The end of the Venetian Republic

Peace treaty saw Venice given away to Austria

Venice in the days of Austrian rule, as depicted by the
18th century artist Canaletto

A peace settlement signed in a small town in north-east Italy on this day in 1797 heralded a dark day for Venice as the Most Serene Republic officially lost its independence after 1,100 years.

The Treaty of Campo Formio, drawn up after the Austrians had sought an armistice when faced with Napoleon Bonaparte's advance on Vienna, included an exchange of territory that saw Napoleon hand Venice to Austria.

It marked the end of the First Coalition of countries allied against the French, although it was a short-lived peace.  A Second Coalition was formed the following year.

The Venetian Republic, still a playground for the rich but in decline for several centuries in terms of real power, had proclaimed itself neutral during the Napoleonic Wars, wary that it could not afford to sustain any kind of conflict.

But Napoleon wanted to acquire the city nonetheless, seeing it as a potential bargaining chip in his empire-building plans and had his eye on its vast art treasures.  In May 1797 he provoked the Venetians into attacking a French ship and used this as an excuse to declare war.

The reaction of the Venetian Grand Council and the last of its Doges, Ludovico Manin, was to vote the Republic out of existence and surrender, which put the city under French rule.  When the city and the nearby islands had been secured, 4,000 soldiers of Napoleon's army staged a parade in Piazza San Marco (St Mark's Square). It was a humiliation for Venice, the first time that foreign troops had set foot in the city.

Ludovico Manin, the last Doge of Venice, in
a portrait by Barnardino Castelli

Systematically, the French began a programme of asset stripping, their plunder including the bronze Lion of Venice in St Mark's Square.

Within six months, however, the peace accord with the Austrians gave Napoleon the chance to use Venice as part of the settlement, taking Lombardy and the area of Belgium then known as the  Austrian Netherlands in return.

The city became part of Napoleon's newly formed Kingdom of Italy in 1805 but the Austrians seized control again when Napoleon was defeated in 1814.

Venice's resentment of the French was matched by their dislike for the Austrians, even though the city's new rulers were instrumental in building the railway that connected them to the mainland, opening the way for a new era of prosperity.

The Venetians rose up in rebellion in 1848, staging a general strike and recruiting a militia of 4,000 men, briefly driving the Austrians out. The new Republic of San Marco declared independence in March 1848 and a year passed before the Austrians reclaimed the city, its navy sailing into the lagoon and laying siege until, starving and fighting a cholera epidemic, Venice surrendered.

The Austrians were finally driven out by Victor Emanuele II's army during the wars of Italian unification, at which point Venice became part of the Kingdom of Italy via the Treaty of Vienna. 

Travel tip:

The town known as Campo Formio at the time of the Treaty subsequently changed its name to Campoformido.  Situated just to the south-west of Udine, the capital of the Friuli Venezia Giulia region, the town is also historically important as the seat from the 12th century onwards of the Parliament of Friuli, one of the oldest parliaments in the world.  The Treaty was signed at the Villa Manin, the country home of Ludovico Manin, the last Doge of the Venetian Republic.

The Lion of Venice sits atop one of two columns
at the end of the Piazzetta of St Mark's

Travel tip:

The Lion of Venice, which sits atop one of two granite columns, standing guard at the lagoon end of the Piazzetta adjoining St Mark's Square, was lifted down and taken to France in 1797, where it remained until being repatriated in 1815 with the fall of Napoleon.  It was badly damaged on both legs of the journey, losing its griffin-like wings, its tail, its front paws and the gospel book upon which they rested on the outward journey.  Restored and mounted in the Place des Invalides in Paris, it was dropped as workmen lifted it down for the return to Venice, where it arrived in 20 pieces.  The fragments were pieced together by the sculptor Bartolomeo Ferrari.

More reading:

Napoleon crowns himself King of Italy

Austrians driven out in Battle of Marengo

Battle of Solferino and the birth of the Red Cross


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Election of Pope John Paul II

How Karol Wojtyla became first non-Italian pope for 455 years

Pope John Paul II

Pope John Paul II, who was to have a political and social influence unmatched by any pontiff since the Middle Ages, was elected to be the new leader of the Catholic Church on this day in 1978.

The result of the second Papal conclave in what became known as the Year of the Three Popes was announced after eight ballots. The new pontiff succeeded Pope John Paul I, who had died on September 28 after only 33 days in office, who had himself followed Pope Paul VI, who had passed away in August after reigning for 15 years.

The new man chosen was 58-year-old Cardinal Karol Wojtyla, then Archbishop of Kraków, the first non-Italian to hold office for 455 years since the Dutch Pope Adam VI, who served from 1522-23.

Wojtyla's stand against Poland's Communist regime had brought him respect but he was not seen as a Vatican favourite and his elevation to the highest office stunned the Catholic world.

Yet he would go on to become one of the most familiar faces in the world, remaining in post for almost 27 years, which made him the second longest-serving pope in modern history after Pope Pius IX. He visited 129 countries, beatified 1,340 people and canonised 483 saints.

He was a dynamic and approachable pope, which only enhanced his popularity. Yet to his critics, John Paul II was an arch-conservative who reinforced the Catholic Church's autocratic stance on abortion, contraception and women's rights.

On the other hand, others hail his enlightenment at having helped end Communist rule in his native Poland and eventually all of Europe, at the same time improving the Catholic Church's relations with Judaism, Islam, the Eastern Orthodox Church, and the Anglican Communion.

A stone tablet marks the spot outside St Peter's Basilica where
 Mehmet Ali Agca attempted to kill Pope John Paul II in 1981

As a young man, he loved sport, in particular soccer and skiing, and the theatre. He might have become an actor had he not been ordained a priest in 1946. He became archbishop of his home city of Krakow in 1964.

Throughout his time in office, he always wanted to get as close to the public as possible, even when huge crowds turned out to see and hear him. He survived an attempted assassination in May 1981 when, leaning out of his vehicle in St Peter's Square, he was shot and seriously wounded by a Turkish fanatic, Mehmet Ali Agca.

It was his role in the break-up of the Soviet bloc that was his most significant legacy. When Mikhail Gorbachev visited Rome in 1989 it was the first time a Soviet leader had crossed the threshold of St Peter's, and the understanding between the two men is acknowledged as having eased the transition to democracy in the eastern bloc.

Yet critics saw his support for freedom from oppression for Poles and other Eastern Europeans as at odds with his anti-liberal position on other matters.  He called for action to combat world poverty yet insisted that contraception was morally unacceptable even with the need to curb population growth, and while declaring that he wanted to improve the status of women he also stressed that motherhood should be a woman's first aspiration.

The beatification ceremony at St Peter's
in 2011 attracted huge crowds

He was fiercely and outspokenly against gay rights, believing homosexuality to be another symptom of the moral depravity of which he despaired, particularly in the United States, where headlines concerning radical feminist nuns and gay priests caused him much annoyance, even before the 1990s scandal of paedophile clergy emerged.

Increasingly frail in his later years although still insisting on maintaining a punishing schedule of travel and public appearances, he died in March 2005, having been treated in hospital for pneumonia the previous month.

Pope John Paul II became Pope Saint John Paul II just nine years after his death after a campaign that began at his funeral when crowds began chanting 'Santo subito' - literally meaning 'Saint immediately' - in recognition of his achievements.

He was beatified in 2011 by his successor Pope Benedict XVI and canonised in 2014 by Pope Francis after two women claimed their prayers to John Paul II had resulted in miracle cures, in one case from advanced Parkinson's Disease and in the other from a brain aneurysm.

Travel tip:

The stunning Renaissance Basilica of St Peter in Rome is believed to be the largest church in the world and was built to replace the original fourth century Basilica that had been constructed on what was believed to be the burial site of St Peter. Bramante, Michelangelo and Bernini all contributed to the design of the 16th century structure. Located within Vatican City, the Basilica is approached along Via della Conciliazione and through the vast space of St Peter’s Square. The magnificent central dome of the Basilica dominates the skyline of Rome and the balcony above the entrance, where the Pope makes appearances, is instantly recognisable because of the many times it has been shown on television.

The pope's summer residence at Castel Gandolfo
 overlooks Lake Albano

Travel tip:

Castel Gandolfo, where Pope John Paul II spent a lot of time while recovering from the attempt on his life, overlooks Lake Albano from its wonderful position in the hills south of Rome. It is traditional for the Pope to take up residence every summer in the Apostolic Palace there. Although his villa lies within the town’s boundaries, it is one of the properties of the Holy See. The palace is not under Italian jurisdiction and is policed by the Swiss Guard. The whole area is part of the regional park of Castelli Romani and there are many places of historic and artistic interest to see there.

More reading:

The day Pope John Paul II came face to face with his would-be killer

(Photo of Lake Albano by Gaucho CC BY-SA 3.0)

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Gibbon's moment of inspiration

Walk around the Forum sparked idea for epic work 

Edward Gibbon, as depicted by the English
portrait artist Joshua Reynolds

The English writer and historian Edward Gibbon claimed that the inspiration to write the book that - unbeknown to him - would grant him literary immortality came to him while exploring the ruins of the Forum in Rome on this day in 1764.

Gibbon, who had enjoyed modest success with his first book, entitled Essay on the Study of Literature, was in Rome after deciding to embark on the Grand Tour, taking in the Italian cities of Florence, Naples and Venice as well as the capital.

Later, in his memoirs, Gibbon wrote that:

"It was at Rome, on the fifteenth of October 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted friars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind."

In the event, the book expanded to cover rather more than the city of Rome.

The History of the Decline and Fall of the Roman Empire ran to six volumes and as many as 5,000 pages in the original version and saw Gibbon, whose second work - Memoires Litteraires de la Grande Bretagne - had been dismissed as having little merit by fellow writers and historians, eventually recognised as in the forefront of historians in Europe.

The scope of the work was vast, covering a period in the history of the empire from 98 to 1590.  He began the project in the 1770s and the first volume was published in 1776 by Strahan & Cadell of London.

All six volumes of the epic
work can still be purchased

Encouraged by its success - he was paid £1,000 and the book had to be reprinted six times - Gibbon continued with the subsequent volumes, although it was not until 1789 that it was completed with the publication of the final three volumes.

The book took in early Christianity, the Roman State Church and the broader history of Europe, and discusses the decline of the Roman Empire in the East and West.

Its objectivity and the heavy use of primary sources was unusual at the time and signalled a change in methodology that became a model for later historians. Gibbon was dubbed the first "modern historian of ancient Rome".

It is still being reprinted today, in the full six volumes or in a number of abridged versions.

Gibbon's theory about the collapse of the Roman Empire was that it succumbed to barbarian invasions mainly due to the gradual loss of civic virtue among its citizens.

They had become weak, he argued, and to defend the Empire its leaders had to call upon the help of barbarian mercenaries, who then became so numerous and ingrained that they were able to take over the Empire. Romans themselves, he believed, began to reject the tough military lifestyle that had been required of them.

He argued that the rise of Christianity had created a belief that a better life existed after death, which fostered an indifference among Roman citizens to the idea of sacrificing themselves for a greater purpose. Christians, moreover, were comparatively pacifist compared with the Romans.

A general view of the site of the Roman Forum

Gibbon also pointed the finger at the Praetorian Guard for plotting against emperors who did not suit them and for continually demanding increased pay.

He attracted criticism for what appeared to be a scathing assessment of Christianity, which resulted in the book being banned in several countries.  Gibbon was accused of disrespecting the idea of sacred Christian doctrine by treating the rise of Christianity as a historical phenomenon rather than something with a supernatural explanation.

Gibbon, who had converted to Catholicism as a young man but reverted to Protestantism under threat of being disowned by his father, from whom he would later inherit a substantial fortune, explained that he wanted to write a history not influenced by official church doctrine, although he undermined any claim that he was aiming for a neutral perspective by accusing the Christian movement of "supplanting in an unnecessarily destructive way the great culture that preceded it" and for "the outrage of [practising] religious intolerance and warfare".

Decline and Fall had so absorbed Gibbon that he felt a sense of loss when the final draft was completed.  "A sober melancholy was spread over my mind by the idea that I had taken my everlasting leave of an old and agreeable companion," he wrote.

His later years were unhappy ones.  He struggled with depression and the physical discomfort of various ailments and died in 1794 at the age of 56.

Travel tip:

Rome's historic Forum, situated between Piazza Venezia and the Colosseum, was at the heart both of the ancient city of Rome and the Roman Empire itself, the nucleus of political affairs and commercial business, a place where elections took place and great speeches were made.  The site fell into disrepair with the fall of the Empire and over time buildings were dismantled for the stone and marble, with much debris left behind.  Eventually it was abandoned and became overgrown and was used mainly for grazing cattle.  Attempts at uncovering and restoring buildings began in the early 19th century and the process of excavating areas long buried continues today.  The impressive and extensive ruins are now one of Rome's major tourist attractions.

The triumphal Arch of Septimius Severus

Travel tip:

Entry to the Forum costs €12 (€7.50 for concessions), which also permits entry to the Colosseum and the Palatine Hill.  The site opens at 8.30am and closes one hour before sunset.  Visitors should allow at least two hours to explore the Forum and an hour to tour the Colosseum, although many will spend much longer.  Monuments that would be popular choices on a must-see list include the white marble Arch of Septimius Severus, the Curia Julia, where the Senate met, and the circular Temple of Vesta. 

(Photo of Forum by Marco Verch CC BY 2.0)
(Photo of Septimius Arch by Jebulon CC0)

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Palma Giovane - painter

Mannerist took the mantle of Tintoretto 

Jacopo Negretti, the Venetian artist better
known as Palma Giovane

The Venetian artist Jacopo Negretti, best known as Jacopo Palma il Giovane - Palma the Younger - or simply Palma Giovane, died in Venice on this day in 1628.

Essentially a painter of the Italian Mannerist school, Palma Giovane's style evolved over time and after the death of Tintoretto in 1594 he became the most revered artist in Venice.

He became in demand beyond Venice, too, particularly in Bergamo, the city in Lombardy that was a dominion of Venice, and in central Europe.  He received many commissions in Bergamo and was often employed in Prague by the Habsburg Emperor, Rudolph II, who was a noted art connoisseur.

Palma had been born into a family of painters. His great uncle, also called Jacopo, was the painter Palma Vecchio - Palma the Elder - while his father, Antonio Negretti, was a pupil of the elder Palma’s workshop manager, Bonifacio Veronese, whose shop and clientele he inherited after the latter’s death.

The younger Palma is said to have developed his skills making copies in the style of Titian, although the claim in some biographies that he worked in Titian's workshop in Venice is now thought to be incorrect. What is not disputed is that when Titian died, in 1576, Palma was entrusted with finishing his last work, the Pietà, in the Accademia in Venice.

In 1567, Guidobaldo II della Rovere, Duke of Urbino, had recognised Palma’s talents and sponsored him to further his education in Rome, where he remained until about 1572.

Palma Giovane's 1620 Lamentation of Christ,
at the National Gallery of Art in Washington

On his return to Venice, Palma received his first major public commission, to paint three scenes in the Sala del Maggior Consiglio of the Doge’s Palace following a fire there in 1577.

Mannerism, from the Italian word maniera, meaning style, is characterised by frequently complex figures with elongated features, often given exaggerated, unusual poses.  It is seen as a reaction to High Renaissance art, which emphasised proportion, balance and idealistic beauty.

By the mid-1580s Palma was incorporating Tintoretto’s versatile figure postures and echoes of Titian’s loose brushstrokes and emphasis on light.

Palma worked alongside Veronese and Tintoretto on the decorations in the Doge’s Palace, where he embraced the Venetian tradition. Some of his finest works were the cycles of large canvases he painted for schools or religious brotherhoods and for sacred buildings such as the sacristies of San Giacomo dall’Orio and the Gesuiti, the Scuola di San Giovanni Evangelista, and the Ospedaletto dei Crociferi.

His official commissions at the Doge's Palace included a magnificent portrait of Saint Pope Pius V, commissioned by the Bellanti Counts, an influential family in Tuscany.  The painting left Italy after being bought by Major-General Sir Robert Dick, the British soldier and collector, before being returned by Roberto Gagliardi, an Italian art dealer based in London, who purchased it at Bonham's for display at the Museum of Art he established at Chianciano, not far from Siena.

After his death at the age of 80, Palma was interred in the Basilica dei Santi Giovanni e Paolo, a traditional burial place of the doges.

The Basilica dei Santi Giovanni e Paolo in
Venice, where Palma Giovane is buried

Travel tip:

The huge Gothic Basilica dei Santi Giovanni e Paolo, where Palma Giovane is buried, is in the Castello district of Venice.  It is one of the largest churches in Venice and after the 15th century the funerals of all Doges took place there.  In all, it houses the tombs of 25 Doges.  There are many works by Veronese in the Chapel of the Rosary, as well as paintings elsewhere by Lorenzo Lotto and sculptures by Pietro Lombardo.  Outside is a statue of Bartolomeo Colleoni, the Bergamo condottiero (mercenary) and a former captain-general of the Republic of Venice, by Andrea del Verrocchio.

Travel tip:

Several of Palma Giovane's works commissioned in Bergamo are on display at the Accademia Carrara, a magnificent palace just outside Bergamo's Città Alta that was built in the 18th century to house one of the richest private collections in Italy. Visitors can view works by the masters of the Venetian, Lombard and Tuscan Renaissances as well as great artists who came later, such as Lotto, Titian, Moroni, Rubens, Tiepolo, Guardi and Canaletto.  The gallery, in Piazza Giacomo Carrara, is open Monday, Wednesday and Thursday (10am to 7pm); Friday (10am to 12 noon) and Saturday and Sunday (10am to 8pm).

More reading:

Titian - giant of Renaissance art

Tintoretto - dyer's won whose work still adorns Venice

How Guardi captured the final glory years of the Venetian Republic

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