Luca Marenzio – composer

Madrigal writer influenced Monteverdi

Luca Marenzio is believed to have been a
singer employed by the Gonzaga family

Luca Marenzio, a prolific composer of madrigals during the late Renaissance period, died on this day in 1599 in the garden of the Villa Medici on Monte Pincio in Rome.

Marenzio wrote at least 500 madrigals, some of which are considered to be the most famous examples of the form, and he was an important influence on the composer Claudio Monteverdi.

Born at Coccaglio, a small town near Brescia in 1553, Marenzio was one of seven children belonging to a poor family, but he received some early musical training at Brescia Cathedral where he was a choirboy.

It is believed he went to Mantua with the maestro di cappella from Brescia to serve the Gonzaga family as a singer.

Marenzio was then employed as a singer in Rome by Cardinal Cristoforo Madruzzo and, after the Cardinal’s death, he served at the court of Cardinal Luigi d’Este.

He travelled to Ferrara with Luigi d’Este and took part in the wedding festivities for Vincenzo Gonzaga and Margherita Farnese.

While he was there he wrote two books of madrigals and dedicated them to Alfonso II and Lucrezia d’Este.

Marenzio's first book of madrigals was published in 1580

Marenzio went on to establish an international reputation as a talented composer of madrigals and he was also an expert lutenist. He was much admired in England and his madrigals were printed in N Yonge’s Musica Transalpina, published in 1588, a collection of music that stimulated the composition of English madrigals.

After the death of Luigi d’Este, Marenzio entered the service of Ferdinando I de’ Medici in Florence, where he formed friendships with composers Piero Strozzi and Antonio de Bicci.

On his return to Rome he entered the service of Virginio Orsini, nephew of the Grand Duke of Tuscany, and he lived in the Orsini palace. Another important patron was Cardinal Cinzio Aldobrandini, nephew of the reigning pope, Clement VIII, who assigned him an apartment in the Vatican.

Marenzio then travelled to Poland to be maestro di cappella at the court of Sigismund III Vasa in Warsaw. He wrote and directed sacred music there, which unfortunately has since been lost.

The visit to Poland affected his health and he did not live long after his return to Rome. While his brother was looking after him, he died in the garden at the Villa Medici on August 22, 1599.

Marenzio was buried in the Church of San Lorenzo in Lucina in Rome.

Vineyards near Coccaglio, which is on the edge of the
Franciacorta wine-making area, near Brescia

Travel tip:

Coccaglio, Marenzio’s birthplace, is a town in Lombardy, about 32km (20 miles) west of Brescia and 35km (22 miles) southeast of Bergamo.  The municipality is located in the southern edge of Franciacorta, the area famous for its sparkling wine of the same name, which is known as the Italian answer to Champagne, being produced using the same method as the classic French bubbly, as opposed to the faster fermentation process used in the popular Prosecco.

The Villa Medici has been the home of the
French Academy in Rome since 1803

Travel tip:

The Villa Medici, where Marenzio died, is on the Pincian Hill next to the church of Trinità dei Monti in Rome, at the head of the Spanish Steps. The villa, built in 1554 in the Mannerist style to a design by Bartolomeo Ammanati, has housed the French Academy in Rome since 1803. In ancient times the site of the Villa Medici was part of the gardens of Lucullus. Behind the Villa Medici stretches out the vast park and gardens of the Villa Borghese.

More reading:

The genius of Claudio Monteverdi

Federico II Gonzaga, the ruler of Mantua who spent his childhood as a political hostage

How Eleonora Gonzaga became Holy Roman Empress

Also on this day:

1849: History's first air raid hits Venice

1914: The death of the progressive Bishop Giacomo Radini-Tedeschi

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Lino Capolicchio - actor

Acclaimed for role in Vittorio de Sica classic

Lino Capolicchio's acting talents shone on the
 stage, television and the big screen

The actor and director Lino Capolicchio, who starred in Vittorio de Sica’s Oscar-winning film The Garden of the Finzi-Continis, was born on this day in 1943 in Merano, an alpine town in the Trentino-Alto Adige region of northern Italy.

Capolicchio appeared in more than 70 films and TV dramas, and dubbed the voice of Bo Hazzard in the Italian adaptation of the American action-comedy The Dukes of Hazzard.

As a director, he won awards for Pugili, a drama-documentary film set in the world of boxing based on his own storylines, but it is for The Garden of the Finzi-Continis, for which he won a David di Donatello award for best actor, that he is best remembered.

The movie is about a wealthy Jewish family in Ferrara in the 1930s, whose adult children, Micol and Alberto, enjoy blissful summers entertaining friends with tennis and parties in the garden the family’s sumptuous villa.

Capolicchio’s character, Giorgio, from another middle-class Jewish family, falls in love with Micol but she only toys with his attentions. In any event, everything changes with the outbreak of war as northern Italy’s Jewish population become targets for the Nazis and their Fascist allies.

Capolicchio with his co-star Dominique Sanda in Vittorio
de Sica's Oscar winner The Garden of the Finzi-Continis

The movie won De Sica one of his four Oscars as a director. The Garden of the Finzi-Continis and Yesterday, Today and Tomorrow both won Best Foreign Language Film, while Bicycle Thieves and Sciuscià were both awarded honorary Oscars.

Trained at the Silvio D’Amico Academy of Dramatic Arts in Rome, Capolicchio made his stage debut in 1964 at the Piccolo Teatro di Milano in a play by Carlo Goldoni under the direction of Giorgio Strehler, who also used him in some subsequent Shakespeare productions.

By 1967 his acting talents were held in such high regard that he was given a small role in Franco Zeffirelli’s movie version of Shakespeare’s The Taming of the Shrew, which starred Richard Burton and Elizabeth Taylor.

His first major starring role came in Escalation (1968), a drama directed by Roberto Faenza, before the chance to play Giorgio in The Garden of the Finzi-Contadinis followed in 1970. The movie was such a success, winning critical acclaim as well as public popularity, that Capolicchio became famous almost overnight.

Capolicchio continued to work well into his
70s with a number of TV roles

Many more parts followed, including several films for the director Pupi Avati, including his 1976 movie La casa dalle finestre che ridono (The House with the Laughing Windows), the 1984 film Noi tre (The Three of Us), in which he plays Mozart’s father, and Ultimo minuto (Last minute) in 1988.

For a period in the late 80s, Capolicchio focussed on teaching, taking the acting chair at the Experimental Centre of Cinematography in Rome. During this period he discovered new talents such as Francesca Neri, Sabrina Ferilli and Jaja Forte.  Later, while he was holding auditions for his film Pugili, he came across a young actor of great talent who has gone on to enjoy a successful career in Pierfrancesco Favino.

Pugili, shot in 1995, was named Best Film by the international press at the Turin Film Festival.  Awarded the Vittorio de Sica Award in 2012 for best actor and director, he continued working into his 70s, with parts in TV dramas such as La piovra and the massively popular Una grande famiglia.

Updated August 2022: Lino Capolicchio sadly passed away in Rome in May, 2022, at the age of 78.

Trauttmansdorff Castle is one of the attractions of Merano

Travel tip:

Located in a basin surrounded by mountains that rise up to almost 3,350m (11,000ft), Merano is a town of around 40,000 inhabitants in Trentino-Alto Adige, known also as the South Tyrol, which is most famous for its spas. The writers Franz Kafka and Ezra Pound were both residents at one time or another. Among the attractions for visitors are the Gothic St. Nicholas' Church and, a little outside the town, the Trauttmansdorff Castle and its gardens.

The Rotonda Foschini in Ferrara

Travel tip:

Apart from the impressively well preserved Castello Estense right at the heart of the city, Ferrara - situated midway between Bologna and Venice in Emilia-Romagna - has many notable architectural gems, including many palaces from the 14th and 15th centuries.  Among them is the striking Palazzo dei Diamanti, so-called because the stone blocks of its facade are cut into the shape of diamonds. The palace holds the National Picture Gallery, which houses many works from the  masters of the 16th-century School of Ferrara, including Lorenzo Costa, Dosso Dossi, Girolamo da Carpi and Benvenuto Tisi.

More reading:

Vittorio de Sica - the maestro behind Bicycle Thieves and other classics in Italian cinema history

The Shakespeare adaptations that made Franco Zeffirelli into a household name

How La Dolce Vita actor Marcello Mastroianni became the epitome of Italian cool

Also on this day:

1862: The birth of adventure novelist Emilio Salgari

1969: The death of Giuseppe Meazza, Italian football's first superstar


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Stelvio Cipriani – composer

Musician wrote some of Italy’s most famous film soundtracks

One of Stelvio Cipriani's first jobs was as
piano accompanist for the singer Rita Pavone

Stelvio Cipriani, an award-winning composer of film scores, was born on this day in 1937 in Rome.

One of his most famous soundtracks was for the 1973 film, La polizia sta a guardare (also released as The Great Kidnapping). The main theme was used again by Cipriani in 1977 for the film, Tentacoli, and also featured in Quentin Tarantino’s Death Proof in 2007.

Although Cipriani did not come from a musical background, he was fascinated with the organ at his church when he was a child.

His priest gave him music lessons and then Cipriani went to study piano and harmony at the Santa Cecilia Conservatory in Rome at the age of 14.



His first job was playing in a band on a cruise ship and then he became the accompanist for the popular Italian singer, Rita Pavone.

Cipriani with actress Antonella Lualdi
at the Giffoni film festival in 1975

Stelvio wrote his first movie soundtrack for the 1966 spaghetti western, The Bounty Killer. This was followed by a score for The Stranger Returns in 1967, starring Tony Anthony. He wrote for other films starring Anthony, as well as for many poliziotteschi - Italian crime films - a type of film popular in the 1970s.

Stelvio was awarded a Nastro d’Argento for Best Score for the 1970 film The Anonymous Venetian.  This is still considered one of the best and most famous Italian film soundtracks.

In an interview in 2007 Cipriani revealed that he had composed music for Pope John Paul II and was working at the time with Pope Benedict XVI.

Cipriani wrote Il Tema di Karol, a piano solo dedicated to Karol Wojtyla, who became Pope John Paul II, which was released on CD in 2013.

The composer will celebrate his 81st birthday today.

The Via della Conciliazione, looking towards the basilica
of St Peter, was conceived by Mussolini

Travel tip:

The Rome Cipriani was born into in 1937 had been radically changed by the Fascist dictator Benito Mussolini after he became Prime Minister in 1922. The classical city had been built between the first century BC and the fourth century AD, the Christian city between the fourth and the 18th centuries and Mussolini wanted to build la Terza Roma, the third Rome, which would be an Empire for modern times. One of the major changes ordered by him was the building of the Via della Conciliazione, the wide avenue along which today’s visitors approach Saint Peter’s Basilica from Castel Sant’Angelo. It was commissioned by Mussolini to be a symbol of reconciliation between the Holy See and the Italian state after the Lateran Treaty was signed. Roughly 500 metres long, the vast colonnaded street designed by the architect Marcello Piacentini was intended to link the Vatican to the heart of Rome. At the time it had the opposite effect as local people were upset by the many buildings and houses that had to be demolished causing residents to be displaced.

The new headquarters of the Accademia di Santa Cecilia
were designed by the architect Renzo Piano

Travel tip:

The St Cecilia Academy, Accademia Nazionale di Santa Cecilia, where Cipriani studied music in the 1950s, is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano.

More reading:

The composer who created the sounds of The Godfather

The brilliant film music of Ennio Morricone 

Rita Pavone - the precocious star who conquered America

Also on this day:

1561: The birth of Jacopo Peri, composer of the first opera

1799: The poet and revolutionary Eleonora Fonseca Pimentel is hanged

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Salomone Rossi - violinist and composer

Leading Jewish musician of the late Renaissance 

Salomone Rossi's talent with the violin
earned him work for the Mantuan court

The composer and violinist Salomone Rossi, who became a renowned performer at the court of the Gonzagas in Mantua in the late 16th and early 17th centuries and is regarded as the leading Jewish musician of the late Renaissance, is thought to have been born on this day in 1570.

Jews had periodically been the subject of persecution in the Italian peninsula for hundreds of years. At around the time of Rossi’s birth, Pope Pius V expelled all Jews from all but two areas of the papal states and Florence established a ghetto, in which all Jews within the city and the wide Grand Duchy of Tuscany were required to live.

The Mantua of Rossi’s day was much more enlightened than many Italian cities, however. Jews were not only tolerated but they were often allowed to mix freely with non-Jews. The liberal atmosphere allowed Jewish writers, musicians and artists to have an important influence on the culture of the day.

The court of Mantua was not only renowned for its royal luxury but as a centre of artistic excellence. At the end of the 15th century the duchess Isabella d’Este Gonzaga actively sought out the finest musicians in Italy, bringing them to Mantua to compose new music and perform it for the entertainment of the royal family.

Vincenzo I was the first duke of
Mantua to employ Salomone Rossi

The duke Gugliemo Gonzaga, in the second half of the 16th century, established a resident musical ensemble within the castle walls and his successor, Vincenzo I Gonzaga, at the turn of the 17th century, had on his payroll composers of the quality and standing of Claudio Monteverdi, Giovanni Gastoldi and Lodovico Vladana, to provide music for banquets, wedding feasts, musical-theatre productions and chapel services.

Rossi had come to the court’s attention as a talented violinist and he entered the service of duke Vincenzo I in 1587 as a singer and viola player.

Soon he was given the title of concertmaster as the leader of the duke’s instrumental ensemble, tasked with entertaining the ducal family and their esteemed guests. He was so well thought of that he was excused from wearing the yellow badge that was still required of Jews in Mantua, despite the enlightened atmosphere that prevailed. The privilege was renewed in 1612 by the new duke, Francesco IV.

Nonetheless, it is not thought that he could have enjoyed a permanent salaried position at the court, a privilege almost exclusively reserved for Christian musicians.  He would have been paid by the court on an individual basis for his performances at court events and for his vocal and instrumental compositions.

There is evidence that he also played for Paolo Adreasi, the Count of Rhodes, Fredrico Rossi, the Count of San Secundo, and Alessandro Pico, Prince of Mirandola. He also had support and protection from two prominent Jewish figures in Mantua: Moses Sullam, who provided him with financial support, and Rabbi Leone da Modena, who offered guidance and protection. Rossi was also heavily involved in Mantuan theatrical life.

The opening pages to a Rossi score for a madrigal
played in Venice in 1628

As a composer, Rossi applied his creative talents to a new fashion in music known as monadic song, with one leading solo voice supported by a fundamental bass. He is considered the pioneer of these new Baroque forms which include the trio sonata and suite.

His first published work in 1589 was a collection of 19 canzonettes - short, dance-like compositions for a trio of voices with lighthearted, amorous lyrics.

Rossi also composed more serious madrigals, combining the poetry of the greatest poets of the day with his melodies. In 1600, in the first two of his five madrigal books, Rossi published the earliest continuo madrigals, an innovation which marked the beginning of the Baroque era in music.

As a Jewish musician, his lasting contribution is his Ha-Shirim Asher li-Shelomo, 33 settings for three to eight voices of Hebrew texts, edited by Rabbi Leone.

Rossi's name as a violist appears on the ducal payrolls in Mantua until 1622.

The death of the last Gonzaga duke and the sack of Mantua by the Austrian army (1628-30) ended the golden age of Mantuan court music. Many of Mantua’s Jews fled to the ghetto in Venice, where they joined the Jewish musical Accademia degli Impediti. 

It is not known whether Rossi himself was still alive and active in the Accademia. Some historians believe he died during the invasion of Austrian troops, who destroyed the Jewish ghetto in Mantua, or in a subsequent plague which ravaged the area.

Rossi's sister, Madama Europa, who was an opera singer at the court in Mantua and possibly the first Jewish woman to be professionally engaged in that field, also disappeared after the end of the Gonzaga court and subsequent sack of the ghetto.

The facade of the Palazzo Ducale in Mantua, which was
the palace of the Gonzagas between 1328 and 1707

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The ampoules that allegedly contain drops
of the blood of Christ, mixed with soil

Travel tip:

In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, two ampoules containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

More reading:

The Gonzaga duke who spent his childhood as a political hostage

Andrea Mantegna - master of perspective

The genius of Claudio Monteverdi

Also on this day:

1580: The death of Antonio Palladio, the world's favourite architect

1957: The birth of former azzurri football coach Cesare Prandelli


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