Virginia de’ Medici – noblewoman

Duchess was driven mad by husband’s infidelity

Virginia de' Medici married into the House
of Este, gaining wealth and power

Virginia de’ Medici, who for a time ruled the duchy of Modena and Reggio, was born on this day in 1568 in Florence.

She protected the autonomy of the city of Modena while her husband was away, despite plots against her, and she was considered to have been a clever and far-sighted ruler.

Virginia was the illegitimate daughter of Cosimo I de’ Medici, Grand Duke of Tuscany and his mistress, Camilla Martelli.

Her paternal grandparents were Giovanni dalle Bande Nere and his wife Maria Salviati, who was the granddaughter of Lorenzo the Magnificent. Her maternal grandparents were Antonio Martelli and Fiammetta Soderini, who were both members of important families in Florence.

In 1570, Cosimo I contracted a morganatic marriage with his mistress, Camilla, on the advice of Pope Pius V, which allowed him to legitimise his daughter.

Virginia lived with her parents at the Villa di Castello during the summer and in Pisa in the winter.

Cosimo I’s older children resented his second marriage and after his death in 1574 they imprisoned Camilla in a convent.

Cesare d'Este became Virginia's husband in
an arranged marriage in 1586

Virginia’s older brothers negotiated a marriage for her with a member of the Sforza family and when she was 13 she was betrothed to Francesco Sforza, Count of Santa Fiora.

The marriage did not take place because Sforza chose an ecclesiastical career and eventually became a Cardinal.

They then arranged a marriage for her with a member of the Este family and in 1586 Virginia married Cesare d’Este, the grandson of Alfonso I, Duke of Ferrara and son of Alfonso, Marquess of Montecchio. 

A play was written and performed to celebrate this event in Florence and the poet, Torquato Tasso, who was living in Ferrara, dedicated a Cantata to the newly married couple.

When the couple arrived in Ferrara, they lived in the Palazzo dei Diamanti, which was given to them by Cardinal Luigi d’Este, Cesare’s uncle.  A year later, Cesare’s father died and Virginia became Marchioness Consort of Montecchio after her husband inherited the title.

After Duke Alfonso II died in 1597 without issue, Cesare became the head of the House of Este and Virginia became Duchess Consort of Ferrara, Modena and Reggio and was given a wealth of other titles to do with territories owned by the Este family, some of which were in France.

Their rule over Ferrara did not last long as Pope Clement VII decided not to recognise Cesare’s succession. The Duchy of Ferrara was officially abolished and returned to the Papal States and Cesare and his family had to move to Modena. In 1601 he was also stripped of all his domains and titles in France.

The church of San Vincenzo in
Modena, where Virginia is buried

Virginia bore ten children for Cesare and acted as regent for him while he was away in Reggio. She stopped the attempts of the Podestà and Judge of Modena to seize control in his absence.

But she began to have unpredictable fits of anger and was thought to have been driven mad by knowing that her husband was often unfaithful to her. Her Jesuit confessor claimed she was possessed by the devil and tried to exorcise her demons.

It was later thought her mental illness was caused by having been married against her will and that it was worsened by her husband’s infidelity.

After Virginia’s death in 1615 in Modena at the age of 46 there were rumours that she had been poisoned by her husband but this was never proved. She was buried in the Este family crypt in the church of San Vincenzo in Modena.

The Palazzo dei Diamanti in Ferrara, which was a gift to
Virginia and Cesare from Cesare's uncle, Cardinal Luigi d'Este

Travel tip:

Virginia and Cesare’s first home together was the Palazzo dei Diamanti in Ferrara. The palace, which is in Corso Ercole I d’Este, takes its name from the 8500 pointed diamond shaped stones that stud the façade, diamonds being an emblem of the Este family. It was designed by Biagio Rossetti and completed in 1503. The palace now houses the Pinacoteca Nazionale di Ferrara on its first floor, where you can also see the 16th century apartments inhabited by Virginia de’ Medici, three rooms that overlook Corso Biagio Rossetti. The art gallery is open from 10.00 to 17.30 Tuesday to Sunday.

The Palazzo dei Musei in Modena, which houses some of
the Este inheritance Cesare and Virginia took to Modena

Travel tip:

Modena is a city on the south side of the Po Valley in the Emilia-Romagna region, known for its car industry and for producing balsamic vinegar. Operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena. When Cesare and Virginia had to relocate from Ferrara to Modena, they tried to take with them as much of the Este inheritance as possible, including cases full of rare and precious objects. These now form part of the Este family collection on display in the Gallerie Estensi, on the upper floor of the Palazzo dei Musei in Largo Porta Sant’Agostino in Modena. The galleries are open to visitors from Tuesday to Sunday. 

Also on this day:

1926: The birth in Florence of UK television personality Katie Boyle

1931: The execution of anarchist Michele Schirru

2013: The death of actress and writer Franca Rame


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Isabella de’ Medici – noblewoman

Tuscan beauty killed by her husband

Isabella Romola de' Medici: a portrait painted by
Alessandro Allori owned by the Uffizi Gallery

Isabella Romola de’ Medici, the daughter of the first Grand Duke of Tuscany, was born on this day in 1542 in Florence.

She was said to have been beautiful, charming, educated and talented and was the favourite child of her father, Cosimo I de’ Medici.

But she died at the age of 33, believed to have been murdered by the husband her family had chosen for her to marry.

While Isabella was growing up she lived first in Palazzo Vecchio and later in Palazzo Pitti in Florence with her brothers and sisters. Her brother, Francesco, who was a year older than her, eventually succeeded his father as Grand Duke of Tuscany.

The Medici children were educated by tutors in classics, languages and the arts and Isabella particularly loved music.

When Isabella was 11 she was betrothed to 12-year-old Paolo Giordano Orsini, heir to the Duchy of Bracciano in Tuscany, because her father wanted to secure the southern border of Tuscany and his relationship with the Orsini family.

Five years later, when Isabella was 16, they were married at the Medici country estate, Villa di Castello.

The only known painting of Paolo
Giordano Orsini, Isabella's husband

Cosimo decided to keep his daughter and her substantial dowry at home with him in Florence, while Paolo continued to live a lavish lifestyle in Rome. This gave Isabella greater freedom and control over her life than most women had at the time.

After the death of her mother, Eleonora di Toledo, Isabella took on her role of first lady of Florence, showing an aptitude for politics.

She suffered several miscarriages and was childless until her late 20s when she bore Paolo a daughter in 1571 and a son in 1572.

After Paolo’s cousin, Troilo Orsini, was charged with looking after Isabella while Paolo was away on military duties, rumours began to circulate about the nature of their relationship. Troilo fled to France after being accused of murder and Isabella was summoned by her husband to join him on a hunting holiday.

She was given no choice and had to leave Florence to be with him in July 1576. Within a few days of her arrival, Isabella was found dead at the Medici villa in Cerreto Guidi. The official version was that her death happened while she was washing her hair, but the story leaked out that she was strangled by her husband in the presence of several servants.

Her death occurred just a few days after her cousin, Leonora, had died in a similar ‘accident.’ She had been married to Cosimo’s son, Pietro, and so was also Isabella’s sister in law as well as a cousin. Leonora had been part of Isabella’s circle and had followed her example in sponsoring the arts and taking a lover.

Isabella's father, Cosimo I de' Medici, who
arranged for her to marry Orsini

While Cosimo I de’ Medici had been alive their behaviour had been tolerated, but once Francesco became Grand Duke he was less willing to condone it, despite having a mistress himself, and felt he could not ignore the complaints of their husbands.

Most historians believe Paolo killed Isabella because she was having an affair with his cousin, Troilo, but another theory is that she died of natural causes but that enemies of the Medici family had spread rumours that she was murdered.

In order to keep in favour with the King of Spain, Francesco eventually had to admit the truth about Leonora’s death and exile his brother, Pietro.

The Palazzo Vecchio was
Isabella's home as a child

Travel tip:

Palazzo Vecchio in Florence, where Isabella lived as a child, was built in the 14th century as a government building in Piazza della Signoria, an L-shaped square in the centre of the city where important events and public meetings were held. Isabella’s father, Cosimo I, had the interior of Palazzo Vecchio redecorated and also adopted Palazzo Pitti as another residence for his family. He had a gallery over Ponte Vecchio built to enable them to move easily from one palace to another.

An 18th century depiction of the Medici villa at the
Tuscan town of Cerreto Guidi, south of Florence

Travel tip:

Isabella’s death occurred at a villa commissioned by Cosimo de’ Medici in Cerreto Guidi, a small town to the south of Florence. It was built around 1556 as a hunting residence and is now a UNESCO World Heritage Site along with other Medici villas. The design is attributed to Bernardo Buontalenti. The villa is in Via Ponti Medicei and now houses the Historical Museum of Hunting, which has a collection of hunting and shooting equipment dating from the 17th to the 19th century.

More reading:

An unsolved murder mystery: the death of Francesco I de' Medici

The shocking fate of Eleonora Garcia di Toledo

The banker who founded the Medici dynasty

Also on this day:

1834: The birth of Amilcare Ponchielli, opera composer

1900: The birth of Gino Lucetti, an anarchist who tried to kill Mussolini

1907: The birth of Altiero Spinelli, the man who invented the EU


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Vittoria della Rovere – Grand Duchess of Tuscany

Bride who brought the treasures of Urbino to Florence

Vittoria della Rovere, a portrait by the Flemish
painter Justus Sustermans, circa 1639

Vittoria della Rovere, who became Grand Duchess of Tuscany, was born on this day in 1622 in the Ducal Palace of Urbino.

Her marriage to Ferdinando II de’ Medici was to bring a wealth of treasures to the Medici family, which can still be seen today in the Palazzo Pitti and the Uffizi Gallery in Florence.

Vittoria was the only child of Federico Ubaldo della Rovere, the son of the Duke of Urbino, Francesco Maria. Her mother was Claudia de’ Medici, a sister of Cosimo II de’ Medici.

As a child it was expected that Vittoria would one day inherit the Duchy of Urbino, but Pope Urban VIII convinced Francesco Maria to leave it to the Papacy and the Duchy was eventually annexed to the Papal States.

Instead, at the age of nine, Vittoria received the Duchies of Rovere and Montefeltro and an art collection.

Vittoria had been betrothed to her Medici cousin, Ferdinando, since the age of one and was sent by her mother to be brought up at the Tuscan court.

Vittoria and her husband, Ferdinando II de' Medici,
also by Sustermans, probably painter in around 1660

The marriage was arranged by Ferdinando’s grandmother, Christina of Lorraine, who had been acting as joint regent of the Duchy with Ferdinando’s mother, Maria Maddalena of Austria. Even after Ferdinando II reached his majority in 1628, the dowager Grand Duchess Christina remained the power behind the throne until her death eight years later.

The wedding between Vittoria and Ferdinando took place in 1633, when she was just 11 years old. Her inheritance was included in her dowry which was offered to the Medici family and her art collection became the property of the Grand Duchy of Tuscany.

Vittoria was educated in a convent and the marriage was not consummated until six years later. Vittoria had two sons who both died soon after birth, but in 1642 gave birth to Cosimo de’ Medici, who was styled Grand Prince of Tuscany.

Shortly after the birth of Cosimo, Vittoria is said to have caught her husband in bed with a page and the couple became estranged.

It was not until 1659 that they were reconciled, after which Vittoria gave birth to their last child, Francesco Maria.

The Villa del Poggio Imperiale, as depicted by the 18th
century Florentine printmaker Giuseppe Zocchi

Ferdinando II died in 1670 and was succeeded by his eldest son, who became Cosimo III.

Vittoria vied with her daughter-in-law, Marguerite Louise d’Orleans, for power, but Cosimo took his mother’s side and assigned to her the day-to-day administration of Tuscany. She was formally admitted into the Grand Duke’s Consulta or Privy Council.

Eventually Cosimo III and Marguerite agreed to separate on condition that Marguerite went to live at the Abbey Saint Pierre de Montmartre in Paris and Vittoria was made guardian of her three grandchildren.

In later life Vittoria spent time living in the Villa del Poggio Imperiale in Arcetri to the south of Florence, to which she transferred some of her art collection. She died at Pisa in 1694 at the age of 72 and was buried at the Basilica of San Lorenzo in Florence.

Her titles of Rovere and Montefeltro became extinct when her grandson, Gian Gastone de’ Medici, died in 1737 without an heir, ending the Medici line. Vittoria’s only granddaughter, Electress Palatine Anna Maria Luisa, who had married Elector Johann Wilhelm II, willed the contents of the Medici properties to the Tuscan state in 1743, ensuring Vittoria’s inheritance and the art works collected by the Medici for nearly three centuries remained in Florence.

The Ducal Palace at Urbino is thought to have been completed
by the High Renaissance architect Donato Bramante

Travel tip:

Urbino, where Vittoria was born, is inland from the Adriatic resort of Pesaro, in the Marche region. It is a majestic city on a steep hill and was once a centre of learning and culture, known not just in Italy but also in its glory days throughout Europe. The Ducal Palace, a Renaissance building made famous by The Book of the Courtier by Castiglione, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

The Palazzo Pitti in Florence, as seen from the Giardini
Boboli behind the palace, was Vittoria's home

Travel tip:

Palazzo Pitti, where Vittoria lived as Grand Duchess of Tuscany, was originally built for the banker, Luca Pitti, in 1457 in the centre of Florence. He wanted to outshine the Medici family, but they later bought it from his bankrupt heirs and made it their main residence in 1550. Today visitors can look round the richly decorated rooms and see treasures from the Medici collections. The Palatine Gallery contains 16th and 17th century paintings, including works by Raphael. The Treasury, which was once known as the Silver Museum, displays Medici household treasures, such as silver tableware, stone vases and precious jewellery.



More reading:

Gian Gastone de' Medici - the last Medici to rule Florence

Why Cosimo II de' Medici sponsored and supported Galileo Galilei

The life of Claudia de' Medici, Vittoria's mother

Also on this day:

1497: Savonarola lights his Bonfire of the Vanities

1909: The birth of Amedeo Guillet, the last army office to lead a charge against the British

1941: The birth of '60s pop star Little Tony

(Picture credits: Ducal Palace by Zyance; Palazzo Pitti by Stefan Bauer via Wikimedia Commons)


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Agostino Chigi - banker and arts patron

Nobleman from Siena became one of Europe’s richest men

A Roman coin bearing the image of Agostino Chigi,
who was one of the 16th century's richest bankers

The banker Agostino Chigi, who was a major sponsor of artists during the Renaissance, was born on this day in 1466 in Siena.

At its height, Chigi’s banking house in Rome was the biggest financial institution in Europe, employing up to 20,000 people, with branches throughout Italy and abroad, as far apart as London and Cairo.

Chigi invested a good deal of his wealth in supporting the arts, notably providing financial backing to almost all the main figures of the early 16th century, including Perugino, Sebastiano del Piombo, Giovanni da Udine, Giulio Romano, Il Sodoma (Giovanni Bazzi) and Raphael.

Perugino painted The Chigi Altarpiece, dated at around 1506-1507, which hangs in the Chigi family chapel in the church of Sant'Agostino in Siena. 

Chigi’s significant legacy to Rome was to have built a chapel in the church of Santa Maria della Pace, another - his mortuary chapel, the Chigi Chapel - in the church of Santa Maria del Popolo, and the superb suburban villa in Trastevere, on the banks of the Tiber, which since 1579 has been known as the Villa Farnesina. 

The altarpiece painted by Perugino
for Agostino Chigi in Siena

Agostino Chigi was the son of the prominent Sienese banker Mariano Chigi, from an ancient and illustrious Tuscan family. He moved to Rome around 1487, taking with him a rich fund of capital.

He grew the wealth of his own bank by lending considerable sums to Pope Alexander VI and others, and by diversifying from regular banking practice by buying monopoly control of salt mining in the Papal States and the Kingdom of Naples, as well as that of alum, a mineral used in the textile industry.

After the death of the Borgia pope Alexander VI and his short-lived Sienese successor Pius III Piccolomini, Chigi helped Pope Julius II, in return for which he became treasurer and notary of the Apostolic Camera.  Agostino even accompanied Julius in the field in his military campaigns and went to Venice on his behalf to buy Venetian support for the papal forces in the War of the League of Cambrai.

Work began on his magnificent palace in Trastevere in 1506. Chigi took the unusual step of commissioning an untried pupil of Bramante, Baldassare Peruzzi, to design and oversee the construction of the villa, although he may have been helped Giuliano da Sangallo, the favored architect of Lorenzo de' Medici.

Raphael's fresco The Triumph of Galatea.
in the loggia at the Villa Farnesina

His design differed from that of the typical urban palazzo, which tended to be rectangular, with an enclosed courtyard. This villa, intended as an airy summer pavilion, had a U-shaped plan with a five-bay loggia between the arms, facing north, which was the main entrance.

The best known element of the sumptuous decorations are Raphael's frescoes on the ground floor, both in the loggia depicting the classical and secular myths of Cupid and Psyche, and in the east-facing loggia, depicting The Triumph of Galatea. 

This was a mythological scene from an intended series inspired by the Stanze per la giostra of the Florentine poet Angelo Poliziano. It shows the near-naked sea nymph Galatea on a shell-shaped chariot drawn by two dolphins, surrounded by other sea creatures.

It has been noted that Raphael’s Galatea bore similarities to the courtesan, Imperia Cognati, who was Agostino Chigi's lover and is said to have posed for Raphael on more than one occasion. The art historian and Raphael's near-contemporary, Giorgio Vasari, noted, however, that Raphael had said that Galatea was the product of his imagination, an idealised beauty.

It was at this villa that Chigi held sumptuous banquets. He was recognised as the richest man in Rome but was said to have affected a contempt of money by throwing silver dishes into the Tiber at the end of the parties, although it is thought his servants were on hand to collect them in nets draped under the windows.

The villa was called the Viridario in Chigi's time. It became the property of the Farnese family in 1577, more than a half-century after his death.

The Palazzo Chigi, the current official residence of Italian prime ministers, was bought by Fabio Chigi, related to Agostino as a descendent of his father’s brother, shortly after he became Pope Alexander VII in 1655.

The northern aspect of the Villa Farnesina, which was
Agostino Chigi's summer palace in Rome

Travel tip:

The Villa Farnesina can be found on Via della Lungara in the Trastevere district of Rome.  After the Farnese family, the villa belonged to the Bourbons of Naples and in 1861 to the Spanish Ambassador in Rome, Bermudez de Castro, Duke of Ripalta. Today, it is owned by the Italian State and accommodates the Accademia dei Lincei, a long-standing academy of sciences. The main rooms of the villa, including the Loggia, are open to visitors from 9am to 2pm on Monday to Saturday, and on every second Sunday of the month from 9am to 5pm. For more details, visit http://www.villafarnesina.it

The Palazzo Chigi in Rome was built originally for the
Aldobrandini family before passing to the Chigi family in 1659

Travel tip:

The 16th-century Palazzo Chigi, which overlooks the Piazza Colonna and the Via del Corso in Rome, was begun in 1562 by Giacomo della Porta and completed by Carlo Maderno in 1580 for the Aldobrandini family. It was in the ownership of the Chigi family, who had it remodelled by Felice della Greca and Giovan Battista Contini, from 1659 until the 19th century. It became the residence of the Austro-Hungarian Ambassador to Italy in 1878 before being bought by the Italian state in 1916, when it became the home of the Minister for Colonial Affairs. Later it was the official residence of the Italian Minister of Foreign Affairs and in 1961 became the official meeting place of Council of Ministers, whose president is the head of the Italian government - the prime minister - and can now use the palace as his official residence.


More reading:

Raphael: The precocious genius from Urbino

How the courtesan Imperia Cognati became a 16th century celebrity

Pope Alexander VI - the scheming Borgia pope

Also on this day:

1463: The birth of antiquities collector Andrea della Valle

1797: The birth of composer Donizetti

1850: The birth of Agostino Richelmy, the cardinal who fought with Garibaldi

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Giulio Caccini - composer

16th century singer who helped create opera genre

Giulio Caccini was at the forefront
of a new musical movement

The singer and composer Giulio Caccini, who was a key figure in the advance of Baroque style in music and wrote musical dramas that would now be recognised as opera, was born on this day in 1551.

The father of the composer Francesca Caccini and the singer Settimia Caccini, he served for some years at the court of the Medici family in Florence, by whom he was also employed, as a somewhat unusual sideline, as a spy.

Caccini wrote the music for three operas and published two collections of songs and madrigals.  His songs for solo voice accompanied by one musical instrument gained him particular fame and he is remembered now for one particular song, a madrigal entitled Amarilli, mia bella, which is often sung by voice students.

Caccini is thought to have been born in Tivoli, just outside Rome, the son of a carpenter, Michelangelo Caccini, from Montopoli, near Pisa.  His younger brother, Giovanni, became a sculptor and architect in Florence.

He developed his voice as a boy soprano in the prestigious Cappella Giulia at St. Peter’s basilica in Rome, studying under maestro di cappella Giovanni Animuccia.  Subsequently, he was invited to Florence by Prince Francesco de’ Medici to perform at his wedding to Johanna of Austria.

The title page of Caccini's collection
Le Nuove Musiche, published in 1601

Caccini would for the most part remain in Florence for the rest of his life.  By the late 1570s, he was established as a tenor in the Medici court and accompany himself on the viol or the archlute. He took part in the elaborate musical, dramatic, visual spectacles known as intermedi that were the precursors of opera.

He became part of a movement of humanists, writers, musicians and scholars known as the Florentine Camerata, which was dedicated to restoring public appreciation of ancient Greek dramatic music. It was the Camerata who developed the new concept of monody—an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments.

Caccini became a teacher as well as a singer and composer, training dozens of musicians to sing in the new style, including the castrato Giovanni Gualberto Magli, who sang in the first production of Monteverdi's first opera Orfeo.

He also acquired a reputation as a man driven by jealousy, envy and greed. To advance his position within the Medici court, for example, he spied on behalf of Pietro de’ Medici on Pietro’s wife, Eleonora di Garzia da Toledo, and uncovered an affair, which led an enraged Pietro to murder his wife and have her lover killed.

In 1584, he married another singer, Lucia di Filippo Gagnolanti, with whom he had his two daughters, Francesca and Settimia.

Pietro de' Medici, the prince who employed
Caccini to spy on his unfaithful wife

Caccini helped create musical entertainments for the weddings of two Medicis in the late 1580s.  In the first, the marriage of Virginia de’ Medici and Cesare d’Este in 1586, and of Grand Duke Ferdinando I de’ Medici and Christine of Lorraine in 1589.

He continued to be employed by Ferdinando until he lost his job in 1593 after a fight with one of his students. His wife, Lucia, died in the same year.

Caccini was known for his intense rivalry with fellow composers Emilio de' Cavalieri and Jacopo Peri. There are suspicions that it was Caccini who arranged for a furious Cavalieri to be removed from his post as director of festivities for the wedding of Henry IV of France and Maria de' Medici in 1600, while in response to hearing that Peri was working on a opera production of Euridice, based on the Greek myth of Orpheus and Eurydice, he hurriedly wrote his own version of the same story and ordered the singers under his charge to have nothing to do with Peri's production.

By around 1603, Caccini had established a singing group consisting of his daughters Francesca and Settimia, his illegitimate son Pompeo, and his second wife, Margherita di Agostino Benevoli della Scala. The group became very famous and, in 1604, were invited to France by Maria de' Medici.  Francesca was offered a position at the French court but could not accept because of the Florentine court’s refusal to release her.

After his return to Florence, Caccini continued  to write music for court celebrations, especially weddings, while trying to find husbands for his daughters.

In the last years of his life, Caccini was in trouble again in 1615 for fighting with the son of a famed singer and was placed under house arrest. Thereafter his health began to decline and he died in December 1618. He is buried in the Basilica of Santissima Annunziata in Florence.

The Arch of Castruccio and the Tower of San Matteo, in the
background, are echoes of Montopoli Val d'Arno's history

Travel tip:

Montopoli Val D’Arno, where Caccini’s father was born, is a small town on the banks of the Arno river about 40km (25 miles) southwest of Florence and about 30km (19 miles) east of Pisa, roughly halfway between Florence and the mouth of the Arno at Marina di Pisa. It is a town largely of medieval origins, which was regular fought over by Lucca, Pisa and Florence because of its strategic position. The remains of a fortress, the best preserved of which are the Tower of San Matteo and the Arch of Castruccio are worth a visit.  The area is blessed with a beautiful landscape and an economy based culture based on agriculture, arts and crafts and other traditional industries of Tuscany.

Giovanni Caccini's facade of the church of Santissima Annunziata

Travel tip:

The Basilica della Santissima Annunziata, where Caccini is buried, is a Renaissance-style minor basilica in Florence, located on the square of the same name, just over a kilometre’s walk north of the Piazza della Signoria. Built between 1469 and 1481 on the site of a pre-existing church by Leon Battista Alberti, it was refurbished in Baroque-style in the 17th century. The facade of the church, of semi-circular arches mounted on columns, was added in 1601 by Giulio Caccini’s brother, Giovanni, imitating the Renaissance-style of Brunelleschi's facade of the Foundling Hospital.

More reading:

Francesca Caccini and the oldest surviving opera composed by a woman

How Jacopo Peri gave the world its first opera

The Medici daughter who became the queen of France

Also on this day:

1881: The birth of Vincenzo Peruggia - the thief who stole the Mona Lisa

1957: The birth of footballer Antonio Cabrini



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Ranuccio II Farnese – Duke of Parma

Feuding with the Popes led to the destruction of a city

A portrait of Ranuccio II Farnese by the Flemish
Baroque painter Jacob Denys

Ranuccio II Farnese, who angered Innocent X so much that the Pope had part of his territory razed to the ground, was born on this day in 1630 in Parma.

Ranuccio II was the eldest son of Odoardo Farnese, the fifth sovereign duke of Parma, and his wife, Margherita de’ Medici.

Odoardo died while Ranuccio was still a minor and, although he succeeded him as Duke of Parma, he had to rule for the first two years of his reign under the regency of both his uncle, Francesco Maria Farnese, and his mother.

The House of Farnese had been founded by Ranuccio’s paternal ancestor, Alessandro Farnese, who became Pope Paul III. The Farnese family had been ruling Parma and Piacenza ever since Paul III gave it to his illegitimate son, Pier Luigi Farnese. He also made Pier Luigi the Duke of Castro.

While Odoardo had been Duke of Parma he had become involved in a power struggle with Pope Urban VIII, who was a member of the Barberini family. The Barberini family were keen to acquire Castro, which was north of Rome in the Papal States.

When Odoardo found himself unable to pay his debts, Urban VIII responded to the creditors’ pleas for help, by sending troops to occupy Castro.

How Castro may have looked before it was destroyed by
the army of Innocent X

One of the Pope’s Cardinals negotiated a truce, but then the Pope’s military leaders discovered that Odoardo was building up his own troops in case the discussions had come to nothing. What became known as the First War of Castro ensued and the Papal forces were defeated.

However, Ranuccio II refused to pay the debts incurred by his father, despite the fact Oduardo had signed a peace treaty agreeing to do so. He also refused to recognise the new Bishop of Castro, appointed by Urban VIII’s successor, Innocent X.

In 1649, the new bishop, Cardinal Cristoforo Giarda, was murdered on his way to Castro. Innocent X accused Ranuccio of ordering the murder and in retaliation sent troops to besiege Castro and then raze it to the ground.

Later the same year, Ranuccio’s troops were crushed in another battle, leaving him with no means of winning back his lost territory, but in 1672 he bought Bardi and Compiano, small towns near Parma, to increase the size of the Duchy.

Ranuccio II was married three times and had 14 children, of whom only six lived to become adults.

He died in Parma in 1694 at the age of 64 and was succeeded as Duke of Parma by his eldest surviving son, Francesco.

Ranuccio II is buried in the Sanctuary of Santa Maria della Steccata in Parma.

The Ducal Palace in modern Ischia di Castro

Travel tip:

Castro in Lazio was a fortified city on a cliff, near the border between Tuscany and Lazio. The city and surrounding area was created a Duchy in 1537 by Pope Paul III, who made his illegitimate son, Pier Luigi Farnese, its duke, to be followed by his first born male heirs. The Duchy stretched from the Tyrrhenian Sea to Lago di Bolsena. Ranuccio II Farnese, the last Duke of Castro, was forced to cede the land back to Pope Innocent X. The present day comune, Ischia di Castro, in the province of Viterbo, takes its name from the ancient city of Castro destroyed by papal forces. Ischia di Castro still has a Ducal Palace, where members of the Farnese family used to live.

The Renaissance church of Santa Maria della Steccata
in the centre of Parma, where Ranuccio II was buried

Travel tip:

The Shrine of Santa Maria della Steccata, where Ranuccio II was buried, is a Renaissance church in the centre of Parma. The name derives from the fence, or steccata, used to contain the many pilgrims who came to visit the image of a Nursing Madonna enshrined within the church. The crypt of the church contains the tombs of 26 members of the Farnese family, including that of Ranuccio II.

More reading:

How a war against Parma backfired on Pope Urban VIII

The legacy of the great Parma painter known as Parmigianino

Innocent X - a pope dominated by his sister-in-law

Also on this day:

1688: The birth of Maria Luisa of Savoy, who ruled Spain as a teenager

1944: The birth of climber Reinhold Messner


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Lorenzo II de’ Medici – Duke of Urbino

Short rule of the grandson of Lorenzo Il Magnifico

Lorenzo II de' Medici ruled Florence from
1513 to 1519 but died aged only 26

Lorenzo di Piero de’ Medici, Duke of Urbino, was born on this day in 1492 in Florence.  The grandson of Lorenzo the Magnificent, Lorenzo II ruled Florence from 1513 to 1519.

Niccolò Machiavelli addressed his work, The Prince, to Lorenzo II, advising him to accomplish the unification of Italy under Florentine rule by arming the whole nation and expelling its foreign invaders.

When Lorenzo was two years old, his father, who became known as Piero the Unfortunate, was driven out of Florence by Republicans with the help of the French.

The Papal-led Holy League, aided by the Spanish, finally defeated the rebels in 1512 and the Medici family was restored to Florence.

Lorenzo II’s uncle, Giuliano, ruled Florence for a year and then made way for his nephew. Another uncle, Pope Leo X, made Lorenzo the Duke of Urbino after expelling the legitimate ruler of the duchy, Francesco Maria della Rovere.

Niccolo Machiavelli's The
Prince was written for Lorenzo

When Francesco Maria returned to Urbino he was welcomed by his subjects. Lorenzo II regained possession of the duchy only after a protracted war in which he was wounded. In 1519 Lorenzo II died at the age of just 26 and the duchy reverted to the della Rovere family.

He was succeeded as ruler of Florence by his cousin, Giulio de’ Medici.

By Lorenzo II’s marriage with Madeleine de la Tour d’Auvergne, he had one daughter, Caterina de’ Medici, who was born three weeks before he died.

She married Henry, Duc d’Orleans in 1533, who went on to become King Henry II of France, making her the Queen Consort of France.

Lorenzo II’s illegitimate son, Alessandro, became the first Duke of Florence.

Michelangelo designed his sculpture Pensieroso as a monument
 for Lorenzo II's tomb at the Basilica of San Lorenzo

Travel tip:

Lorenzo II was buried in the Medici Chapel in the Basilica of San Lorenzo in Florence. His tomb is adorned by Michelangelo’s sculpture, Pensieroso, which was meant to represent him. The Basilica is in the centre of the market district and is one of the biggest churches in the city. Designed by Brunelleschi and Michelangelo, it replaced an older structure dating back to the fourth century.

The Renaissance Ducal Palace at Urbino is listed as a
Unesco World Heritage site

Travel tip:

Urbino, which Lorenzo II ruled over briefly, is inland from the Adriatic resort of Pesaro, in the Marche region. A majestic city on a steep hill, it was once a centre of learning and culture, known not just in Italy but also, in its glory days, throughout Europe. The Ducal Palace, a Renaissance building made famous by Castiglione’s The Book of the Courtier, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

More reading:

Giovanni dalle Bande Nere - 16th century condottiero who served Pope Leo X

How Piero the Unfortunate acquired his name

Niccolò Machiavelli - the man whose name became part of the language of power

Also on this day:

1937: The birth of tragic actress Daniela Rocca

1943: The Nazis free Mussolini in daring mountain raid



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Luca Marenzio – composer

Madrigal writer influenced Monteverdi

Luca Marenzio is believed to have been a
singer employed by the Gonzaga family

Luca Marenzio, a prolific composer of madrigals during the late Renaissance period, died on this day in 1599 in the garden of the Villa Medici on Monte Pincio in Rome.

Marenzio wrote at least 500 madrigals, some of which are considered to be the most famous examples of the form, and he was an important influence on the composer Claudio Monteverdi.

Born at Coccaglio, a small town near Brescia in 1553, Marenzio was one of seven children belonging to a poor family, but he received some early musical training at Brescia Cathedral where he was a choirboy.

It is believed he went to Mantua with the maestro di cappella from Brescia to serve the Gonzaga family as a singer.

Marenzio was then employed as a singer in Rome by Cardinal Cristoforo Madruzzo and, after the Cardinal’s death, he served at the court of Cardinal Luigi d’Este.

He travelled to Ferrara with Luigi d’Este and took part in the wedding festivities for Vincenzo Gonzaga and Margherita Farnese.

While he was there he wrote two books of madrigals and dedicated them to Alfonso II and Lucrezia d’Este.

Marenzio's first book of madrigals was published in 1580

Marenzio went on to establish an international reputation as a talented composer of madrigals and he was also an expert lutenist. He was much admired in England and his madrigals were printed in N Yonge’s Musica Transalpina, published in 1588, a collection of music that stimulated the composition of English madrigals.

After the death of Luigi d’Este, Marenzio entered the service of Ferdinando I de’ Medici in Florence, where he formed friendships with composers Piero Strozzi and Antonio de Bicci.

On his return to Rome he entered the service of Virginio Orsini, nephew of the Grand Duke of Tuscany, and he lived in the Orsini palace. Another important patron was Cardinal Cinzio Aldobrandini, nephew of the reigning pope, Clement VIII, who assigned him an apartment in the Vatican.

Marenzio then travelled to Poland to be maestro di cappella at the court of Sigismund III Vasa in Warsaw. He wrote and directed sacred music there, which unfortunately has since been lost.

The visit to Poland affected his health and he did not live long after his return to Rome. While his brother was looking after him, he died in the garden at the Villa Medici on August 22, 1599.

Marenzio was buried in the Church of San Lorenzo in Lucina in Rome.

Vineyards near Coccaglio, which is on the edge of the
Franciacorta wine-making area, near Brescia

Travel tip:

Coccaglio, Marenzio’s birthplace, is a town in Lombardy, about 32km (20 miles) west of Brescia and 35km (22 miles) southeast of Bergamo.  The municipality is located in the southern edge of Franciacorta, the area famous for its sparkling wine of the same name, which is known as the Italian answer to Champagne, being produced using the same method as the classic French bubbly, as opposed to the faster fermentation process used in the popular Prosecco.

The Villa Medici has been the home of the
French Academy in Rome since 1803

Travel tip:

The Villa Medici, where Marenzio died, is on the Pincian Hill next to the church of Trinità dei Monti in Rome, at the head of the Spanish Steps. The villa, built in 1554 in the Mannerist style to a design by Bartolomeo Ammanati, has housed the French Academy in Rome since 1803. In ancient times the site of the Villa Medici was part of the gardens of Lucullus. Behind the Villa Medici stretches out the vast park and gardens of the Villa Borghese.

More reading:

The genius of Claudio Monteverdi

Federico II Gonzaga, the ruler of Mantua who spent his childhood as a political hostage

How Eleonora Gonzaga became Holy Roman Empress

Also on this day:

1849: History's first air raid hits Venice

1914: The death of the progressive Bishop Giacomo Radini-Tedeschi

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Lorenzo di Pierfrancesco de’ Medici - politician

Art enthusiast who was Botticelli’s major patron

Botticelli's 1479 Portrait of a Young Man,
is thought to be Lorenzo di Pierfrancesco

The Florentine banker and politician Lorenzo di Pierfrancesco de’ Medici, who was a significant figure in Renaissance art as the main sponsor and patron of the painter Sandro Botticelli, was born on this day in 1463.

The great-grandson of Giovanni di Bicci de’ Medici, the founder of the Medici bank, Lorenzo di Pierfrancesco belonged to the junior, sometimes known as ‘Popolani’ branch of the House of Medici.

In 1476, when he and his brother, Giovanni, were still boys, their father, Pierfrancesco de’ Medici the Elder, died. They became wards, effectively, of their cousin, Lorenzo il Magnifico - Lorenzo the Magnificent - a member of the senior branch of the family and the effective ruler of Florence.

Relations between the two branches had been tense for some years and were not helped when Lorenzo di Pierfrancesco discovered, on becoming an adult, that Lorenzo had plundered a considerable sum from he and his brother’s joint inheritance in order to stave off a threatened bankruptcy of the family’s financial empire.

Although Lorenzo had provided the boys with the best education money could buy - the notable Florentine Renaissance humanists Marsilio Ficino, Angelo Poliziano and Giorgio Antonio Vespucci (uncle of Amerigo) were among their tutors - and given them a number of properties in compensation, the incident created a lingering bitterness.

Meanwhile, thanks to the curiosities stirred by the education he received, Lorenzo di Pierfrancesco developed a reputation as an art connoisseur. In around 1485, he commissioned an illuminated manuscript of Dante's Divine Comedy featuring artwork by Botticelli, to whom he had been introduced by the Vespucci family, who were neighbours of the Botticellis in Florence.

Botticelli's Primavera is thought to have been commissioned
to celebrate Lorenzo di Pierfrancesco's marriage

Two of Sandro Botticelli’s most famous works may have been commissioned to celebrate the marriage that Lorenzo il Magnifico arranged between Lorenzo di Pierfrancesco and Semiramide Appiano, daughter of the Appiani lord Jacopo III of Piombino.

It is thought that Lorenzo il Magnifico commissioned Botticelli's Pallas Athene Taming a Centaur as a wedding gift to the new couple, while either Lorenzo il Magnifico or Lorenzo di Pierfrancesco himself had Botticelli paint his allegorical work Primavera as a celebration, with Mercury representing Lorenzo di Pierfrancesco and Semiramide by the central figure of Grace.

After the wedding, both paintings were displayed on the walls of Lorenzo di Pierfrancesco’s villa in the centre of Florence. Some accounts suggest that he also commissioned Botticelli's best known work, The Birth of Venus, one of the most famous paintings of the Renaissance by any artist.

The tension that still existed between him and Lorenzo il Magnifico came to a head in October 1484, when his cousin, determined to protect the primacy of the senior branch of the Medici family, had Lorenzo di Pierfrancesco's name removed from the lists of persons eligible for election to the Florentine political institutions.

Angelo Bronzino's portrait of the Florentine
leader Lorenzo il Magnifico

A settlement was agreed in 1485 by which Lorenzo di Pierfrancesco and his brother were given the Medici family property of Villa Cafaggiolo in the Mugello region. Lorenzo di Pierfrancesco was unhappy, though, at having to shelve his political ambitions.

When Lorenzo il Magnifico died in 1492, Lorenzo and Giovanni sided against il Magnifico's son, Piero. They were exiled as a result but returned when King Charles VIII of France invaded Italy and Piero was ousted from Florence by a Republican government.

The nickname Popolano - meaning ‘of the people’ - was coined for the brothers and Lorenzo di Pierfrancesco became a popular figure in the new administration. He extended his patronage of the arts to protect Botticelli, Michelangelo, Filippino Lippi and Bartolomeo Scala, and in 1494 he founded a workshop of ceramics at Cafaggiolo.

He was pushed out when the hellfire preacher Girolamo Savonarola swept to power in 1494 with his denunciation of clerical corruption, despotic rule and the exploitation of the poor, yet refused to return even after the controversial Dominican friar was burned at the stake in the main square of the city in 1498.

Lorenzo di Pierfrancesco died in Florence in 1503, aged only 39. Years later, his grandson Lorenzino de' Medici murdered Alessandro de' Medici, the last ruler of Florence from the senior branch of the Medici, thereby passing power to Lorenzo's great-grandson Cosimo I de' Medici.

The Villa del Trebbio, which Cosimo de' Medici turned
into a fortified castle

Travel tip:

One of the properties owned by Lorenzo di Pierfrancesco was the Villa del Trebbio, which he inherited from his grandfather Lorenzo the Elder.  Located near San Piero a Sieve in the Mugello region, the area from which the Medici family originated, it was possibly the first of the Medici villas built outside Florence, on top of a hill dominating the Val di Sieve. It had earlier belonged to Giovanni di Bicci de' Medici, the founder of the Medici bank, and was remodelled by his son, Cosimo de' Medici, whose architect, Michelozzo, restyled it as a fortified castle.

The Piazzale between the two wings of the Uffizi, which links
Piazza della Signoria with the Arno river

Travel tip:

Primavera, Pallas Athene Taming a Centaur and The Birth of Venus are among a number of Botticelli paintings displayed in the Uffizi Gallery in Florence, which is one of the largest and best known art museums in the world. Its collection of priceless works, particularly from the period of the Italian Renaissance, owes much to Anna Maria Luisa de' Medici, the last Medici heiress, who bequeathed the family’s entire art collection to the city of Florence. The Uffizi was open to visitors by request as early as the 16th century, and in 1765 it was officially opened to the public.

More reading:

Why Lorenzo the Magnificent was seen as a benign despot

Cosimo de' Medici  - the first Medici ruler of Florence

How Sandro Botticelli's paintings became forgotten works of genius

Also on this day:

1521: The birth of Pope Urban VII

1994: The death of politician Giovanni Spadolini

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