Francesco Berni - poet

The short turbulent life of a witty satirist   

Francesco Berni depicted in a
18th century drawing 

Tuscan writer Francesco Berni, whose satirical verses poked fun at two Popes and one of his contemporary Italian poets, died on this day in 1535 in Florence.

Berni became known for his distinctive style of burlesque writing, which imitated serious literary forms in a humorous way. This technique became known as ‘bernesco’ and was a device later used by many other poets.

Some people believed his death, when he was in his thirties, was due to having been poisoned in revenge for refusing to take part in a plot to kill either Ippolito de’ Medici or an Italian Cardinal named Giovanni Salviati, but this is not certain.

Berni was born in either 1497 or 1498 in Lamporecchio in Tuscany. His father, Niccoló, who was a doctor, came from an established Florentine family, but he was poor. Berni spent his early years living in Florence and, when he was about 20, he entered the service of Cardinal Bernardo Bibbiena and his nephew, Angelo Dovizi, and moved to Rome with them.

At the time of the election of Pope Adrian VI, Berni circulated some witty verses that may have caused offence and he then found himself having to leave the capital city for a while and moved to live in Abruzzo. He returned in 1523 and accepted a post as a clerk, or a secretary, to Gian Matteo Giberti, who had an important role as datary to Pope Clement VII, which was a powerful post, responsible for processing official documents, granting dispensations and conferring benefices.

However, Berni found his duties working for Giberti irritating but, in the meantime, earned himself some celebrity because of his inventive satirical poetry. In about 1530, he was able to relinquish his post to concentrate on his writing, having obtained a canonry in Florence Cathedral, an office that relieved his precarious financial situation.

The writer’s Tuscan translation of Orlando Innamorato, a work that had been composed by the Renaissance author Matteo Maria Boiardo, went on to eclipse the original version, as it was preferred by many readers. The original had been written in the less popular Ferrarese dialect, making it more difficult for a lot of people to read. 

Pope Clement VII was one of Berni's
targets for his satirical verse

Berni’s play La Catrina, which was described as a lively, rustic farce, was also highly regarded at the time, but Berni was to become more well-known for his burlesque poetry.

Some of his output is regarded as savagely satirical, such as his verses attacking his fellow Tuscan poet, Pietro Aretino, and those aimed at the Popes, Adrian VI and Clement VII. 

However, some of his most popular work, which was written in the style of Petrarchan verse, was inspired by relatively unimportant, everyday subjects, such as a poem he wrote mocking his friend’s shorn beard.

Sadly, Berni died, at the age of about 38. After his death, a story circulated that he had been poisoned by Duke Alessandro de’ Medici for having refused to poison the Duke’s cousin, Ippolito de’ Medici, but this has never been proved one way or the other. It was also claimed in a letter written at the time that Berni died from ingesting the poison that he had refused to administer to Cardinal Giovanni Salviati, a Florentine diplomat.

Whether either story is true or not, it is thought more likely that Berni’s mysterious death occurred as a result of being caught up in the political intrigues going on at the time among the Medici, rather than because he had seriously offended any of the targets of his satirical verses. 

Berni’s acclaimed translation and revision of Boiardo’s Orlando Innamorato has also provided scholars with a clue about his own opinions about religion. In one of his poetic introductions to a canto, he revealed that he was favourably disposed toward the new Reformation principles being introduced in Italy at the time, which may explain the bitterness of some of his remarks in the satirical verses that he had written about the Church.

Several streets in Italian cities have been named after the poet. You can find a Via Francesco Berni in Florence, Empoli, Pietrasanta, Varese, and Verona.

Packets of brigidini, Lamporecchio's speciality
wafer biscuits, on sale at a market

Travel tip:

Lamporecchio, where Francesco Berni was born, is a comune - municipality - in the province of Pistoia in Tuscany. It is about 13km (eight miles) south of Pistoia. The town is known for the invention of brigidini, which are thin, anise-flavoured wafers, and the berlingozzo, a cake typically eaten during the Carnival. The noble Rospigliosi family, of which Pope Clement IX was a member, has its roots in Lamporecchio. With a population of around 7,500,  Lamporecchio is located in the Valdinievole, a valley that extends between Pistoia and Lucca, in an area halfway between the Fucecchio Marsh and the hills of Montalbano, which are planted with vineyards and olive trees. Halfway along the valley - and a good base for visiting the area - is the town of Montecatini Terme, famous for its thermal baths that can be enjoyed in the town’s Liberty-style spa resorts.

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Brunelleschi's colossal dome of the Cattedrale di
Santa Maria del Fiore dominates the skyline

Travel tip:

Berni achieved financial security and was able to concentrate on his poetry after 1530 when he obtained a canonry at Florence Cathedral. Otherwise known as Santa Maria del Fiore, or the Duomo of Florence, the cathedral dominates the city skyline with its immense, brick-built dome designed by the Florentine Renaissance architect Filippo Brunelleschi. It was built without scaffolding and given an inner shell to provide a platform for the timbers that support the outer shell. The architect died in 1446 before it was completed, but a statue of Brunelleschi was erected in Piazza del Duomo. The dome was his greatest achievement, and would forever define the city of Florence. It remains, to this day, the largest masonry dome in the world.

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More reading:

How satirist Giuseppe Parini mocked the aristocracy of 18th century Milan

Why Pietro Aretino was both admired and feared by the nobility

Ludovico Ariosto, Renaissance author of the epic poem, Orlando Furioso

Also on this day:

1805: Napoleon Bonaparte was declared King of Italy

1955: The death of racing driver Alberto Ascari

1977: The birth of footballer Luca Toni

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Pietro Aretino – writer

Satirist was both admired and feared by the nobility

Pietro Aretino, captured by his friend, the
Venetian painter Titian in around 1545

Poet, playwright and prose writer Pietro Aretino was born on this day in 1492 in Arezzo in Tuscany.

Aretino became famous for his satirical attacks on important figures in society and grew wealthy from the gifts he received from noblemen who feared being exposed by his powerful pen.

Although he was the son of an Arezzo shoemaker, he pretended to be the natural son of a nobleman and took his name from Arretium, the Roman name for Arezzo.

He moved to Perugia while still very young and lived the life of a painter, but in 1517 when he was in his early twenties, Aretino moved on to Rome, where he secured the patronage of the rich banker, Agostino Chigi.

When Pope Leo X's pet elephant, Hanno, died, Aretino wrote a satirical pamphlet, The Last Will and Testament of the Elephant Hanno, cleverly mocking the leading political and religious figures in Rome at the time. This established his fame as a satirist. He then wrote a series of viciously satirical lampoons supporting the candidacy of Giulio de’ Medici for the papacy. Giulio duly became Pope Clement VII in 1523.

Despite being supported by the Pope and his patron, Chigi, Aretino was finally forced to leave Rome because of writing a collection of ‘lewd sonnets’, sonetti lussuriosi, in 1524.

The painter Titian became a good friend
and supporter of Aretino

By 1527 Aretino had settled in Venice where he was admired but also feared by those in power and he received enough money to be able to live in a grand - albeit dissolute - style.

He became a close friend of the painter Titian and sold paintings on Titian’s behalf to Francis I, the King of France.

Titian’s portrait of Aretino, painted in around 1545, shows him wearing a gold chain that he had received as a gift from the King of France.

It is claimed Francis I of France and Charles V of Spain both paid him a pension at the same time, each hoping he would damage the reputation of the other.

Aretino wrote six volumes of letters that were published from 1537 onwards which reveal his cynicism and justify the name he gave to himself, ‘flagello dei principe’ - scourge of princes.

He was particularly vicious in his attack on Romans, not forgetting that they had forced him to move to Venice. In his Ragionamenti - Discussions - written between 1534 and 1536, Roman prostitutes reveal to each other the moral failings of many of the important men in the city and in his Dialogues, he examines the carnality and corruption among Romans at the time.

Aretino’s dramas present well observed pictures of lower-class life, free from the conventions that burdened other contemporary dramas. The best known is Cortigiana - The Courtesan - published in 1534, a lively and amusing insight into the life of the lower classes in Rome.

Aretino captured in another portrait
by Titian, painted in 1512

Aretino also wrote a tragedy, Orazia, published in 1546, which has been judged to be the best Italian tragedy written in the 16th century.

Pietro Aretino died in 1556 in Venice aged 64. It was claimed at the time that he either suffocated because he could not stop laughing, or fell backwards and hit his head while laughing.

He was buried in the Church of San Luca, which lies between St Mark’s Square and the Rialto bridge in Venice.

In 2007, the composer Michael Nyman set some of Aretino’s Sonetti lussoriosi to music under the title 8 Lust Songs. Aretino’s texts again caused controversy when the songs were performed in London in 2008 as the printed programmes containing extracts had to be withdrawn after there were allegations of obscenity.

The interior of the 13th century Basilica di San Francesco
in Piazza San Francesco in the heart of Arezzo

Travel tip:

Arezzo, where Pietro Aretino was born and acquired his surname, is an interesting old town in eastern Tuscany, which was used as the location for the 1997 film Life Is Beautiful. One of the scenes in the film took place in front of the Badia delle Sante Flora e Lucilla, a medieval abbey. Right in the centre of the town, the 13th century Basilica di San Francesco in Piazza San Francesco is the most famous sight in Arezzo and attracts many visitors as it contains Piero della Francesco’s cycle of frescoes, The Legend of the True Cross, painted between 1452 and 1466 and considered to be his finest work.

The church of San Luca in Venice, which can be found
between Piazza San Marco and the Rialto bridge

Travel tip:

Pietro Aretino was buried in the Church of San Luca close to Salizzada San Luca in the St Mark’s sestiere of Venice. On his tombstone was the epitaph: ‘Here lies Aretino, poet Tosco, that everyone spoke poorly about, except Christ, who apologised saying: ‘I do not know him.’’ This inscription was later removed, either by the Inquisition, or during restoration work on the floor of the church in the 18th century. It is claimed many journalists, writers and non-believers used to visit the church looking for Aretino’s tomb. On either side of the altar there used to be paintings from the 16th century, in which Aretino was portrayed as part of the crowd. It has been claimed that the paintings were removed by one of the priests in the 19th century to discourage the interest and they have still not been put back.

Also on this day:

1317: The death of Sant’Agnese of Montepulciano

1949: The birth of Massimo D’Alema, Italy’s first Communist prime minister

1951: The death of anti-Fascist politician Ivanoe Bonomi


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Giuseppe Gioachino Belli – poet

Sonnet writer satirised life in 19th century Rome

Giuseppe Gioachino Belli's poems often poked
 fun at the Roman Catholic church

The poet Giuseppe Gioachino Belli was born on this day in 1791 in Rome and was christened Giuseppe Francesco Antonio Maria Gioachino Raimondi Belli.

He was to become famous for his satirical sonnets written in Romanesco, the dialect of Rome.

After taking a job in Civitavecchia, a coastal town about 70km (44 miles) northwest of Rome, Belli’s father moved the family to live there, but after he died - of either cholera or typhus - his wife returned to Rome with her children and took cheap lodgings in Via del Corso.

Living in poor circumstances, Belli began writing sonnets in Italian at the suggestion of his friend, the poet Francesco Spada.

In 1816, Belli married a woman of means, Maria Conti, and went to live with her in Palazzo Poli, the palace that forms the backdrop to the Trevi Fountain. This gave him the freedom to develop his literary talents. They had a son, Ciro, in 1824.

The palace was Belli’s home for 21 years, from 1816 to 1837, but he was able to travel to other places in Italy where he came into contact with new ideas. It was during a stay in Milan that he first encountered dialect poetry and satire. The sonnets of Carlo Porta provided him with a model for the poems in Roman dialect that eventually were to make him famous.

The plaque marking the birthplace of Giuseppe Gioachino
Belli, in Via dei Redentoristi in central Rome

His sonnets were often satirical and anti-clerical. For example, he dubbed the Cardinals ‘dog-robbers’ and referred to Pope Gregory XV as ‘someone who kept Rome as his personal inn.’

However, during the democratic rebellion that led to the declaration of a short-lived Roman Republic of 1849, he defended the rights of the Pope.

Belli produced more than 2,200 sonnets that document the life of common people in 19th century Rome. He kept them hidden, apart from occasionally giving recitals to friends. Just before his death he asked his friend, Monsignor Vincenzo Tizzani, to burn them but fortunately his friend handed them over to Belli’s son, Ciro, who published a selection of them in 1866, editing them to prevent them from causing offence at the time.

The first complete edition of Belli’s work was not published till 1952, nearly a century after his death.

Belli satirised the way ordinary
 working class Romans lives

Belli’s sonnets expressed with humour what he observed of the Roman lower classes, satirising the way people lived and the clerical world that oppressed them.

Ironically, the poet later worked as an artistic and political censor for the papal government and prevented the work of Shakespeare, Verdi and Rossini from being circulated, among others.

After his wife’s death in 1837, Belli’s economic situation had worsened again and as he grew older, he lost a lot of his vitality and became increasingly critical of the world around him, describing himself as ‘a dead poet’.

He died in Rome after a stroke in 1863 at the age of 72.

His nephew, the painter Guglielmo Janni, wrote his biography in ten volumes, which was published posthumously.

The monument to Belli off Viale Trastevere

Travel tip:

A plaque next to the door marks Giuseppe Gioachino Belli’s birthplace at number 13 Via dei Redentoristi, a back street near the Basilica of Sant’Andrea delle Valle, which is in Corso Vittorio Emanuele II, a short distance from the Pantheon in central Rome.  There is a monument to the poet in Piazza Giuseppe Gioachino Belli, which is off Viale Trastevere in Rome, overlooking the Tiber near the Basilica of San Crisogno. It was placed there in 1913 and paid for by the public of Rome.

The Palazzo Poli is the palace immediately behind
the Trevi Fountain in the centre of Rome

Travel tip:

The Palazzo Poli, where Belli lived for more than 20 years, dates back to 1573, when the Anguillara family commissioned the architect Martino Longhi to transform a former palace of Baldovino Del Monte, brother of Pope Julius III. In time it was acquired by Lucrezia Colonna and was renamed in 1712 after her husband, Giuseppe Conti, the Duke of Poli. When plans were drawn up for the Trevi Fountain, the central section was demolished and replaced with the monumental facade designed by Luigi Vanvitelli as the backdrop for fountain, which was designed by Nicola Salvi and completed by Giuseppe Pannini in 1762.

More reading:

The brilliant lyric poetry of Giacomo Leopardi

How Vittorio Alfieri's poetry inspired the oppressed

Ugo Foscolo - poet and revolutionary

Also on this day:

1303: The kidnapping of Pope Boniface VIII

1893: The founding of Italy's oldest surviving football club


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Benito Jacovitti - cartoonist

Multiple comic characters loved by generations 

Benito Jacovitti

Benito Jacovitti, who would become Italy's most famous cartoonist, was born on this day in 1923 in the Adriatic coastal town of Termoli.

Jacovitti drew for a number of satirical magazines and several newspapers but also produced much work aimed at children and young adults.

His characters became the constant companions of generations of schoolchildren for more than 30 years via the pages of Diario Vitt, the school diary produced by the publishers of the Catholic comic magazine Il Vittorioso, which had a huge readership among teenagers and young adults, and for which Jacovitti drew from 1939 until it closed in 1969.

Jacovitti gave life to such characters as "the three Ps" - Pippo, Pertica and Pallo - as well as Chicchiriccì and Jack Mandolino via their cartoon adventures in Il Vittorioso, introduced Zorry Kid, a parody of Zorro, through a later association with children's journal Il Corriere del Picoli, and the cowboy Cocco Bill, who emerged during his 10-year stint as cartoonist for the daily newspaper, Il Giorno.

Cocco Bill, the character Jacovitti created
during his years working for Il Giorno

Born Benito Franco Iacovitti, he was the son of a railway worker.  Both his parents had Albanian origins. His first names stemmed from his father's fascination with the powerful political figures of the time.

Benito showed the first evidence of his artistic talent as a small child. He would draw comic stories on pavements in Termoli at the age of six.  The family moved to Macerata in Marche, where Jacovitti attended art school from the age of 11, and then to Florence, where he enrolled at the Art Institute as a 16-year-old.

It was there that he acquired the nickname lisca di pesce (fishbone) on account of his rather scrawny physique. He adopted the nickname as his signature.

He launched his career with the Florentine satirical magazine Il Brivido, where he decided he preferred his second name to begin with a 'J' rather than an 'I'.  The work with Il Vittorioso came soon afterwards and made him a household name.

Notable for his sense of the absurd, Jacovitti drew figures that inevitably had huge noses and gigantic feet and were sometimes quite grotesque. He has cited Elzie Crisler Segar, creator of Popeye, as one of his influences.

Though he became known for the characters and storylines he invented for his young audience, Jacovitti continued to maintain his skills as a satirist, drawing for the magazine Il Travaso for much of the 1950s under the signature of 'Franz'.

The Pippo cartoons with Il Vittorioso
established Jacovitti's popularity

During his time with Il Travaso, he collaborated with the film director Federico Fellini on an anti-communist strip that was very popular.

Controversially, he also worked on Kamasultra, a comic book parody of the Hindu adult text the Kamasutra, which in some eyes somewhat tarnished Jacovitti's reputation.

He began to draw for newspapers in the 1950s, first for Quotidiano and, from 1956 to 1966, for Il Giorno, the national daily based in Milan.

Jacovitti's work was published in many other periodicals in Italy and abroad and he had commercial companies queuing up to use his characters in advertising for their products. They appeared in commercials for Eldorado ice cream, Fiorucci salami, Teodoro oils and Fiat cars among others.

During his career, Jacovitti created more than 60 characters and produced around 150 books, making him one of the most prolific and original artists in comic book history.

He was a great admirer of Carlo Collodi, the creator of Pinocchio, and illustrated a number of editions of the famous story during his career.

Awarded the title of Knight Order of Merit of the Italian Republic by the President, Oscar Luigi Scalfaro, in 1994, he died in Rome in 1997 at the age of 74.

Travel tip:

Termoli, once primarily a fishing port but now a popular tourist resort, particularly with Italian families who flock to its sandy beaches, is notable for the Borgo Antico, an historic old town that sits on a promontory surrounded by walls which, on one side, drop into the sea.  An 11th century castle stands guard at the entrance and many of the houses are painted in pastel colours.  The Cathedral of St Mary of the Purification, built in the 12th and 13th centuries, is an example of Apulian Romanesque design. Contained within are the remains of the town's two patron saints, Bassus of Lucera and Timothy.

Termoli hotels by Booking.com  

Macerata hosts the Sferisterio Opera Festival every summer

Travel tip:

The walled city of Macerata in Marche is not among Italy's mainstream tourist destinations yet offers much to charm the visitor with its hill-town characteristics and maze of cobbled streets.  At the heart of the city, in the pretty Piazza della Libertà, is the Loggia dei Mercanti with its two-tier arcades, dating from the Renaissance. There are several beautiful palaces and a university that is among the oldest it Italy, established in 1290.  Each July and August the city hosts the Sferisterio Opera Festival, one of the most important dates on the Italian opera calendar, which is held in the 2,500 seat open-air Arena Sferisterio, a huge neoclassical arena built in the 1820s. Most of the world's great opera singers have performed there, attracted by its perfect acoustics, and it has been credited with staging some of the finest productions in the history of numerous regularly performed works, including Ken Russell's direction of Puccini's La Bohème in 1984.

More reading:

How Carlo Collodi's Pinocchio stories carried hidden meanings

Giacomo Puccini - the opera genius who inherited Verdi's baton

Giovanni Guareschi - satirical magazine editor who created Don Camillo

Also on this day:

1943: The birth of Mario Monti, the technocrat prime minister known as 'Super Mario'

(Picture credit: Sferisterio Festival by Florian Prischl via Wikimedia Commons)




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