Saint Maria De Mattias - educator

Woman trapped by wealth who set up religious order

Maria De Mattias left behind a
life of relative prosperity

Maria De Mattias, whose ambition to serve Christ and to see women given the chance to receive a formal education led her to set up a religious order, was born on this day in 1805 in Vallecorsa, a village in a mountainous region of southern Lazio.

De Mattias, who died in Rome in 1866, was beatified in 1950 by Pope Pius XII and made a saint in 2003 by Pope John Paul II. 

The Sisters Adorers of the Blood of Christ, which she established in 1834, now has a membership of more than 2,000, with communities in South America, the United States, Southeast Asia and Africa as well as Italy.

During more than 30 years travelling throughout Italy to help establish communities of her Sisters, De Mattias founded nearly 70 schools, often in remote towns and rural areas of Italy.

The young Maria had an upbringing said to have been happy for the most part but subject to constraints that children and adolescents in the modern world would find difficult to tolerate.

This had less to do with any restrictions imposed on her by her parents, though they had a strong faith that her father, Giovanni, passed on to her through his reading of the scriptures, than the political and social climate at the time.

About 30km (19 miles) south of the small city of Frosinone, and approximately 115km (71 miles) south of Rome, Vallecorsa sat close to the border of the Papal States and the Kingdom of the Two Sicilies, on the edge of a geographical region known as Ciociaria.

Territorial disputes across the area gave rise to frequent outbreaks of violence between competing factions. Gangs representing one side or another would often establish strategic bases in mountainous areas and terrorise local people, stealing food and demanding money.

Vallecorsa is built on a hillside in the rugged
terrain of mountainous southern Lazio

Since Maria’s family was moderately wealthy - her father was for a time Mayor of Vallecorsa - they were targets for kidnap, a favoured method of raising funds for the bandit gangs. As a result, she and her siblings were not allowed to play outside, where they would be especially vulnerable.

Although she was a restless and lively child, who enjoyed playing with her brothers, Maria spent much of her time inside the house, often in her room with the curtains closed so that no one outside could see her.  

Despite her confinement, she was said to have been somewhat vain, fond of brushing her long, blonde hair and admiring herself in the mirror.  It was while doing this one day, at the age of 16 or 17, that she is said to have undergone a dramatic change.  Struck by the emptiness of her life - her father did not believe in girls receiving a formal education - she was suddenly repulsed by her own face in the mirror and looked away, her eyes falling instead on the painting of the Madonna above her bed, to which she had never previously paid much attention.

Drawing herself closer to the painting, she said that she sensed the Madonna was speaking to her and soon decided that if there was to be a purpose to her life, it would be one dedicated to God.  

She somehow taught herself to read, poring for hours over the contents of the many spiritual books on shelves around the family home. In 1822, she listened to a sermon delivered by Gaspar del Bufalo, founder of the Missionaries of the Precious Blood, who was visiting Vallecorsa.

Del Bufalo’s words on devotion to the Precious Blood of Jesus inspired Maria to see Christ's life as a model for self-sacrifice. The following year, one of Del Bufalo’s close followers, Giovanni Merlini, returned to the village to assist in the founding of a House of Mission. 

The Order continues to help build new schools, such
as this one in the city of Mysura in southern India 

Merlini was a handsome young man and the shy Maria found it hard to approach him at first, but eventually they began to have conversations and what would prove an enduring friendship developed. Maria became more and more involved in the work of the Missionaries, particularly working with women and girls.

In 1834, with Merlini’s help, she founded the Congregation of the Sisters Adorers of the Blood of Christ to bring a focal point to this work. 

The religious order was founded as an apostolic order, an active teaching order, rather than a monastic one. After establishing a first school in Acuto, another town in the Ciociaria area of Lazio, the new order received papal approval in 1855. 

De Mattias was tireless in her travelling throughout Italy establishing communities of her Sisters, often walking long distances or making treacherous journeys on donkeys, and preaching in towns as she came across them. 

The women drawn to her communities were often poor but by the time De Mattias died in Rome in August 1866, at the age of 61, the community had created more than 70 schools in Italy, with some in Austria, Germany, and England.

Her followers wanted her to be buried in the church of Santa Maria in Trivio, a few steps from the Trevi Fountain, which was the mother church of the Missionaries of the Precious Blood, but such burials at the time were not allowed on the grounds of hygiene.

Instead, she was buried in Rome's Campo Verano Cemetery, her tomb donated by Pope Pius IX.

Although it is customary for a saint’s feast day to be held on the anniversary of his or her death, there are exceptions to this rule. Maria De Mattias is one, her feast being celebrated on her birthday, February 4. 

The statue of Maria De
Mattias in Vallecorsa

Travel tip:

Vallecorsa, the home village of Maria De Mattias, occupies a hillside location at the foot of Monte Calvilli, at 3,661ft (1,116m) the highest peak of the Monti Ausoni, which themselves are part of the Volsci range of the Lazio Apennines.  Sometimes known as la città dell'olio - the city of the oil - it is notable for the growing of olive trees on terraces cut into the hillside and kept intact with stone walls. The area is popular for trekking and mountain biking. The town itself is characterised by steep, winding streets which on the perimeters often emerge into small squares offering sweeping views over the surrounding countryside. Street names such as the Via Santa Maria De Mattias and the Via San Gaspare del Bufalo acknowledge the history of the village. There is a statue of Maria De Mattias in Piazza Plebiscito at one end of the Via Santa Maria De Mattias; at the other is a museum housed in what was the family’s home.

The Stadio Benito Stirpe, home of Frosinone
Calcio, is one of the city's more modern buildings

Travel tip:

The ancient city of Frosinone, which was Gens Fursina in Etruscan times and Frusino under the Romans, is located on a hill overlooking the valley of the Sacco about 75km (47 miles) southeast of Rome, with the wider city spreading out across the surrounding plains. The Roman writer Cicero had a villa in Frusino. The city is part of a wider area known as Ciociaria, a name derived from the word ciocie, the footwear worn by the inhabitants in years gone by. Ciociaria hosts food fairs, events and music festivals as well as celebrating traditional feasts, when the local people wear the regional costume and the typical footwear.  Visitors can see the remains of a Roman amphitheatre from Viale Roma, while churches of interest include the Baroque Chiesa di San Benedetto in Via Cavour Camillo Benso, which also contains a small art gallery.  A much more modern edifice in the city is the Stadio Benito Stirpe, the 16,000-capacity home of Frosinone Calcio, which was built between 2015 and 2017 at a cost of around €20 million after the football club was promoted to Serie A for the first time in its history.

Also on this day:

1667: The birth of painter Alessandro Magnasco

1676: The birth of composer Giacomo Facco

1875: The birth of patriot and irredentist Cesare Battista 

1892: The birth of playwright Ugo Betti

2014: The death of soldier and writer Eugenio Corti

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Saint Catherine of Siena

Pious woman from ordinary family helped the Pope reorganise the church

Tiepolo's 1746 painting of St Catherine, in
 the Kunsthistorisches Museum in Vienna

Caterina Benincasa, who was one day to be canonized as Saint Catherine of Siena, a patron saint of Rome, Italy and Europe, was born on this day in 1347 in Siena in Tuscany.

She is remembered for her writings, all of which were dictated to scribes, as she did not learn to write until late in life. While carrying out Christ’s work in Italy, she wrote about 380 letters, 26 prayers, and four treatises of Il libro della divina dottrina, better known as The Dialogue. These works were so influential and highly regarded she was later declared a Doctor of the Church.

Caterina was the youngest of 25 children born to Lapa Piagenti, the daughter of a poet, and Jacopo di Benincasa, a cloth dyer. She is said to have had her first vision of God when she was just five years old and at the age of seven, Caterina vowed to give her whole life to God.

She refused to get married when her parents tried to arrange it, cut off her hair to make herself look less attractive and began to fast. She did not want to take a nun’s veil, but to live an active life full of prayer in society, following the model of the Dominicans.

When she was in her early 20s, Caterina said she had experienced a spiritual espousal, or mystical marriage, to Christ, and she began serving the poor and sick in Siena and attracted a group of followers.

Alessandro Franchi's 19th century painting depicts
a young Caterina cutting off her long hair

She started to travel around Italy to promote church reform. She strongly believed the return of Pope Gregory XI to Rome was the best way to bring peace to Italy and she went to Avignon to be an unofficial advocate of this. She was then sent by him to negotiate peace with Florence.

In 1377 she founded a women’s monastery of strict observance in an old fortress outside Siena.

The next Pope, Urban VI, invited Caterina to Rome to help reorganise the church. She lived at the court meeting individual nobles to convince them to support the Pope and sending letters to other princes and cardinals urging them to obey him.

She tried to win back the support of Queen Joan I of Naples for the papacy, although Urban VI had previously excommunicated the queen for supporting the antipope. Being trusted by the Pope with such important work was rare for a woman in the Middle Ages.

By the time Caterina was 33 her habit of extreme fasting, eventually living just off the daily Eucharist, had made her ill. She became unable to eat and drink at all and lost the use of her legs. She died on 29 April, 1380 following a stroke. Her last words had been: ‘Father, into Your Hands I commend my soul and my spirit.’

Lorenzo Lotto's 1533 painting, St Catherine with the
Holy Family, is in the Accademia Carrara in Bergamo

Pope Urban VI celebrated her funeral and her burial in the Basilica of Santa Maria Sopra Minerva near the Pantheon in Rome. Her head and thumb were later entombed in the Basilica of San Domenico in Siena, where they remain.

Caterina had a spiritual adviser and friend from about 1374 until her death named Raymond of Capua. He wrote what is known as the Legenda Major: a Life of Caterina, which was completed in 1395.

Tommaso Caffarini, also known as Thomas of Siena, wrote an account of Caterina’s life and compiled a set of documents with testimony from many of her disciples as part of the process for her canonisation. An anonymous Florentine wrote Miracoli della Beata Caterina, about the miracles she performed.

The devotion to Caterina di Siena grew rapidly after her death. She was canonised in 1461 by Pope Pius II, who was himself from Siena and her feast day was established on 29 April. She was declared patron saint of Rome in 1866 and of Italy, together with St Francis of Assisi, in 1939. She was proclaimed patron saint of Europe in 1999 by Pope John Paul II.

Caterina’s Dialogue, letters and prayers have given her a prominent place in the history of Italian literature.

Caterina's home in Siena is now a shrine, which
houses a museum dedicated to her life

Travel tip:

Siena in Tuscany, where Caterina was born and lived for much of her life, has made a shrine out of the house she lived in with her parents. It has a museum dedicated to her life and is open to visitors in Vicolo di Tiratolo off Costa Sant’Antonio.  The nearby Basilica of San Domenico has a Cappella Santa Caterina where her head and thumb are housed. Siena is the venue for the historic horse race, the Palio di Siena. The race is contested in Siena’s Piazza del Campo, a shell-shaped open area which is regarded as one of Europe’s finest medieval squares. It was established in the 13th century as an open marketplace on a sloping site between the three communities that eventually merged to form the city of Siena.

Hotels in Siena by Booking.com

The Basilica of Santa Maria Sopra Minerva
in Rome, which houses Catherine's remains

Travel tip:

Caterina was buried in the Basilica of Santa Maria Sopra Minerva, which is in Piazza Minerva, close to the Pantheon in Rome. The basilica is the only surviving Gothic church structure left in Rome and has the original, arched vaulting inside. A sarcophagus containing the remains of Saint Catherine of Siena can be seen behind the high altar.  Among the works of art in the church are Michelangelo's statue Cristo della Minerva (1521) and the late 15th-century (1488–93) cycle of frescoes in the Carafa Chapel by Filippino Lippi. The basilica also houses the tomb of the 15th century the Dominican friar Fra Giovanni da Fiesole (Blessed John of Fiesole, born Guido di Piero) better known as the painter Fra Angelico.

Also on this day:

1541: The birth of Francesco I, Grand Duke of Tuscany

1546: The birth of courtesan and poet Veronica Franco

1927: The birth of ground-breaking politician Tina Anselmi

1940: The birth of Mina, Italy’s all-time best-selling female pop singer

(Picture credits: Caterina's house in Siena by Gryffindor; Basilica by sonofgroucho via Wikimedia Commons)

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Pier Giorgio Frassati – social activist

Brave Catholic has inspired youth of the world

Pier Giorgio Frassati came from a wealthy
background but fought for social justice

Pier Giorgio Frassati, who was dedicated to social justice issues and spent his brief life helping the poor, was born on this day in 1901 in Turin.

He was beatified by Pope John Paul II in 1990, who dubbed him ‘the Man of the Eight Beatitudes,’ alluding to a passage in the Gospel According to Matthew.

Frassati’s father, Alfredo, owned the newspaper La Stampa, and his mother Adelaide, was a painter, whose works were purchased by King Victor Emmanuel III.

Although he was from a wealthy background, even as a child Frassati showed compassion for the poor. He was educated at a school run by Jesuits and grew up to become dedicated to social action as a means of combating inequalities.

He was an ardent opponent of Fascism and was arrested in Rome for protesting with the Young Catholic Workers Congress, continuing to hold his banner aloft while being attacked by the police.

One night a group of Fascists broke into his family’s home to attack him and his father, but Frassati fought them off single-handedly and chased them away down the street.

Frassati in the office of his father, who
owned the newspaper, La Stampa

He joined Catholic Action in 1919 and later became a member of the Third Order of Saint Dominic. He was devoted to the teachings of Thomas Aquinas, Catherine of Siena and Paul the Apostle.

He believed charity was not enough and called for social reform, joining the St Vincent de Paul Group so he could help the poor, frequently giving away his own and his family’s money.

After he had obtained a degree in engineering, which he had chosen to study with the intention of improving working conditions for miners, he was offered a gift by his father of either a car or a sum of money. He chose money so that he could give it to the poor rather than keep it himself.

A man of athletic build, he loved swimming and mountaineering and, as a member of Club Alpino Italiano, climbed the Grand Tournalin and Monte Viso, two peaks in northeast Italy.

In June 1925, while boating with friends on the Po River, Frassati complained of sharp pains in his back muscles.

He was diagnosed with poliomyelitis and died four days later, in his mother’s arms, aged just 24. The streets of Turin were lined with thousands of people wishing to pay their respects as his funeral cortege went past on its way to the Frassati plot in the Pollone Cimitero, where he was initially buried.

In 1981 his remains were transferred to Turin Cathedral and were apparently found on inspection to be incorrupt - that is, not having been affected by decomposition, supposedly because of divine intervention.

Frassati's tomb in Turin Cathedral, where his remains
were transferred in 1981, prior to his beatification

The people of Turin had pleaded for him to be canonised and his cause was originally opened in 1932. However, it was suspended in 1941 by Pope Pius XII due to false allegations made about his moral conduct. The cause was eventually resumed and Frassati was made a Servant of God in 1978 and was proclaimed Venerable in 1987. He was beatified by Pope John Paul II in St Peter’s Square in 1990.

Frassati is now a patron of students, mountaineers and youth groups. Several schools and colleges in America and Australia have been named after him, where he is seen as an excellent role model for young men.

The Royal Palace - Palazzo Reale - in Turin was built by
the Savoy family in the 16th century

Travel tip:

Frassati was born in Turin the year after King Victor Emmanuel III came to the throne of Italy. The city’s fine architecture illustrates its rich history as the home of the Savoy Kings of Italy. Piazza Castello, with the Royal Palace, Royal Library and Palazzo Madama, which used to house the Italian senate, is at the heart of ‘royal’ Turin. The Royal Palace – the Palazzo Reale – was built on the site of what had been the Bishop’s Palace, built by Emmanuel Philibert, who was Duke of Savoy from 1528 to 1580. He chose the site because it had an open and sunny position close to other court buildings.

Frassati's final resting place was Turin Cathedral, which
is most famous for being the home of the Turin Shroud

Travel tip:

Frassati’s final resting place was in Turin Cathedral, il Duomo di Torino, or Cattedrale di San Giovanni Battista, as it is also known. The Cathedral was built between 1491 and 1498 in Piazza San Giovanni in Turin, on the site of an old Roman theatre and adjacent to an earlier campanile built in 1470. The Chapel of the Holy Shroud, where the Turin Shroud is kept, was added in 1668. Some members of the House of Savoy are buried in the Duomo while others are buried in the Basilica di Superga on the outskirts of the city.

More reading:

How the Blessed Vincent Romano devoted himself to helping the poor of Naples

The inspirational figure of Saint John Bosco

Francesco Faà di Bruno's life as an advocate for poor

Also on this day:

1483: The birth of Renaissance genius Raphael

1726: The birth of Saint Gerard Majella

1957: The birth of the race walking Damilano twins


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Tiziana ‘Tosca’ Donati - singer

Versatile performer whose range spans musicals to sacred songs

The singer Tiziana Donati, known as Tosca, during
one of her stage performances

The singer Tiziana Donati, who performs under the stage name Tosca, was born on this day in 1967 in Rome.

Winner of the Sanremo Festival in 1996, Tosca has recorded 10 studio albums, released the same number of singles and has recorded duets with many other artists.

She has enjoyed a successful stage career, appearing in numerous theatrical productions, and has been invited to perform songs for several movies, including the title track for Franco Zeffirelli’s version of Jane Eyre in 1996. She also sang and spoke the part of Anastasia in the Italian dubbed version of the Disney cartoon of the same name.

At Christmas in 1999, she participated in concerts in churches in Italy where she performed Latin songs set to music by Vincenzo Zitello and Stefano Melone.

Following this she began a collaboration with the Vatican, taking part in several televised events to commemorate the Jubilee of 2000, and was chosen to sing the Mater Iubilaei, the Marian anthem of the Jubilee, in a ceremony led by Pope John Paul II.

Throughout 2000, she toured with Musica Caeli, a concert made up of never-before performed sacred chants, staged in some of the biggest churches and cathedrals around the world.

Tosca was spotted singing in a piano bar in Rome in the
1990s before winning the Sanremo Festival in 1996

Tiziana said her love of singing began as a child when she suffered from acute articular rheumatism, a debilitating health condition affecting the joints that prevented her taking part in normal activities.  She did, however, accompany her grandmother to church almost every day and soon set her heart on becoming a member of the choir.

She went along to choir practice and was accepted and drew a sense of pride and self-worth from being asked to stand on a chair and sing at family occasions. Singing and later acting gave her a sense of purpose.

In her teens, Donati joined a theatre company in Rome and began singing in a piano bar in the city, where she was spotted by Renzo Arbore, a musician and television presenter, who invited to sing on the show Il caso Sanremo, a unique programme in which winning songs from different years of the Sanremo Festival were placed on “trial” in a set made to resemble a courtroom.

The exposure propelled her into the public eye. She adopted Tosca as a stage name and released her first album in 1992.

Tiziana Donati pictured during a studio recording
session with fellow musician Chico Buarque

Her big break, though, was winning Sanremo itself in 1996 with Vorrei incontrarti fra cent'anni - I Want To Meet You In One Hundred Years - a song written by Rosalino Cellamare, who performed under the stage name Ron, and who also provided backing vocals and guitar.

After another appearance at Sanremo the following year, she released an album, entitled Incontri e passaggi of songs written for her by artists such as Lucio Dalla, Chico Buarque de Holanda, Grazia Di Michele, Ennio Morricone and Mariella Nava, which won her the Targa Tenco prize as the year’s outstanding performer.

Since 2000, Donati has mixed concerts with stage shows and musicals and has recently worked as a section director at the Pasolini Workshop in Rome, a venture - named in honour of the film director Pier Paolo Pasolini - run in collaboration with the University of Rome and the Conservatory of Santa Cecilia to unearth and nurture new talent.

Still in demand today for high-profile roles, recently starring at the Teatro Argentina in Rome in the touring show Donne come noi - Women Like Us - based on a book of the same name about 100 Italian women who have changed their lives and those of others.

Last year, Tosca celebrated her life in music with a sell-out concert at the Auditorium Parco della Musica in Rome in which she was joined on stage by artists including Nicola Piovani, Danilo Rea and Joe Barbieri, all of whom had become friends at different points of her career.

The saxophonist Bobby Watson has
performed at Gregory's in Rome

Travel tip:

One of Rome’s traditional music venues is the jazz club Gregory’s, which can be found in Via Gregoriana, a short walk from Piazza di Spagna and the Scalinata di Trinità dei Monti. The club has a ‘hall of fame’ that includes the likes of Bobby Durham, Victor Lewis, Steve Grossman, Gregory Hutchinson, Bobby Watson and Scott Hamilton, all of whom have performed at the venue.  The club hosts live sets almost every night, starting at around 9.30pm. A sister venue, Gregory’s By The River, stages live music during the summer months on the edge of the Tiber at Castel Sant’Angelo.

The Teatro Argentina in Rome is one of the city's
oldest opera houses, inaugurated in 1732

Travel tip:

The Teatro Argentina, where Tosca recently performed in the show Donne come noi, is a traditional opera venue in the square Largo di Torre Argentina. Built over the Curia of Pompey - the meeting hall in which Julius Caesar was murdered in 44BC - it is one of the oldest theatres in the city, commissioned by the Sforza-Cesarini family and inaugurated in 1732. Rossini's The Barber of Seville was given its premiere there in February 1816. It has staged drama productions as well as opera and music. In the mid-20th centuries, works by Luigi Pirandello, Henrik Ibsen and Maxim Gorky were performed there for the first time.

More reading:

How Enrico Caruso inspired Lucio Dalla

Why Sanremo winner Adriano Celentano is Italy's biggest-selling recording artist of all time

The Barber of Seville premieres at Teatro Argentina

Also on this day:

1875: The birth of flautist Lorenzo De Lorenzo

1991: Anti-Mafia hero Libero Grassi is murdered in Palermo

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Stelvio Cipriani – composer

Musician wrote some of Italy’s most famous film soundtracks

One of Stelvio Cipriani's first jobs was as
piano accompanist for the singer Rita Pavone

Stelvio Cipriani, an award-winning composer of film scores, was born on this day in 1937 in Rome.

One of his most famous soundtracks was for the 1973 film, La polizia sta a guardare (also released as The Great Kidnapping). The main theme was used again by Cipriani in 1977 for the film, Tentacoli, and also featured in Quentin Tarantino’s Death Proof in 2007.

Although Cipriani did not come from a musical background, he was fascinated with the organ at his church when he was a child.

His priest gave him music lessons and then Cipriani went to study piano and harmony at the Santa Cecilia Conservatory in Rome at the age of 14.



His first job was playing in a band on a cruise ship and then he became the accompanist for the popular Italian singer, Rita Pavone.

Cipriani with actress Antonella Lualdi
at the Giffoni film festival in 1975

Stelvio wrote his first movie soundtrack for the 1966 spaghetti western, The Bounty Killer. This was followed by a score for The Stranger Returns in 1967, starring Tony Anthony. He wrote for other films starring Anthony, as well as for many poliziotteschi - Italian crime films - a type of film popular in the 1970s.

Stelvio was awarded a Nastro d’Argento for Best Score for the 1970 film The Anonymous Venetian.  This is still considered one of the best and most famous Italian film soundtracks.

In an interview in 2007 Cipriani revealed that he had composed music for Pope John Paul II and was working at the time with Pope Benedict XVI.

Cipriani wrote Il Tema di Karol, a piano solo dedicated to Karol Wojtyla, who became Pope John Paul II, which was released on CD in 2013.

The composer will celebrate his 81st birthday today.

The Via della Conciliazione, looking towards the basilica
of St Peter, was conceived by Mussolini

Travel tip:

The Rome Cipriani was born into in 1937 had been radically changed by the Fascist dictator Benito Mussolini after he became Prime Minister in 1922. The classical city had been built between the first century BC and the fourth century AD, the Christian city between the fourth and the 18th centuries and Mussolini wanted to build la Terza Roma, the third Rome, which would be an Empire for modern times. One of the major changes ordered by him was the building of the Via della Conciliazione, the wide avenue along which today’s visitors approach Saint Peter’s Basilica from Castel Sant’Angelo. It was commissioned by Mussolini to be a symbol of reconciliation between the Holy See and the Italian state after the Lateran Treaty was signed. Roughly 500 metres long, the vast colonnaded street designed by the architect Marcello Piacentini was intended to link the Vatican to the heart of Rome. At the time it had the opposite effect as local people were upset by the many buildings and houses that had to be demolished causing residents to be displaced.

The new headquarters of the Accademia di Santa Cecilia
were designed by the architect Renzo Piano

Travel tip:

The St Cecilia Academy, Accademia Nazionale di Santa Cecilia, where Cipriani studied music in the 1950s, is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano.

More reading:

The composer who created the sounds of The Godfather

The brilliant film music of Ennio Morricone 

Rita Pavone - the precocious star who conquered America

Also on this day:

1561: The birth of Jacopo Peri, composer of the first opera

1799: The poet and revolutionary Eleonora Fonseca Pimentel is hanged

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Padre Pio – Saint

Capuchin friar is claimed to have cured cancer

Padre Pio has become one of the most
popular saints in history

Padre Pio, who has become one of the world’s most famous and popular saints, was born on this day in 1887 in Pietrelcina in Campania.

He was well-known for exhibiting stigmata, marks corresponding to the crucifixion wounds of Jesus, constantly making him the subject of controversy.

Padre Pio has said that at five years old he decided to dedicate his life to God and as a youth he reported experiencing heavenly visions and ecstasies. At the age of 15 he was admitted to the novitiate of the Capuchin Order, taking the name of Fra Pio, in honour of Pope Pius I.

He suffered from poor health for most of his life and fellow friars say he often appeared to be in a stupor during prayers. One claimed to have seen him in ecstasy, levitating above the ground.

In 1910 he was ordained a priest and moved to a friary in San Giovanni Rotondo in Foggia.

He was called up to serve in the Italian army during the First World War and assigned to the medical corps in Naples, but because of his poor health he was declared unfit for service and discharged.

In 1918 he exhibited stigmata for the first time while hearing a confession. This was to continue until his death 50 years later.

A photograph of the young
Padre Pio and his stigmata

Critics have accused him of faking the stigmata by using carbolic acid to make the wounds.

The historian Sergio Luzzato claimed in one of his books that there is a document in the Vatican archives recording that Padre Pio once requested carbolic acid from a pharmacist. The Church later dismissed this allegation, claiming Padre Pio used the acid as a sterilising agent before administering injections to combat Spanish Flu.

To try to reduce the publicity surrounding Padre Pio, the Vatican introduced sanctions forbidding him from saying mass in public and displaying his stigmata. But after a while they cancelled these, allowing pilgrims from all over the world to visit him and many later claimed they had been healed by him.

The young Karol Wojtyla visited Padre Pio while studying in Italy. An Austrian cardinal has said Father Wojtyla confided in him that Padre Pio had told him he would one day ascend to the highest post in the church.

During the visit, the future Pope John Paul II had asked Padre Pio to pray for one of his friends in Poland who was suffering from cancer. It was later discovered the friend’s cancer was in spontaneous remission and doctors could find no explanation for this.

Padre Pio's cell at the San Giovanni Rotondo friary

In 1968, Padre Pio died at the age of 81 in his cell at San Giovanni Rotondo. After his death the marks on his body completely disappeared.

Padre Pio was beatified in 1999 and canonised in 2002 by Pope John Paul II.

There are now more than three thousand Padre Pio prayer groups with an estimated three million members, and parishes all over the world have been dedicated to him.

Among his devotees is the newly-installed Prime Minister of Italy, Giuseppe Conte, who was born near Foggia and attended a classical lyceum in San Giovanni Rotondo.

The village of Pietrelcina in Campania, Padre Pio's birthplace

Travel tip:

Padre Pio is now known as Saint Pio of Pietrelcina in recognition of his birthplace, a small farming village in the province of Benevento in the Campania region of Italy.  His feast day is celebrated on September 23, the date of his death. He is the patron saint of Pietrelcina, and also of Italy, Malta, civil defence volunteers, adolescents, stress relief and the January blues.

The church of Santa Maria delle Grazie in San Giovanni Rotondo

Travel tip:

Padre Pio’s major shrine is the Sanctuary of Saint Pio of Pietrelcina in San Giovanni Rotondo in the province of Foggia. His body was initially buried in a crypt in the Church of our Lady of Grace (Santa Maria delle Grazie) in the town. In 2004 the Sanctuary of Saint Pio was dedicated by Pope John Paul II and in 2008 the saint’s body was exhumed from the crypt and prepared for display. It was confirmed at the time that the stigmata were not visible. In 2010 the Saint’s remains were moved to a golden crypt within the Sanctuary of Saint Pio.

Also on this day:

1922: The birth of former Communist leader Enrico Berlinguer

1971: The birth of Olympic marathon champion Stefano Baldini

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Francesco Faà di Bruno - advocate for poor

Entered priesthood after appeal to pope

Francesco maintained his faith
through difficult times in Italy

The blessed Francesco Faà di Bruno, a talented academic from a wealthy family who devoted much energy to helping the poor, disadvantaged and elderly, was born on this day in 1825 near Alessandria in Piedmont.

He was a supporter of Italian unification and indeed was wounded in the cause as a commissioned lieutenant in the Piedmontese Army during the First Italian War of Independence. Yet he could not accept the anti-Catholic sentiments of many of the movement’s leaders.

At the age of 51 he became a priest, although only after the intervention of Pope Pius IX, who stepped in to overrule the Archbishop of Turin, who had rejected Francesco’s credentials on the grounds that he was too old.

He was beatified 100 years after his death by Pope John Paul II.

Francesco was the youngest of 12 children born to Lady Carolina Sappa de' Milanesi of her husband, Luigi, a wealthy landowner whose various titles included Marquis of Bruno, Count of Carentino, Lord of Fontanile, and Patrizio of Alessandria.

His family were of a strong Catholic faith and encouraged a concern for the poor among all their children. Two of his sisters became nuns and one of his brothers built the church of St Peter in Hatton Garden for Italian immigrants living in London.

Francesco was wounded at the Battle
of Novara in 1849

Francesco, whose mother died when he was nine years old, was educated at home until he was 11 and entered the Royal Military Academy of Turin in 1840. One of the skills he developed was topography, which he used to draw up battlefield maps.

He was wounded during the Battle of Novara in 1849, where the Piedmontese were defeated by the Austrians. Afterwards, Victor Emmanuel, who had been his commander in the battle and succeeded his father, Charles Albert, as King of Sardinia, invited Francesco to become tutor to his two young sons but was forced to withdraw the offer because his supporters, including the revolutionary leader Giuseppe Garibaldi and the future prime minister of Italy, Count Camillo Benso di Cavour, were opposed to the influence of Catholics in education and put him under pressure to make a secular appointment.

Francesco then sought his release from the army and moved to Paris to study mathematics and astronomy at the Sorbonne, where his tutors included Augustin Cauchy and Urbain Le Verrier, who jointly discovered the planet Neptune.

Returning to Italy, he was appointed Professor of Mathematics at the University of Turin and at the same time began to devote increasing amounts of his time and money to helping the poor and disadvantaged. Despite it being a difficult time for the Catholic Church, he worked closely with the priest Giovanni Bosco, who set up a church grammar school, and also founded a society to promote Sunday observance and protect workers forced to work on Sundays.

The huge number of initiatives Francesco took up began with providing food for the poor during the icy cold Turin winters. Later he founded the Society of Saint Zita for maids and domestic servants, later expanding it to include unmarried mothers.

Pope John Paul II beatified Francesco
in 1988, 100 years after his death

He helped establish hospitals and boarding houses for the elderly, poor and disabled and, profoundly moved by the death of his brother Emilio in 1866 in the Third Italian War of Independence, he oversaw the construction of the church of Nostra Signora del Suffragio in Turin, completed in 1869 and dedicated to the memory of Italian soldiers who had lost their lives in the struggle for the unification of Italy.

Wishing to broaden and deepen his commitment to the poor, Francis studied for the priesthood, although his bid to be ordained was at first blocked by the Archbishop of Turin on the basis that he was too old. Traditionally, men began their preparation for Holy Orders in their teens.

However, after appealing directly to Pope Pius IX, he was ordained at the age of 51. As a priest, he continued to work on behalf of the disadvantaged and among his achievements was to create a refuge for prostitutes.

Remarkably, he still had the energy to pursue academic activities, contributing many articles to mathematics periodicals, designing several scientific instruments, writing a book about Catholic beliefs aimed at non-Catholics, and even composing a number of sacred melodies.

He died suddenly in Turin in 1888, two days before what would have been his 63rd birthday, from an intestinal infection.

Travel tip:

The village of Bruno in Piedmont is situated just over 20km (12 miles) southwest of Alessandria and a similar distance southeast of Asti. Formerly the seat of Francesco Faà di Bruno’s family, it falls within the area of Piedmont best known for the production of Nizza wine, a DOCG red made from the Barbera grape.

The church's bell tower is the
fifth tallest building in Turin

Travel tip:

The neo-Romanesque church of Nostra Signora del Suffragio e Santa Zita, the church that Francesco built in part to honour the Italians killed in the struggle for independence, is located in the San Donato district of Turin. It is notable for its bell tower, which at 83 metres is the fifth tallest structure in the city, after the Mole Antonelliana, the Intesa SanPaolo skyscraper, the Lingotto skyscraper and the Littoria Tower. Adjoining the church is a museum dedicated to the life of the priest.

More reading:

The death of unification leader Giuseppe Garibaldi

Giuseppe Mazzini - hero of the Risorgimento

The inspirational figure of Giovanni (John) Bosco

Also on this day:

1888: The birth of Enea Bossi, disputed creator of the world's first human-powered aeroplane

1939: The birth of Don Matteo actor Terence Hill


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Blessed Fra Angelico – painter

Talented Friar became patron of Catholic artists

A detail from a Luca Signorelli fresco in Orvieto
cathedral, thought to represent Fra Angelico

The early Renaissance painter who became known as Fra Angelico died on this day in 1455 in Rome.

Fra Angelico is regarded as one of the greatest painters of the 15th century, whose works reflected his serene religious attitude.

He painted many altarpieces and frescoes for the Church and Priory of San Marco in Florence where he lived for about nine years.

In 1982, more than 500 years after his death, Fra Angelico was beatified by Pope John Paul II in recognition of the holiness of his life. In 1984, Pope John Paul II declared him ‘patron of Catholic artists’.

The artist was born Guido di Pietro at Rupecanina near Fiesole, just outside Florence, towards the end of the 14th century.

The earliest recorded document concerning him dates from 1417 when he joined a religious confraternity at the Carmine Church and it reveals that he was already a painter.

The first record of him as a Friar is dated 1423 and shows him to have been a member of the Dominican order.

The San Marco altarpiece in Florence is one of Fra
Angelico's most famous works

It is believed his first paintings were an altarpiece and a painted screen for the Carthusian Monastery in Florence, but these no longer exist.

Between 1418 and 1436 he lived at the convent of Fiesole where he painted frescoes and an altarpiece. A predella - platform - of the altarpiece is now in the National Gallery in London.

In 1439, while living at the convent of San Marco in Florence, he completed one of his most famous works, the San Marco altarpiece, which was unusual for its time as it showed the saints grouped in a natural way as if they were able to talk to each other. Paintings such as this became known as Sacred Conversations and were later executed by many other artists, including Bellini, Perugino and Raphael.

In 1445 Fra Angelico was summoned to Rome to paint the frescoes of the Chapel of the Holy Sacrament at St Peter’s. He moved to Orvieto in 1447 to paint works for the Cathedral and then went back to Rome to design frescoes for Pope Nicholas V, which were probably later painted by his assistants.

Fra Angelico returned to live in his old convent in Fiesole in 1449, but must have eventually gone back to Rome to do more work for the Vatican. He died in a Dominican Convent there in 1455 and was buried in the Church of Santa Maria sopra Minerva.

Piazza Giotto is the central square of Vicchio

Travel tip:

Rupecanina, where Fra Angelico was born, is a hamlet of Vicchio, a town about 25 km (16 miles) north east of Florence. Many other Italian painters came from the area, including Giotto, who was believed to have been born in Colle di Vespignano, another hamlet of Vicchio, in about 1270.

The Church of Santa Maria sopra Minerva in Rome

Travel tip:

Fra Angelico’s tomb, which was the work of Isaia da Pisa, is in the Church of Santa Maria sopra Minerva in Rome because the artist died in the adjoining convent. He had painted a fresco in the cloister there, which has not survived.  The important Dominican Church is in Piazza Minerva, close to the Pantheon, and was built directly over an ancient temple. The church was consecrated in 1370 and the façade was designed by Carlo Maderno.

Also on this day:

1564: The death of Michelangelo

1967: The birth of footballer Roberto Baggio

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Carlo Gnocchi – military chaplain

Remembering a protector of the sick and the mutilated

Carlo Gnocchi as a young priest

Carlo Gnocchi, a brave priest who was chaplain to Italy’s alpine troops during the Second World War, was born on this day in 1902 in San Colombano al Lambro, near Lodi in Lombardy.

In recognition of his marvellous life, which was dedicated to easing the wounds of suffering and misery created by war, his birthday was made into his feast day when he was beatified by Pope Benedict XVI on October 25, 2009 in Milan.

Gnocchi was the youngest of three boys born to Henry and Clementine Gnocchi. His father died when he was five years old and his two brothers died of tuberculosis before he was 13.

He was ordained a priest in 1925 in the archdiocese of Milan and afterwards worked as a teacher.

When war broke out he joined up as a voluntary priest and departed first for the front line between Greece and Albania and then for the tragic campaign in Russia, which he miraculously survived, despite suffering from frostbite.

While he was chaplain to alpine troops in the war he helped Jews and Allied prisoners of war escape to Switzerland. During this time he was imprisoned for writing against Fascism.

Gnocchi (left) pictured with General Luigi
Reverberi at the Russian Front

As he assisted the wounding and dying soldiers and listened to their last wishes the idea came to him to create a charity that was to become a reality after the war.

Gnocchi founded the Fondazione Pro Juventute after the war and worked to provide care for those orphaned or disabled during the conflict. The Foundation gradually expanded its operations to care for children suffering from polio.

Today the Don Carlo Gnocchi Foundation also cares for children or young people with disabilities or diseases and for patients of any age with debilitating diseases. In 2003 the president of the Italian Republic awarded it a gold medal for service to public health.

Gnocchi died of cancer in 1956 in Milan and on his deathbed donated his corneas, which returned sight to two, blind young people.

After his death many people invoked his name when in danger and claimed Gnocchi had saved their lives. An electrician from Villa d’Adda said he had survived a serious accident at work after praying to him in 1979.

He was venerated in December 2002 by Pope John Paul II and in 2009 his beatification was celebrated in Piazza del Duomo in Milan on October 25, the date of his birth 107 years before.

A panoramic view over San Colombano al Lambro

Travel tip:

San Colombano al Lambro, where Gnocchi was born, has the distinction of being the only wine producing town in the province of Milan. An area of 100 hectares (250 acres) grows the grapes to produce the acclaimed red wine San Colombano DOC. San Colombano is an exclave of the province of Milan, as it is completely surrounded by the territory of the provinces of Lodi and Pavia. When the province of Lodi was carved out of Milanese territory, the people in San Colombano voted in a referendum to stay part of Milan.

The Santuario del Beato Don Gnocchi is next door to the
Fondazione Don Carlo Gnocchi in the San Siro district

Travel tip:

Gnocchi’s remains were transferred in 1960 from the Cimitero Monumentale in Milan to the Fondazione Don Carlo Gnocchi, which is close to Via Don Carlo Gnocchi in the San Siro district of Milan. The foundation stone for the building was laid in September 1955 but Carlo Gnocchi did not live long enough to see the construction completed. Named after him, the organisation was originally set up to provide care, rehabilitation and social integration for children who had lost limbs during wars but has expanded over the years to provide treatment for adult patients as well. 

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Maurizio Cattelan - conceptual artist

Controversial work softened by irreverent humour

Maurizio Cattelan once said that he aimed to be "as
open and as incomprehensible as possible."

The conceptual artist Maurizio Cattelan, known for the dark humour and irreverence of much of his work, was born on this day in 1960 in Padua.

Cattelan, probably best known for his controversial waxwork sculptures of Pope John Paul II and Adolf Hitler, has been described at different times as a satirist, a prankster, a subversive and a poet, although it seems to have been his aim to defy any attempt at categorisation.

His works are often interpreted as critiques of the art world and of society in general and while death and mortality are recurring themes there is more willingness among modern audiences to see how even tragic circumstances can give rise to comedic absurdities.

Although some of his work has provoked outrage, more viewers have been enthralled than angered by what he has presented, and some of his creations have changed hands for millions of dollars.

Cattelan has said that his memories of growing up in Padua are of economic hardship, punishments at school and a series of unfulfilling menial jobs.  His artistic skills were entirely self-taught. He was designing and making wooden furniture in Forlì, in Emilia-Romagna, when he began his first experiments with sculpture and conceptual art.

Cattelan's controversial waxwork of Pope John
Paul II felled by a meteorite

At the start, he set out to produce work that expressed his own insecurities and anxiety about not succeeding. What was meant to be his first solo exhibition in 1989, for example, consisted simply of a sign hanging from the locked door of the gallery with the words Torno subito or “Be right back,” while his contribution to a group exhibition was a ‘rope’ from a window made of bed sheets knotted together, signifying a hurried escape from his obligations.

On another occasion, in Amsterdam, again to create a metaphor for fear of failure, he stole the entire contents of another artist’s show from a neighbouring gallery to pass off as his own, although he was forced to return it under threat of arrest.

He used taxidermy in several notable creations in the 1990s, including The Ballad of Trotsky (1996) and Novecento (1997), both of which consisted of an embalmed horse suspended from the ceiling, its neck bent downwards and its hooves stretched out as if reaching for the floor, widely interpreted as symbolic of energy destined to find no outlet.

Cattelan sold the Ballad of Trotsky for $5,000 (€4,200). In 2004, it changed hands for $2.1 million (€1.7 million).

Cattelan's work is often humorous, as in this sculpture of himself
 peering at paintings by Dutch masters from a hole in the floor 

At the Venice Biennale in 1997 he assembled 200 taxidermied pigeons perched on the air conditioning pipes in the Italian pavilion, with droppings spattered on the floor below, in an exhibit entitled Turisti.

Towards the end of the 1990s he turned to waxwork and caused considerable controversy with La Nona Ora – “The Ninth Hour” – which depicted a prone Pope John Paul II, dressed in his robes and clutching the Papal Cross, having been felled by a lump of meteoric rock that has crashed through a skylight.

The sculpture provoked a lively debate as to its meaning but met with hostility when it went on display at the Zacheta Gallery of Contemporary Art in Warsaw – in John Paul II’s home country – where two members of the Polish parliament not only raised a petition, signed by 90 members, calling for the dismissal of the gallery’s director, but physically removed the rock and tried to stand the figure upright.

Nonetheless, Christie’s sold the piece for $886,000 (€745,000) in 2001. When a second version was auctioned by Phillips, de Pury & Company in 2004, it fetched $3 million (€2.52 million).

Cattelan's model of Hitler as a schoolboy kneeling
in prayer, on display in an alley in Warsaw

Similarly, not everyone appreciated his 2001 sculpture Him, in which a head clearly that of Hitler was mounted on the body of a schoolboy kneeling in prayer. The sculpture was frequently displayed at the end of a long hallway or at the opposite end of a white room, turned away from the viewer, so as to maximise the sense of surprise or shock when they advanced close enough to recognise the face.

Other waxwork sculptures included one of himself, or at least his head, created for a museum in Rotterdam, in which he is seen peering up through a hole in the floor at an exhibition of 17^th century Dutch masters.

After the September 11, 2001 attack on the World Trade Center in New York, Cattelan sculpted Frank and Jamie (2002), in which two New York City policemen are turned upside down and propped against a wall in a posture that has been seen to convey the unfamiliar sense of vulnerability that permeated the United States in the wake of the terrorist outrage.

Cattelan, who today earns at least $200,000 (€168,000) for every new piece, claims there is no difference between his more recent work and his older pieces, but that he used to be “treated as an idiot” where now he is appreciated. He claims he doesn't know what his work means, but says his aim is to be “as open and as incomprehensible as possible.”

The artist, who divides his time between homes in Milan and New York, announced his retirement after a 2011 retrospective at the Guggenheim Museum in New York, where his work was displayed hanging from the ceiling of the rotunda as if wilfully and randomly discarded.

He came out of retirement for another show at the Guggenheim in 2016, in which one exhibit was a fully functioning toilet in 18-carat gold.

Giotto's frescoes in the Scrovegni Chapel are one of the
major attractions for visitors to Padua

Travel tip:

Padua, where Cattelan was born, is city of some 210,000 people in the Veneto, about 40 minutes from Venice by train. It has much to see for the visitor, with the frescoes by Giotto that illuminate the Scrovegni Chapel undoubtedly the biggest attraction, so much so that booking ahead is now almost essential. Well worth a visit too are the substantial Basilica di Sant’Antonio – known in English as St Anthony of Padua – and the Abbazia di Santa Giustina, both close to the beautiful elliptical open space, Prato della Valle, which was once the site of a Roman amphitheatre.  The city has a large student population yet on the whole Padua is a fairly quiet city, a good base for exploring the area and a better-value alternative to staying Venice.

Piazza Aurelio Saffi is at the heart of the city of Forlì

Travel tip:

Founded by the Romans 200 years before Christ as Forum Livii, Forlì is located between Faenza and Cesena in the eastern part of the Po Valley, no more than 30-35km (18-22 miles) from the Adriatic coast. The centrepiece of the town is Piazza Aurelio Saffi, which features notable buildings from different eras: the Romanesque Basilica of San Mercuriale with its 12th century bell tower, the 14^th century Palazzo Comunale and Torre Civica clock tower, the 15th century Palazzo del Podestà and 20th century Palazzo delle Poste, an example of architecture of the Fascist era, also evident in the buildings of Viale della Libertà and Piazzale della Vittoria. Forlì’s older history is represented in the palaces along Corso Garibaldi and Via Maroncelli.

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