural skills into practice in the United States, where a system for building houses designed by Bertoni enabled 1,000 homes to go up in 100 days at a project in St Louis, Missouri.

He frequently exhibited and won prizes for his drawings and sculptures both in Italy and France.  The imposing Monument to the Fallen in Varese's Piazza della Repubblica was in part sculpted by Bertoni, working for Enrico Butti.

Bertoni, who always walked with a stick after his motorcycle accident, which left him with one leg shorter than the other, died in Paris in 1964 after suffering a stroke.  His second son, Serge, from his marriage to Lucienne Maradon, passed away a few years later, the victim of a road accident.

Travel tip:

Leonardo Bertoni, who died in 2015 at the age of 82, campaigned for the last 15 years of his life to see that his father's memory was preserved in his native country, setting up a museum in Varese to celebrate his work.  The museum has since closed but the exhibits are now on display at the Museum of Transport at Ranco, about 20km west of Varese on Lake Maggiore.

The Estensi Palace and Gardens in Varese
The Estensi Palace and Gardens in Varese
Travel tip:

Varese is a pleasant city in northern Lombardy overlooking the lake of the same name, situated about 20 minutes from Milan Malpensa airport and about 55km (34 miles) from the city of Milan.  The city is small enough to get around on foot, with attractions such as the central Piazza Monte Grappa, the Basilica San Vittore and the spectacular Estensi Palace and Gardens within a short distance of one another.

More reading:

Battista 'Pinin' Farina - Ferrari's design mastermind

Vittorio Jano - engineer who created Ferrari's classic V-8 Dino engine

How industrialist Enrico Piaggio gave Italy the Vespa motor scooter

Also on this day:

967: Death of San Pietro Orseolo, doge of Venice

(Picture credits: Citroën DS by Alexandre Prévot; 2CV by Croquant; Traction Avant by Abrimaal; Estensi Palace by Docfra; all via Wikimedia Commons)