Antonio da Ponte – architect

Builder who designed the most enduring image of Venice

Da Ponte's Rialto Bridge, completed in 1591, is
one of the best known images of Venice

The designer Antonio da Ponte, sometimes called dal Ponte, who is remembered for creating one of Venice’s most celebrated landmarks, the Rialto Bridge, died on this day in 1597 in his home city.

The Rialto Bridge over the Canal Grande (Grand Canal) has appeared in countless paintings and photographs of the city over the centuries since it was completed in 1591 and it is now a popular spot from which to take photographs when visiting the city.

Ponte’s design for the stone bridge, a broad single arch span covered with arcaded shops, won him a competition held in Venice in 1587 and it also ensured him a place in the history books.

Previously, a wooden bridge, Ponte da Moneta, built in 1178, was used as the way of crossing the Grand Canal at its narrowest point, but this bridge collapsed and had to be rebuilt several times over the centuries.

The Venetian authorities decided to replace the wooden bridge with a more permanent structure and held a competition for the design for the new bridge in 1587. 

Da Ponte’s idea for a bridge made out of stone was eventually picked as the winner by the judges acting on behalf of the Venetian authorities, who were led by the Doge at the time, Pasquale Cicogna.

When it came to constructing his design, Da Ponte was helped by one of his relatives, Antonio Contin, sometimes referred to as Conte, who went on later to design the famous Bridge of Sighs - il Ponte dei Sospiri - in Venice.  

Da Ponte had previously worked on other building projects in Venice, including warehouses, a hospital, the Doge’s Palace, and the Arsenal. 

Da Ponte, a respected designer, built
the bridge after winning a competition 

Documents from the time show that his opinions as a builder and designer were respected by the Venetian authorities.

Between 1577 and 1592, Da Ponte collaborated with Andrea Palladio on the construction of the Church of the Redeemer on the Giudecca, which was built by Venice to honour a pledge made after the plague of 1576 in the city came to an end.

Even though many other proposals for rebuilding the Rialto had been made by famous architects at the time, Pasquale Cicogna still chose to announce a competition, which he then decided to repeat after all the designers who entered suggested a classical design with many arches.

After the second competition, it is believed Da Ponte’s design was chosen by the Doge over the one submitted by the architect Vincenzo Scamozzi because Da Ponte had proposed building a bridge with a single arch.

The new Rialto Bridge, built of stone and looking exactly as it does now, was completed by 1591. Da Ponte was in his seventies by then but was able to look proudly on his work for a few more years. 

Da Ponte was in his early eighties when he died. He is buried in the Church of San Maurizio, which is in the San Marco sestiere of Venice.

The English playwright William Shakespeare, who is known to have been fascinated by Italy, may have read about the newly-built Rialto Bridge. In his play, The Merchant of Venice, there are several mentions of the Rialto district in Venice, notably the famous line: ‘What news on the Rialto?’, a question that is asked by a character called Solanio near the beginning of the play.

There is no evidence that Shakespeare ever visited Italy himself, but he may have mixed with Italians living in London and it is known that he read books in Italian so he must have had some understanding of the language. 

The play is believed to have been written by him at some time between 1596 and 1598 and the merchant referred to in the title just happened to be called Antonio.

The Ca' Rezzonico, built in Baroque style,
is a notable palace on the Grand Canal

Travel tip:

The Canal Grande (Grand Canal) sweeps through the heart of Venice, following the course of an ancient river bed. Since the founding days of the Venetian empire, it has served as the city’s main thoroughfare. It was once used by great galleys and trading vessels, but nowadays is teeming with vaporetti - the city’s water buses - as well as water taxis, private boats, and gondolas. The palaces bordering the winding waterway bear the names of the old Venetian aristocratic families and represent the finest architecture designed for the republic over its many centuries of history. When the ambassador to Charles VIII of France visited Venice in 1495, he afterwards referred to the Grand Canal as ‘the most beautiful street in the world.’ Its most notable palaces include the gilded Ca' d'Oro, the Baroque Ca' Rezzonico, the Renaissance-style Ca' Vendramin Calergi, the iconic Ca' Foscari University, and the Palazzo Venier dei Leoni, which houses the Peggy Guggenheim Collection.

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The former Church of San
Maurizio is now a museum 

Travel tip:

The Church of San Maurizio in Venice, where Antonio da Ponte was buried, was rebuilt in the sixteenth century on the site of a previous church in the Campo di San Maurizio in the sestiere of San Marco. The church was modified again in 1806 by the architect of Teatro La Fenice, Gianantonio Selva. It has now been deconsecrated and is home to the Museo della Musica, a museum dedicated to the Baroque music of Venice, which displays examples of period instruments and documents relating to Vivaldi and other Venetian composers of the same period.  The Artemio Versari collection of instruments recounts the golden epoch of stringed instrument making in 18th century Venice. Visitors can experience the sound as well as the sight of these instruments. As well as Venetian instruments, there are examples by such makers as Amati, Guadagnini and Goffriller, among the greats in Italy’s proud tradition of luthiers. 

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More reading:

Vincenzo Scamozzi, an architect whose legacy can be seen in Venice and Vicenza

Andrea Palladio, the humble stonecutter who became architecture’s biggest name

Jacopo Sansovino, the Florence-born designer whose masterpiece competes for attention with the Doge’s Palace

Also on this day: 

43BC: The birth of Roman poet Ovid

1898: The birth of society jeweller Fulco di Verdura

1934: The birth of football coach Azeglio Vicini

1940: The birth of racing driver and entrepreneur Giampiero Moretti

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Vincenzo Scamozzi – architect

Follower of Palladio had his own distinctive style

A portrait of  Vincenzo Scamozzi
attributed to Paolo Veronese

The architect and writer Vincenzo Scamozzi, whose work in the second half of the 16th century had a profound effect on the landscape of Vicenza and Venice, died on this day in 1616 in Venice.

Scamozzi’s influence was later to spread far beyond Italy as a result of his two-volume work, L’idea dell’Architettura Universale - The idea of a universal architecture - which was one of the last Renaissance works about the theory of architecture.

Trained by his father, Scamozzi went on to study in Venice and Rome and also travelled in Europe.

The classical influence of Andrea Palladio is evident in many of the palaces, villas and churches that Scamozzi designed in Vicenza, Venice and Padua.

His work influenced English neoclassical architects such as Inigo Jones and many others who came after him.

Scamozzi's Palazzo Contarini degli Scrigni
on the Grand Canal in Venice

Scamozzi was also an important theatre architect and stage set designer. He completed Palladio’s Teatro Olimpico in Vicenza in 1585, adding his own design for a stage set constructed of timber and plaster, using trompe-l'œil techniques to create the appearance of long streets receding to a distant horizon

Scamozzi was invited to Venice to design housing for the procuratorate of San Marco. He continued the end façade of the Sansovino Library, with its arcaded ground floor, adding an upper floor to provide the required accommodation in the Piazzetta.

Between 1569 and 1614, Scamozzi designed villas, palaces and churches throughout the Venetian Republic, often completing and reworking designs by Palladio, such as the one for Villa Capra “La Rotonda” near Vicenza.

In 1601 he continued the work of the architect Andrea Moroni after his death, by designing a new façade for Palazzo del Bò, the main building of Padua University

Scamozzi designed Palazzo Contarini degli Scrigni on the Grand Canal in Venice and his final project in 1614 was Palazzo Loredan Vendramin Calergi in Venice.

His seven children had died before him, so Scamozzi left the proceeds of his estate to set up a scholarship to enable poor boys from Vicenza to study architecture.

Scamozzi's stage set at the Teatro Olimpico in Vicenza

Travel tip:

The Teatro Olimpico in Vicenza was the last piece of architecture designed by Andrea Palladio and it was not completed until after his death. It is one of three Renaissance theatres remaining in existence and since 1994 it has been listed by Unesco as a World Heritage Site. In 1579 Palladio was asked to produce a design for a permanent theatre in Vicenza and he decided to base it on designs of Roman theatres he had studied. After his death, only six months into the project, Vincenzo Scamozzi was called in to complete it. Scamozzi’s original scenery for the theatre, which was meant to represent the streets of Thebes, has miraculously survived to this day. The theatre is still used for plays and musical performance, but audiences are limited to 400 for conservation reasons. The theatre was also used as a location for the films Don Giovanni and Casanova.

The inner courtyard at Palazzo del Bò, where Scamozzi
designed a new facade

Travel tip:

The main building of Padua University is Palazzo del Bò in Via 8 Febbraio in the centre of Padua. Vincenzo Scamozzi designed a new façade for the palace after the death of the original architect commissioned, Andrea Moroni. The building used to house the medical faculty of the university and visitors can take a guided tour of the palace and see the actual lectern used by Galileo when he taught there between 1592 and 1610.

More reading:

How Andrea Palladio became the world's favourite architect

Jacopo Sansovino - the architect of Piazza San Marco

How Canaletto captured the look of Venice

Also on this day:

1919: The birth of film producer Dino De Laurentiis

1956: The birth of Italy's 'Millionaire' Presenter Gerry Scotti

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Andrea Palladio - world's favourite architect

Humble stonecutter became his profession's biggest name

Andrea Palladio, whose designs have been
copied the world over

Andrea Palladio, the humble stonecutter who became the most influential architect in the history of his profession, died on this day in 1580, aged 71.

The cause of his death is not clear but some accounts say he collapsed while inspecting the construction of the Tempietto Barbaro, a church in Maser, a town in the Veneto not far from Treviso.

He was initially buried in a family vault in the church of Santa Corona in Vicenza, the city in which he spent most of his life, but later re-interred at the civic cemetery, where a chapel was built in his honour.

Examples of Palladio's work can be found all over the region where he lived and in Venice, where he was commissioned to build, among other architectural masterpieces, the Church of San Giorgio Maggiore, the focal point of the view across the lagoon from St Mark's Square through the Piazzetta.

He built a substantial number of villas for wealthy clients across the Veneto region, some of them lining the Brenta Canal that links the lagoon of Venice with Padua. Others such as the Villa Capra, otherwise known as La Rotonda, famous for its symmetrically square design with four six-columned porticoes, can be found in open countryside near Vicenza.

Vicenza itself features many of Palladio's designs, including the fabulous Teatro Olimpico, in which perspective was used to create the optical illusion of city streets receding from the stage.  He was working on the theatre at the time of his death, after which the project was finished by his son, Silla, one of five children, and Palladio's assistant, Vincenzo Scamozzi.

The Church of San Giorgio Maggiore, one of Venice's most
familiar views, was among Palladio's triumphs

Palladio was born Andrea Di Pietro della Gondola, the son of a miller, in Padua in November 1508. He found work as a stonecutter the workshop of a sculptor before moving to Vicenza when he was 16, joining a guild of stonemasons and bricklayers.

It was while working for the poet and scholar Gian Giorgio Trissino, that his career began to gather pace.  Trissino not only gave him the name Palladio, after the Greek goddess of wisdom, Pallas Athene, but encouraged and helped him to study classical architecture in Rome. He was fascinated with the work of Marcus Vitruvius Pollio, architect and engineer of the 1st century BC. It was while in Rome that he came across the Pantheon, with its huge hemispheric dome inspired by Vitruvius, which was to influence many of his designs.

Trissino also introduced Palladio to a number of wealthy and influential families, including the Barbaro brothers, through whom he ultimately became chief architect of the Republic of Venice, having already occupied the equivalent position in Vicenza.

Palladio received his first commissions in the 1530s and thereafter was in constant demand, his style inspiring other architects outside Italy, at first in Europe and later around the world.  One factor in the spread of his fame was his publication in 1570 of his treatise, I Quattro Libri dell'Archittetura (The Four Books of Architecture), which set out rules others could follow.

The style of his designs became so popular that in Britain, for example, there was an explosion of town halls, assembly rooms, country houses, churches, inns and farmhouses that owed the essence of their design to Palladio's interpretation of classical Roman architecture.

The pattern was replicated elsewhere.  The White House, the residence occupied by the most powerful man in the world, the President of the United States, has many echoes of Palladio.

The unmistakably Palladian Church of the Redeemer -
Il Redentore - commands the Giudecca Canal

Travel tip:

The Church of San Giorgio Maggiore, situated on the island of the same name across the lagoon and directly opposite the Doge's Palace and the Riva degli Schiavoni, is one of Venice's most recognisable sights.  Along the Giudecca island, opposite the Fondamenta Zattere that flanks the Giudecca Canal on the Dorsoduoro side, is the Church of the Redeemer, better known as Il Redentore, of which the facade is another Palladian masterpiece.

Travel tip:

The city of Vicenza is almost a living museum of Palladio's works, featuring 23 buildings designed by the architect that have been included on UNESCO's list of World Heritage Sites.  In addition to the Villa Capra, which lies outside the centre, and the Teatro Olimpico, there is the Basilicata Palladiana on Vicenza's central Piazza dei Signori, the Palazzo Thiene and the Palazzo Barbaran da Porto, which houses the Museo Palladio.  There is a statue of Palladio in the Piazza dei Signori.

More reading:

Teatro Olimpico - how Scamozzi realised Palladio's vision

Giacomo Barozzi da Vignola - contemporary of Palladio who helped spread Renaissance style

(Photo of Il Redentore by Satdeep Gill CC BY-SA 4.0)

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