13 April 2018

Giannino Marzotto - racing driver

Double Mille Miglia winner from a famous family


Giannino Marzotto was a flamboyant driver with an edgy image he was happy to live up to
Giannino Marzotto was a flamboyant driver with an
edgy image he was happy to live up to
Giannino Marzotto, a racing driver who twice won the prestigious Mille Miglia and finished fifth at Le Mans, was born on this day in 1928 in Valdagno, a town situated in the mountains about 30km (19 miles) northwest of Vicenza.

He was the great, great grandson of Luigi Marzotto, who in 1836 opened a woollen factory that evolved into the Marzotto Group, one of Italy’s largest textile manufacturers.

Marzotto worked for the company after he retired from motor racing, at one point filling the position of managing director and later company president, before giving up those roles to develop other businesses.

He was one of five sons of Count Gaetano Marzotto, who was the major figure in the Marzotto company in the 20th century, transforming the family business into an international entity and building the Città Sociale, a town adjoining Valdagno characterised by wide, tree-lined boulevards which he built to provide a pleasant and well-appointed community for the workers at the Marzotto factory.

With this wealthy background, Giannino was able to indulge his passion for cars.  Soon after his 20th birthday he entered his father’s Lancia Aprilia in the Giro di Sicilia, finishing 16th overall but second in his class.

A Ferrari 195S Berlinetta similar to the one in which Marzotto won his first Mille Miglia in 1950
A Ferrari 195S Berlinetta similar to the one in which
Marzotto won his first Mille Miglia in 1950
Not long afterwards, he met Enzo Ferrari, who felt he had enough talent behind the wheel to have raced professionally.  Ferrari had ambitions to lead the world in performance racing cars and with his support Giannino and three of his brothers - Vittorio, Umberto and Paolo - entered the 1950 Mille Miglia, the historic endurance test over 1,000 Roman miles (about 1,500km) from Brescia to Rome and back, along a figure-of-eight route that passed through many of central and northern Italy’s major cities, including Verona, Bologna, Florence and Parma.

Giannino and his co-driver Marco Crosara, in the colours of the Ferrari works team, started at the back of the field in their Ferrari 195S Berlinetta yet worked their way through the field to finish five minutes in front and score an improbable victory.  The great Juan Manuel Fangio, who would be Formula One world champion five times in the 1950s, was third.

Marzotto scored a hit with the Italian public not just for his skill behind the wheel but for his insistence on competing in a double-breasted brown suit. 

Ferrari's 340MM Spider, similar to the one in which Marzotto raced to his second Mille Miglia in 1953
Ferrari's 340MM Spider, similar to the one in which
Marzotto raced to his second Mille Miglia in 1953
It transpired later that the victory was all the more remarkable for having been prefaced by a row with Ferrari over the performance of the car in practice, after which Luigi Bazzi, the team’s chief technician, admitted to making adaptations to the car to slow it down, because he did not trust the headstrong Marzotto not to kill himself by taking outrageous risks.

Two years later, after relations with Ferrari had become strained, he was due to compete in the Mille Miglia in a new model Alfa Romeo only for it to be assigned to another driver while he was away on business.  He approached Lancia for a car but was told there was no vacant drive and reluctantly went back to Ferrari.

The best they could offer was driver Luigi Villoresi's 340MM Vignale Spider, in which he had won the Giro di Sicilia but had not been touched since and had suffered a loss of brakes towards the end of the event. He asked for it to be prepared for the race but took delivery of it only hours before the start and had no time for any pre-race testing.

Despite some extraordinary problems during the race, such as when mechanics were unable to open the bonnet and had to cut a hole in it to top up the oil, he again overhauled Fangio's Alfa to win his second Mille Miglia, accompanied by Crosara as before.

Giannino Marzotto in 2010, a couple of years  before his death. He smoked all his life.
Giannino Marzotto in 2010, a couple of years
before his death. He smoked all his life.
With his brother, Paolo, as co-driver, Marzotto piloted another Ferrari 340MM, this time the Pininfarina Berlinetta version, to finish fifth at Le Mans the same year.

Marzotto, whose other victories included the Grand Prix de Rouens-les-Essarts in 1951 in a Ferrari 166F2/50, retired from racing in 1953 to take up a position in the Marzotto business.

Later he served two terms as president of the Mille Miglia Club. He died in 2012 at the age of 84.  A good part of his life was spent restoring the neglected Villa Trissino outside Vicenza, built in 1700 but allowed to fall into disrepair, especially during the Second World War.

Very well connected, his friends included the Italian political leader Giulio Andreotti and the ill-fated US president John F Kennedy.

Married with three daughters, he died in 2012 at the age of 84. Coincidentally, his lifelong friend and co-driver Marco Crosara had passed away just five days earlier.

A postcard from Valdagno showing the Viale Trento in 1950
A postcard from Valdagno showing the Viale Trento in 1950
Travel tip:

The Città Sociale, built on the left side of the Agno river, was designed by the Bassano architect Francesco Bonfanti. It was completed in just ten years, from 1927 to 1937 during the period of greatest expansion of the Marzotto company, and comprised 1000 lodgings, a stadium, a school building, a music school, a theatre, a swimming pool, a five-hectare park and other recreational facilities, all of which are still in use today with the exception of the theatre, which closed in 1981.

The entrance to the Villa Trissino Marzotto
The entrance to the Villa Trissino Marzotto
Travel tip:

Villa Trissino Marzotto, originally an ancient stronghold about 20km (12 miles) from Vicenza and 11kn (7 miles) from Valdagno, was transformed into a villa in 1700 by a Venetian architect, passed by inheritance to the Conti Da Porto. In 1951 it was purchased by Giannino Marzotto, who brought it back to its original splendour.  Inside, the Villa preserves frescoes, statues, a collection of Gonzaga Pannemaker tapestries, the cartoons of Raffaello and Giulio Romano and a pinacoteca with the Macchiaoli collection. The historic gardens contain centuries-old trees, tree-lined avenues and a lake, all of which is open to guided tours, educational activities and exhibitions by pre-arrangement.

More reading:

How Enzo Ferrari created the world's most famous sports car marque

Champion Mario Andretti inspired by watching Mille Miglia

Why Elio de Angelis was known as 'the last of the gentlemen racers'

Also on this day:

1808: The birth of Antonio Meucci, claimed by some to be the true inventor of the telephone

1920: The birth of controversial banker Roberto Calvi


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12 April 2018

Caffarelli – opera singer

Tempestuous life of a talented male soprano


Caffarelli was taught to sing by the renowned composer and tutor Nicola Porpora
Caffarelli was taught to sing by the renowned
composer and tutor Nicola Porpora
The castrato singer who performed under the stage name of Caffarelli was born Gaetano Maiorano on this day in 1710 in Bitonto in the province of Bari in Apulia.

Caffarelli had a reputation for being temperamental and for fighting duels with little provocation, but he was popular with audiences and was able to amass a large fortune for himself.

One theory is that his stage name, Caffarelli, was taken from his teacher, Caffaro, who gave him music lessons when he was a child, but another theory is that he took the name from a patron, Domenico Caffaro.

When Maiorano was ten years old he was given the income from two vineyards owned by his grandmother to enable him to study music. The legal document drawn up mentioned that the young boy wished to be castrated and become a eunuch.

Maiorano became a pupil of Nicola Porpora, the composer and singing teacher, who is reputed to have kept him working from one sheet of exercises for years before telling him there was no more he could be taught because he was the greatest singer in Europe.

In 1726 Maiorano made his debut in Rome, aged 15, under the stage name Caffarellino. He sang the third female role in Domenico Sarro’s Valdemoro.

A drawing of Caffarelli by the caricaturist Pier Leone Ghezzi
A drawing of Caffarelli by the caricaturist
Pier Leone Ghezzi
His fame spread and he performed in Venice, Turin, Milan and Florence.

In London, at the King’s Theatre, he performed the title role in Handel’s Serse, singing the famous aria ‘Ombra mai fu.’

He went on to work in Madrid, Vienna and Lisbon, but his career in France was cut short after he badly wounded a poet during a duel and had to leave the country in disgrace.

Caffarelli took up a post at the royal chapel in Naples and often performed at the Teatro San Carlo in the city. As a first-rate castrato he was able to command large fees and he bought himself impressive estates in Naples and Calabria.

He was unpredictable on stage and sometimes conversed with people in boxes during other performer’s solos. He was sometimes kept under house arrest or put in prison after fighting duels or assaulting someone.

Caffarelli was a mezzo soprano with an extensive range and considered to be one of the finest singers of his time. Unlike his rival, Farinelli, who ended his career at 32, Caffarelli carried on performing well into his fifties.

In later life he is said to have given generously to charity. Caffarelli died in Naples in 1783.

The Piazza Cattedrale in Bitonto
The Piazza Cattedrale in Bitonto
Travel tip:

Bitonto, in Apulia, where Caffarelli was born, is known as the ‘City of Olives’ due to its numerous olive groves, which produce extra virgin olive oil for export to Europe and America. The city lies approximately 11km (7 miles) to the west of Bari and has a medieval castle and a Romanesque Cathedral, the Cattedrale di San Valentino.

Teatro San Carlo in Naples
Teatro San Carlo in Naples
Travel tip:

Teatro San Carlo in Naples, where Caffarelli regularly performed, is thought to be the oldest opera house in the world. It was officially opened in 1737, way ahead of La Scala in Milan and La Fenice in Venice. The theatre is in Via San Carlo close to Piazza Plebiscito, the main square in Naples. It was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I. In the magnificent auditorium the royal box is surmounted by the crown of the Kingdom of the Two Sicilies.

More reading:

How Farinelli became music's first superstar

Nicola Porpora - opera composer and brilliant teacher

Why Francesca Cuzzoni is remembered as opera's first diva

Also on this day:

1948: The birth of World Cup-winning soccer manager Marcello Lippi

1950: The birth of entrepreneur Flavio Briatore


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11 April 2018

Battle of Ravenna

Thousands die in pointless conflict of the Italian Wars


The chaos of the Battle of Ravenna depicted in a  15th century woodcut
The chaos of the Battle of Ravenna depicted in a
15th century woodcut
French forces inflicted appalling casualties upon a largely Spanish Holy League army on this day in 1512 at Molinaccio just outside Ravenna.

The French, under the command of their brilliant 21-year-old leader Gaston de Foix, had taken Brescia in Lombardy by storm in February and then marched on Ravenna intending to provoke the papal Holy League army into battle. They also had an Italian contingent of soldiers with them under the command of Alfonso I d’Este, Duke of Ferrara.

Ramon de Cardona, Spanish viceroy of Naples and commander of the Holy League forces, led an army through the papal states of the Romagna to relieve Ravenna, passing Forlì and advancing north along the Ronco River.

Both sides had learned the new rules of warfare in the gunpowder age and were reluctant to assault well defended earthworks with cavalry or infantry.

They indulged in an artillery duel and had to manoeuvre unwieldy cannons to find effective lines of fire.

But after two hours they changed tactics and both cavalry and infantry threw themselves forward in assaults. The casualties were heavy as horsemen clashed in swirling melees and infantry swarmed over ramparts and ditches.

Alfonso I d'Este, who led a contingent of  Italian soldiers in the battle
Alfonso I d'Este, who led a contingent of
Italian soldiers in the battle
The issue was decided when the French cavalry, having driven the opposing horsemen from the field, returned to attack the Spanish infantry.

While many of his soldiers were slaughtered, Cardona was taken prisoner.

Then, when the battle was effectively over, the French commander De Foix was killed during a pointless skirmish with the retreating Spanish infantry.

It was estimated that the French lost 4,500 men and the Holy League 9,000 in this battle, part of the War of the League of Cambrai, which took place during the long period of the Italian Wars.

The victory failed to help the French secure northern Italy and they were forced to withdraw from the region entirely by August of the same year.

Travel tip:

The Romagna, controlled by the Pope in the 16th century, was a region of Italy that approximately corresponds to the south eastern part of the present day region of Emilia-Romagna. It included the cities of Cesena, Faenza, Forlì, Imola, Ravenna and Rimini, where the Romagnola dialect is still spoken today.

The Basilica of San Vitale in Ravenna
The Basilica of San Vitale in Ravenna
Travel tip:

Ravenna, in Emilia-Romagna, was the capital city of the western Roman empire in the fifth century. It is known for its well preserved late Roman and Byzantine architecture and has eight UNESCO world heritage sites. The Basilica of San Vitale is one of the most important examples of early Christian Byzantine art and architecture in Europe.

More reading:

How the Treaty of Lodi brought peace to northern Italy

Ravenna, the Ostrogoths and the Sack of Rome

The murder of papal military leader Girolamo Riario

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10 April 2018

Giovanni Aldini - physicist

Professor thought to have given Mary Shelley the idea for Frankenstein


Giovanni Aldini picked up the mantle of his uncle, Luigi Galvani, in his experiments with bioelectricity
Giovanni Aldini picked up the mantle of his uncle, Luigi
Galvani, in his experiments with bioelectricity
The physicist and professor Giovanni Aldini, whose experiment in trying to bring life to a human corpse is thought to have inspired Mary Shelley’s novel Frankenstein, was born on this day in 1762 in Bologna.

The nephew of Luigi Galvani, who discovered the phenomenon that became known as galvanism, one of Aldini’s goals in life was to build on his uncle’s work in the field of bioelectricity.

Galvani’s discovery that the limbs of a dead frog could be made to move by the stimulation of electricity sparked an intellectual argument with his rival physicist Alessandro Volta that he found uncomfortable. When he was then removed from his academic and public positions after Bologna became part of the French Cisalpine Republic in the late 18th century, Galvani was unable to progress his experiments as he would have liked.

Aldini essentially picked up his uncle’s mantle and was determined to discover whether the effect of an electrical impulse on the body of a frog could be reproduced in a human being.

Aldini conducing experiments in galvanism, as  depicted in a 19th century book
Aldini conducing experiments in galvanism, as
depicted in a 19th century book
His most famous experiment came in 1803, when he was given permission to test his electrical equipment on the corpse of George Forster shortly after he had been hanged at Newgate Prison in London, following his conviction for the murder of his wife and daughter, whose bodies were found in the Paddington Canal not long after the last sighting of them alive at the nearby Mitre Tavern.

Aldini had chosen to conduct this experiment in England because most other European countries carried out executions by beheading, and he felt needed a corpse that was fully intact.

Forster’s body was taken directly from the gallows to a nearby house, where Aldini conducted experiments using conducting rods and a battery, the existence of which, ironically, he owed to his uncle’s rival, Volta.

In front of an audience of surgeons, Aldini successful made the corpse’s facial muscles contort, causing his jaw to twitch and one eye to open. He was then able to cause the dead body to raise his right arm with a clenched fist, and to produce movement in the thighs and lower legs.

The future Mary Shelley would have been only five at the time yet as she grew up she learned all about Galvani, Volta and Aldini through two friends of her father, Humphry Davy (famously the inventor of the Davy safety lamp) and William Nicholson, who were leading electrical researchers.

Mary Shelley, as portrayed in a miniature painting by Reginald Easton in 1857
Mary Shelley, as portrayed in a miniature
painting by Reginald Easton in 1857
During the summer of 1816, it is known that Mary Shelley was in Geneva with her future husband, the poet Percy Shelley, and Lord Byron, and that among the topics of their conversation was the potential for re-animating a corpse with electricity.

At around the same time, the three friends, along with another writer, John Polidori, decided they would have a competition to see who could write the best horror story.  Mary came up with a tale of a young scientist, Victor Frankenstein, who creates a grotesque, monstrous but humanoid creature, which he brings to life with electrical charges.

The brother of Count Antonio Aldini, a statesman, Aldini followed Galvani in becoming professor of physics at the University of Bologna.

He devoted himself to his scientific work, which was mainly focussed on galvanism, anatomy and its medical applications, along with the construction and illumination of lighthouses, and with experiments for preserving human life and material objects from destruction by fire.

He died in Milan in 1834, bequeathing a considerable sum to found a school of natural science for artisans at Bologna.

A courtyard at the historic Palazzo Poggi in Bologna
A courtyard at the historic Palazzo Poggi in Bologna
Travel tip:

The University of Bologna, the oldest university in continuous use in the world, has sites dotted around the centre of Bologna.  Its headquarters are in the Palazzo Poggi, in Via Zamboni, about 1km (0.62 miles) northeast of the Fountain of Neptune just around the corner from Piazza Maggiore. The palace is adorned with many frescoes painted by Mannerist and early Baroque artists, including Prospero Fontana, Pellegrino Tebaldi and Niccolò dell'Abbate.

The Basilica of San Petronio, with its half-finished facade
The Basilica of San Petronio, with its half-finished facade
Travel tip:

Bologna is a progressive, left-leaning city with a lively student population and considerable history and culture. Italians regard it as one of the country’s most beautiful cities and has the advantage of being not nearly as busy as Rome, Florence and Venice, which tend to the the magnets for overseas visitors.  The Piazza Maggiore, the medieval Asinelli and Garisenda towers and the Basilica of San Petronio, with its half-finished facade - pink marble at the bottom with bare bricks above - are among the main sights.  Another advantage, apart from the lack of crowds, in the summer months are the 45km of porticoed walkways.

More reading:

Luigi Galvani, the father of bioelectricity

Alessandro Volta and the world's first battery

The death of the poet Percy Bysshe Shelley


Also on this day:

1926: Airship leaves Rome on mission to North Pole

1991: The Moby Prince ferry disaster


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9 April 2018

Treaty of Lodi

When the battles stopped (briefly) in northern Italy


The Peace of Lodi required the map of 15th century Italy to be redrawn
The Peace of Lodi required the map of
15th century Italy to be redrawn
The Treaty of Lodi, which brought peace between rival states in the north of Italy for 40 years, was signed on this day in 1454 at Lodi in Lombardy.

Also known as the Peace of Lodi, it established a balance of power among Venice, Milan, Naples, Florence and the Papal States.

Venice had been faced with a threat to its commercial empire from the Ottoman Turks and was eager for peace and Francesco Sforza, who had been proclaimed Duke by the people of Milan, was also keen for an end to the costly battles.

By the terms of the peace, Sforza was recognised as ruler of Milan and Venice regained its territory in northern Italy, including Bergamo and Brescia in Lombardy.

The treaty was signed at the Convent of San Domenico in Via Tito Fanfulla in Lodi, where a plaque today marks the building, no longer a convent.

Milan’s allies, Florence, Mantua and Genoa, and Venice’s allies, Naples, Savoy and Montferrat, had no choice but to agree.

A plaque marks the building in Lodi where the treaty was signed
A 25-year mutual defensive pact was agreed to maintain existing boundaries and an Italian league, Lega Italica, was set up.

The states promised to defend one another in the event of an attack and to support a contingent of soldiers to provide military aid. The league was soon accepted by almost all the Italian states.

It was not entirely effective and individual states continued to pursue their own interests against others, but the peace lasted until the French invaded the Italian peninsula in 1494, initiating the Italian Wars.

Lodi's main square, Piazza della Vittoria
Lodi's main square, Piazza della Vittoria
Travel tip:

Lodi, where the treaty was signed, is a city in Lombardy, to the south of Milan and on the right bank of the River Adda. The main square, Piazza della Vittoria, has been listed by the Touring Club of Italy as among the most beautiful squares in Italy with its porticoes on all four sides. Nearby Piazza Broletto has a 14th century marble baptismal font from Verona.


The imposing walls of Bergamo's Citta Alta are a legacy of  the city's time under Venetian rule
The imposing walls of Bergamo's Citta Alta are a
legacy of  the city's time under Venetian rule 
Travel tip:

Bergamo in Lombardy, which was handed over to Venice under the terms of the Treaty of Lodi, is a fascinating, historic city with two distinct centres. The Città Alta (upper town) is a beautiful walled city with buildings that date back to medieval times. The elegant Città Bassa (lower town) still has some buildings that date back to the 15th century, but more imposing and elaborate architecture was added in the 19th and early 20th centuries. The Città Alta’s magnificent walls were built by the Venetians between 1561 and 1588 to make it a fortified city and to protect their trade routes. Bergamo continued to be ruled by the Venetians until the 18th century when the French took over after the Napoleonic Wars.


More reading:

The devastating 1527 Sack of Rome in the Italian Wars

The end of the Venetian republic

How Lorenzo the Magnificent helped preserve the Peace of Lodi

Also on this day:

1933: The birth of Gian Maria Volonté

1948: The birth of '60s pop star Patty Pravo


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8 April 2018

Lorenzo the Magnificent - Renaissance ruler

Patron of the arts who sponsored Michelangelo and Botticelli


A portrait of Lorenzo the Magnificent by the Florentine artist Agnolo Bronzino
A portrait of Lorenzo the Magnificent by the
Florentine artist Agnolo Bronzino
Lorenzo de’ Medici, the ruler of Florence usually known as Lorenzo the Magnificent, died on this day in 1492 in the Medici villa at Careggi, just to the north of the city.

He was only 43 and is thought to have developed gangrene as a result of an inherited genetic condition.  He had survived an assassination attempt 14 years earlier in what became known as the Pazzi Conspiracy, in which his brother, Giuliano, was killed.

The grandson of Cosimo de’ Medici, Lorenzo was a strict ruler but history has judged him as a benevolent despot, whose reign coincided with a period of stability and peace in relations between the Italian states.

He helped maintain the Peace of Lodi, a treaty agreed in 1454 between Milan, Naples and Florence which was signed by his grandfather.

However, he is most remembered as an enthusiastic patron of Renaissance culture, providing support for poets, scholars and artists, notably Michelangelo and Botticelli.

He contributed more than anyone to the flowering of Florentine genius during the second half of the 15th century. Respected himself for his poetry, he held lavish parties for his artistic friends at the Careggi villa and was the protector of artists such as Giuliano da Sangallo, Botticelli, Andrea del Verrocchio, and Verrocchio’s pupil Leonardo da Vinci.

A young Lorenzo as he appeared in Botticelli's Adoration of the Magi
A young Lorenzo as he appeared in
Botticelli's Adoration of the Magi
Lorenzo opened a school of sculpture, at which he noticed the great talent of a 15-year-old pupil called Michelangelo Buonarroti, whom he took under his wing and brought up like a son.

Sandro Botticelli repaid his patronage by using Medici family members as models in some of his most famous religious paintings. In his Madonna of the Magnificat, for example, one of the figures is Lorenzo, while the Madonna is his mother, Lucrezia Tornabuoni. Lorenzo also appears in Botticelli’s Adoration of the Magi, while Mars in his Mars and Venus is Lorenzo’s brother, Giuliano.

In addition to his patronage of artists, Lorenzo also expanded the collection of books begun by Cosimo, which became the Medici Library. He retrieved large numbers of classical works from the East, which he had copied and shared with other countries across Europe. He also supported philosophers such as Marsilio Ficino, Poliziano and Giovanni Pico della Mirandola.

Although the assets of the Medici bank were diminished during Lorenzo’s rule, partly through the family focussing more on power than the actual source of their power, i.e. money, they were still not short of jealous rivals and the Pazzi family fell into this category.

With the support of Pope Sixtus IV, Francesco Pazzi conspired with Girolamo Riario, the Lord of Imola, and Francesco Salviati, the archbishop of Pisa, to attack Lorenzo and Giuliano, who were joint rulers of Florence at the time, during High Mass at the Duomo.

The goal was to kill both and seize power, but while Giuliano was being stabbed to death Lorenzo escaped into the sacristy, where he hid from the assassins. The coup d’état therefore failed and it is estimated that around 80 people, either conspirators or their associates, were captured and executed in the months that followed.

Controversially, it was Lorenzo de’ Medici, taking advice from his friend, Giovanni Pico della Mirandola, who was responsible for the return to Florence of the firebrand priest Girolamo Savonarola, who had left his position at the Convent of San Marco some years earlier after proposing sweeping reforms to the Catholic Church.  Savonarola’s preaching, in which he railed against despotic rulers and the exploitation of the poor, and persuaded people that works of art and literature were sinful and should be destroyed, would eventually provoke the overthrowing of the Medici family.

The Palazzo Pitti was acquired by the Medici family from the Florentine banker Luca Pitti
The Palazzo Pitti was acquired by the Medici family
from the Florentine banker Luca Pitti
Travel tip:

Florence has a wealth of preserved antiquity, but one of the finest examples of true Renaissance architecture is the Palazzo Pitti - the Pitti Palace - which was originally commissioned in 1458 as a house for the Florentine banker Luca Pitti, a friend and supporter of Cosimo de’ Medici. Designed by Luca Fancelli, a pupil of Filippo Brunelleschi, it is characterised by a strong, symmetrical structure, wide arches and rusticated stone pillars and walls. It was later sold to Eleonora di Toledo, wife of Cosimo I de Medici (not to be confused with Cosimo de’ Medici, who came from a different branch of the family) , and remained in the Medici family for centuries. Today it houses the biggest museum in Florence and a number of art galleries, and looks out across the Boboli Gardens, created on land Eleonora bought from the wealthy Boboli family.

The Villa Careggi, where Lorenzo died in 1492
The Villa Careggi, where Lorenzo died in 1492
Travel tip:

In common with his grandfather, Cosimo, Lorenzo died at the Villa Careggi, originally a working farm acquired in 1417 by Cosimo’s father to make his family self-sufficient. Cosimo employed the architect Michelozzo to remodel it around a central courtyard overlooked by loggias. Lorenzo extended the terraced garden and the shaded woodland area. Careggi, which is not far from Florence’s airport, is nowadays a suburb of the city, about 8km (5 miles) northwest of the centre.

More reading:

Cosimo de' Medici - founder of the Medici banking dynasty

Girolamo Riario - the papal military leader murdered after failed Pazzi plot

The rival in the court of Lorenzo who broke Michelangelo's nose

Also on this day:

1848: The death of the composer Gaetano Donizetti

1868: The birth of equestrian pioneer Federico Caprilli, who revolutionised jumping technique


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7 April 2018

Marco Delvecchio - footballer

Striker who became TV dance show star


Marco Delvecchio scored four goals in 22 appearances for the Italy national team
Marco Delvecchio scored four goals in 22
appearances for the Italy national team
The former Roma and Italy striker Marco Delvecchio, who launched a new career in television after finishing runner-up in the Italian equivalent of Strictly Come Dancing, was born on this day in 1973 in Milan.

Delvecchio scored 83 goals in exactly 300 appearances for Roma, where he was part of the side that won the Scudetto in 2000-01 and where he became a huge favourite with fans of the giallorossi because of his penchant for scoring against city rivals Lazio.

His record of nine goals in the Rome derby between 2002 and 2009 was the best by any player in the club’s history until that mark was overtaken by the Roma great Francesco Totti, whose career tally against Lazio was 11.

Delvecchio’s talents were somewhat underappreciated at international level. He made 22 appearances for the azzurri and the first of his four goals was in the final of Euro 2000 against France, although he finished on the losing side. Yet after being favoured by Dino Zoff, he was not so popular with Zoff’s successor as head coach, Giovanni Trapattoni, who took him to the 2002 World Cup but did not give him a game, and omitted him from his squad for the 2004 Euros.

Delvecchio enjoyed his best days in a Roma shirt
Delvecchio enjoyed his best
days in a Roma shirt
Unusually, after 17 seasons, 395 appearances and 94 goals in professional football, Delvecchio ended his career with an amateur club in the Rome area, Pescatori Ostia, for whom he scored 34 goals in one season.

Three years after quitting football, Delvecchio accepted an invitation to appear in the 2012 edition of Ballando con le Stelle (Dancing with the Stars) and finished second with professional partner Sara Di Vaira. 

Popular with viewers, Delvecchio then teamed up with former Internazionale and Italy striker Christian Vieri in their own show, called Bobo e Marco - i re del ballo (Bobo and Marco - the kings of dance) - on satellite channel Sky Uno, in which the two ex-players went on their travels to examine dance culture around the world.

Delvecchio’s TV career has continued to develop. A regular football pundit on Sky Sports, Teleradiostereo, Retesport and Radio 105, he has recently taken part in a third dance show, Dance Dance Dance, on FoxLife, paired with his 18-year-old daughter Federica.

Almost 6ft 2ins (1.86m) in height, Delvecchio was characteristically strong in the air as a player but with quick feet too.  Brought up through the youth system at Inter, he made his senior debut shortly before he turned 19 in a Coppa Italia match against Juventus and his first appearance in Serie A came against Fiorentina a few days later.

He established himself in the Inter team after gaining experience on loan at Venezia and Udinese but was then sold to Roma, where he became a key player in a team bursting with attacking talent, playing initially alongside Daniel Fonseca and Abel Balbo and later with Gabriel Batistuta and Vincenzo Montella, as well as the emerging Francesco Totti.

Delvecchio with professional partner Sara Di Vaira in the 2012 edition of Ballando con le stelle
Delvecchio with professional partner Sara Di Vaira
in the 2012 edition of Ballando con le stelle
Trophy success came his way under the coaching of Fabio Capello, who led Roma to the Serie A title in 2000-01 and the Supercoppa Italiana later in 2001.

In international football, Delvecchio was a member of the Italian team that won the UEFA European Under-21 championships in 1994 and 1996 and played for the Italy team at the 1996 Olympics in Atlanta, before making his senior azzurri debut under Zoff in December 1998.

Established in the Zoff team that qualified for Euro 2000, hosted by Belgium and the Netherlands, Delvecchio was close to scoring a winner under the now defunct Golden Goal rule in the semi-final against the Netherlands, which the azzurri ultimately won on penalties, before scoring his first senior international goal to put Italy ahead in the final against France in Rotterdam, which ended in heartache for the Italians after Sylvain Wiltord equalised in the last minute of stoppage time, forcing a period of extra time in which David Trezeguet hit a Golden Goal winner for France.

In domestic football, Delvecchio left Roma in 2005 and had spells with Brescia, Parma and Ascoli, where injury forced the termination of his contract and obliged him to have a year out of the game. He came out of retirement to help a former Roma teammate, Massimiliano Cappioli, launch his coaching career with Pescatori Ostia in Eccellenza Lazio, an amateur regional league.

Ostia has a wide sandy beach, which makes it a popular destination for holiday-makers and day-trippers from Rome
Ostia has a wide sandy beach, which makes it a popular
destination for holiday-makers and day-trippers from Rome
Travel tip:

The seaside resort of Ostia, where Delvecchio finished his career, lies 30km (19 miles) to the southwest of Rome, situated just across the Tiber river from Fiumicino, home of Rome’s largest international airport, it adjoins the remains of the ancient Roman city of Ostia Antica. Many Romans spend their summer holidays in the modern town, swelling a population of about 85,000.

The Stadio Olimpico in Rome has hosted numerous major football matches
The Stadio Olimpico in Rome has hosted numerous
major football matches
Travel tip:

FC Roma’s home ground is the Stadio Olimpico, the largest sports facility in the city, located within the Foro Italico sports complex, north of the city. The athletics stadium for the 1960 Olympics, the structure belongs to the Italian National Olympic Committee but is primarily a football stadium. Roma are joint tenants with city rivals Lazio and the ground also hosts the Coppa Italia final. It was rebuilt for the 1990 FIFA World Cup and it hosted the tournament final. Originally called Stadio dei Cipressi as part of the Foro Mussolini complex, the 70,000-capacity stadium has been the venue for four European Cup/Champions League finals, two European championship and one World Cup final, in 1990, as well as numerous high-profile athletics events.

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