The Ustica Massacre

Mystery plane crash blamed on missile strike

The Itavia Airlines DC9 that crashed off Ustica

An Italian commercial flight crashed into the Tyrrhenian Sea between Ponza and Ustica, killing everyone on board on this day in 1980.

The aircraft, a McDonnell Douglas DC9-15 in the service of Itavia Airlines was en route from Bologna to Palermo, flight number IH870. All 77 passengers and the four members of the crew were killed, making this the deadliest aviation incident involving a DC9-15 or 10-15 series.

The disaster became known in the Italian media as the Ustica massacre - Strage di Ustica - because Ustica, off the coast of Sicily, was a small island near the site of the crash.

Many investigations, legal actions and accusations resulted from the tragedy, which continues to be a source of speculation in Italy.

The fragments of the aircraft that were recovered from the sea off Ustica were re-assembled at Pratica di Mare Air Force Base near Rome, where they were examined by several teams of investigators.

The remains of the plane were reassembled at an
air base outside Rome

In 1989, the Parliamentary Commission on Terrorism issued a statement asserting that “following a military interception action, the DC9 was shot down, the lives of 81 innocent citizens were destroyed by an action properly described as an act of war, real war undeclared, a covert international police action against our country, which violated its borders and rights.”

However, because the perpetrators of this alleged crime remained unidentified, the commission declared the case to be archived.

It was reopened in 2008 after former president Francesco Cossiga attributed the cause to a missile fired from a French Navy aircraft.

After further investigations and court hearings, in 2013, Italy’s top criminal court in Rome ruled that there was clear evidence the flight was brought down by a missile and upheld a ruling made by a court in Palermo in 2011 that Italian radar systems had failed adequately to protect the skies, and therefore Italy must compensate the victims' families.

The Palermo hearing had ordered the Italian government to pay 100 million euros in civil damages to the families of the victims

Several Italian air force personnel were investigated and charged with offences including falsification of documents, perjury and abuse of office after what appeared to be a concerted attempt to cover up what happened – perhaps to save the careers of officers who might be held accountable for radar system failures or, in a more sinister theory, that they shot down the airliner themselves, by mistake, while engaged in a top-secret operation on behalf of NATO.

The remains were moved from Rome to Bologna and put
on display at a museum in a large hangar

The difficulty the investigators and the victims’ relatives had in receiving information has been described as a rubber wall, un muro di gomma.

Alternative theories were that there could have been a bomb in one of the toilets, or that it could have been brought down in error in a failed assassination attempt by NATO on Libya's Colonel Muammar Gadafy.  

French, US and Nato officials all denied military activity in the skies that night.

The bomb theory was favoured by a British investigation team, who suspected a cover-up on the part of the Italian secret services.

One of the British investigators called in to look at the wreckage, Frank Taylor, commented: “We discovered quite clearly that someone had planted a bomb there, but nobody on the legal side, it would appear, believed us and therefore, so as we are aware, there has been no proper search for who did it, why they did it, or anything else”

Travel tip:

In 2007 the Museum for the Memory of Ustica was opened in Bologna and parts of the plane and objects belonging to people on board are on display there.  The museum is in a large hangar off Via di Saliceto.

A view over the town of Ustica on the island of the same name

Travel tip:

Ustica is a small island north of Sicily in the Tyrrhenian sea. There is a regular ferry service from the island to Palermo in Sicily.  The island is actually the tip of an ancient, extinct volcano. The sea around the island is particularly clear and is therefore popular with divers and swimmers.

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Alberto Rabagliati - singer and actor

Performer found fame through radio

Alberto Rabagliati won a contest as
a Rudolph Valentino lookalike

The singer and movie actor Alberto Rabagliati, who became one of the stars of Italian radio in the 1930s and 40s, was born on this day in 1906 in Milan.

His movie career reached a peak in the post-War years, when he had roles in the Humphrey Bogart-Ava Gardner hit Barefoot Contessa and in Montecarlo, starring Marlene Dietrich.

The son of parents who had moved to Milan from the village of Casorzo, near Asti, in Piedmont, Rabagliati’s career in the entertainment business began when he entered a competition in 1927 to find a Rudolph Valentino lookalike.

To his astonishment he won.  The prize was to be taken to Hollywood to audition, so his life changed overnight.  Later he recalled his own wide-eyed incredulity as he sailed across the Atlantic, bound for a new life.  "For someone like me, who had never been beyond Lake Como or Monza Cathedral, finding myself on board a luxury steamer with three cases full of clothes, a few rolls of dollars, gran-duchesses and countesses flirting with me was something extraordinary".

He lived in America for the next four years but never achieved more than modest success and decided to return to Italy. During his time in America, however, he took the opportunity to get to know some new musical genres such as jazz, swing, and ‘scat’ singing, in which the vocalist uses his or her voice to make sounds rather than words, such as the ‘doo wah, doo wah, doo wah, doo wah’ lines repeated in It Don’t Mean a Thing if it Ain’t Got That Swing.

On coming home he was determined he would make a success as a singer and he realised his ambition in some style.

Rabagliati recording one of his radio shows in the 1940s

After joining a popular band called the Lecuona Cuban Boys, in which he performed with his face painted black, he met the songwriter Giovanni D'Anzi who arranged for him to have an audition with the Italian state radio station, EIAR, in Rome.

Rabagliati soon became a star and by 1941 had his own show, Canta Rabagliati ("Rabagliati sings"). It spurned a string of hits, including Ma l'amore no, Mattinata fiorentina, and Bambina innamorata.  He developed a huge following, mainly among women, and when he appeared on stage he would have hundreds of roses thrown at his feet.

He owned a large American car, which the Italian authorities at one time threatened to confiscate, because the Fascist regime banned all manifestations of foreign culture.

The Fascist leader Benito Mussolini, however, sensed he could use Rabagliati’s popularity to his own advantage and personally intervened to ensure the singer kept his car.  Mussolini persuaded Rabagliati to lend one of his songs to the government’s campaign to persuade Italians to buy into his vision of Fascist family life, adopting Sposi (c'è una casetta piccina) as an anthem for the campaign, celebrating newlyweds in their own "little house".

Rabagliati was lined up to work alongside
Raffaella Carrà in a new TV show

It is said that Mussolini privately despised Rabagliati’s music, with its heavy American influences, and reputedly flew into a rage one day when he discovered his mistress, Clara Petacci, listening to one of his records, dragging it off the turntable and smashing it.

Rabagliati used his fame as a singer to kick-start his film career and appeared in more than 20 films between 1940 and the mid-1960s, including Barefoot Contessa, Montecarlo, Il vedova (The Widow) and The Christmas That Almost Wasn’t, in which he played Santa Claus.

He began to act on stage too, landing many parts in musical revues and comedies.  It seemed he was about to break into television in a big way, too, making a guest appearance on a new show Milleluci, presented by Mina Mazzini and Rafaella Carrà.

He was so impressive that Mina wanted him to be on the show regularly and he was about to agree a deal on becoming a co-host in March 1974 when he collapsed and died from a cerebral haemorrhage. He was 67.

Rabagliati, who had married Maria Antonietta Tonnini in 1954, was buried at the Cimitero Flaminio in Rome, next to his mother.

The impressive Baroque cathedral at Asti

Travel tip:

Asti is one of the most important cities in Piedmont in terms of art and literature, notably as the birthplace of Vittorio Alfieri, the famous 18th century poet and dramatist. The town's historic centre, is charmingly quaint, the highlight of which is the triangular Piazza Alfieri, where the town’s famous Palio horse race is staged.   It has a wealth of palaces, towers and ancient churches, and a magnificent Gothic cathedral.

Travel tip:

The Cimitero Flaminio is in the Rome suburb of Prima Porta, which is so called because of an arch under an aqueduct carrying water across the Via Flaminia, which was considered a gateway into Rome from the north.  The Via Flaminia, which effectively begins at Piazza del Popolo in the centre of Rome, stretches all the way across the Apennines to what is now Rimini on the Adriatic coast.

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Aldo Serena - footballer

Azzurri striker left field in tears after penalty miss

Aldo Serena places the ball on the spot before
his fateful penalty kick against Argentina

Aldo Serena, one of the two Italian players who most felt the agony of defeat after the Azzurri suffered the pain of losing at the semi-final stage when the football World Cup last took place on home soil, was born on this day in 1960 in Montebelluna, a town in the Veneto.

The match that ended the host nation's participation in the Italia '90 tournament took place in Naples against an Argentina side that included the local hero, Diego Maradona. It was decided on penalties after finishing 1-1 over 120 minutes. 

Italy converted their opening three penalties, as did Argentina.  Then Roberto Donadoni’s shot was saved by the Argentina goalkeeper, Sergio Goycochea.  Up stepped Maradona, who scored, to the delight of many in the crowd who had divided loyalties.

Suddenly, everything was down to Aldo Serena, who could not afford to miss if Italy were to stay alive in a tournament in which they had played football at times that deserved to win.

Serena, the Internazionale striker, had been a fringe player for Italy throughout the tournament, picked only as a substitute, although he had scored in that capacity against Uruguay in the round of 16 – on his 30^th birthday.

Roberto Baggio consoles Aldo Serena (left) after
Italy's defeat in the semi-final

He had said since that he never wanted such responsibility, but Azeglio Vicini, the Italy coach, said there was no choice.  Gianluca Vialli and Giuseppe Giannini, who would have been chosen ahead of Serena, had both been substituted, while Toto Schillaci, who had emerged as Italy’s talisman during the tournament, had finished extra time with a groin injury, which Vicini felt might be too big an impediment. Serena had scored more than 100 goals during his Serie A career. He knew what it took to put the ball in the net.

Yet though hit a firm enough shot Goycochea read his intentions, diving to his left to smother the ball. Unlike Donadoni, who had dropped to his knees, head in hands, Serena remained upright.  Hands on hips, he tipped his head back and looked towards the heavens.  Goycochea ran past him, eager to join his team-mates as they celebrated their passage to the final.

Serena had not done too much wrong throughout the tournament so to be held responsible in some ways for the Azzurri demise was unfair. Twenty-four hours later, it would be the turn of Stuart Pearce and Chris Waddle to be Donadoni and Serena as England were knocked out by West Germany, also on penalties.

Serena with the trophy he won as
Serie A's top scorer in 1988-89

Yet at that moment it must have seemed there was no consolation or comfort available. The hopes of a nation had rested on his shoulders and he had not been able to deliver. No wonder he left the field in tears.

The moment should not have defined his career but it has tended to overshadow his achievements, which were not inconsiderable.  He won the Serie A title no fewer than four times, with Juventus (1985-86), Inter (88-89), and AC Milan (91-92 and 92-93), although his contribution to the two Milan championships was minimal because of injuries.

A powerful, athletic centre forward with good aerial ability and a fierce shot in his left foot, his best years were at Inter, where he was Serie A’s leading scorer in 1988-89 with 22 goals.  Yet fans of the nerazzurri found it hard to forgive him for joining their arch rivals AC Milan under Fabio Capello.

He retired in 1993 as the only player to have played for both Milan clubs and both Turin clubs, having spent part of the 1984-85 season on loan with Torino.  Nowadays he works as a TV pundit.

The church of Santa Maria in Colle
in Montebelluna

Travel tip:

Montebelluna is situated about 22km (14m) northwest of Treviso and about 67km (42m) from Venice on the way to the Valdobbiadene wine growing region famous for prosecco. A pleasant, orderly town, it is best known for its long tradition in the footwear industry, particularly the production of sports footwear, from ski boots to football boots.  There is a museum dedicated to the industry in Vicolo Zuccareda, not far from the church of Santa Maria in Colle. The international sportswear giant Nike has a factory nearby, while another, Fila, has a research facility based at Montebelluna.

Inside the Stadio San Paolo

Travel tip:

The football stadium in Naples, where the 1990 semi-final took, place is the Stadio San Paolo, built in the Fuorigrotta neighbourhood on the north side of the city and completed in 1959, more than 10 years after work began.  It is the third largest football ground in Italy with a capacity of 60,240. Diego Maradona played there for SC Napoli between 1984 and 1991, helping the club to the most successful period in their history, in which they won the Serie A title twice, the Coppa Italia and the UEFA Cup. The local council wanted to rename the ground Stadio Diego Maradona but Italian law prohibits the naming of a public building after any person who has not been dead at least 10 years.

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Piero Barone – singer

Young tenor found fame on TV talent show

Piero Barone, one of the stars
of the group Il Volo

Piero Barone, one of the three singers who make up the Italian opera and pop group, Il Volo, was born on this day in 1993 in Naro, a town in the province of Agrigento in Sicily.

Il Volo hit the headlines after winning the Sanremo Music Festival in 2015. They came third when they represented Italy in the Eurovision Song Contest with their hit Grande Amore later that year in Austria and have since acquired growing popularity world wide.

In 2016, the group, together with tenor Placido Domingo, released Notte Magica – A Tribute to the Three Tenors, a live album featuring many of the songs performed by the Three Tenors (Domingo, Luciano Pavarotti and Jose Carreras) for their iconic concert held at the Baths of Caracalla in Rome on the eve of the Italia ’90 World Cup.

Piero’s father, Gaetano Barone, is a mechanic and his mother, Eleonora Ognibene, a housewife.

His musical talent was discovered by his grandfather, Pietro Ognibene, when he was just five years of age. Pietro was a blind musician who had written a song in Sicilian and when Piero sang it for him he was amazed by his voice.

The family helped Piero develop his talent and his grandfather paid for him to have piano lessons. Piero sang at school and in the church choir and even earned money as a wedding singer.

Il Volo performing at the Eurovision Song Contest in 2015

Considered a spinto tenor, a singer who easily reaches high notes but has elements of a baritone, Piero’s voice is powerful and he can sustain notes for a long while.

He had professional singing tuition while he was growing up and won a number of singing festivals in Italy. When he took part in the TV talent show, Ti Lascio Una Canzone, in 2009 he met fellow contestants Ignazio Boschetto and Gianluca Ginoble, with whom he would later form the group, Il Volo.

On the show, Piero sang with them for the first time in a rendition of the famous Neapolitan song, O’ Sole Mio.

Il Volo describe their music as ‘popera’ and sing at venues all over Italy and abroad. They have so far released five CDs, which have been hits all over the world.

Grande Amore was part of an album issued as L'amore si muove - Love moves - in Italy, which reached number one in the Italian album charts.

The view over Naro from the medieval castle

Travel tip:

Naro in Sicily, where Piero Barone was born, dates back to Roman times and the remains of catacombs and villas have been found there. The town has a medieval castle, the ruins of a Norman Church and several Baroque buildings. It is famous for the festival held on 18 June every year to remember the patron saint, San Calogero, when a statue of the saint is carried through the streets in a procession. The composer, Achille Campisiano, was born in the town in 1837.

Piazza Santa Croce is one of the most famous
squares in Florence

Travel tip:

Il Volo’s album, Notte Magico – A Tribute to the Three Tenors, was recorded at a live concert held on July 1, 2016 in Piazza Santa Croce in Florence accompanied by the orchestra of the Teatro Massimo di Palermo. The tenor, Placido Domingo, conducted the orchestra for eight pieces and joined with Il Volo to sing Non ti scordar di me. Set in one of the most famous squares in Florence, the concert took place against the backdrop of the 13th century church of Santa Croce, which contains the tombs of many illustrious Florentines, including Michelangelo and Galileo.

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