Showing posts with label Carlo Porta. Show all posts
Showing posts with label Carlo Porta. Show all posts

7 September 2018

Giuseppe Gioachino Belli – poet

Sonnet writer satirised life in 19th century Rome


Giuseppe Gioachino Belli's poems often poked  fun at the Roman Catholic church
Giuseppe Gioachino Belli's poems often poked
 fun at the Roman Catholic church
The poet Giuseppe Gioachino Belli was born on this day in 1791 in Rome and was christened Giuseppe Francesco Antonio Maria Gioachino Raimondi Belli.

He was to become famous for his satirical sonnets written in Romanesco, the dialect of Rome.

After taking a job in Civitavecchia, a coastal town about 70km (44 miles) northwest of Rome, Belli’s father moved the family to live there, but after he died - of either cholera or typhus - his wife returned to Rome with her children and took cheap lodgings in Via del Corso.

Living in poor circumstances, Belli began writing sonnets in Italian at the suggestion of his friend, the poet Francesco Spada.

In 1816, Belli married a woman of means, Maria Conti, and went to live with her in Palazzo Poli, the palace that forms the backdrop to the Trevi Fountain. This gave him the freedom to develop his literary talents. They had a son, Ciro, in 1824.

The palace was Belli’s home for 21 years, from 1816 to 1837, but he was able to travel to other places in Italy where he came into contact with new ideas. It was during a stay in Milan that he first encountered dialect poetry and satire. The sonnets of Carlo Porta provided him with a model for the poems in Roman dialect that eventually were to make him famous.

The plaque marking the birthplace of Giuseppe Gioachino Belli, in Via dei Redentoristi in central Rome
The plaque marking the birthplace of Giuseppe Gioachino
Belli, in Via dei Redentoristi in central Rome
His sonnets were often satirical and anti-clerical. For example, he dubbed the Cardinals ‘dog-robbers’ and referred to Pope Gregory XV as ‘someone who kept Rome as his personal inn.’

However, during the democratic rebellion that led to the declaration of a short-lived Roman Republic of 1849, he defended the rights of the Pope.

Belli produced more than 2,200 sonnets that document the life of common people in 19th century Rome. He kept them hidden, apart from occasionally giving recitals to friends. Just before his death he asked his friend, Monsignor Vincenzo Tizzani, to burn them but fortunately his friend handed them over to Belli’s son, Ciro, who published a selection of them in 1866, editing them to prevent them from causing offence at the time.

The first complete edition of Belli’s work was not published till 1952, nearly a century after his death.

Belli satirised the way ordinary  working class Romans lives
Belli satirised the way ordinary
 working class Romans lives
Belli’s sonnets expressed with humour what he observed of the Roman lower classes, satirising the way people lived and the clerical world that oppressed them.

Ironically, the poet later worked as an artistic and political censor for the papal government and prevented the work of Shakespeare, Verdi and Rossini from being circulated, among others.

After his wife’s death in 1837, Belli’s economic situation had worsened again and as he grew older, he lost a lot of his vitality and became increasingly critical of the world around him, describing himself as ‘a dead poet’.

He died in Rome after a stroke in 1863 at the age of 72.

His nephew, the painter Guglielmo Janni, wrote his biography in ten volumes, which was published posthumously.

The monument to Belli off Viale Trastevere
The monument to Belli off Viale Trastevere
Travel tip:

A plaque next to the door marks Giuseppe Gioachino Belli’s birthplace at number 13 Via dei Redentoristi, a back street near the Basilica of Sant’Andrea delle Valle, which is in Corso Vittorio Emanuele II, a short distance from the Pantheon in central Rome.  There is a monument to the poet in Piazza Giuseppe Gioachino Belli, which is off Viale Trastevere in Rome, overlooking the Tiber near the Basilica of San Crisogno. It was placed there in 1913 and paid for by the public of Rome.

The Palazzo Poli is the palace immediately behind the Trevi Fountain in the centre of Rome
The Palazzo Poli is the palace immediately behind
the Trevi Fountain in the centre of Rome
Travel tip:

The Palazzo Poli, where Belli lived for more than 20 years, dates back to 1573, when the Anguillara family commissioned the architect Martino Longhi to transform a former palace of Baldovino Del Monte, brother of Pope Julius III. In time it was acquired by Lucrezia Colonna and was renamed in 1712 after her husband, Giuseppe Conti, the Duke of Poli. When plans were drawn up for the Trevi Fountain, the central section was demolished and replaced with the monumental facade designed by Luigi Vanvitelli as the backdrop for fountain, which was designed by Nicola Salvi and completed by Giuseppe Pannini in 1762.

More reading:

The brilliant lyric poetry of Giacomo Leopardi

How Vittorio Alfieri's poetry inspired the oppressed

Ugo Foscolo - poet and revolutionary

Also on this day:

1303: The kidnapping of Pope Boniface VIII

1893: The founding of Italy's oldest surviving football club


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