Bernardo Pisano – musician and priest

First composer to have collection of his music printed

A page from an early printed collection
of music by Bernardo Pisano

Bernardo Pisano, who is believed to have been the first composer of the Italian madrigal, was born on this day in 1490 in Florence.

Pisano - sometimes known as Pagoli - was so important in musical circles during his lifetime that he is also thought to have been the first composer anywhere in the world to have a printed collection of secular music devoted entirely to himself.

Although he was born in Florence, it is supposed that, because he used the name Pisano, he must have also spent some time living in Pisa. 

As a young man, he sang and studied music at the Church of the Santissima Annunziata in Florence. In 1512, he became maestro di cappella there in addition to supervising the choristers and singing in the chapels himself. 

As a favourite of the Medici family, he was appointed to sing in the papal chapel in Rome in 1514 after Cardinal Giovanni de’ Medici became Pope Leo X. While there, he also taught Francesco Corteccia, an organist and composer for Cosimo I de’ Medici.

Pisano stayed in Rome for the rest of his life, singing in the papal chapel choir, and he acquired ecclesiastical benefices from the Medici at the cathedrals of Seville and Lerida in Spain.

However, he made the mistake of returning to Florence in 1529 during the three-year period of republican government of the city. He was seized and imprisoned because he was known to have close connections to the Medici family. While he was being kept prisoner, he was accused of being a papal spy and tortured.

After the siege of Florence in 1529, the city was recaptured by papal troops and the Medici were returned to power there. Pisano was released and was able to go back to live in Rome.

Raphael's portrait of Pope Leo X, who
was Pisano's friend and patron

Pisano had written sacred music during his time as maestro di cappella at the Church of the Annunziata. But he was later to be more influential as a composer of secular music and he was believed to be history's first madrigalist.

Madrigals were sung during the 15th and 16th centuries by groups of between two and eight voices. In 1520, a Venetian printer published ‘Musica di Messer Bernardo Pisano sopra del canzone del Petrarca’. While the pieces in the collection were not actually called madrigals, they contained features that have been recognised in retrospect as being distinctive of the madrigal genre. 

The collection was made up of verses by the poet Petrarch set to music by Pisano. He was influenced by the literary theories of the poet and scholar Pietro Bembo, who was a secretary to Pope Leo X and later became a Cardinal appointed by Pope Paul III.

This publication was also the first known collection of secular music by a single composer to be printed. 

Later composers who became masters of the madrigal genre are known to have been aware of this work by Pisano and to have copied some of his stylistic traits from it.

In 1546, Pope Paul III appointed Pisano as maestro di cappella of his private chapel. Among the singers in his group was a Franco/Flemish musician, Jacques Arcadelt, who was later to become famous as a madrigal composer. 

Bernardo Pisano died in 1548 in Rome. He is buried in the Church of Santa Maria sopra Minerva next to the two Medici popes who had been his friends and patrons.

 Giovanni Battista Caccini's Renaissance-style
facade of the Basilica della Santissima Annunziata

Travel tip:

The Basilica della Santissima Annunziata, where Bernardo Pisano was maestro di cappella, is a minor Catholic basilica near the centre of Florence. The church was founded in 1250 by the seven original members of the Servite order and is located in Piazza Santissima Annunziata. In 1252 a friar was commissioned to produce a painting of the Annunciation for the church. He was said to have despaired about being able to do justice to the face of the Virgin and eventually fell asleep while working on it, but when he woke again the painting had been miraculously completed. He attributed this to the work of an angel. The painting has since attracted many pilgrims to visit it, including Pope Alexander VI, who gave a silver effigy to the church. It has since become the tradition for brides in Florence to visit the church to leave their bouquets there.

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The Gothic interior of the Basilica di Santa Maria
sopra Minerva in Rome, where Pisano is buried

Travel tip:

The Basilica di Santa Maria sopra Minerva, where Bernardo Pisano is buried, is in Piazza della Minerva in Rome. The name of the church is derived from the fact that the original structure was built directly over the ruins of a temple dedicated to the Egyptian goddess Isis, that had been wrongly ascribed to the Greek/Roman goddess Minerva. It is located to the east of the Pantheon in the Pigna rione of Rome in the ancient district known as Campus Martius. Dominican friars began building the present Gothic church structure in 1280, modelling it on Santa Maria Novella in Florence. In 1431 the church and adjacent convent was the site of a papal conclave, when 14 Cardinals sitting in the sacristy elected Pope Eugenius IV. After his death, a second conclave was held there in 1447 when 18 Cardinals elected Pope Nicholas V. The church houses a marble sculpture by Michelangelo, Cristo della Minerva, representing the figure of Christ carrying the cross, which is located to the left of the main altar.

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More reading:

How the madrigal genre influenced the composer Monteverdi 

The madrigal writer also known for a brutal murder

The Medici musician who invented the madrigal comedy

Also on this day:

1492: The death of Renaissance painter Piero della Francesca

1812: The death of Ascanio Sobrero, the chemist who discovered nitroglycerine

1935: The birth of tenor Luciano Pavarotti

2006: The death of film director Gillo Pontecorvo

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Caterina Cornaro – Queen of Cyprus

Monarch lived out her last years in 'sweet idleness'

Titian's portrait of Caterina Cornaro,
painted in around 1452

The last ruler of the Kingdom of Cyprus, Caterina Cornaro, died on this day in 1510 in Venice.

She had been living out her life in a castle in Asolo, a pretty town in the Veneto, after the Venetian Government persuaded her to abdicate as Queen of Cyprus.

Her court at the castle became a centre of literary and artistic excellence as she spent her days in what has been described as ‘sweet idleness,’ a translation of the verb asolare, invented by the poet Pietro Bembo to describe her daily life in the town.

Caterina was born in 1406 into the noble Cornaro family, which had produced four Doges, and she grew up in the family palace on the Grand Canal. The family had a long trading and business association with Cyprus.

Caterina was married by proxy to King James II of Cyprus in 1468, securing commercial rights and privileges for Venice in Cyprus. In 1472 she set sail for Cyprus and married James in person at Famagusta.

James died soon after the wedding and Caterina, who was by then pregnant, became regent of the kingdom, as was specified in his will. She was imprisoned briefly, after Cyprus was seized by the Archbishop of Nicosia, but restored to continue ruling after a military intervention by Venice.

After her son, James II, died just before his first birthday, she became the actual monarch of the kingdom.

The castle at Asolo which was Caterina
Cornaro's home from 1489

She ruled Cyprus for 15 years, assisted by Venetian merchants, who effectively controlled the island and guaranteed her safety from other conspirators.

As a ruler she became an admired figure in contemporary European society and she was painted by great artists such as Durer, Titian, Gentile Bellini and Giorgione.

In 1489 she was persuaded to abdicate and to pass the control of Cyprus to the Republic of Venice.

Caterina was allowed to retain the title of Queen and was also made Lady of Asolo in return. The pageantry of the fleet carrying the exiled Queen home was captured in contemporary paintings and is now regarded as having been a brilliant piece of propaganda by the Venetian Republic.

Under Caterina, Asolo became a centre for late Renaissance art and learning. The painter Bellini and the poet Andrea Navagero spent time there. Bembo used Asolo as the setting for his dialogues on platonic love, Gli Asolani.

Caterina had more than 20 years of pleasurable life in Asolo before her death at the age of 55. Her grave is in the Church of San Salvador near the Rialto Bridge in Venice.

Piazza Giuseppe Garibaldi, the main square in
the town of Asolo in the Veneto

Travel tip:

Asolo is a town in the Veneto region of northern Italy. It is known as ‘the pearl of the province of Treviso’ and also as ‘the city of a hundred horizons’ because of its beautiful views over the countryside and the mountains. The poet Robert Browning spent time in Asolo after he became a widower and he published Asolando, a volume of poetry written in the town, in 1889. The main road leading into the town is named Via Browning in his honour. One of the main sights is the Castle of Caterina Cornaro, which now houses the Eleonora Duse Theatre.

The facade of the Chiesa di San Salvador
in Venice, where Caterina was buried

Travel tip:

Caterina died in Venice, having fled Asolo when her castle was occupied by imperial troops. She was buried in the Chiesa di San Salvatore, known in Venetian as San Salvador, which is in the Campo San Salvador along the Merceria, the main shopping street of Venice, and is close to the Rialto Bridge. As well as Caterina, the church houses the tombs of three Doges. It is rich in art works. The monument to one of the Doges, Francesco Venier, was sculpted by Jacopo Sansovino, and there are paintings by Titian and Francesco Vecellio among others.

More reading:

Pietro Bembo, the influential poet who was Lucrezia Borgia's lover

How the Bellini family became the most important artists in Venice

Titian: the Old Master who set new standards

Also on this day:

138AD: The death of Hadrian

1954: The death of Mafia chieftain Calogero Vizzini


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Girolamo Benivieni – poet

Follower of Plato, Dante and Savonarola

Girolamo Benivieni, pictured as an old man in
a painting attributed to Ridolfo Ghirlandaio

The poet Girolamo Benivieni, who turned Marsilio Ficino’s translation of Plato’s Symposium into verse, was born on this day in 1453 in Florence.

His poem was to influence other writers during the Renaissance and some who came later.

As a member of the Florentine Medici circle, Benivieni was a friend of the Renaissance humanists Ficino, Giovanni Pico della Mirandola and Angelo Poliziano, commonly known as Polician.

Ficino translated Plato’s Symposium in about 1474 and wrote his own commentary on the work.

Benivieni summarised Ficino’s work in the poem De lo amore celeste - Of Heavenly Love - These verses then became the subject of a commentary by Pico della Mirandola.

As a result of all these works, Platonism reached such writers as Pietro Bembo and Baldassare Castiglione and the English poet, Edmund Spencer.

Benivieni later fell under the spell of Girolamo Savonarola, the fiery religious reformer, and he rewrote some of his earlier sensual poetry as a result. He also translated a treatise by Savonarola into Italian, Della semplicità della vita cristiana - On the Simplicity of the Christian life - and he wrote some religious poetry of his own.

Benivieni's tombstone behind the statue of
Savonarola in the Church of San Marco

He took part in Savonarola’s Bonfire of the Vanities and documented the destruction of art works worth ‘several thousand ducats’ at the time.

Lucrezia de’ Medici supported him in his writing and they shared an interest in the works of Dante Alighieri. In 1506 Benivieni published an edition of Dante’s Divine Comedy with maps by Antonio Manetti and commentaries by Benivieni and Manetti.

He drafted a letter for Lucrezia to send to her brother, Pope Leo X, seeking his assistance in bringing Dante’s body back to Florence from Ravenna where he was buried.

Benivieni also used his connection with Lucrezia to advance his ideas on church reform with her brother, and later with her cousin, Pope Clement VII.

In 1530 he wrote a letter to Pope Clement in defence of Savonarola, seeking to have his reputation restored within the Church.

He died in 1542, a few months before his 90th birthday and was buried in the Church of San Marco in Florence next to his friend, Pico della Mirandola.

The Church of San Marco in Florence is close to where
the fiery priest Girolamo Savonarola lived

Travel tip:

The Church of San Marco, where Girolamo Benivieni and Giovanni Pico della Mirandola are buried together, is in Piazza di San Marco to the north of the Galleria dell’Accademia, which houses Michalangelo’s David. The original tombstone is in Latin. It says: ‘Here lies Giovannni Mirandola; known both at the Tagus and the Ganges and maybe even the antipodes. He died in 1494 and lived for thirty-two years. Girolamo Benivieni, to prevent separate places from disjointing after death the bones of those whose souls were joined by Love while living, provided for this grave where he too is buried. He died in 1542 and lived for eighty-nine years and six months.’ Next to the church is the convent of San Marco, now the Museo Nazionale di San Marco, where Savonarola and the painters, Fra Angelico and Fra Bartolomeo, once lived.

The tomb of Dante Alighieri adjoins the
Basilica of San Francesco in Ravenna

Travel tip:

A tomb built for Dante in the Basilica di Santa Croce in Florence still remains empty. Dante died while living in exile in Ravenna in about 1321. He was buried at the Church of San Pier Maggiore in Ravenna and a tomb was erected there for him in 1483. Florence has made repeated requests for the return of Dante’s remains to the city but Ravenna has always refused.


More reading:

The Bonfire of the Vanities - preacher Savonarola's war on Renaissance 'excesses'

Giovanni Pico della Mirandola – the philosopher who wrote the 'Manifesto of the Renaissance'

Pietro Bembo - the poet and scholar who became Lucrezia Borgia's lover

Also on this day:

1577: The birth of Roman heroine Beatrice Cenci

1778: The birth of the poet and revolutionary Ugo Foscolo

1908: The birth of six-times Italian prime minister Amintore Fanfani


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Veronica Gambara – writer and stateswoman

Politically astute poet wrote an ode to Emperor Charles V

Veronica Gambara, as portrayed by Antonio
Allegri, known as Il Correggio

Veronica Gambara, a lyric poet who ruled the state of Correggio for 32 years, was born on this day in 1485 in Pralboino in the province of Brescia.

Under her rule, the court of Correggio became an important literary salon visited by many writers and artists.

Gambara signed a treaty with the Holy Roman Emperor, Charles V, which guaranteed Correggio would not be besieged and in her political poems she expressed Italy as an entity centuries before unification.

Gambara came from an accomplished family, one of the seven children of Count Gianfrancesco da Gambara and Alda Pio da Carpi.

The humanist poets Ginevre and Isotta Noarola were her great aunts and Emilia Pia, the principal female interlocutor of Baldassare Castiglione’s Il Cortegiano, was her aunt.

Gambara studied Latin, Greek, philosophy and theology and by the age of 17 had begun corresponding with the poet, Pietro Bembo, who later became her mentor when she sent him her poetry to read.

When Gambara was 24 she married her cousin, Giberto, Count of Correggio, a widower aged 50, and they had two sons, Ippolito and Girolamo. After her husband’s death in 1518, Gambara took charge of the state, which included managing Correggio’s condottieri. She also supervised the education of her two sons and her stepdaughter, Costanza.

Pietro Bembo was an influence on
Gambara's poetry

With Gambara at its head, the court of Correggio was visited by important figures such as Pietro Bembo, Gian Giorgio Trissino, Marcantonio Flaminio, Ludovico Ariosto and Titian.

Although Gambara’s poems were not published during her lifetime they were circulated in manuscript form. About 80 of her poems and 50 of her letters are still in existence.

She composed poems on political issues, devotional poems and love poems dedicated to her husband. She also corresponded with the poet Bernardo Tasso and Emperor Charles V.

After allying Correggio with the Holy Roman Empire, Gambara personally received the Emperor in Correggio in 1530, when she composed an ode to him in Latin. They signed a treaty together guaranteeing Correggio’s safety. This was broken in 1538 when the Count of Mirandola and Concordia launched an attack on Correggio but Gambara organised a successful defence and saw to it that Charles V paid for improved fortifications.

Gambara died in June 1550. A complete English translation of her poems was published in 2014.

The 18th century Palazzo Gambara in Pralboino

Travel tip:

Pralboino, where Veronica Gambara was born, is a village in the province of Brescia in Lombardy. It is about 35 kilometres to the south of the city of Brescia. The 18th century Palazzo Gambara was built on the site of a previous 13th century castle, where the poet lived until her marriage to the Count of Correggio.

The Corso Giuseppe Mazzini in Correggio

Travel tip:

Correggio, which was ruled by Veronica Gambara between 1518 and 1550, is a town in the Emilia-Romagna region. The Renaissance painter Antonio Allegri, who was known as Il Correggio, was born there in 1489. One of the main sights in Correggio is the elegant Palazzo dei Principi in Corso Cavour. In 1659 Correggio was annexed to the Duchy of Modena. The present Duke of Modena, Prince Lorenz of Belgium, Archduke of Austria-Este, is the current holder of the title of Prince of Correggio.

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Jacopo Sansovino – architect

Death of the designer praised by Palladio

A portrait of Sansovino by Tintoretto, currently
 housed in the Uffizi Gallery in Florence

Jacopo d’Antonio Sansovino, the sculptor and architect renowned for his works around Piazza San Marco, died on this day in 1570 in Venice.

He designed the Libreria Sansoviniana in the Piazzetta, which was later praised by the architect Andrea Palladio as ‘the finest building erected since antiquity’.

Sansovino had been born Jacopo Tatti in 1486 in Florence and was apprenticed to the sculptor Andrea Sansovino, whose surname he subsequently adopted.

He was commissioned to make a marble sculpture of St James for the Duomo and a Bacchus, which is now in the Bargello in Florence.

However, his designs for sculptures to adorn the façade of the Church of San Lorenzo were rejected by Michelangelo, who was in charge of the scheme.

In 1529 Sansovino became chief architect to the Procurators of San Marco, making him one of the most influential artists in Venice.

The Palazzo Corner della Ca'Grande was the first
building in Venice designed by Sansovino

His first Venetian building was the Palazzo Corner della Ca’ Grande, a huge classical palace for one of the richest families in Venice.

Sansovino designed the Loggetta and its sculptures adjoining the Campanile and statues for the Basilica of San Marco. He also helped rebuild many of the churches and palaces in Venice.

His masterpiece is considered to be the library building in the Piazzetta, which houses the national library of San Marco, the Biblioteca Marciana.

Construction began in 1537 opposite the Doge’s palace and it became one of the most richly decorated Renaissance structures in Venice, surmounted by statues of mythological gods.

During the construction, the roof vaulting collapsed and at the time Sansovino was blamed and imprisoned. He was freed only after appeals from eminent people in Venice, including the artist Titian.

After Sansovino’s death in Venice in 1570 he was buried in St Mark’s Basilica.

The Libreria Sansoviniana, which houses the Biblioteca
Nazionale Marciana, is considered Sansovino's masterpiece

Travel tip:

The National Library of St Mark’s, the Biblioteca Nazionale Marciana, is housed in the Renaissance building designed by Sansovino opposite the Doge’s Palace in the Piazzetta. It is one of the earliest surviving public manuscript depositories in the country holding one of the greatest collections of classical texts in the world. The library is named after Saint Mark, the patron saint of Venice. One of the first librarians was poet and scholar Pietro Bembo, who had earlier written beautiful love letters to Lucrezia Borgia while they were having an affair.

Travel tip:

Sansovino was buried in the beautifully decorated Baptistery of Saint Mark’s near the altar. The Baptistery was built on to the southern end of the church in the first half of the 14th century. In the centre of the room stands a baptismal font in marble and bronze, which was designed by Sansovino.

More reading:

The worldwide influence of the Renaissance giant Titian

Andrea Palladio - the world's favourite architect

The day the Campanile of St Mark's collapsed

Also on this day:

1964: The birth of footballer and manager Roberto Mancini

(Picture credits: Palazzo Corner della Ca'Grande and Libreria Sansoviniana both by Wolfgang Moroder via Wikimedia Commons)


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Giovanni della Casa - advocate of good manners

Bishop and poet remembered for his manual on etiquette

A portrait of Giovanni della Casa by the
artist Jacopo Pontorno

Giovanni della Casa, the Tuscan bishop whose witty book on behaviour in polite society became a handbook for generations long after he had passed away, was born on this day in 1503 in Borgo San Lorenzo, 30 kilometres north-east of Florence.

Born into a wealthy family, Della Casa was educated in Bologna and followed his friend, the scholar and poet Pietro Bembo, into the church.

He became Archbishop of Benevento in 1544 and was nominated by Pope Paul III as Papal nuncio to Venice. Disappointed at not having been elevated to Cardinal, however, he retired to a life of writing and reading.

At some point between 1551 and 1555, living at an abbey near Treviso, he wrote Galateo: The Rules of Polite Behaviour, a witty treatise on good manners intended for the amusement of a favourite nephew.  He thought it would be regarded as frivolous compared with other books he had written. Little did he know it would become one of the most celebrated books on etiquette in European history.

Published in Venice in 1558, it is considered one of the three great books on Italian conduct, alongside Baldassare Castiglione's Il Cortegiano, which discusses the qualities required of a 16th century courtier, and Niccolo Machiavelli's Il Principe (The Prince), which was less about manners than about political pragmatism and achieving objectives.

Della Casa's work goes into considerable detail in describing how to behave without causing offence to others, particularly in the areas of eating, drinking and personal hygiene.

He advised that tearing food apart with the hands and with hunting knifes was vulgar, as a result of which Italians began using dainty forks some two centuries before other European countries. He also cautioned that sniffing another person's wine should be avoided for fear of something unpleasant falling out of one's nose.

Reprints of Della Casa's book, such as this
2013 edition, still sell today

It was not good form, in his opinion, to spit, yawn or scratch and he cautioned that handwashing should take place in private because, if done in public, those witness to it risked their minds being drawn to thoughts of the bodily functions that might have necessitated it.

One should dress, he proposed, in clothes that conformed to prevailing custom and were reflective of social status and in conversation one should seek to interest all parties present with words that were 'orderly and well-expressed'.

His guidance in other areas could apply to the modern world.  It was not good manners, he said, to brag about one's children, or to sing off key.  Grooming in public was uncouth and making jokes at the expense of the disabled was unacceptable. And even in an age that could not have imagined telephones, let alone mobile ones, it was rude, he counselled, to read one's mail in company.

However, taking someone to task over their social shortcomings was also considered out of order, unless somehow you could be complimentary at the same time.  In short, he advised that people should be pleasant, appropriate and polite in all but the most extreme circumstances.

A Latin scholar, Della Casa is thought to have named the book in honour of Galeazzo Florimonte, a bishop and man of letters from whom he took his own inspiration.  The title entered the Italian language and for a time people who were impolite or crude were said to 'not know the Galateo.'

Della Casa died in Rome in 1556, aged 53. Modern editions of Galateo are still being reprinted today.

Travel tip:

Borgo San Lorenzo is the largest of nine towns and villages that make up the Mugello, a green hilly area overlooking the Sieve valley.  The Medici family have their roots in the Mugello, as does the artist, Giotto, the most important Italian painter of the 14th century.  Its Romanesque Church of San Lorenzo has a belltower dated at 1263. The medieval Palazzo del Podestà was rebuilt in the 1919 earthquake.

The ruins of the Abbey of Sant'Eustachio near Treviso

Travel tip:

Little remains now of the Abbey of Sant'Eustachio, the Benedictine monastery of the early 11th century where Della Casa is thought to have been staying when he wrote Galateo.  Situated close to the small town of Nervesa della Battaglia, about 20km from Treviso in the Veneto, it had already been abandoned when it suffered substantial damage during the Battle of the Piave River during the First World War.

(Photo of the Abbey of Sant'Eustachio by Franco CC BY-SA 2.0)

More reading:

Cosimo II de' Medici - patron of Galileo

Pietro Bembo - poet and scholar who was Lucrezia Borgia's lover

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Pietro Bembo – poet and scholar

Lucrezia’s lover helped with the development of modern Italian

Titian's portrait of Pietro Bembo, painted in
around 1540, when the poet was 70 years old

Pietro Bembo, a writer who was influential in the development of the Italian language, was born on this day in 1470 in Venice.

He is probably most remembered for having an affair with Lucrezia Borgia while she was married to the Duke of Ferrara and he was living at the Este Court with them. His love letters to her were described by the English poet, Lord Byron, centuries later, as ‘the prettiest love letters in the world.’

As a boy, Bembo visited Florence with his father where he acquired a love for the Tuscan form of Italian which he was later to use as his literary medium. He later learnt Greek and went to study at the University of Padua.

He spent two years at the Este Court in Ferrara where he wrote poetry that was reminiscent of Boccaccio and Petrarch.

It was when he returned to the court at Ferrara a few years later he had an affair with Lucrezia Borgia, the daughter of Pope Alexander VI, who was at that time the wife of Alfonso I d’Este. The love letters between the pair to which Byron referred are now in the collection of the Biblioteca Ambrosiana in Milan. 

Byron greatly admired them when he saw them there in 1816 and also claimed to have managed to steal part of a lock of Lucrezia’s hair that was on display with them.

Bembo went to live in Urbino where he wrote his most influential work, a prose treatise on writing poetry in Italian, Prose della vulgar lingua. His writing was later to revive interest in the works of Petrarch.

Bembo worked as a historian and librarian in Venice for a time before going to live in Rome, where he took Holy Orders. He was made a Cardinal by Pope Paul III in 1539.

He died in Rome in 1547 at the age of 76.

The Castello Estense in Ferrara, where Bembo was a guest
of Alfonso I d'Este and Lucrezia Borgia

Travel tip:

The Castello Estense in Ferrara, where Lucrezia Borgia lived after her marriage to Alfonso I d’Este and where Pietro Bembo was a guest, is a moated, brick built castle in the centre of the city. It is open to the public every day from 9.30 till 5.30 pm apart from certain times of the year when it is closed on Mondays. For more details and ticket prices visit www.castelloestense.it.

Travel tip:

The Pinacoteca Ambrosiana in Piazza Pio XI in Milan was established in 1618 to house paintings, drawing and statues that had been donated to the Biblioteca Ambrosiana, the library founded in the same building a few years before. In addition to works of art, the museum keeps curiosities such as the gloves Napoleon wore at Waterloo and a lock of Lucrezia Borgia’s hair, in front of which famous poets such as Lord Byron and Gabriele D’Annunzio spent a lot of time drawing inspiration. Pietro Bembo’s letters to Lucrezia are also in the museum’s collection. Visit www.leonardo-ambrosiana.it for more information.

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