23 August 2016

Rita Pavone - teenage singing star

Precocious talent who conquered America


Rita Pavone pictured in 1965
Rita Pavone pictured in 1965
Rita Pavone, who was one of Europe's biggest teenage singing stars in the 1960s and was still performing live concerts as recently as 2014, celebrates her 71st birthday today.

The Turin-born singer had her first hit single when she was just 17 years old and enjoyed success at home and in America during a career that spanned more than five decades, going on to become an accomplished actress on television and in the theatre.

She announced she was quitting show business in 2006 but came out of retirement in 2013 to record two studio albums as a tribute to the stars who had influenced her in throughout her career, then embarking on a series of live concerts in Italy in 2014 and performing in Toronto, Canada exactly 50 years after her first appearance there.

Earlier this year she appeared in Ballando Con le Stelle - the Italian equivalent of the US show Dancing With the Stars and Britain's Strictly Come Dancing - and finished third with partner Simone de Pasquale, reaching the final despite being the oldest competitor.

Pavone was born on August 23, 1945 and spent her early years living in a two-room apartment in Turin.  She was the third of four children yet it was not until 1959 that the family was able to move somewhere bigger, in the Mirafiori district, when a scheme run by the FIAT factory where her father worked enabled employees to obtain a family home at low rent.

Rita Pavone in 1973, after returning to Italy to embark on an acting career
Rita Pavone in 1973, after returning
to Italy to embark on an acting career
Her father, Giovanni, was a fan of American musicals, and it was when she began singing along to his record collection, largely featuring Al Jolson, Judy Garland and Gene Kelly, that he realised she had talent.  Rita left school at just 11 years old to take a job as an ironer in a shirt factory but Giovanni encouraged her interest in singing, finding the money to pay for lessons and, on bank holidays, taking her to schools and village halls on the back of his scooter, so she could sing at children's parties and local festivities.

In 1959, Pavone made her public debut as a singer, impersonating Al Jolson in a children's talent contest.  Her big break came in 1962, when she won first prize in La Festa Degli Sconosciuti Festival of the Unknown - a nationwide talent search launched by a record producer and singer from Trieste, born Ferruccio Merk-Ricordi but who went under the professional name of Teddy Reno.

The prize was a management contract with Reno - the man she would later marry - and a record deal with RCA Italiana, Her first single - La Partita di Pallone  -The Football Match - sold more than a million copies, earning Pavone a regular slot on a popular Italian television variety series, Studio One. 

More hits followed yet Reno was not content with success merely in Italy.  After scoring chart hits in Spain and Germany, he set his sights on the United States. In May 1964, Pavone's American debut album, The International Teenage Sensation, was released, and the single Remember Me became a hit.

When Pavone made her first appearance on The Ed Sullivan Show, the most popular variety show on American television, in 1964, it could be acknowledged that she had cracked the US market, a rarity for an Italian performer.  Soon she was appearing alongside Diana Ross and The Supremes, Ella Fitzgerald, Tom Jones, Duke Ellington and Paul Anka, meeting Elvis Presley and recording a duet with Barbra Streisand.

Pavone returned to Italy to develop her interest in acting, appearing in several films and television dramas.

Rita Pavone with dance partner Simone di Pasquale in a publicity shot for the TV show Ballando Con le Stelle
Rita Pavone with dance partner Simone di Pasquale in
a publicity shot for the TV show Ballando Con le Stelle
Her popularity was such that when she was admitted to hospital in 1964, suffering from appendicitis, she received get-well cards from 13 million fans.

Pavone risked her reputation when she and Reno decided to marry in Switzerland in 1968.  Italy at the time did not recognise divorce and Reno had been married previously in Mexico. He was thus regarded as a bigamist. However, Italy's marriage laws changed in 1971 and they renewed their vows.

Teddy Reno turned 90 last July. The couple remain together, living in Ticino, Switzerland. They have two sons, Alessandro and Giorgio, the former a political reporter on Swiss television, the latter a rock singer performing under the name of George Merk.

Travel tip:

Mirafiori, where Rita Pavone's family lived at the start of her musical career, is a district of Turin that owes its identity to the car manufacturer FIAT, where her father worked.  FIAT opened a massive factory there in 1936 when demand for the company's cars exceeded the production capacity of the nearby Lingotto plant. Large numbers of apartment buildings were built to house the workers. A strike there in 1943 that grew to include 100,000 workers, and spread to involve industrial areas all over northern Italy, is said to have marked the beginning of the end for the Fascist dictator, Benito Mussolini. Today it is the site of the Mirafiori Motor Village, the largest exhibition centre in Europe devoted to the cars.

The Piazza Unità d'Italia in Trieste
Travel tip:

Trieste, where Teddy Reno was born, is the main city of the region of Friuli Venezia Giulia and lies close to the Slovenian border.  It was once the main seaport of the Austro-Hungarian empire, of which there are still echoes in the coffee houses and restaurants that blend in with the more recognisably Italian.  There is much Austrian influence in the architecture too, dating from the era of Habsburg domination.

More reading:


The enduring talent of 60s pop star Patty Pravo

Pier Angeli - Hollywood star from Sardinia who dated James Dean



(Photo of Rita Pavone in 1965 by Joop van Bilsen CC BY-SA 3.0)

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22 August 2016

Giacomo Radini-Tedeschi – bishop

Progressive priest who shaped the destiny of a future Pope


Giacomo Radini-Tedeschi, the Bishop of Bergamo
Giacomo Radini-Tedeschi, the
Bishop of Bergamo

Giacomo Radini-Tedeschi, Bishop of Bergamo, who was a mentor for the future Pope John XXIII, died on this day in 1914 in Bergamo.

He was Bishop of the Diocese of Bergamo from 1905 until his death and is remembered with respect because of his strong involvement in social issues at the beginning of the 20th century when he sought to understand the problems of working class Italians.

Radini-Tedeschi was born in 1857 into a wealthy, noble family living in Piacenza in Emilia-Romagna.

He was ordained as a priest in 1879 and then became professor of Church Law in the seminary of Piacenza.

In 1890 he joined the Secretariat of State of the Holy See and was sent on a number of diplomatic missions.

In 1905 he was named Bishop of the Roman Catholic Diocese of Bergamo by Pope Pius X and was consecrated by him in the Sistine Chapel.

Angelo Roncalli, Pope John XXIII
Angelo Roncalli, Pope John XXIII
Radini-Tedeschi was a strong supporter of Catholic trade unions and backed the workers at a textile plant in Ranica, a district of Bergamo Province, during a labour dispute.

Working for him as his secretary at the time was a young priest named Angelo Roncalli who had been born at Sotto il Monte just outside Bergamo into a large farming family.

Roncalli went on to become Pope John XXIII in 1958 but never forgot the values Radini-Tedeschi had taught him.

The Bishop became ill with cancer and died at the age of 57 just after the outbreak of the First World War. His last words are reputed to have been: ‘Angelo, pray for peace.’

Travel tip:

Piacenza, where Radini-Tedeschi was born, is on the western edge of Emilia-Romagna and is in a strategic position between the River Po and the Appenines, situated between Bologna and Milan. It has many fine churches and old palaces with splendid gardens to explore. Piacenza Cathedral was built in 1122 and is a good example of northern Italian Romanesque architecture.


The Church of Santa Maria Immacolata delle Grazia in Bergamo's lower town
The Church of Santa Maria Immacolata
delle Grazia in Bergamo's lower town
Travel tip:

A landmark in Bergamo’s lower town is the church of Santa Maria Immacolata delle Grazie in Viale Papa Giovanni XXIII, one of the main thoroughfares. The huge church on the corner of Porta Nuova has a 19th century green cupola topped with a golden statue with an early 20th century campanile next to it. But the origins of the church date back to 1422 when a convent was built on the site dedicated to Santa Maria delle Grazie. The beautiful cloisters have been preserved within the church buildings although the convent was suppressed at the beginning of the 19th century. The neoclassical design for the new church was created by architect Antonio Preda. In 1907 the main altar was consecrated in the presence of the bishop, Giacomo Radini- Tedeschi, accompanied by his 26-year-old secretary, Angelo Roncalli, the future Pope John XXIII.

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21 August 2016

Giuseppe Meazza - Italy's first superstar

Inter striker who gave his name to the San Siro stadium


Giuseppe Meazza's matinée idol looks led him to be likened to Rudolph Valentino
Giuseppe Meazza's matinée idol looks
led him to be likened to Rudolph Valentino

Italian football's first superstar, the prolific goalscorer Giuseppe Meazza, died on this day in 1969, two days before what would have been his 69th birthday.

Most biographical accounts of his life say Meazza was staying at his holiday villa in Rapallo, on the coast of Liguria, when he passed away but John Foot, the Italian football historian, says he died in Monza, much closer to his home city of Milan.

Meazza, who was equally effective playing as a conventional centre forward or as a number 10, spent much of his career with Internazionale, the Milan club for whom he scored a staggering 243 league goals in 365 appearances.

In the later stages of his career he left Inter after suffering a serious injury, initially joining arch rivals AC Milan.  A year after his death, the civic authorities in Milan announced that the stadium shared by the two clubs in the San Siro district of the city would be renamed Stadio Giuseppe Meazza in his honour.

Born in the Porta Vittoria area of Milan, not far from the centre, Meazza had a tough upbringing.  His father was killed in the First World War when Giuseppe was only seven.  He was a rather sickly child and was sent to an 'open-air' school in the city - one of a number that sprang up across Europe to combat the spread of tuberculosis - in the hope his health would improve.

Like most young boys, he played football games in the street and it is said he developed his skills by playing barefoot. His mother needed him to help on the family fruit and vegetable stall and hid his shoes in the hope he would not be able to play. He was 12 before he was allowed to join an organised team.

Giuseppe Meazza made his Inter debut as a 17-year-old
Giuseppe Meazza made his Inter debut
as a 17-year-old 
His talent was brought to the attention of AC Milan when he was 13 but they rejected him as too skinny.  However, an Inter scout saw him juggling a rag ball in the street near his home and after a trial he was quickly signed up, the club deciding if they fed him well he would grow stronger.

Their faith paid off.  After scoring twice on his debut as a 17-year-old, Meazza went on to be Inter's leading scorer season after season.

Inevitably he was selected for Italy's national team and established himself as a key member of the side that won two World Cups under manager Vittorio Pozzo in 1934 and 1938, the second time as captain. In 53 appearances for the Azzurri, he scored 33 times.   He was a natural goalscorer, particularly when faced with the opposition goalkeeper one-on-one, when he would almost always come out on top.

Although stocky and somewhat short, he was blessed with good looks and found himself adopted as a poster boy for Mussolini's Fascists, who saw him as a symbol of manliness and athleticism.  His early nickname 'il Balilla' was a reference to Mussolini's youth movement.

He made the most of his fame, which won him advertising contracts for toothpaste and the brilliantine he applied liberally to his hair, which gave him something of a Rudolph Valentino look.  He had an apartment in the centre of Milan not far from Inter's former home at the Arena Civica, drove expensive sports cars and was never short of female company.

He left Inter after suffering a blood clot in his left leg in the 1938-39 season, after which he was never the same player, although he managed to extend his career by another seven years, playing for AC Milan, Juventus, Varese and Atalanta before returning to Inter for one final season.

Meazza's tomb at the Monumental Cemetery in Milan
Meazza's tomb at the Monumental Cemetery in Milan
On retirement, he starred as himself in a movie and then went into coaching.  He was not so successful in this role as he had been as a player but did oversee the development of some fine youth players at Inter, including Sandro Mazzola, who also played number 10 for Italy, and the defender Giacinto Facchetti.

No stranger to Milan's nightlife, he did not help his health in retirement by smoking heavily.  He remained fêted wherever he went but tired of celebrity towards the end of his life, when he wanted his declining health to be kept secret and requested shortly before he died that his funeral should be a small, private affair and that there should even be no headstone.

He was buried at the Monumental Cemetery in Milan, where his grave is marked, but simply with his name and his dates.

Travel tip:

Porta Vittoria has a special significance in Italian history.  Formerly known as Porta Tosa, the eastern gate in the old Spanish Walls of Milan, it was the first strategic position to be taken by the Milanese rebels during the so-called Five Days of Milan (Cinque Giornate di Milano) in 1848, during the First Italian War of Independence, in which the Austrians were driven out of the city.  The gate was demolished in the late 19th century and an obelisk erected in its place in what is now the Piazza Cinque Giornate.

The Castello sul Mare at Rapallo
The Castello sul Mare at Rapallo
Travel tip:

Rapallo, where Meazza spent his holidays, is a resort on the Ligurian coast between Chiavari and the jet-set haunt of Portofino.  It has a pretty harbour and lush hillsides dotted with villas rise from the sea.  Also notable, right on the very seafront, is the Castello sul Mare - the castle on the sea - built in 1551 to counter frequent pirate attacks.

More reading:


Internazionale - how the club began in 1908

Ulisse Stacchini - the man who built the original San Siro



(Castello sul Mare picture by RegentsPark CC BY-SA 3.0)
(Meazza's tomb picture by batrace CC BY-SA 2.0)

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20 August 2016

Jacopo Peri – composer and singer

Court musician produced the first work to be called an opera


The music and words from the prologue of Peri's Euridice
The music and words from the
prologue of Peri's Euridice
The singer and composer Jacopo Peri, also known as Il Zazzerino, was born on this day in 1561 in Rome.

He is often referred to as the ‘inventor of opera’ as he wrote the first work to be called an opera, Dafne, in around 1597.

He followed this with Euridice in 1600, which has survived to the present day although it is rarely performed. It is sometimes staged as an historical curiosity because it is the first opera for which the complete music still exists.

Peri was born in Rome to a noble family but went to Florence to study and then worked in churches in the city as an organist and a singer.

He started to work for the Medici court as a tenor singer and keyboard player and then later as a composer, producing incidental music for plays.

Peri’s work is regarded as bridging the gap between the Renaissance period and the Baroque period and he is remembered for his contribution to the development of dramatic vocal style in early Baroque opera.

Peri began working with Jacopo Corsi, a leading patron of music in Florence, and they decided to try to recreate Greek tragedy in musical form. They brought in a poet, Ottavio Rinuccini, to write a text and produced Dafne as a result. It was performed privately at Corsi’s home in Florence and then several more times over the next few years. This is now believed to be the first opera.

The tomb of Jacopo Peri in the Church of Santa Maria Novella in Florence
The tomb of Jacopo Peri in the Church of Santa Maria
Novella in Florence
They then collaborated on Euridice, which was performed in 1600 at Palazzo Pitti on the occasion of Maria dè Medici’s marriage to Henry IV of France. Peri is believed to have sung the role of Orpheus himself on this occasion.

This more public staging of Peri’s work awakened wider interest in opera as a new form of music.

Peri went on to produce other operas and pieces of music for court entertainments. Few of his compositions are still performed today but it is thought he had a big influence on the composers that came later, such as Claudio Monteverdi.

Peri died in Florence in 1633 and was buried in the Church of Santa Maria Novella in the city.

Travel tip:

Palazzo Pitti, where Euridice was first performed in 1600, was originally built for the banker Luca Pitti in 1457 in the centre of Florence, to try to outshine the Medici family. They later bought it from his bankrupt heirs and made it their main residence in 1550. Today visitors can look round the richly decorated rooms and see treasures from the Medici collections.

The Church of Santa Maria Novella in Florence was built in the 13th century
The Church of Santa Maria Novella in Florence
was built in the 13th century
Travel tip:

The Gothic Church of Santa Maria Novella, where Peri is buried, was built in the 13th century by the Dominicans. The railway station of the same name was built in the 1930s opposite the church to replace the original 19th century station. Peri’s gravestone in the nave of the church credits him with inventing opera.

More reading:


How Monteverdi developed opera as a popular genre

How Cosimo II de Medici maintained family tradition for patronage of the arts

(Pic of José Antonio Bielsa Arbiol (CC BY-SA 4.0)

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