Artemisia Gentileschi – painter

Brilliant artist who survived torture by thumbscrews 

Artemisia Gentileschi: a self-portrait as a lute player
painted in around 1615-17

Artemisia Gentileschi, who followed in the footsteps of the Baroque painter Caravaggio by painting biblical scenes with dramatic realism, was born on this day in 1593 in Rome.

As a young woman she was raped by an artist friend of her father who had been entrusted with teaching her, and when he was brought to trial by her father she was forced to give evidence under torture.

This event shaped her life and she poured out her horrific experiences into brutal paintings, such as her two versions of Judith Slaying Holofernes.

Gentileschi was notable for pictures of strong and suffering women from myths, allegories, and the Bible. Some of her best known themes are Susanna and the Elders, Judith Slaying Holofernes, the most famous of which, painted between 1614 and 1620, is in the Uffizi in Florence, and Judith and Her Maidservant. 

She had an ability to produce convincing depictions of the female figure, anywhere between nude and fully clothed, that few male painters could match.

Judith Slaying Holfernes (1614-20), which can
be found in the Uffizi Gallery in Florence

It was many years before Gentileschi’s genius was fully appreciated, but a newly discovered self portrait depicting herself as St Catherine of Siena has just been bought by the National Gallery in London for £3.6 million, a record amount for her work.

Her artist father, Orazio Gentileschi, was an admirer of the painter Caravaggio. He taught his daughter to paint in his interpretation of Caravaggio’s style.

After her father’s friend, the landscape painter Agostino Tassi, raped her, he was brought to trial in 1612 and she had to give evidence while being subjected to a thumbscrew-like torture ‘to make sure her evidence was honest’.

After the trial Gentileschi moved to Florence, married a Florentine and became the first woman to join Florence’s Academy of Design.

Unlike other women artists of the time she specialised in history painting. She painted an Allegory of Inclination for the series of frescoes honouring the life of Michelangelo in Casa Buonarroti.

Gentileschi's painting San Gennaro
nell'Anfiteatro

She moved to Naples, where she painted many important religious paintings for churches, such as San Gennaro nell’Anfiteatro di Pozzuoli (Saint Januarius in the Amphitheatre of Pozzuoli).

Later, she went to London where she worked alongside her father for King Charles I on ceiling paintings for the Queen’s House in Greenwich. She also painted many portraits and eventually became more famous than her father.

It is believed that Artemisia Gentileschi died in Naples during a devastating epidemic of plague that swept the city in 1656.

The bust of Michelangelo
at Casa Buonarroti

Travel tip:

Casa Buonarroti, which Artemisia Gentileschi helped decorate, is now a museum in Via Ghibellina in Florence in a building Michelangelo left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. It houses Michelangelo’s early sculptures and a library with some of Michelangelo’s letters and drawings.

The interior of the Anfiteatro di Pozzuoli

Travel tip:

Pozzuoli’s Flavian Amphitheatre (Anfiteatro di Pozzuoli) was the third largest Roman amphitheatre in Italy, holding up to 50,000 spectators. Only the Colosseum in Rome and the Capuan Amphitheatre are larger. It was built during the reign of Vespasian by the same architects who previously constructed the Colosseum. Although most of the superstructure has been destroyed in an area subject to frequent seismic activity, the underground interior is still largely intact and well worth a visit. The amphitheatre is in the centre of the town, about 20km (12 miles) west of Naples, close to the Pozzuoli’s Metro station.

More reading:

The mysterious death of Caravaggio

The brilliance of Michelangelo

The rival who broke Michelangelo's nose in a fight

Also on this day:

1822: The death of the poet Shelley in a storm at sea

1918: Ernest Hemingway wounded working for Red Cross in Italy 

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Alberto Magnelli - abstract painter

Self-taught artist whose work became known as Concrete Art

Animated Tension (1953): An example of the abstract art of
the Italian painter Alberto Magnelli

The abstract painter Alberto Magnelli, who became a leading figure in the Concrete Art movement, was born on this day in 1888 in Florence.

Concrete Art is described as abstract art that is entirely free of any basis in observed reality and that has no symbolic meaning. It had strong geometric elements and clear lines and its exponents insisted the form should eschew impressionism and that a painting should have no other meaning than itself.

The movement took its name from the definition of concrete as an adjective rather than a noun, meaning ‘existing in a material or physical form’.

It became Magnelli’s focus after he moved to Paris in 1931. Until then, he had experimented in various genres.

Alberto Magnelli taught himself to paint
while on holiday in rural Tuscany

He was born into a comfortable background in Florence, his father coming from a wealthy family of textile merchants.  He never studied art formally but would spend hours in museums and churches looking at paintings and frescoes. He particularly admired the Renaissance artists Andrea del Castagno, Paolo Uccello, and Piero della Francesca.

Magnelli’s first paintings were landscapes, which he began to produce while on holiday in the Tuscan countryside.  His work was good enough for him to submit to the Venice Biennale, as a result of which he made his first sale in 1909.

By 1915, he had moved towards painting in abstract style, having become part of a circle of artists in Florence in which the Futurist Gino Severini was a prominent member and having met Cubists such as Pablo Picasso and Fernand Léger.

After the First World War, in which he did compulsory military service, he continued to paint entirely abstract works but was unhappy that the avant-garde movement in Italy appeared to be supportive of Fascism and returned to painting quiet Tuscan landscapes, and figure studies. These had echoes of the Metaphysical style of Italian artists Giorgio de Chirico and Carlo Carrà.

Some of Magnelli's works, such as The Readers (1931), had
 echoes of the Metaphysical movement in Italian art

Towards the end of the 1920s, suffering a crisis in confidence, he almost gave up painting but decided to return to Paris in the hope of making a fresh start. There he joined the Abstraction-Création group.

Following the invasion of France by the Nazis, during the Second World War, Magnelli and his future wife, Susi Gerson, went to live in Grasse with several other artists. Some of the group, including Gerson, were Jewish so they were forced to hide. Because conventional art materials were in short supply, Magnelli created textural geometric collages using materials such as corrugated cardboard, emery cloth, music paper, stitched wire, and metal plates.

He also made paintings on schoolchildren’s wood-framed slate boards. Many of these were geometric compositions constructed from flat areas of colour and inscribed white lines, while others were inscriptions of purely geometric lines. It was the beginning of Concrete Art. He again exhibited at the Venice Biennale and major galleries organised retrospectives of his work.

Following the Second World War, Magnelli returned to Paris which was to be his home for the rest of his life.  He died there in 1971.

The Giubbe Rosse has been serving customers in Florence's
Piazza della Repubblica since 1896

Travel tip:

Florentine artists of Magnelli’s era used to meet at the Caffè Giubbe Rosse in Piazza della Repubblica, which took its name from the red jackets - giubbe rosse - the waiters still wear to this day. When opened in 1896, it was called Fratelli Reininghaus after the German brothers who founded it. The writer and poet Alberto Viviani called the Giubbe Rosse a "fucina di sogni e di passioni - a forge of dreams and passions".

The central square in Sansepolcro, Tuscany

Travel tip:

Sansepolcro, which is the birthplace of Piero della Francesca,  is a town of 16,000 inhabitants situated about 110km (68 miles) east of Florence and 38km (24 miles) northeast of Arezzo. The historic centre is entirely surrounded with fortified walls, built in the early part of the 16th century. The centre of the town is the Piazza Torre di Berta, named after the 13th-century tower of the same name, off which can be found the impressive Palazzi Pichi and Giovagnoli and the 14th-century cathedral, dedicated to St John the Evangelist.

More reading:

Giorgio di Chirico, founder of the Scuola Metafisica 

Carlo Carrà and the Futurist movement

Giorgio Morandi - master of still life



Also on this day:

1586: The birth of 'lost' composer Claudio Saracini

1878: The birth of career burglar and cult figure Gino Meneghetti

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Domenico Antonio Vaccaro - painter, sculptor and architect

Creative genius whose legacy is still visible around Naples

The beautiful Palazzo dell'Immacolatella at the waterfront
of the Port of Naples is a famous Vaccaro palace

The painter, sculptor and architect Domenico Antonio Vaccaro, who created some notable sculptures and designed some of the finest churches and palaces around Naples in the early 18th century, was born in the great southern Italian city on June 3, 1678.

Vaccaro was also an accomplished painter, but it is his architectural legacy for which he is most remembered.

Among the famous churches attributed to Vaccaro are the Chiesa di San Michele Arcangelo, which overlooks Piazza Dante, and the Chiesa di Santa Maria della Concezione a Montecalvario, which can be found in the Spanish Quarter, while he completed the Chiesa di Santa Maria della Stella in the district of the same name.

His notable palaces included the Palazzo Spinelli di Tarsia, just off Via Toledo, and the beautiful late Baroque palace, the Palazzo dell’Immacolatella, built on the water’s edge in the 1740s and now dwarfed by the enormous ocean-going ships that dock either side of it.

Vaccaro's obelisk in the Piazza di San
Domenico Maggiore in the heart of Naples

Vaccaro was also responsible for finishing the carved obelisk topped by a bronze statue in Piazza di San Domenico Maggiore.

He sculpted a statue of San Gennaro, the patron saint of Naples, in the city’s cathedral, a Guardian Angel in the nearby church of San Paolo Maggiore, a Moses in the church of San Ferdinando, and the statues of Penitence and Solitude for the former monastery of San Martino, now a museum.

Vaccaro was the son of another accomplished painter, Lorenzo Vaccaro, who encouraged him to study for a legal career.  However, he would often forego his studies in order to make drawings and in time his father accepted his passion could not be quelled.  He began to work alongside his father and trained in the workshop of Francesco Solimena, a prolific painter of the Baroque era.

He focussed largely on painting in his early years but gave evidence of the breadth of his talent when he was asked to redesign the church of San Michele Arcangelo in Anacapri, on the island of Capri, which was noted for its majolica floor.

Vaccaro would later be responsible for the majolica cloister at the Basilica of Santa Chiara in Naples.

Vaccaro's Guardian Angel in the church
of San Paolo Maggiore

He did less painting and more sculpture and design following the shocking murder of his father in 1706 at the family farm in Torre del Greco, seemingly by two paid assassins, although it was not established who had hired them.

Vaccaro reached his artistic maturity following his father’s death and the commission to build the small church of Santa Maria della Concezione in Montecalvario came in 1718.

The Palazzo dell’Immacolatella is widely recognised as one of the most interesting historical and artistic buildings in Naples.

Commissioned by the Bourbon king Charles III, it was built as part of a restoration of the sea front between Castel Nuovo and Porta di Massa, and and initially stood on a peninsula connected to the mainland by two bridges.

The building, which was to serve as a quarantine station, is characterized by the statue of the Virgin Mary at the front of the building at the top, attributed to Francesco Pagano.  There are plans to restore the building, which currently does not have a purpose, as a museum.

For a brief period in the 19th century, the palace was embellished with the Fountain of the Immacolatella, designed by Michelangelo Naccherino. It was relocated and now stands on the seaside road, via Nazario Sauro, near the Castel dell'Ovo, and is known now as the Fountain of the Giant.

Vaccaro married to Giuseppina Pierro, with whom he had 10 children. From 1724 until his death in 1745 he lived in the Palace of Magnocavallo, in Via Francesco Girardi, near the Parco dei Quartieri Spagnoli.

The beautiful interior of the church of San Domenico
Maggiore, founded by Dominican friars

Travel tip:

The Piazza di San Domenico Maggiore takes its name from the nearby church of San Domenico, founded by friars of the Dominican Order, built around another church on the same site dating back to the 10th century. The square is bordered by the long narrow street popularly known as Spaccanapoli, one of the three original east-to-west streets of the Greek city of Neapolis. The adjoining monastery was the original seat of the University of Naples, where Saint Thomas Aquinas, a former member of the Dominican community, taught theology in 1272.

The Port of Naples, with two cruise ships dwarfing the
Palazzo dell'Immacolatella in the centre of the picture

Travel tip:

The Port of Naples is one of the largest Italian seaports and one of the largest on the Mediterranean, with an annual cargo traffic capacity of around 25 million tons and 500,000 container units, plus passenger traffic of some nine million people.  As well as a regular procession of passenger  cruise ships calling at Naples, the port provides ferry services for various destinations around the Bay of Naples, including the islands of Capri, Ischia and Procida, plus services to destinations further afield such as Sicily and Sardinia, the Aeolian Islands and Ponza.

Also on this day:

1751: The birth of the blessed Vincent Romano, priest dedicated to helping poor of Naples

1977: The death of film director Roberto Rossellini

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Caravaggio and a death in Campo Marzio

Hot-tempered artist killed man in Rome in row over a woman

Caravaggio was a brilliant painter but had
a reputation for drunken violence

The brilliant late Renaissance artist Caravaggio committed the murder that would cause him to spend the remainder of his life on the run on this day in 1606.

Renowned for his fiery temperament and history of violent acts as well as for the extraordinary qualities of his paintings, Caravaggio is said to have killed Ranuccio Tomassoni, described in some history books as a ‘wealthy scoundrel’, in the Campo Marzio district of central Rome, not far from the Piazza Monte D'Oro.

The incident led to Caravaggio being condemned to death by order of the incumbent pope, Paul V, and then fleeing the city, first to Naples, eventually landing in Malta.

It was thought that the two had a row over a game of tennis, which was gaining popularity in Italy at the time, and that the dispute escalated into a brawl, which was not unusual for Caravaggio. The story was that Tomassoni wounded the painter in some way, at which Caravaggio drew a sword and lashed out at his rival, inflicting a gash in the thigh from which he bled to death.

This was accepted by historians as a plausible story for almost 400 years until evidence emerged to challenge the theory in 2002, when papers unearthed in a search of Vatican and Rome state archives suggested a different explanation.

According to the English art historian Andrew Graham-Dixon, who revealed the findings in a BBC television documentary, Caravaggio killed Tomassoni in a botched attempt to castrate him.

Caravaggio among the narrow crowded
streets of the Campo Marzio district

The evidence had been turned up by Monsignor Sandro Corradini, an Italian art historian with a particular interest in Caravaggio, who found a surgeon’s report written on the day of Tomassoni’s death.

Maurizio Marini, another historian, told Graham-Dixon in the documentary that the surgeon’s report described a fatal wound to Tomassini’s femoral artery and surmised that Caravaggio was probably trying to castrate him.

Such barbaric acts were relatively common in Rome at the time, part of a ‘code of honour’ that dictated that if a man was insulted by another man he would cut his face, but that if a man’s woman was insulted then the man delivering the insult could expect a different part of his anatomy to be under threat.

The woman at the heart of their row was said to be Fillide Melandroni, who had allegedly succumbed to Caravaggio’s charms after he was asked to paint her for an Italian nobleman. It is thought that she was a prostitute and that Tomassino was her pimp.

It is little wonder, after he had been found guilty of murder, that Caravaggio was not keen to hang around. The sentence was beheading. Worse still, from the artist’s point of view, the sentence allowed for any member of the public, on spotting Caravaggio, to carry out the sentence themselves, on the spot.

In the event, Caravaggio escaped, yet died only four years later in mysterious circumstances. Official records said that he fell victim to a fever at Porta Ercole, on the Tuscan coast, but no records exist of a funeral or a burial and it is suspected that he himself may have been murdered, either by relatives of Tomassino or representatives of the ancient order of the Knights of Malta, avenging the maiming of one of their members in another brawl involving the painter, in Malta.

Caravaggio's David with the Head of Goliath.
painted shortly before he died in 1610

Shortly before he died, while lying low in Naples with the intention of returning to Rome to seek clemency, he completed his David with the Head of Goliath, in which the severed head of the giant bears his own facial features, while David is given an expression of compassion for his victim.

Born Michelangelo Merisi in Milan in 1571, Caravaggio became known by the name of the town, in the province of Bergamo, where his family settled after leaving Milan to escape an outbreak of plague.

His work became famous for his realistic observation of the physical and emotional state of human beings and for his dramatic use of light and shade, known as chiaroscuro, which gave his paintings an almost three-dimensional quality. This was a formative influence for the baroque school of painting.

Some of his major works, such as The Calling of St Matthew, The Crucifixion of St Peter and Deposition, can be found in churches in Rome, but his work is also well represented in the Uffizi gallery in Florence.

The Sanctuary of the Madonna in Caravaggio

Travel tip:

In addition to its connection with the artist, another attraction of the town of Caravaggio is the Sanctuary of the Madonna di Caravaggio, which was built in the 16th century on the spot where the Virgin Mary is said to have appeared to a local peasant woman.  The Sanctuary was later rebuilt and completed in the 18th century and is now visited by pilgrims from all over the world.  The town did have a theatre named after Caravaggio that was held in high regard but it was destroyed during the Second World War.

The Piazza del Popolo is among the highlights of Campo Marzio

Travel tip:

Campo Marzio is Rome’s 4th rione - district - situated in the centre of Rome, comprising an area that includes Piazza di Spagna and the Scalinata di Trinità dei Monti - otherwise known as the Spanish Steps - and Piazza del Popolo, as well as the fashion district with the Via dei Condotti at its centre, overlooked by the Pincian Hill.  During the Middle Ages it was the most densely populated quarter of the city. It is bordered by the Tiber, the Quirinal hill in the north and the Capitoline Hill.

More reading:

The mysterious death of Caravaggio

Also on this day:

1987: The birth of Leandro Jayarajah, former member of the Italy national cricket team

1999: Da Vinci's The Last Supper goes back on display after 20-year restoration

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Domenico di Pace Beccafumi – artist

Painter from Siena experimented with rich colour 

Beccafumi's Madonna with Child, St Jerome and the Infant
St John is notable for its almost luminous colours

Considered one of the last true representatives of the Sienese school of painting, Domenico di Pace Beccafumi died on this day in 1551 in Siena.

He is remembered for his direction of the paving of the Duomo - cathedral - of Siena between 1517 and 1544, when he made ingenious improvements to the technical processes employed for this task, which in the end took more than 150 years to complete.

Domenico was born in Montaperti near Siena in about 1486. His father, Giacomo di Pace, worked on the estate of Lorenzo Beccafumi, whose surname he eventually took.

Seeing his talent for drawing, Lorenzo had taken an interest in him and recommended that he learn painting from the Sienese artist, Mechero.

In 1509 Di Pace Beccafumi travelled to Rome for a short period, where he learnt from artists working on the Vatican.

Back in Siena, he painted religious pieces for churches and was only mildly influenced by the trends dominating the neighbouring Florentine school.

Domenico Beccafumi: a self-portrait

He designed scenes from the Old Testament to decorate the floor of the cathedral and also painted frescoes for Palazzo Pubblico in the city.

Di Pace Beccafumi is renowned for his use of rich, almost luminous colours. One of his paintings, which was rediscovered only in 1983, is Madonna with Child, St Jerome and the Infant St John. It shows Mary wearing a blue robe lined with an almost iridescent pale green. The painting is now in a collection in Madrid.

Siena had been an artistic rival of Florence, but wars and natural disasters had caused a decline by the 15th century. Stylistically, Beccafumi was the last in a long line of Sienese artists to use intense colour to express emotion and passion in his paintings.

The main altar of the Duomo di Siena
and Beccafumi's mosaic floor

Travel tip:

Siena’s Duomo, was designed and completed between 1215 and 1263 on the site of an earlier structure. It has a beautiful façade built in Tuscan Romanesque style using polychrome marble. Inside, its inlaid marble mosaic floor is one of the most ornate of its kind in Italy and covers the whole floor of the cathedral. The uncovered floor can be seen for only a few weeks each year, usually including September. The rest of the year it is kept covered, with only a few panels on display at a time. Half of the 13 Scenes from the life of Elijah in the transept of the cathedral were designed by Domenico Beccafumi, as well as Moses Striking Water on the Rock and Moses on Mount Sinai. His final contribution to the floor was The Sacrifice of Isaac, completed in 1547, which is in front of the main altar.

A monument to the Battle of Montaperti

Travel tip:

Montaperti, where Di Pace Beccafumi was born, is part of the comune (municipality) of Castelnuovo Berardenga in the province of Siena. Since 1932 it has been included in the Chianti wine production area. The famous Battle of Montaperti fought between Guelphs and Ghibellines took place there on September 4, 1260.

Also on this day:

1892: The birth of Metropolitan Opera star Ezio Pinza

1939: The birth of murdered anti-Mafia magistrate Giovanni Falcone

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Giovanni Antonio Pellegrini - painter

Venetian artist who made mark in England

Giovanni Antonio Pellegrini's self-portrait,
painted in about 1717

The painter Giovanni Antonio Pellegrini, who is regarded as one of the most important Venetian painters of the early 18th century, was born on this day in 1675 in Venice. 

He played a major part in the spread of the Venetian style of large-scale decorative painting in northern Europe, working in Austria, England, France, Germany, and the Netherlands.

With a style that had influences of Renaissance artist Paolo Veronese and the Baroque painters Pietro da Cortona and Luca Giordano, he is considered an important predecessor of Giovanni Battista Tiepolo in the development of Venetian art.

A pupil of the Milanese painter Paolo Pagani, Pellegrini began travelling while still a teenager, accompanying Pagano to Moravia and Vienna.

After a period studying in Rome, he returned to Venice and married Angela Carriera, the sister of the portraitist Rosalba Carriera.

Soon afterwards, he accepted the commission to decorate the dome above the staircase at the Scuola Grande di San Rocco in 1709.

Pellegrini spent a significant part of his career in England, where he was invited, along with Marco Ricci, the nephew of Sebastiano Ricci, by Charles Montagu, the future Duke of Manchester.  He and Ricci were the first Venetians to work in England.

A copy of Pellegrini's original work in the reconstructed
dome of Castle Howard in Yorkshire

Pellegrini made his mark in England by painting murals in a number of English country houses, including at Kimbolton Castle for the Montagu, Castle Howard, and Narford Hall, Norfolk, for Sir Andrew Fontaine.

His paintings in the dome at Castle Howard in Yorkshire were unfortunately largely destroyed in a fire in 1940.

In London he worked at 31 St James's Square for the Duke of Portland, and became a director of Sir Godfrey Kneller's Academy in London in 1711.

He submitted designs for decorating the interior dome of the new St Paul's Cathedral, and is said to have been Christopher Wren's favourite painter. However, he did not win the commission, losing out to Sir James Thornhill.

Pellegrini subsequently travelled through Germany and the Netherlands on his way back to Italy.

He completed works in many European cities, including Düsseldorf, The Hague, Prague, Dresden, Vienna and Paris.

Pellegrini died in Venice in November 1741.

The Ospedale degli Incurabili, which houses the
 Accademia di Belle Arti in Venice

Travel tip:

Pellegrini is thought to have lived in the Dorsodoro sestriere of Venice, in which the Accademia di Belle Arti di Venezia was founded in September 1750. Giovanni Battista Tiepolo became the first president. The academy was at first housed in a room on the upper floor of the Fonteghetto della Farina, a flour warehouse and market on the Grand Canal, close to Piazza San Marco.

The facade of the historic Scuola Grande di San Rocco

Travel tip:

The Scuola Grande di San Rocco is a lay confraternity founded in 1478, named after San Rocco, who was popularly regarded as offering protection against the plague. It quickly became the richest Scuola of the city.  Jacopo Tintoretto was engaged to produce a large number of paintings to decorate the walls and ceilings, which included what is regarded as his celebrated pictorial cycle illustrating episodes from the New and Old Testaments.  More than over 60 paintings are preserved in their original setting in a building that has undergone very little alteration since its construction.



More reading:

The brilliant miniatures of Rosalba Carriera

Pietro da Cortona - outstanding exponent of Baroque

Why Luca Giordano was renowned as a fast worker

Also on this day:

1945: Brazilian soldiers liberate an Italian town

1987: The birth of tennis champion Sara Errani


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Giuseppe Panza - art collector

Businessman amassed more than 2,500 pieces

Giuseppe Panza collected more than 2,500 works of art
between the 1950s and 1980s

The art collector Giuseppe Panza di Biumo, whose fascination with postwar art, particularly American, led him to build up one of the world’s most important collections, died on this day in 2010 in Milan.

A businessman who succeeded his father in making money from wine and property, Panza acquired more than 2,500 pieces in his lifetime, many of which he sold or donated to museums and art galleries.

Some he parted with for millions of dollars, although he always insisted that his motivation was never financial gain but the love of art.

Approximately 10 per cent of his collection remains in the 18th-century Villa Menafoglio Litta, his family home at Varese, north of Milan, where he created 50,000 square feet (4,600 sq m) of exhibition space.

He had an astute eye for talent, often identifying unknown artists who would go on to become collectible long before their works commanded premium prices.

For example, he anticipated the popularity of Minimalism in the 1960s, snapping up works by Donald Judd and Dan Flavin well before their careers had really taken off.

Panza's collection was one of the
largest assembled

Born in 1923 in Milan, Panza had a comfortable background. His father, Ernesto, was a wine distributor who invested in real estate and who in 1940 was given the title of count, which Giuseppe inherited, by King Vittorio Emanuele III.

He began reading books about art as an adolescent recovering from illness but it would be some years before he had the chance to develop his knowledge.  In the meantime, he fled wartime Italy for Switzerland in 1943, fearing that his misfortune to be living in the north of the country would lead to him being conscripted to fight on behalf of the Fascists and the Germans against the partisans in what already appeared to him to be a losing cause.

On his return to Italy after lying low in Lucerne, he enrolled at the University of Milan to study law, but never practised. Instead, he joined his father in the family business, although with no great enthusiasm. However, it was on a business trip to the United States in 1954 that he bought his first paintings and set forth on what would become a lifetime’s obsession.

With his wife, Rosa Giovanna Magnifico, he began a collection that included some work by European artists but which focussed primarily on the American artists who had captured his imagination. He bought his first work by the abstract expressionist Frank Kline, entitled Buttress, for $500. Years later, it was part of a collection of 80 works he sold for $11 million to the Museum of Contemporary Art in Los Angeles.

Panza paid $500 for Frank Kline's Buttress, which he later
sold as part of a $11 million collection

He and Rosa were among the first patrons of Pop art, Minimalist and Conceptual Art, collecting works by Robert Rauschenberg, Roy Lichtenstein, Brice Marden and Robert Morris among others.

They brought their paintings back to their home in Corso Porta Romana in Milan, originally intending to stop at 100 but finding themselves unable to resist the lure of finding new works by new artists.

By the 1980s, Panza began to dismantle the collection.  His intention at first was to sell to Italian museums and galleries so that the pleasures he had derived from from assembling it over 25 years and more could be shared with his fellow Italians, but Italian institutions were not wealthy and there were few takers.

Instead, many works went back to America.  In addition to the Museum of Contemporary Art in Los Angeles, he struck a deal with the Solomon R. Guggenheim Museum in New York, which acquired, as part of a $30 million package, more than 300 Minimalist sculptures and paintings in the 1990s.

The Hirshhorn Museum in Washington, the Albright-Knox Art Gallery in Buffalo and the San Francisco Museum of Modern Art also have substantial Giuseppe Panza collections.

Nearer home, he donated more than 200 works to the Lugano Cantonal Art Museum in Italian-speaking southern Switzerland and gave the Villa Menafoglio Litta to the Fondo Ambiente Italiano, the Italian equivalent of the National Trust.

He was survived by Rosa Giovanna and their children, Alessandro, Maria Giussepina, Federico, Giovanni, Giulio and Maria Luisa.

The Porta Romana in Milan stands on the site of one
of the original Roman gates into the city

Travel tip:

The Corso Porta Romana in Milan runs from the remains of the Porta Romana, one of the city’s traditional gateways, to Piazza Giuseppe Missori, in the city centre, a short distance from Piazza del Duomo. The visible remains of the gateway dates back to the 16th century Spanish walls, although there was a corresponding gate in the Roman walls. Indeed, Porta Romana was the first and the main imperial entrance to the city and the starting point of the road leading to Rome.

Piazza Monte Grappa in Varese

Travel tip:

Varese is a city in Lombardy, 55km north of Milan and close to Lake Maggiore. It is rich in castles, villas and gardens, many connected with the Borromeo family, who were from the area. Lake Varese is 8.5km long, set in low rolling hills just below Varese. Many visitors to the city are drawn to the Sacro Monte di Varese (the Sacred Hill of Varese), which features a picturesque walk passing 14 monuments and chapels, eventually reaching the monastery of Santa Maria del Monte.

More reading:

Giorgio de Chirico's scuola metafisica

The Futurist art of Carlo Carrà

Flaminio Bertoni - sculptor from Varese who turned his talents to car design

Also on this day:

1859: The birth of coffee maker Luigi Lavazza

1966: The birth of footballer Alessandro Costacurta

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Fortunino Matania - artist and illustrator

War artist famous also for images of British history

Fortunino Matania was one of the leading
20th century magazine artists

Chevalier Fortunino Matania, a prodigiously talented artist who became known as one of the greatest magazine illustrators in publishing history, was born on this day in 1881 in Naples.

Matania made his name largely in England, where in 1904 he joined the staff of The Sphere, the illustrated news magazine that was founded in London in 1900 in competition with The Graphic and the Illustrated London News.

The use of photography on a commercial scale was in its infancy and artists who could work under deadline pressure to produce high-quality, realistic images to accompany news stories were in big demand.

Never short of work, he was commissioned by magazines across Europe, including many in his native Italy.

Matania’s best known work was from the battlegrounds of the First World War but he also covered every major event - marriages, christenings, funerals and state occasions - from the coronation of Edward VII in 1902 to that of Queen Elizabeth II in 1953.  He produced illustrations of the Sinking of the Titanic for The Sphere.

He was also in demand to design advertising posters, such as those inviting travellers on the LNER and other railways to visit Blackpool or Southport. He created posters, too, for Ovaltine and Burberry, the sports outfitter.

Matania was the war artist for the
London magazine The Sphere

Later in his career, he drew voluptuous women, often nude, for the women’s magazine Britannia and Eve, and was one of the first illustrators hired to work on the ground-breaking children’s magazine, Look and Learn.

Fascinated with British royalty and the Empire, Matania wrote as well as illustrated historical stories and in the years up to his death in 1963 produced a series of paintings for the Look and Learn publisher Leonard Matthews called a Pageant of Kings, which began with William the Conqueror and the Battle of Hastings.

He was working on a painting entitled Richard II and His Child Bride when he died in London at the age of 81.

Matania’s prolific output also included illustrations to be used in Hollywood movies.

His talent was plainly in his genes, to a certain extent. His father was Eduardo Matania, an artist who became an illustrator for magazines in Italy in the late 19th and early 20th centuries.

He studied at his father's studio, designing a soap advertisement at the age of nine and exhibiting his first work at Naples Academy by the times he was 11.

By the age of 14, he was good enough to take on some of his father’s workload for books and magazines and earned a commission in his own right to produce weekly illustrations for the periodical L'Illustrazione Italiania.

Matania was also in demand to create advertising posters,
this one extolling the virtues of winter in Southport

He took the bold step to move to Paris in 1901 to work for Illustration Francaise. It was an invitation to cover the Coronation of Edward VII for The Graphic in 1902 that took him to London, where he quickly became in such demand that he stayed.

It was his coverage of the Great War that made it clear he was possessed of extraordinary talent. Not only was he able to work at great speed, he was able to recreate scenes as if he was using a camera, noting small details of the way people stood or moved and the expressions on their faces and bringing them together in vivid scenes so natural as if he had captured a moment in time exactly as it was when he saw it.

Although he spared readers the worst elements of what he had seen, his illustrations as much as anything in the news coverage of the conflict brought home to readers the full horrors of the conflict.

Naples, looking from Mergellina towards Santa Lucia

Travel tip:

Eduardo Matania produced many paintings depicting the life of fishermen and their families on the Bay of Naples, particularly in the Santa Lucia area, a neighbourhood clustered around the Castel dell’Ovo and only a short distance from the Royal Palace. Today, the area is a good place to eat, with many restaurants setting up around the harbour.

The Brera district has many restaurants

Travel tip:

The publishing centre of Milan was traditionally in the Brera district, an area just to the north of the city centre which once had the Bohemian atmosphere of a kind of Italian Montmartre.  Nowadays, it is the home of the Pinacoteca di Brera, one of the city’s major art galleries, and also of many fine restaurants, and retains its chic reputation.

More reading:

Felice Beato, the Venetian who may have been the world's first war photographer

How war injuries suffered in Italy inspired the great writer Ernest Hemingway

The First World War nurse who was made a saint

Also on this day:

1118: The death of Adelaide del Vasto, Countess of Sicily

1839: The birth of Antonio Starabba, twice Italy's prime minister


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Pietro Novelli – painter and architect

Sicilian great who was killed in Palermo riot

Novelli's Annunciation, which he painted
in the church of Santissima Annunziata

Pietro Novelli, recognised as the most important artist in 17^th century Sicily, was born on this day in 1603 in Monreale, a town about 10km (6 miles) from Palermo.

A prolific painter, his works can be seen in many churches and galleries in Sicily, in particular in Palermo.

There are good examples of his work outside the city, too, for example at Piana degli Albanesi, about 30km (19 miles) from Palermo, where he painted a fresco cycle in the cathedral of San Demetrio Megalomartire and another fresco, entitled Annunciation, in the church of Santissima Annunziata.

At his peak, wealthy and aristocratic members of Sicilian society, as well as monasteries and churches, competed to be in possession of a Novelli work.

His father, also called Pietro, was a respected artist who also worked with mosaics and Pietro initially worked in his father’s workshop in Monreale.

A great student of art who travelled extensively, among his major influences were Caravaggio, whose work in Sicily he studied, particularly his Adoration of the Shepherds, which was commissioned for the Capuchin Franciscans and was painted in Messina for the Church of Santa Maria degli Angeli.

He was also influenced by Anthony Van Dyck, who had been present in Sicily in 1624, and whose altarpiece, the Madonna of the Rosary in the Oratory of the Rosario di San Domenico in Palermo, persuaded him to lighten his palate, which gave his subsequent works elegance and sweetness.

Novelli's Immaculate Conception is at
the Civic Museum in Termini Imerese

Novelli’s travels took him to Rome, where he was particularly receptive to Bolognese classicism and neo-Venetian Roman painting, and to Naples, where he was introduced to the work of Caracciolo, Stanzione and Ribera, and studied the classicising naturalism of Andrea Vaccaro.

He incorporated the chiaroscuro of Ribera into his own style, as can be seen from his two canvases about St Benedict in the abbey of San Martino alle Scale in Mondovi.

In addition to his paintings, he drew up plans for fortifications, designed jewellery and stage scenery for the theatre and turned his architectural hand to a number of buildings, notably the presbytery and apse in the cathedral at Piana degli Albanesi.

He also served as the engineer and architect of the Senate of Palermo and was made engineer of the Kingdom on the appointment of the Viceroy Count of Cabrera, for whose entry to Palermo he realized the triumphal arch in 1641.

Novelli was killed during the riots against the viceroys in Palermo in 1647 and was buried in the cemetery of the Friars in San Domenico.

Around the world, there are works by Novelli on display, among other places, at the Metropolitan Museum of Art in New York, the J Paul Getty Museum in Los Angeles, the Hermitage Museum in St Petersburg and the Prado in Madrid.

The Norman cathedral in Monreale

Travel tip:

The town of Monreale is located on the slope of Monte Caputo, overlooking a valley known as La Conca d'oro (the Golden Shell), which produces and exports orange, olive and almond trees. The town is famous for its cathedral, which is regarded as one of the finest examples of Norman architecture anywhere in the world, built there by William II following the Norman conquest of 1072, and has been designated a UNESCO World Heritage Site.

Monreale hotels from Booking.com

The Oratory of the Rosario del San
Domenico in Palermo

Travel tip:

The Oratory of the Rosaria del San Domenico, where there are a number of works by Novelli in addition to the Van Dyck altarpiece, is situated in Via dei Bambinai in the La Loggia district of Palermo, near the historic Vucciria marketplace.



More reading:

How Giovanni Battista Vaccarini turned Catania into a city of Sicilian Baroque

The Sicilian painter whose work represented the victims of Italian Fascism

Guido Reni - the 17th century Bolognese painter who idealised Raphael

Also on this day:

1886: The birth of double World Cup-winning coach Vittorio Pozzo

1939: Cardinal Eugenio Pacelli elected Pope Pius XII

(Picture credits: Monreale cathedral by Jerome Bon; Oratory by Bjs; via Wikimedia Commons)

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Blessed Fra Angelico – painter

Talented Friar became patron of Catholic artists

A detail from a Luca Signorelli fresco in Orvieto
cathedral, thought to represent Fra Angelico

The early Renaissance painter who became known as Fra Angelico died on this day in 1455 in Rome.

Fra Angelico is regarded as one of the greatest painters of the 15th century, whose works reflected his serene religious attitude.

He painted many altarpieces and frescoes for the Church and Priory of San Marco in Florence where he lived for about nine years.

In 1982, more than 500 years after his death, Fra Angelico was beatified by Pope John Paul II in recognition of the holiness of his life. In 1984, Pope John Paul II declared him ‘patron of Catholic artists’.

The artist was born Guido di Pietro at Rupecanina near Fiesole, just outside Florence, towards the end of the 14th century.

The earliest recorded document concerning him dates from 1417 when he joined a religious confraternity at the Carmine Church and it reveals that he was already a painter.

The first record of him as a Friar is dated 1423 and shows him to have been a member of the Dominican order.

The San Marco altarpiece in Florence is one of Fra
Angelico's most famous works

It is believed his first paintings were an altarpiece and a painted screen for the Carthusian Monastery in Florence, but these no longer exist.

Between 1418 and 1436 he lived at the convent of Fiesole where he painted frescoes and an altarpiece. A predella - platform - of the altarpiece is now in the National Gallery in London.

In 1439, while living at the convent of San Marco in Florence, he completed one of his most famous works, the San Marco altarpiece, which was unusual for its time as it showed the saints grouped in a natural way as if they were able to talk to each other. Paintings such as this became known as Sacred Conversations and were later executed by many other artists, including Bellini, Perugino and Raphael.

In 1445 Fra Angelico was summoned to Rome to paint the frescoes of the Chapel of the Holy Sacrament at St Peter’s. He moved to Orvieto in 1447 to paint works for the Cathedral and then went back to Rome to design frescoes for Pope Nicholas V, which were probably later painted by his assistants.

Fra Angelico returned to live in his old convent in Fiesole in 1449, but must have eventually gone back to Rome to do more work for the Vatican. He died in a Dominican Convent there in 1455 and was buried in the Church of Santa Maria sopra Minerva.

Piazza Giotto is the central square of Vicchio

Travel tip:

Rupecanina, where Fra Angelico was born, is a hamlet of Vicchio, a town about 25 km (16 miles) north east of Florence. Many other Italian painters came from the area, including Giotto, who was believed to have been born in Colle di Vespignano, another hamlet of Vicchio, in about 1270.

The Church of Santa Maria sopra Minerva in Rome

Travel tip:

Fra Angelico’s tomb, which was the work of Isaia da Pisa, is in the Church of Santa Maria sopra Minerva in Rome because the artist died in the adjoining convent. He had painted a fresco in the cloister there, which has not survived.  The important Dominican Church is in Piazza Minerva, close to the Pantheon, and was built directly over an ancient temple. The church was consecrated in 1370 and the façade was designed by Carlo Maderno.

Also on this day:

1564: The death of Michelangelo

1967: The birth of footballer Roberto Baggio

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