Rosina Storchio - soprano

Star prospered despite Butterfly debut flop

Rosina Storchio was hailed for her
voice and her acting skills

The soprano Rosina Storchio, a major star of the opera world in the early 20th century, was born on this day in 1872 in Venice.

A favourite of the celebrated conductor Arturo Toscanini, with whom she had an affair that scandalised Milan, she sang opposite Enrico Caruso and other male stars of her era, including Giuseppe Anselmi, Titta Ruffo and the Russian, Fyodor Chaliapin.

She sang in five notable premieres.  Ruggero Leoncavallo cast her as the first Mimì in his version of La bohème (1897) and also as Zazà in the opera of the same name (1900), Umberto Giordano created the role of Stephana for her in Siberia (1903), while she was Pietro Mascagni’s first Lodoletta (1917).

The first night for which she was often remembered, however, was the one that turned into a personal catastrophe for Giacomo Puccini, when Madama Butterfly was unveiled at Teatro alla Scala in Milan in 1904 only to be roundly booed by the audience, forcing the opera to be pulled from La Scala’s spring programme after one night.

Critics argued that the second act was too long and that despite a star-studded cast, including the celebrated Storchio in the role of Cio-Cio San, the story’s tragic heroine, the performance suffered from being under-rehearsed owing to Puccini having completed the score less than two months before the premiere.

Storchio in the role of Cio-Cio
San in Madama Butterfly

Puccini relaunched his opera, which remained his favourite work in spite of its disastrous debut, three months later in Brescia, this time to great acclaim, but Storchio was singing in South America at the time and refused to reprise the role in Italy until 1920, towards the end of her career.

Storchio had attended the Conservatorio Giuseppe Verdi in Milan as a young girl. For undocumented reasons, the conservatory expelled her, but she continued to receive private tuition and made her operatic debut as Micaëla in Bizet's Carmen at Milan's Teatro Dal Verme in 1892, at the age of 20.

Over the next three years, she sang at La Scala, making her first appearance there as Sophie in Jules Massenet's Werther and at the Teatro Lirico as Santuzza in Mascagni's Cavalleria rusticana, becoming a firm favourite with Milan audiences.

In 1897 she was cast in two world premieres, including Mimì in Leoncavallo’s La bohème at Teatro La Fenice in her native Venice, and opposite Caruso as Cristina in Giordano’s Il voto at the Teatro Lirico. 

By then, she had already been Mimì in Puccini's earlier version of La bohème in Florence and Como. Soon she was in demand all over Italy and beyond, making appearances in Germany, Austria and Monte Carlo and touring Russia. A lyric coloratura soprano, she was adored by some critics, who hailed her both for her voice and her acting skills.

Arturo Toscanini, the conductor, with
who Storchio had an affair

After watching her in Verdi’s La traviata, one critic wrote: “There will never be another Violetta to sing with such unutterable perfection, moving, laughing, loving, suffering as the slight and gentle Rosina Storchio [with] her enormous seductive eyes, her delightful coquetry, her gay tenderness, her fresh spontaneity."

Often partnered with the Sicilian tenor, Giuseppe Anselmi - who was also in the cast for Madama Butterfly’s premiere - she became a fixture at La Scala, as well as embarking on tours of Spain and South America, accepting invitations too to perform in New York and Chicago.

Storchio’s affair with Toscanini began after they met at rehearsals for the premiere of Leoncavallo's Zazà in 1900. Toscanini was captivated by her voice and beauty and their relationship caused a scandal because the conductor was married and about to become a father for the third time. Storchio fell pregnant in 1902 and gave birth to their son, Giovanino, the following year. It was an ill-fated liaison, however. Their relationship lasted only a few years before Toscanini embarked on another affair and Giovanino, who suffered brain damage at birth, did not live beyond the age of 16. 

Nonetheless, Storchio’s professional life continued to yield success and it was only when her voice began to falter in her late 40s that her reputation declined.  She gave her final public performance as Cio-Cio San in Puccini's Butterfly in Barcelona in 1923, aged 51.

In retirement, she lived privately and offered teaching to budding sopranos before taking the bold decision to join the Third Order of the Franciscans as a tertiary, while giving away her entire fortune to the Piccola Casa della Divina Provvidenza - the Little House of Divine Providence - a Turin-based religious charity, which cared for the poor and sick and raised orphan children.

She died in Rome in 1945 at the age of 73. Her remains were buried at the Monumental Cemetery in Milan.

The Teatro Dal Verme in Milan, where Rosina
Storchio made her debut in 1892

Travel tip:

Milan’s Teatro Dal Verme, where Storchio made her professional debut, can be found in Via San Giovanni sul Muro in central Milan, a short distance from the Castello Sforzesco. Opened in September 1872 - the year of the soprano's birth - it soon established itself as one of Italy's most important opera houses, staging world premieres for a number of important operas, including Puccini's Le Villi (1884) and Leoncavallo's Pagliacci (1892) and I Medici (1893). Since the 1930s, it has been at different times a cinema and a theatre for musical productions, having needed to be rebuilt after the Second World War, when it suffered bomb damage and had the metal parts of its central cupola stripped out by the occupying Germans. More recently it has been home to the Orchestra i Pomeriggi Musicali. 

The town of Gazoldo degli Ippoliti, home of 
the Museo Lirico Rosina Storchio

Travel tip:

The singer’s life is commemorated at the Museo Lirico Rosina Storchio in the town of Gazoldo degli Ippoliti in Lombardy, about 20km (12 miles) west of Mantua. The museum is dedicated to the history of opera, in particular the tradition of melodrama, and houses an extensive collection of memorabilia.  As well as Storchio, the museum celebrates the lives of the tenor Mario del Monaco and the baritone Aldo Protti. The Storchio memorabilia, originally housed in a museum established in 2002 in Dallo, a small town to the south of Brescia, were transferred to Gazoldo in 2016.

Also on this day:

1737: The birth of castrato singer Giuseppe Millico

1739: The birth of architect Giuseppe Bonomi

1853: The premiere of Verdi’s opera Il trovatore

1935: The birth of camorrista Assunta Maresca

1940: The birth of anti-Mafia magistrate Paolo Borsellino

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Ignazio Boschetto – tenor

Talented singer is known for being the funny guy in Il Volo

Ignazio Boschetto sang operatic
arias even as a child

Ignazio Boschetto, a singer in the award-winning pop and opera trio Il Volo, was born on this day in 1994 in Bologna in the region of Emilia-Romagna.

His Sicilian parents, Vito Boschetto and Caterina Licari, took him back to live in Sicily and he grew up in Marsala in the province of Trapani in the most western part of Sicily.

He has said in interviews that from being about three years old he used to sing operatic arias alone in his room, such as La donna e mobile from Rigoletto by Giuseppe Verdi, much to the surprise of his parents.

Ignazio could be classed as a lyric tenor, considering the timbre of his voice, which is warm and soft, but strong enough to sing over an orchestra. A complete artist, Ignazio also plays the piano, guitar and drums.

When he was 12 he started to take part in festivals and competitions and in December 2007 he reached the finals of the Premio Nave Punica, winning third place among competitors of all ages.

The following year he won the 11th Festival della Canzone di Custonaci singing Il mare calmo della sera. In December, when he had turned 13, he won the third edition of the Premio Nave Punica, thrilling the audience at the Teatro Impero in Marsala with his performance.

Boschetto shares a joke onstage with his fellow
Il Volo singer Piero Barone

The following year he took part in the RAI talent show Ti lascio una canzone. He was selected, along with Piero Barone and Gianluca Ginoble, the other members of Il Volo, to compete in the second edition of the competition.

In the fourth episode of the show, he sang O sole mio along with Gianluca and Piero and it was then that the concept of Il Volo was born.

The director of the show, Roberto Cenci, had the idea of putting them together to create a trio similar to the Three Tenors – the legendary Placido Domingo, Jose Carreras and Luciano Pavarotti.

The group was initially named I Tre Tenorini - the Three Little Tenors - but this was later changed to The Tryo. In 2010 their name was changed again to Il Volo, which in English means The Flight.

Il Volo - Gianluca Ginoble, Piero Barone and
Ignazio Boschetto - have been together since 2009

Il Volo won the Sanremo music festival in 2015 and represented Italy in the Eurovision Song Contest that year with Grande Amore, coming third, although they had won the televote and the press award for the best song.

In 2016, with Placido Domingo, they released Notte Magica - A tribute to the Three Tenors.

By then, Ignazio had established the reputation of being the funny guy of the group, his natural gift for humour winning him many fans.

In 2019, Il Volo released their compilation album, Il Volo: The best of 10 years, to celebrate their tenth anniversary.

Il Volo have won numerous awards including Billboard Latin awards and Wind Music Awards and the trio have completed tours all over the world.

The Porta Garibaldi was renamed in honour
of the Italian unification leader

Travel tip:

As a tourist destination, Marsala is somewhat overshadowed by nearby Trapani and the Greek city of Selinunte, which has the remains of five temples.  Yet the town has plenty of history of its own and its archaeological museum is considered worth a visit. It is also well known for its fortified wine and as the port where Giuseppe Garibaldi landed in 1860 with his Expedition of the Thousand, an integral part of the sequence of events that culminated in the unification of Italy.

A sweeping view of the bay on which sits
the picturesque port of Trapani

Travel tip:

Situated on the western coast of Sicily, Trapani is a fishing and ferry port notable for a curving harbour, where Peter of Aragon landed in 1282 to begin the Spanish occupation of Sicily. Well placed strategically to trade with Africa as well as the Italian mainland, Trapani was once the hub of a commercial network that stretched from Carthage in what is now Tunisia to Venice. Nowadays, the port is used by ferries serving Tunisia and the smaller islands, as well as other Italian ports.  The older part of the town, on a promontory with the sea on either side, has some crumbling palaces and others that have been well restored, as well as a number of military fortifications and notable churches.

Also on this day:

1633: The birth of groundbreaking physician Bernardino Ramazzini

1657: The birth of painter Francesco Solimena

1720: The birth of printmaker Giovanni Battista Piranesi

The Feast of St Francis of Assisi

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Licia Albanese – soprano

Butterfly had a long career

Licia Albanese in her signature role
as Cio-Cio-San in Madama Butterfly

Operatic soprano Licia Albanese, whose portrayal of Verdi and Puccini heroines delighted audiences all over the world during the last century, was born on this day in 1909 in Bari in the region of Puglia.

She made her operatic debut unexpectedly in 1934 at the Teatro Lirico in Milan during a performance of Madama Butterfly. Albanese was understudying the title role and when the soprano became ill during Act One, she was hustled on to the stage to take over in Act Two.

She was a great success and during the next 40 years sang more than 300 performances in the role of Cio-Cio-San, the geisha who is better known as Madama Butterfly.

Her connection with the opera began early when she was studying with the singer, Giuseppina Baldassare-Tedeschi, who was a contemporary of the composer, Giacomo Puccini, and had been the greatest Butterfly of her day.

Albanese went on to appear at La Scala, Covent Garden and many other European houses, also winning praise for her portrayals of Mimi, Violetta and Manon Lescaut.

She was fortunate to have as tenor partners, singers of the calibre of Tito Schipa, Beniamino Gigli and Giacomo Lauri-Volpi.

Albanese made her debut at the Metropolitan Opera in New York in 1940 as Madama Butterfly and was an instant success. She remained at the Met for 26 seasons and also became a regular performer at the San Francisco Opera, although after the 1941 Pearl Harbour attack, performances of Madama Butterfly were banned until the end of World War II.

Licia Albanese pictured with the great
tenor Luciano Pavarotti in 1973

In 1945 Albanese married the stockbroker Joseph Gimma, who also came from Bari.

The singer was invited by Arturo Toscanini to join his broadcast concerts with the NBC Symphony Orchestra in 1946 and, in 1959, she sang with the New York Philharmonic during the Italian Night broadcasts from a stadium in New York City.

Albanese appeared in the first live telecast from the Met in Giuseppe Verdi’s Otello. She was among the first generation of opera singers to have been recorded and to become available to watch on video and hear on CD. 

 

Albanese sang in La Traviata at the Met and the San Francisco Opera more than any other singer in the history of either of the companies and her career spanned seven decades.

Although she had a distinctive lirico spinto voice that was highly praised and was also said to have had wonderful acting ability, she was overshadowed by her contemporary, Maria Callas.

She became chairman of the Licia Albanese-Puccini Foundation, founded in 1974 to assist young singers and she conducted master classes all over the world.

She became a US citizen in 1945 and was presented with the National Medal of Honor for the Arts in 1995 by US President Bill Clinton.

Albanese died in 2014, at the age of 105, at her home in Manhattan. She was survived by her son Joseph, two grandchildren and three great-grandchildren.

The Torre Pelosa, the 16th century watchtower
in the heart of Torre a Mare

Travel tip:

Licia Albanese was born in Torre Pelosa, part of Noicattaro, which later became Torre a Mare, a quarter of Bari in Puglia, which looks out over the Adriatic Sea. A former fishermen’s village, Torre a Mare attracts plenty of visitors in the summer months, when its beaches, bars and restaurants are popular. Narrow streets lined with pastel houses lead to the main square, at the centre of which is the 16th-century Torre Pelosa watchtower. The district also has a 12th century church built in Romanesque style with a belltower.

The inside of Milan's Teatro Lirico during its
heyday in the 1930s

Travel tip:

As an understudy, Licia Albanese was rushed on to the stage of the Teatro Lirico in Milan to take over the main female role in Madama Butterfly in 1934. The theatre was built towards the end of the 18th century at the same time as La Scala, after fire had destroyed Milan’s only theatre. It was originally known as Teatro alla Cannobiana and was intended for the use of the general public,c while La Scala was meant to be patronised by a more aristocratic audience. Teatro Lirico had to close in 1998 because of financial difficulties. It has since undergone extensive renovation but its reopening has been repeatedly delayed.

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Gian Carlo Menotti - composer and librettist

Founded Spoleto festival after finding fame in the United States

Gian Carlo Menotti found success
as a composer in America

Gian Carlo Menotti, who wrote more than two dozen operas and founded the annual Festival dei Due Mondi in Spoleto, was born on this day in 1911 in the village of Cadegliano-Viconago, on the Swiss-Italian border.

A prodigiously talented child who began to write music at the age of seven, Menotti was sent to study at the Curtis Institute of Music in Philadelphia as a teenager and settled in the United States.  

For many years he was the partner - professionally and in life - of the brilliant American composer, Samuel Barber.  Menotti wrote the libretto for Barber’s 1957 work Vanessa, which is regarded as one of the 20th century’s finest operas.

Two of Menotti’s own operas, The Consul (1950) and The Saint of Bleecker Street (1955), won Pulitzer Prizes.

He created the Festival dei Due Mondi in 1957 out of a desire to make his mark in the country of his birth but also because he was intrigued by the idea of creating an event in which he and his friends could showcase their own work and to which he could also invite some of the great names of music and the arts to perform before a less traditional audience.

The festival proved a great success and continues to be held every summer in the Umbrian city, even though Menotti died in 2007.

One of eight brothers and sisters, Menotti came from a well-to-do background. His father, Alfonso, was a coffee merchant, his mother, Ines, a pianist.  Encouraged by his mother, Gian Carlo soon displayed a rare talent. He wrote the libretto and the music for his first opera, The Death of Pierrot, when he was just 11 years old and was sent to study at the Milan Conservatory a year later, coming to the attention of the great musician and conductor, Arturo Toscanini, who recommended that he enrolled at the Curtis Institute in Philadelphia.

Menotti and the American composer
Samuel Barber (above) became partners

It was around that time that Alfonso Menotti died. Gian Carlo’s relationship with his mother changed after she met and married a much younger man and they went to live in South America, a decision which influenced her son’s decision to stay in the United States.  Barber and Leonard Bernstein were among his fellow students in Philadelphia and Gian Carlo spent long periods living with Barber’s family in West Chester, Pennsylvania.

Menotti and Barber became increasingly close.  They bought a house together in Mount Kisco, a prosperous town in New York State, a little over 40 miles (64km) up the Hudson River from New York City, also spending time in Austria, where they had a house on the picturesque Wolfgangsee Lake, near Salzburg.

While studying at Curtis, Menotti wrote his first mature opera, Amelia Goes to the Ball (Amelia al Ballo), to his own Italian text.  The comic, one-act work was well received in New York, and the Metropolitan Opera took it up for their 1937 season.

When the Second World War began in Europe, Menotti stayed in America, although he never gave up his Italian citizenship.  It took Menotti nine more years to win the critical acclaim he craved, his success in 1946 with The Medium bringing him major American and later international recognition. Menotti directed a film version of the opera in Rome in 1951. 

The Consul (1950) and The Saint of Bleecker Street (1954), in which he succeeded in marrying Italian melodrama to the Broadway musical, put him on the map. Some critics place them alongside George Gershwin’s Porgy and Bess, Benjamin Britten’s Peter Grimes and Bernstein’s West Side Story as examples of the 20th century’s great musical dramas.

He achieved further success with the first opera written specifically for television, Amahl and the Night Visitors (1951), a Christmas commission from NBC, yet Menotti for the first time began to feel restless in America.

The Roman amphitheatre in Spoleto is a
key venue at the Festival dei Due Mondi

Drawn back to his native land, he decided he wanted to create a festival, something that would help bring opera to a wider audience and create an opportunity for young musicians, composers and other performers he believed deserved a showcase for their work.

He spent some months looking for a suitable venue and settled on Spoleto in part because it is such a well-preserved medieval town but also because it had a number of indoor theatres that were willing to stage performances, as well as a Roman theatre that would provide a perfect outdoor venue.

The inaugural event, a production of Verdi's Macbeth directed by Luchino Visconti, attracted considerable Italian and international media attention and the Festival of the Two Worlds, as Menotti called it, soon acquired a dedicated following. 

Menotti had no difficulty persuading celebrity artists to associate themselves with the Festival, including the dancer Rudolf Nureyev, directors Ken Russell and Roman Polanski, the poet Ezra Pound, the film composer Nino Rota, actors Vittorio Gassman and Al Pacino, and the great tenor Luciano Pavarotti.

Famous artists were invited to design festival posters, including Richard Lindner, Ben Shahn, David Hockney and Willem De Kooning. The sculptor Henry Moore, who contributed a number of pieces to an exhibition of sculptures in the city’s medieval squares in 1962, designed the sets for Menotti's production of Don Giovanni in 1968.

The Teatro Nuovo Gian Carlo Menotti
in Spoleto was renamed in his honour

Menotti in time complained about how much energy he had to give to organising the Festival, sometimes at the expense of his own career as a composer, yet at its height Spoleto would attract nearly half a million visitors every summer and a parallel Spoleto Festival was set up in Charleston, South Carolina.  The main theatre in Spoleto has been renamed Teatro Nuovo Gian Carlo Menotti in his honour.

Menotti eventually handed over control of the Festival to his son, Francis, an American former actor and figure skater he adopted in 1974 after he had appeared in a production of The Medium. 

It was in the same year that Menotti decided he would no longer live in America or Italy, acquiring Yester House, an 18th-century mansion in Gifford, a village in the county of East Lothian in Scotland, that had formerly been the home of the Marquess of Tweeddale. After he died in 2007 in Monaco, at the age of 95, it was at Yester House that he was buried. 

The waterfront at Lugano, which is just a few
kilometres from Menotti's birthplace

Travel tip:

Cadegliano-Viconago, where Gian Carlo Menotti was born, is a hamlet in northern Lombardy about 60km (37 miles) north of Milan in the province of Varese. It is situated barely two kilometres from the Italian-Swiss border, between the lakes Maggiore and Lugano. The town of Lugano, the beautiful lakeside resort notable for its temperate climate, despite offering Alpine views. Lugano is in the Italian-speaking canton of Ticino and visitors enjoy a blend of Swiss and Italian culture.

Spoleto's 12th century cathedral is a feature of
this attractive Umbrian town

Travel tip:

The historic and beautiful Umbrian hill town of Spoleto, home to Menotti’s Festival dei Due Mondi, has an impressive 12th century cathedral among a number of interesting buildings and, standing on a hilltop overlooking the town, the imposing 14th century fortress, La Rocca Albornoziana.  The cathedral contains frescoes by Fra Filippo Lippi, who is buried in the church.  The amphitheatre, close to Piazza Garibaldi, where so many events in the Festival take place, dates back to the middle of the first century BC and the early days of the Roman empire.  Two marble busts unearthed nearby, thought to be of Rome’s first emperor, Augustus and his adoptive father, Julius Caesar, may have been part of the decoration of the wall of the stage, which was destroyed in the Middle Ages during the construction of the adjoining Sant’Agata monastery and church, which now houses an archaeological museum.

Also on this day:

1573: The death of architect Giacomo Barozzi da Vignola - architect

1901: The birth of film director Vittorio de Sica

1990: Italy secures consolation third place in Italia 90 World Cup

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Alice Barbi - singer

Mezzo-soprano who became close friend of Brahms

Alice Barbi was famed for the sweet, velvety tones
of her voice, which brought her considerable fame

Alice Barbi, who enjoyed a short career as a singer after showing a talent for the violin from an early age, was born on this day in 1858 in Modena.

An accomplished mezzo-soprano famed for her sweet, velvety tone, Barbi performed in London, St Petersburg, Berlin and Vienna as well as in her native Italy. She is also known for her friendship with the celebrated German composer Johannes Brahms.

The two met shortly after Barbi had performed in Vienna for the first time in 1888. Brahms was said to be captivated by both her voice and her beauty and they soon began to meet regularly for dinner. Their relationship, which lasted until his death in 1897, was never more than platonic, although the composer - 25 years’ her senior - is said to have confessed to friends that she was the only woman he had met in his later years he would have liked to marry.

Barbi’s love of music was passed on by her father, Enrico, who was a violin teacher and tutored Alice so well that she was able to make her public debut on the instrument at the age of seven.

The family moved to Egypt but when Alice returned to Italy she enrolled at the Conservatorio Giovanni Battista Martini in Bologna, where she studied musical theory as well as learning several languages.

Johannes Brahms was captivated by Barbi
after first hearing her sing

The quality of her voice was soon noted and after studying with Luigi Zamboni and Alessandro Busi in Bologna, and later with Luigi Vannuccini in Florence, she decided to dedicate her career to singing.

Barbi sang in public for the first time in April 1882 in Milan, which she soon followed by a successful appearance in Rome. Before long, she was known throughout Italy. She never performed in opera, having recognised early in her career that her strength lay in song recitals. She decided to specialize in the German lieder repertoire, in particular the songs of Schubert, Schumann and Brahms.

She sang again in Milan in 1885 and 1886, but was increasingly in demand abroad, especially in Vienna, where critics and audiences alike were entranced by her beautiful vocal qualities.  The critic William Beatty-Kingston wrote that "All the laudatory adjectives in my vocabulary are insufficient to express my sense of the beauty, grace and poetical feeling characterising her rendering of these compositions, one and all."

Brahms was similarly impressed. After listening to her perform a number of his compositions, he declared that they had been sung in the way he imagined for the first time.  They developed a professional relationship but their personal bond became so strong that for a while they were almost constant companions.

The relationship became less close, however, when Barbi decided to end her career at the age of 35 and marry Baron Boris von Wolff-Stomersee, who was chamberlain and court master of the Tsar, Alexander III, in St Petersburg.

Barbi retired from performing at 35 but remained
active in music and the arts in Rome

Just as she was about to give her farewell recital in Vienna in December, 1893, Brahms appeared unannounced at her dressing room door, demanding that he accompany her at the piano. On an emotional evening, the audience were treated to Barbi’s rendition of some of Brahms’s songs accompanied on the keyboard by the composer himself.

When Brahms died in 1897, Barbi joined a campaign to erect a monument in his honour in his adopted city of Vienna.

In retirement, Barbi remained interested in music and the arts. She wrote poetry, some of which was set to music by the composer Antonio Bazzini, and wrote some music of her own. She was also something of a celebrity in Rome, her home playing host to important cultural events.

Barbi had two children - Alexandra, who became a psychoanalyst and married the writer Giuseppe Tomasi di Lampedusa, and Olga, who married diplomat Augusto Biancheri Chiappori.

After Stomersee died in 1917, she was married for a second time to Pietro della Torreta, the Italian Ambassador to Great Britain.  She died in Rome in 1948.

Travel tip:

Modena, the city in the Emilia-Romagna region known for its car industry and for producing balsamic vinegar, also has a musical heritage. Operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena, which today is an important centre for the Italian pop music industry, with a number of recording studios and publishers established there.  The city also houses an important collection of musical manuscripts  in the Estense Library and sponsors an annual International Festival of Military Bands.

Travel tip:

Rome’s Teatro dell'Opera di Roma, the city’s principal opera house, was originally opened in November 1880 as the Teatro Costanzi, named after the contractor who built and financed it, Domenico Costanzi, who commissioned the Milanese architect Achille Sfondrini. It was inaugurated with a performance of Semiramide by Gioachino Rossini. In 1926 the theatre Costanzi was bought by the Rome City Council and its name changed to Teatro Reale dell'Opera. It was partially rebuilt by architect Marcello Piacentini and re-opened in February 1928 with the opera Nerone by Arrigo Boito.  Among several major changes was the relocated entrance, from the street formerly known as Via del Teatro to the opposite side of the building, on Piazza Beniamino Gigli.

Also on this day:

1675: The birth of playwright Francesco Scipione

1819: The birth of Francis V, Duke of Modena

1901: The birth of exiled princess, Iolanda of Savoy


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Giovanni Battista Viotti – violinist and composer

Brilliant musician wrote the melody for the Marseillaise

Giovanni Battista Viotti spent much of his
career in Paris and London

Violinist Giovanni Battista Viotti, who was to become court musician to Marie-Antoinette and composed 29 violin concertos, was born on this day in 1755 in Fontanetto Po in the region of Piedmont.

Among Viotti’s many compositions for the violin, string quartets and the piano, his violin concerto No. 22 in A Minor became particularly well known. 

He is also credited with having composed the original music of La Marseillaise, the national anthem of France, 11 years before it was officially published by another composer.

Viotti’s musical talent was spotted early and he was taken into the household of Principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education.

This prepared him to become a pupil of the virtuoso violinist and composer Gaetano Pugnani, while still a teenager, funded by the prince.

Viotti served at the Savoy court in Turin from 1773 to 1780, before travelling with Pugnani in Germany, Poland and Russia.

He went to France alone, where he made his debut as a violinist in 1782 in Paris.  He was an instant sensation and became court musician to Marie-Antoinette at Versailles.

Viotti established himself in France as a teacher and an opera impresario. He founded a new opera house, the Theatre de Monsieur, under the patronage of Louis-Stanislas-Xavier, comte de Provence, the King’s brother, whose title at court was ‘Monsieur’. Viotti put on the operas written by his friend, Luigi Cherubini, who he had introduced into French society.

Luigi Cherubini was a friend of Viotti, who
introduced him to French society

In 1792, after royal connections had become a dangerous liability because of the French revolution, Viotti went to London, where he put on Italian operas and played his own compositions for the violin in concerts.

He became a big success as a solo violinist, manager of Italian opera and an orchestra leader and director.  He was invited to perform in the houses of London’s elite, including the Prince of Wales.

When Britain went to war with France, Viotti came under suspicion of having Jacobin sympathies and was ordered to leave the country. He moved to Germany for three years, but returned to London to resume his wine business in 1801 and continued to perform and to compose music.

When his wine business failed, he went back to Paris, where he was director of the Italian opera from 1819 to 1822.  He then returned to London, where he died in 1824 at the age of 68.

Viotti is considered to be the founding father of the 19th century French violin school. Some of the people he taught had an influence on future virtuoso violinists, including Niccolò Paganini.

Viotti had owned a violin made by Antonio Stradivari and had commissioned at least one replica, which was bought by the Royal Academy of Music in 2005. The instrument is meant to be heard as well as seen and is played sparingly at occasional events.

His violin concertos are said to have been an influence on Ludwig van Beethoven.

Recent research has suggested that one of his compositions has a very strong resemblance to the music for the French hymn, La Marseillaise, which was published 11 years later.

Viotti is remembered every year at the Viotti International Music Competition and the Viotti Festival held near his birthplace in the province of Vercelli.

The Oratory of San Sebastian, built in the 11th century,
is a feature of the small town of Fontanetto Po

Travel tip:

Fontanetto Po, where Giovanni Battista Viotti was born, is in the province of Vercelli in the region of Piedmont, about 40 kilometres (25 miles) northeast of Turin and about 20 kilometres (12 miles) southwest of Vercelli. One of the main sights is the Oratory of Saint Sebastian, which was built in the 11th century and refurbished in the 15th century and still has some mid 15th century frescoes inside.

Piazza Cavour in the Piedmont town of Vercelli, where
Viotti is a celebrated figure

Travel tip:

Vercelli is a city in Piedmont situated between Milan and Turin. It is one of the oldest towns in northern Italy, founded in around 600 BC. Vercelli had the world’s first university funded by public money, which was established in 1228 and was the seventh university in Italy, but it closed in 1372. The city has an amphitheatre from the Roman period and seven towers. The main local dish is called panissa and is made from risotto rice and beans, with pork and red wine.

Also on this day:

1590: The birth of Cosimo II de' Medici, patron of Galileo

1893: The birth of World War One fighter pilot Silvio Scaroni

1993: The death of Olympic skiing champion Zeno Colò

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Sergio Franchi – tenor

Budding opera star became popular for singing romantic ballads

Sergio Franchi's voice first gained
recognition in South Africa

The tenor and actor Sergio Franchi was born Sergio Franci Galli on this day in 1926 in Codogno in the province of Lodi in northern Italy.

Franchi earned recognition as a performer in Britain in the 1960s and subsequently went to America where he became such a success he was once invited by John F Kennedy to sing the US national anthem at a rally.

Franchi was born to a Neapolitan father and a Ligurian mother who were living in Codogno in the Lombardy region. As a child he sang with his father who played the piano and guitar.

When he was 16, Franchi formed a band to earn extra money and went on to sing with a male group in jazz clubs.

Franchi’s father was a successful businessman but he lost all his assets during the German occupation of Italy in World War II.

After the war a family friend suggested to Franchi’s father that he should emigrate to South Africa where there were more opportunities for work. The whole family moved to Johannesburg in 1947.

Franchi worked initially for his father but also began singing in informal concerts. His voice soon attracted attention and he was offered roles in musicals.

Franchi's career took a new direction after opera
 failed to provide an income to support his family 

Alessandro Rota, a successful operatic tenor who had moved to Johannesburg, helped form the National Opera Association and began producing operatic concerts. Taught by Rota, Franchi’s voice matured and his vocal range and technique developed.

He was given the leading tenor roles in Puccini’s Madam Butterfly and Verdi’s La traviata.

Franchi returned to Italy to seek more opportunities to become an opera singer. He reached the finals of a competition at La Scala in Milan and secured a role in an opera at a minor theatre. But with a wife and children to support by then, he had to look for other opportunities to earn money.

He began recording for Durium records, having hits with ‘Amore mio’ and ‘I tuoi occhi verde’, and he then made an album of Italian songs.

An English agent encouraged him to travel to London, where he made two appearances on Sunday Night at the London Palladium. This was to bring him to the attention of RCA Victor in America, who soon gave him a recording contract.

After Franchi’s first album was released in America in 1962 he appeared on the Ed Sullivan Show and also made his concert debut at Carnegie Hall, singing without a microphone. He was to become one of Ed Sullivan’s favourite guests.

Sergio Franchi with Ed Sullivan (left), on whose show he
made regular guest appearances

In 1963 Franchi was asked to sing the national anthem by President Kennedy at a rally and he bought a record to help him learn the words. This turned out to be a good move because he was able to reassure the President before the performance when he asked if Franchi knew all the words to the anthem. He later sang for Ladybird Johnson and President Ronald Reagan.

Franchi became a US citizen in 1972 and continued to enjoy a glittering career in America.

The last of Franchi’s 130 television appearances was in July 1989 and his last concert was later that month. While rehearsing for his next concert in August, Franchi collapsed and was taken to hospital. Tests revealed a brain tumour and despite treatment he died in May 1990, less than a month after his 64th birthday.

Franchi had supported the arts and many charities throughout his career and for his support for Italian children’s charities he was posthumously awarded the title of Cavaliere in the Order of Merit (stella al merito del lavoro) by the Italian government in 2001.

The church of Santi Teodoro
e Paradiso in Codogno

Travel tip:

Codogno, where Sergio Franchi was born, is a small city with a population of under 16,000 in Lombardy in the province of Lodi, to the south east of Milan. Codogno hit the headlines worldwide because of the Covid 19 pandemic. It was there that a 38-year-old Italian went to a clinic on 16 February 2020 reporting respiratory problems and it is thought the virus then spread from Codogno throughout Italy and the rest of Europe. The city was quarantined on 22 February 2020.

Il Torrazzo in Cremona is Italy's tallest
bell tower at 112 metres

Travel tip:

Cremona, to the south east of Codogno, was often thought to be Sergio Franchi’s home town, but he made it clear in interviews that he was born in Codogno but spent a lot of time in Cremona while he was growing up. Cremona is famous for having the tallest bell tower in Italy, il Torrazzo, which measures more than 112 metres in height. As well as being well known for producing the world’s best violins, Cremona is also famous for making confectionery. Negozio Sperlari in Via Solferino specialises in producing the city’s renowned torrone (nougat). The concoction of almonds, honey and egg whites was first created in the city to mark the marriage of Bianca Maria Visconti to Francesco Sforza in 1441, when Cremona was given to the bride as part of her dowry.

Also on this day:

1483: The birth of Renaissance genius Raphael

1901: The birth of social activist Pier Giorgio Frassati

1918: The birth of war hero Alberto Marvelli

1957: The birth of race-walking twins Maurizio and Giorgio Damilano

(Picture credit: church in Codogno by Ago56)


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Enrico Tamberlik – tenor

Imposing king of the high C sharp

At the height of his career, Enrico Tamberlik was
Italy's most admired tenore robusto

Opera singer Enrico Tamberlik, who is remembered for the quality of his remarkable high notes, was born on this day in 1820 in Rome.

At the height of his career, Tamberlik, whose name is also sometimes spelt Tamberlick, sang regularly at the Royal Opera House in London and in St Petersburg, Paris and America.

The singer is believed to have been of Romanian descent but was born in Italy and did all his vocal training in Naples, Bologna and Milan.

At the age of 17 Tamberlik made his debut in a concert and then made his first appearance on the operatic stage as Gennaro in Lucrezia Borgia by Gaetano Donizetti at the Teatro Apollo in Rome.

In 1841 he appeared under the name Enrico Danieli at the Teatro Fondo in Naples as Tybalt in I Capuleti e I Montecchi by Vincenzo Bellini.

A year later he made his debut at Teatro San Carlo in Naples under the name Enrico Tamberlik, which he used from then onwards.

Tamberlik made his London debut as Masaniello in Louis Auber’s La Muette de Portici at Covent Garden in 1850.

Enrico Tamberlik sang at the leading opera houses
of the world in a career spanning 45 years

In St Petersburg in 1862 in the premiere performance of Giuseppe Verdi’s La forza del destino, he appeared as Don Alvaro, a role that had been written specially for him.

He went on to sing in Moscow, Paris, Buenos Aires, Lisbon, Madrid and Barcelona with his extensive repertoire, which included all the leading tenor roles of the time.

Tamberlik was especially praised for the resonance and power of his high C sharp.  He succeeded Gaetano Fraschini as Italy’s leading ‘tenore robusto’.

He was said to have had an imposing appearance that helped him become an exciting interpreter of dramatic roles.

His last singing engagement in London was at Her Majesty’s Theatre in 1877. After touring Spain in 1881 he retired from the operatic stage. Tamberlik died in Paris three days before his 69th birthday.

The tenor Francesco Tamagno, whose career overlapped with that of Tamberlik, was regarded as his foremost successor. Tamagno made recordings in Italy in 1903 for the Gramophone and Typewriter Company and critics believe an echo of Tamberlik’s resonant voice and style has been preserved in them.

The Teatro Apollo in Rome as it would have looked
when Tamberlik was enjoying peak popularity

Travel tip:

The Teatro Apollo in Rome, where Tamberlik made his first appearance in an opera, was created from a medieval tower, the Torre dell’Annona, which had once acted as a prison. It became the Teatro Tordinona in the 17th century and then the Teatro Apollo in the late 18th century. The biggest theatre in Rome, it hosted the premieres of two Verdi operas but was demolished in 1888 when the embankments of the Tiber were built. A white marble fountain remains as a memorial marking the sport where the theatre once stood.

The Teatro di San Carlo in Naples, just around the corner
from Piazza Plebiscito, remains an important opera house

Travel tip:

Teatro di San Carlo in Naples, where Tamberlik first appeared under his own name, is the oldest opera house in the world, having opened in 1737, way ahead of La Scala in Milan and La Fenice in Venice. Built in Via San Carlo close to Piazza Plebiscito, the main square in Naples, Teatro di San Carlo quickly became one of the most important opera houses in Europe, renowned for its excellent productions. The theatre was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I, and took just eight months to build. Both Donizetti and Rossini served as artistic directors at San Carlo and the world premieres of Donizetti’s Lucia di Lammermoor and Rossini’s Mosè in Egitto were performed there.


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Nabucco premieres in Milan

Verdi opera that became a symbol of the Risorgimento

The bill advertising the first staging
of Nabucco at La Scala in Milan

The opera Nabucco, with music by Giuseppe Verdi and a libretto by Temistocle Solera, was first performed on this day in 1842 at Teatro alla Scala in Milan.

The opera contains the famous chorus Va, pensiero, a lament for a lost homeland that many Italians now regard as their unofficial national anthem.

The opera and Verdi himself have become synonymous with the Risorgimento, the period in the 19th century when people worked to free the Italian states of foreign domination and unite them under the leadership of Victor Emmanuel, the King of Sardinia and Duke of Savoy.

It is said that during the last years of the Austrian occupation of Lombardia and the Veneto, for example, that Italian patriots adopted Viva Verdi as a slogan and rallying call, using the composer’s name as an acronym for 'Vittorio Emanuele Re d’Italia' - 'Victor Emmanuel, King of Italy'.

On the day of the composer’s funeral in Milan in 1901, a crowd of 300,000 people filled the streets and sang Va, pensiero, conducted by Arturo Toscanini, a moving event that showed how Verdi’s music had helped unite the Italian nation.

But Verdi nearly didn’t take up the offer to compose the music for Nabucco.

Verdi took up the offer to write the
music for Nabucco with reluctance

After a terrible two-year period, during which his young wife and two children had all died as a result of illnesses, Verdi had vowed never to compose music again.

During a chance meeting with Bartolomeo Merelli, La Scala’s impresario, Verdi was given a copy of Solera’s libretto, which had been rejected by another composer.

Verdi later recalled in his memoirs how he took the libretto home, threw it on the table with a violent gesture and it opened up in front of him. Verdi’‘s eye fell on the phrase, ‘Va, pensiero, sull’ali dorate’  - 'Fly, thought, on golden wings'.

He tried to ignore the libretto but eventually found himself sitting at the piano and setting the words to music.

It is claimed he was still reluctant about working on the score and tried to take the manuscript back to Merelli, but the impresario stuffed the libretto back in Verdi’s pocket, threw him out of his office and locked the door.

Verdi went home and continued to work on the music and by the autumn of 1841 the opera was complete.

The opening performance at La Scala on 9 March 1842 was an immediate success, establishing Verdi as a major composer. The opera is still regularly performed all over the world today.

Verdi's future wife, Giuseppina Strepponi,
was a member of the original cast

The original cast included the soprano Giuseppina Strepponi, who would later become Verdi's second wife.

Nabucco is named after King Nebuchadnezzar, who featured in the books of Jeremiah and Daniel in the Bible, and the opera follows the plight of the Jews he conquered and exiled. The chorus Va, pensiero - also known as the 'Chorus of the Hebrew Slaves' - captured the feeling of national pride among Italians at the time who were still living under Austrian domination.

In 1981 a journalist proposed replacing Italy’s official national anthem with Va, persiero. This never happened, but the political party Lega Nord - now La Lega - adopted it as its official hymn and the chorus is now sung at all party meetings.

In 2011, after conducting Va, pensiero at the Teatro dell’Opera in Rome, the conductor Riccardo Muti made a speech protesting about cuts in Italy’s arts budget and then invited the audience to sing along in support of culture and patriotism.

Milan's Teatro alla Scala, one of the world's most prestigious
opera houses, is right in the centre of the city

Travel tip:

Teatro alla Scala is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants which was built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

Rome's Teatro dell'Opera, rebuilt in the 1920s by the
architect Marcello Piacentini, seats 1600 spectators

Travel tip:

The Teatro dell’Opera in Rome, where conductor Riccardo Muti invited the audience to join in the chorus Va, pensiero in 2011, is a 1600-seat opera house in Piazza Beniamino Gigli. It was originally opened in 1880 as the Costanzi Theatre and has undergone several changes of name and many improvements over the years.

Rome hotels by Booking.com

Also on this day:

1454: The birth of explorer Amerigo Vespucci

1809: The birth of statesman and winemaker Bettino Ricasoli

1908: The founding of the Milan football club Internazionale

1948: The birth of politician Emma Bonino


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Gianluca Ginoble – singer

Versatile baritone helps make Il Volo’s magical sound

As a small boy, Gianluca Ginoble used to
sing in the bar owned by his grandfather

Gianluca Ginoble, a member of the hugely successful and award-winning Italian pop and opera trio Il Volo, was born on this day in 1995 in Roseto degli Abruzzi, in the Abruzzo region.

He is the youngest of the trio and the only baritone. The other two singers, Piero Barone and Ignazio Boschetto, are both tenors.

Gianluca’s family lives in Montepagano, a hilltop village overlooking Roseto degli Abruzzi. He is the oldest son of Ercole Ginoble and Eleonora Di Vittorio and has a younger brother, Ernesto.

Gianluca started to sing when he was just three years old with his grandfather, Ernesto, in the Bar Centrale, which Ernesto owns, in the main square of the town.

While still young, he took part in music festivals and competitions in his area, winning some and being distinguished in them all because of his beautiful deep voice.

In 2009, he won the talent show Ti Lascio Una Canzone on Rai Uno, singing  Il mare calmo della sera, which had been Andrea Bocelli's winning song at the 1994 Sanremo Music Festival. He was then just 14 years old.

Ginoble won a TV talent show
when he was just 14 years old

Piero Barone and Ignazio Boschetto also took part in the show and in one episode the trio performed together for the first time, singing the Neapolitan classic, O sole mio.

Afterwards, the director, Roberto Cenci, came up with the idea of putting them together to create music similar to The Three Tenors - Placido Domingo, Jose Carreras and Luciano Pavarotti - when they occasionally performed together.

They were initially named I Tre Tenorini - The Three Little Tenors -  but this was later changed to The Tryo. In 2010 their name was changed to Il Volo, meaning The Flight.

After producing several successful albums, singing in Italian, English and Spanish, Il Volo won the Sanremo Festival of 2015. They represented Italy in the 2015 Eurovision Song Contest in Vienna, finishing in third place, although they were the overwhelming 'winners' of the televoting element of the contest, with viewers in 14 countries awarding them the maximum 12 points, compared with only four maximums from the national juries.

In 2016, in collaboration with Placido Domingo, the trio released a live album, Notte Magica – A Tribute to the Three Tenors, featuring many of the songs performed by the famous threesome in their first appearance together on the eve of the 1990 World Cup in Italy.

Gianluca Ginoble (left), with Ignazio Boschetto and Piero
Barone on the cover of Il Volo's latest album

Gianluca Ginoble has been described as a ‘lyric baritone with a warm timbre.’ He is able to sing very low notes but also sing at the top of the baritone register with ease.

He has also been labelled a ‘Heldentenor’, a baritone with a strong upper register, suitable for singing roles in operas by Wagner.

Gianluca is known for his impersonations of the pop singer Eros Ramazzotti, but also among his favourite singers are Andrea Bocelli, Frank Sinatra and Mario Lanza.

A football fan, Gianluca used to play for his home town and has been referred to as the 'Maradona of Montepagano'. He supports AS Roma and is a fan of Francesco Totti.

Buy Il Volo's latest album 10 Years: The Best of Il Volo

Roseta degli Abruzzi, notable for its wide, sandy beach, is
sometimes known as Lido delle Rose.

Travel tip:

Roseto degli Abruzzi, where Gianluca Ginoble was born, is a town of the province of Teramo in Abruzzo. It is a beach resort on the Adriatic Sea and with a population of around 24,000 is the largest municipality in the province. A railway line running along the coast connects it with Pescara, about 30km (19 miles) to the south. The city of Teramo is about 30km (19 miles) inland, at the foot of the Gran Sasso mountain range. Roseto is a popular holiday location because of its lovely beach and is sometimes referred to as Lido delle Rose.

One of the ancient medieval gates of Ginoble's home village
of Montepagano, in the hills above Roseta degli Abruzzi

Travel tip:

Montepagano, where the Ginoble family lives, is a medieval hamlet of Roseto degli Abruzzi, on top of a hill overlooking the sea. It is only six kilometres inland from the seaside resort but visitors feel they have stepped back in time when they go through the ancient city gates. There are winding streets with old palazzi and small squares to explore and stunning views of the sea and the mountains at different points. The vineyards below the town produce excellent wines that feature on the menus in the local restaurants. The 15th century Church of Santissima Annunziata, with its 40m (131ft) bell tower, is a major landmark.


More reading:

How grandfather discovered Piero Barone's singing talent

Andrea Bocelli - singer with perfect voice for opera or pop

How Eros Ramazzotti became one of Italy's biggest stars

Also on this day:

1791: The birth of architect Louis Visconti

1881: The birth of Futurist painter Carlo Carrà

1929: The Vatican becomes an independent state

1948: The birth of footballer Carlo Sartori


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