Alberto Rabagliati - singer and actor

Performer found fame through radio

Alberto Rabagliati won a contest as
a Rudolph Valentino lookalike

The singer and movie actor Alberto Rabagliati, who became one of the stars of Italian radio in the 1930s and 40s, was born on this day in 1906 in Milan.

His movie career reached a peak in the post-War years, when he had roles in the Humphrey Bogart-Ava Gardner hit Barefoot Contessa and in Montecarlo, starring Marlene Dietrich.

The son of parents who had moved to Milan from the village of Casorzo, near Asti, in Piedmont, Rabagliati’s career in the entertainment business began when he entered a competition in 1927 to find a Rudolph Valentino lookalike.

To his astonishment he won.  The prize was to be taken to Hollywood to audition, so his life changed overnight.  Later he recalled his own wide-eyed incredulity as he sailed across the Atlantic, bound for a new life.  "For someone like me, who had never been beyond Lake Como or Monza Cathedral, finding myself on board a luxury steamer with three cases full of clothes, a few rolls of dollars, gran-duchesses and countesses flirting with me was something extraordinary".

He lived in America for the next four years but never achieved more than modest success and decided to return to Italy. During his time in America, however, he took the opportunity to get to know some new musical genres such as jazz, swing, and ‘scat’ singing, in which the vocalist uses his or her voice to make sounds rather than words, such as the ‘doo wah, doo wah, doo wah, doo wah’ lines repeated in It Don’t Mean a Thing if it Ain’t Got That Swing.

On coming home he was determined he would make a success as a singer and he realised his ambition in some style.

Rabagliati recording one of his radio shows in the 1940s

After joining a popular band called the Lecuona Cuban Boys, in which he performed with his face painted black, he met the songwriter Giovanni D'Anzi who arranged for him to have an audition with the Italian state radio station, EIAR, in Rome.

Rabagliati soon became a star and by 1941 had his own show, Canta Rabagliati ("Rabagliati sings"). It spurned a string of hits, including Ma l'amore no, Mattinata fiorentina, and Bambina innamorata.  He developed a huge following, mainly among women, and when he appeared on stage he would have hundreds of roses thrown at his feet.

He owned a large American car, which the Italian authorities at one time threatened to confiscate, because the Fascist regime banned all manifestations of foreign culture.

The Fascist leader Benito Mussolini, however, sensed he could use Rabagliati’s popularity to his own advantage and personally intervened to ensure the singer kept his car.  Mussolini persuaded Rabagliati to lend one of his songs to the government’s campaign to persuade Italians to buy into his vision of Fascist family life, adopting Sposi (c'è una casetta piccina) as an anthem for the campaign, celebrating newlyweds in their own "little house".

Rabagliati was lined up to work alongside
Raffaella Carrà in a new TV show

It is said that Mussolini privately despised Rabagliati’s music, with its heavy American influences, and reputedly flew into a rage one day when he discovered his mistress, Clara Petacci, listening to one of his records, dragging it off the turntable and smashing it.

Rabagliati used his fame as a singer to kick-start his film career and appeared in more than 20 films between 1940 and the mid-1960s, including Barefoot Contessa, Montecarlo, Il vedova (The Widow) and The Christmas That Almost Wasn’t, in which he played Santa Claus.

He began to act on stage too, landing many parts in musical revues and comedies.  It seemed he was about to break into television in a big way, too, making a guest appearance on a new show Milleluci, presented by Mina Mazzini and Rafaella Carrà.

He was so impressive that Mina wanted him to be on the show regularly and he was about to agree a deal on becoming a co-host in March 1974 when he collapsed and died from a cerebral haemorrhage. He was 67.

Rabagliati, who had married Maria Antonietta Tonnini in 1954, was buried at the Cimitero Flaminio in Rome, next to his mother.

The impressive Baroque cathedral at Asti

Travel tip:

Asti is one of the most important cities in Piedmont in terms of art and literature, notably as the birthplace of Vittorio Alfieri, the famous 18th century poet and dramatist. The town's historic centre, is charmingly quaint, the highlight of which is the triangular Piazza Alfieri, where the town’s famous Palio horse race is staged.   It has a wealth of palaces, towers and ancient churches, and a magnificent Gothic cathedral.

Travel tip:

The Cimitero Flaminio is in the Rome suburb of Prima Porta, which is so called because of an arch under an aqueduct carrying water across the Via Flaminia, which was considered a gateway into Rome from the north.  The Via Flaminia, which effectively begins at Piazza del Popolo in the centre of Rome, stretches all the way across the Apennines to what is now Rimini on the Adriatic coast.

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Cesare Danova - movie actor

Acclaim came late for Bergamo-born star

Cesare Danova 

The actor Cesare Danova, who appeared in more than 300 films and TV shows over the course of a 45-year career, was born Cesare Deitinger on this day in 1926 in the Lombardy city of Bergamo. 

The son of an Austrian father and an Italian mother, he adopted Danova as his professional name after meeting the film producer, Dino De Laurentiis, in Rome.

De Laurentiis gave him a screen test and was so impressed he immediately cast Danova in the 1947 movie The Captain's Daughter, playing alongside Amedeo Nazzari and Vittorio Gassman.

So began a career that was to see Danova star opposite Elizabeth Taylor and Richard Burton in Joseph L Mankiewicz's 1963 hit Cleopatra, opposite Elvis Presley and Ann-Margaret in Viva Las Vegas (1964), alongside Robert De Niro and Harvey Keitel in Martin Scorsese's cult movie Mean Streets (1973) and as part of a star-studded cast in National Lampoon's Animal House (1978).

Danova made his big screen debut in 1947 in the film
The Captain's Daughter, starring  Irasema Dilián

In his later years, Danova became a familiar figure on TV screens in America, making appearances in almost all the popular drama series of the 1980s, including Charlie's Angels, Murder, She Wrote, Falcon Crest, Hart to Hart and Mission: Impossible.

He never retired.  Indeed, he had appeared in an episode of In the Heat of the Night shortly before he died in 1992 of a heart attack, aged 66.

Danova was an individual blessed with a wide range of talents. He spoke five languages, was a licensed pilot and a self-taught painter.

Standing 6ft 4ins (1.93m) tall, he was also an accomplished athlete, winning a fencing championship at the age of 15 and playing for the Italian national rugby team at 17. He was a low-handicap golfer, a respectable tennis player, an amateur swimming champion, an expert horseman and polo player, and a master archer.

Danova (left) with Harvey Keitel and Martin Scorsese on the
set of the 1973 cult movie Mean Streets

He might have made a career in professional sport but his parents wanted him to become a doctor.  While studying at Rome University, he became interested in acting, but was determined not to disappoint his parents and pushed himself so hard in his academic work he suffered a nervous breakdown.

It was while he was recuperating that a friend introduced him to De Laurentiis, by then an up-and-coming producer, whose gamble on giving this unknown a part in a prestigious title paid off, launching Danova as a kind of Italian Errol Flynn, cast as the dashing lead in about 20 Italian action-romance movies.

Danova moved to the United States in the 1950s. he had been spotted by MGM when appearing in the German-backed 1955 movie Don Giovanni and signed a long-term contract with the studio in June 1956.

He was touted as a possible Ben-Hur amid stories that director William Wyler had lured him from Europe specifically to be groomed for the lead role in what was a carefully planned epic production. He was talked about as a glamour boy to fill the shoes of Rudolph Valentino.

The original movie poster from
Martin Scorsese's Mean Streets

Danova spoke no English when he arrived in the United States but spent six months learning the language and it seemed certain he would land the role. However, just as filming was about to begin in March 1957, Wyler decided he did not want an actor with an accent and instead chose Charlton Heston. Danova was stunned, believing the role would have made him an international star. Indeed, it won Heston an Oscar for best actor.

Clearly, luck was not always Danova's friend.  When he was given his second chance to break through as a major star, he was cast in Cleopatra as one of a trio of lovers vying for the attention of the glamorous ruler of Egypt alongside Rex Harrison's Julius Caesar and Richard Burton's Marc Antony. He filmed a number of love scenes with Elizabeth Taylor. But after a real-life romance between Taylor and Burton made headlines, the producers decided they needed to exploit the Burton-Taylor chemistry and most of Danova's scenes ended up on the cutting room floor.

Thereafter, the stellar hit he craved never really came about, although he would win acclaim in the 70s as the Mafia Don Giovanni Cappa in Mean Streets, Scorsese's brilliant story about life among the small-time hoods in New York, and as corrupt mayor Carmine DePasto in Animal House. 

Married twice, Danova had two sons, Marco and Fabrizio, by his first wife, Pamela.

The Palazzo della Ragione in Bergamo's Piazza Vecchia

Travel tip:

Most visitors to the Lombardy city of Bergamo, where Danova was born, want to spend some time in Piazza Vecchia, the beautiful square at the heart of the Città Alta, the historic city that stands on a hill above Bergamo's more modern metropolis. Features of the square are the 12th century Palazzo della Ragione, which has a beautiful covered staircase to one side, the tall bell tower known as il Campanone, the 14th century Palazzo del Podesta Veneto (the Palace of the Mayor of Venice), which is now part of the University of Bergamo, the white marble Biblioteca Civica, the fountain decorated with white marble lions, which was donated to the city in 1780 by former mayor Alvise Contarini, and the statue of Torquato Tasso, one of the greatest Italian renaissance poets, who was the son of a Bergamo nobleman.

Find a hotel in Bergamo with Hotels.com

The church of Sant'Ivo alla Sapienza

Travel tip:

The University of Rome - often referred to as the Sapienza University of Rome or simply La Sapienza, meaning 'knowledge' - was founded in 1303 by Pope Boniface VIII, as a place for  ecclesiastical studies over which he could exert greater control than the already established universities of Bologna and Padua. The first pontifical university, it expanded in the 15th century to include schools of Law, Medicine, Philosophy and Theology. Money raised from a new tax on wine enabled the University to buy a palace, which later housed the Sant'Ivo alla Sapienza church. The University was closed during the sack of Rome in 1527 but reopened by Pope Paul III in 1534. In 1870, La Sapienza ceased to be the papal university and as the university of the capital of Italy became recognised as the country's most prestigious seat of learning. A new modern campus was built in 1935 under the guidance of the architect Marcello Piacentini. 


More reading:

Dino De Laurentiis, the former pasta salesman who helped sell Italian cinema to the world

How Amedeo Nazzari was touted as Italy's Errol Flynn

Why Rossano Brazzi gave up a legal career to go to Hollywood

Also on this day:

1773: The death of architect Luigi Vanvitelli, who built the Royal Palace at Caserta

1869: The birth of sculptor Pietro Canonica

1930: The birth of cycling champion Gastone Nencini

Selected books:

The History of Italian Cinema: A Guide To Italian Film From Its Origins To The Twenty-First Century, by Gian Piero Brunetta

A History of Italian Cinema, by Peter Bondanella and Federico Pacchioni

(Picture credit: Church of Sant'Ivo alla Sapienza by Fb78 via Wikimedia Commons)

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Amedeo Nazzari - movie star

Sardinian actor seen as the Errol Flynn of Italian cinema

Amedeo Nazzari in a scene from the 1950s film by
Federico Fellini, Nights of Cabiria

The prolific actor Amedeo Nazzari, who made more than 90 movies and was once one of Italian cinema's biggest box office names, was born on this day in 1907 in Cagliari.

Likened in his prime to the Australian-American star Errol Flynn, with whom he had physical similarities and the same screen presence, Nazzari enjoyed a career spanning five decades.

One of his first major successes, in the title role of the 1938 drama Luciano Serra, Pilot, in which he played a First World War veteran, established him as Italy's leading male star in 1930s and he maintained his popularity in the 40s and 50s.

He is remembered also for his appearance in Federico Fellini's Nights of Cabiria, which won the 1957 Academy Award for Best Foreign Language film.

Towards the end of his career, he featured in Henri Verneuil's 1969 Mafia caper The Sicilian Clan, for which the score was composed by Ennio Morricone.  His last big screen appearance came in 1976 in A Matter of Time, an Italian-American musical fantasy directed by Vincente Minnelli and starring his daughter, Liza Minnelli.

Nazzari was born Amedeo Carlo Leone Buffa, the son of a pasta manufacturer, Salvatore Buffa, and Argenide Nazzari, who was the daughter of the President of the Court of Appeal in Cagliari, Amedeo Nazzari, whose name he decided to take as his stage name.

The poster advertising Nazzari's first
big success, Luciano Serra, Pilot

Salvatore Buffa died when Amedeo was only six and the family moved to Rome, where his mother guided him through his teenage years and hoped he would develop a career as an engineer. After joining a drama society, however, Amedeo became infatuated with theatre and, ultimately, cinema.

After the death of Rudolph Valentino, the movie sex symbol of the 1920s, he entered a competition organised by Twentieth Century Fox to find an Italian who could step into his shoes.  He was rejected on the grounds that he was too tall and too thin and that he had a gloomy expression.  There was no putting him off, however, and he continued to pursue his dream.

His first big break came in 1936, when the emerging actress Anna Magnani saw him on stage in the theatre and, impressed with his energy, recommended him to her husband, the director Goffredo Alessandrini for a lead role in his next film, Cavalry.  The film debuted at the Venice Film Festival and subsequently played to full houses all over Italy.

A man of strong principals, he turned down Benito Mussolini's invitation to join the Fascist party after the success of Luciano Serra, Pilot.  Nazzari had become a matinee idol and Mussolini wanted to promote him as a symbol of Italian masculinity but Nazzari allegedly told him: 'Thank you, Duce, but I would prefer not to concern myself with politics, occupied as I am with more pressing artistic commitments.'

Given that Mussolini, the driving force behind the Cinecittà complex in Rome that was in time to be known as 'Hollywood on the Tiber', was keen to ally himself with the stars of the movie industry, Nazzari risked his stand being interpreted as a snub but in the event it had no detrimental effect on his career, perhaps because he willingly participated in some wartime productions that were blatantly propagandist, in particular the 1942 film Bengasi, an anti-British war film set in Libya.

A year earlier, in 1941, the Venice Film Festival had awarded Nazzari the title of Best Actor for the film Caravaggio, il pittore maledetto - Caravaggio, the cursed painter - also directed by Alessandrini. Earlier in 1942, he had starred in La cena delle beffe - the dinner of mockery - a costume drama that takes place in the Florence of the Medici, directed by Alessandro Blasetti.

Later, Nazzari would turn down the chance to play opposite Marilyn Monroe in Let's Make Love, his proposed role going to Yves Montand after Nazzari expressed doubt over his ability to play convincingly in an English-speaking part and confessed that he feared his attempts to sing and dance would attract ridicule.

Amedeo Nazzari in the 1950 film Il brigante Musolino

In fact, he rejected most approaches to play comedy roles in Italy, preferring meatier parts such as that of the brave Neapolitan magistrate who stands up to the Camorra in Luigi Zampa's Processo alla città - A city on trial.

Married in 1957 to Irene Genna, an Italian-Greek actress, he had a daughter, Maria Evelina, who followed him into acting and established a successful career in theatre and television.

In his later years he developed kidney problem and died in Rome in November 1979, aged 71, a few months before his daughter gave birth to his first grandchild, Leonardo.

He is buried at the monumental cemetery of Verano in Rome under the name of Amedeo Nazzari Buffa.

Cagliari as seen by travellers arriving by sea

Travel tip:

Cagliari, the capital of Sardinia, is an industrial centre and one of the largest ports in the Mediterranean but is also a city of considerable beauty and history.  When D.H. Lawrence arrived in the 1920s, witnessing the confusion of domes, palaces and ornamental facades that seemed to be piled on top of one another as he approached from the sea, he likened the city to Jerusalem, describing it as 'strange and rather wonderful, not a bit like Italy.’

Travel tip:

Rome's Cinecittà studios were founded in 1937 by Mussolini, his son Vittorio and the Fascist government's head of cinema, Luigi Freddi, under the slogan 'Cinema is the Most Powerful Weapon'. The Fascist leader had propaganda in mind but he was also keen to revive the Italian film industry, which was in crisis at the time.  Later, Cinecittà would become closely associated with the director Federico Fellini, who filmed La Dolce Vita, Satirycon and Casanova there, among other productions.  It is also used for shooting television shows and houses the set for Grande Fratello, the Italian version of Big Brother.

More reading:

Anna Magnani - Oscar-winning actress famous for Rossellini's Rome, Open City

Four-times Oscar winner Federico Fellini left huge legacy of influence

Rudolph Valentino - heartthrob actor who died tragically young

Also on this day:

1936: Death of the brilliant writer Luigi Pirandello

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Giuseppe Meazza - Italy's first superstar

Inter striker who gave his name to the San Siro stadium

Giuseppe Meazza's matinée idol looks
led him to be likened to Rudolph Valentino

Italian football's first superstar, the prolific goalscorer Giuseppe Meazza, died on this day in 1969, two days before what would have been his 69th birthday.

Most biographical accounts of his life say Meazza was staying at his holiday villa in Rapallo, on the coast of Liguria, when he passed away but John Foot, the Italian football historian, says he died in Monza, much closer to his home city of Milan.

Meazza, who was equally effective playing as a conventional centre forward or as a number 10, spent much of his career with Internazionale, the Milan club for whom he scored a staggering 243 league goals in 365 appearances.

In the later stages of his career he left Inter after suffering a serious injury, initially joining arch rivals AC Milan.  A year after his death, the civic authorities in Milan announced that the stadium shared by the two clubs in the San Siro district of the city would be renamed Stadio Giuseppe Meazza in his honour.

Born in the Porta Vittoria area of Milan, not far from the centre, Meazza had a tough upbringing.  His father was killed in the First World War when Giuseppe was only seven.  He was a rather sickly child and was sent to an 'open-air' school in the city - one of a number that sprang up across Europe to combat the spread of tuberculosis - in the hope his health would improve.

Like most young boys, he played football games in the street and it is said he developed his skills by playing barefoot. His mother needed him to help on the family fruit and vegetable stall and hid his shoes in the hope he would not be able to play. He was 12 before he was allowed to join an organised team.

Giuseppe Meazza made his Inter debut
as a 17-year-old 

His talent was brought to the attention of AC Milan when he was 13 but they rejected him as too skinny.  However, an Inter scout saw him juggling a rag ball in the street near his home and after a trial he was quickly signed up, the club deciding if they fed him well he would grow stronger.

Their faith paid off.  After scoring twice on his debut as a 17-year-old, Meazza went on to be Inter's leading scorer season after season.

Inevitably he was selected for Italy's national team and established himself as a key member of the side that won two World Cups under manager Vittorio Pozzo in 1934 and 1938, the second time as captain. In 53 appearances for the Azzurri, he scored 33 times.   He was a natural goalscorer, particularly when faced with the opposition goalkeeper one-on-one, when he would almost always come out on top.

Although stocky and somewhat short, he was blessed with good looks and found himself adopted as a poster boy for Mussolini's Fascists, who saw him as a symbol of manliness and athleticism.  His early nickname 'il Balilla' was a reference to Mussolini's youth movement.

He made the most of his fame, which won him advertising contracts for toothpaste and the brilliantine he applied liberally to his hair, which gave him something of a Rudolph Valentino look.  He had an apartment in the centre of Milan not far from Inter's former home at the Arena Civica, drove expensive sports cars and was never short of female company.

He left Inter after suffering a blood clot in his left leg in the 1938-39 season, after which he was never the same player, although he managed to extend his career by another seven years, playing for AC Milan, Juventus, Varese and Atalanta before returning to Inter for one final season.

Meazza's tomb at the Monumental Cemetery in Milan

On retirement, he starred as himself in a movie and then went into coaching.  He was not so successful in this role as he had been as a player but did oversee the development of some fine youth players at Inter, including Sandro Mazzola, who also played number 10 for Italy, and the defender Giacinto Facchetti.

No stranger to Milan's nightlife, he did not help his health in retirement by smoking heavily.  He remained fêted wherever he went but tired of celebrity towards the end of his life, when he wanted his declining health to be kept secret and requested shortly before he died that his funeral should be a small, private affair and that there should even be no headstone.

He was buried at the Monumental Cemetery in Milan, where his grave is marked, but simply with his name and his dates.

Travel tip:

Porta Vittoria has a special significance in Italian history.  Formerly known as Porta Tosa, the eastern gate in the old Spanish Walls of Milan, it was the first strategic position to be taken by the Milanese rebels during the so-called Five Days of Milan (Cinque Giornate di Milano) in 1848, during the First Italian War of Independence, in which the Austrians were driven out of the city.  The gate was demolished in the late 19th century and an obelisk erected in its place in what is now the Piazza Cinque Giornate.

The Castello sul Mare at Rapallo

Travel tip:

Rapallo, where Meazza spent his holidays, is a resort on the Ligurian coast between Chiavari and the jet-set haunt of Portofino.  It has a pretty harbour and lush hillsides dotted with villas rise from the sea.  Also notable, right on the very seafront, is the Castello sul Mare - the castle on the sea - built in 1551 to counter frequent pirate attacks.

More reading:

Internazionale - how the club began in 1908

Ulisse Stacchini - the man who built the original San Siro



(Castello sul Mare picture by RegentsPark CC BY-SA 3.0)
(Meazza's tomb picture by batrace CC BY-SA 2.0)

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Rudolph Valentino - star of silent films

Heart-throb actor who died tragically young

Rudolph Valentino in a publicity shot for his
hit movie The Four Horsemen of the Apocalypse

The man who would become Rudolph Valentino was born on this day in 1895 in Castellaneta, a small town in a rocky region of Puglia notable for steep ravines.

Born the second youngest of four children by the French wife of an Italian veterinary surgeon, he was christened Rodolfo Alfonso Raffaello Pierre Filibert Guglielmi di Valentina d'Antonguolla.

When he arrived in America as an immigrant in 1913, he was registered as Rodolfo Guglielmi. His first movie credit listed him as Rudolpho di Valentina and he appeared under nine different variations of that name before achieving fame as Rudolph Valentino in The Four Horsemen of the Apocalypse in 1920.

During the silent movie boom, he enjoyed more success in The Sheik, Blood and Sand, The Eagle and The Son of the Sheik and his smouldering good looks made him a 1920s sex symbol, nicknamed "The Latin Lover" and adored by countless female fans.

Yet his route to fame was difficult. Unable to find work at home, he joined the exodus of southern Italians to the United States and aged just 18 boarded a boat to New York, disembarking at Ellis Island on 13 December, 1913.

He soon ran out of money and, even in the harsh New York winter, he had to sleep rough in Central Park.  Eventually, after working as a dishwasher and a gardener, he found employment at Maxim's Restaurant-Cabaret as a "taxi dancer", a paid-for partner for female clients.

Maxim's attracted a wealthy clientele and it is there that Valentino began to capitalise on his good looks and natural charm to become a sought-after partner. But he had to leave after the relationship he developed with a Chilean heiress landed him in jail.

When the lady in question sought a divorce from her husband, Valentino agreed to take the stand to support her claims of infidelity on her husband's part, testifying that he was seeing a female dancer at Maxim's.  Out of revenge, the husband, a well-connected businessman, had Valentino arrested, along with a known madam, on trumped-up vice charges.

He was released after only a few days but the scandal cost him his job and when the heiress then shot her ex-husband during a custody dispute, he decided it would be in his interests to move on and he joined a travelling musical troupe that would eventually lead him to the West Coast, and Hollywood.

There he inveigled himself with more wealthy women by offering private dance tuition. At the same time, he was pursuing his ambition to work in the cinema and landed a series of bit-part roles.

It was while travelling to Florida for one of these that he read the novel The Four Horsemen of the Apocalypse, by the Spanish author Vicente Blasco Ibáñez, and decided to seek out June Mathis, a screenwriter for Metro Pictures, who had bought the rights to the novel, in the hope of securing a part. As it happens, Mathis had seen him perform and already had him in mind.

The movie was a massive success, one of the first to make more than $1 million at the box office, and Valentino became a star.  He was paid accordingly. At his peak he earned $10,000 a week at a time when the average wage in the United States was $2,000 a year.

Yet contentment eluded him.  At times difficult to work with, he clashed with a number of directors and a bitter dispute with one of his studios led to him being unable to work at all after they refused to release him from his contract.  Despite his earnings power, he also ran up huge debts.

Although he was married twice, albeit divorced both times, he found himself the target for gossip and innuendo about his sexuality. His taste for jewellery and exotic clothes led some male writers to imply that he was gay. One columnist enraged him so much he took boxing lessons from Jack Dempsey, the world heavyweight champion, and challenged the writer to a fight.

Crowds gather outside the Campbell Funeral Home in
New York ahead of Rudolph Valentino's funeral 

Valentino's death in 1926 at the age of only 31 shocked the world.  He collapsed at a New York hotel and was taken to hospital. At first he was thought to have appendicitis but it transpired he had perforated gastric ulcers. This in turn led him to develop peritonitis and pleuritis, conditions affecting the membranes lining his abdomen and lungs, which proved fatal.

The outpouring of grief among his fans was such that 100,000 people, mainly female, lined the streets of New York as his funeral cortege made its way to St Malachy's Roman Catholic Church in the Broadway theatre district.  A similar number were said to have filed past his coffin at the Frank Campbell Funeral Home, where his body was displayed for a number of days before the private ceremony.

Although his debts meant there was little in his estate to pay the costs, a second funeral then took place in Beverley Hills in California and Valentino's body was laid to rest in the Hollywood Memorial Park Cemetery, in a crypt provided by June Mathis, his scriptwriter friend, who had bought it for a husband she subsequently divorced.

Travel tip:

Valentino is honoured in several ways in his home town of Castellaneta.  A Rudolph Valentino Museum was opened in his childhood home and a statue unveiled in 1961. A Foundation was created to promote his life and his work and in 2009 a film school - the Centro Studi Cine Club Rodolfo Valentino Castellaneta - was opened in the town.

Rudolph Valentino's family home in Castellaneta

Travel tip:

The Valentino Museum, where the exhibits include the bed in which he slept as a boy, can be found on Via Vittorio Emanuele, in the old part of Castellaneta, which has a medieval layout of narrow alleys and streets and sits on a ridge above the sheer-sided Gravina di Castellaneta.

(Photo of Valentino family home by Pietro d'Ambrosio CC BY-SA 3.0)


More reading

Pina Menichelli: silent movie diva who achieved worldwide fame

How Shakespeare made Zeffirelli a household name

Spaghetti westerns opened doors for top producer

Also on this day:

1527: The Sack of Rome

1963: The birth of Alessandra Ferri, prima ballerina assoluta




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