The Giannini sextuplets

The multiple birth that made history

Rosanna Giannini and her babies featured on
 the cover of Gente magazine each year 

History was made on this day in 1980 when a schoolteacher from the Casentino valley in Tuscany gave birth to sextuplets in a hospital in Florence.

The babies – four boys and two girls – delivered between 4.17am and 4.22am at the Careggi Hospital, on the northern outskirts of the Tuscan capital, grew to become the first sextuplets in Europe to survive beyond infancy and only the second set in the world.

Their arrival turned the Gianninis - mum Rosanna and dad Franco - into instant celebrities and their house in Soci, a village in the municipality of Bibbiena, 60km (37 miles) east of Florence, was besieged by the world’s media, seeking pictures and interviews.

In Italy, the event was celebrated with particular enthusiasm, heralded as the good news the nation craved after a particularly difficult year marked by a series of catastrophes, including the Ustica plane crash, the bombing of Bologna railway station and the Irpinia earthquake.

The family eventually signed an exclusive deal with the best-selling Italian magazine Gente for access rights.  Photographs of the children appeared around the time of their birthday for a number of years and features were written by the magazine’s leading journalist, Achille Mezzadri, who would later ghostwrite Rosanna’s autobiography, Vivere con sei gemelli – Living with sextuplets.

The couple – Rosanna was 29 and Franco 30 – faced uncharted territory in raising six babies simultaneously and faced enormous bills, too, first needing to find a house that would accommodate them all.

The sextuplets made the cover of Gente
when they began to attend school

They received help from the Tuscan regional government, while Rosanna’s revelation that she had to wash at least five loads of clothes every day prompted a major detergent company to propose a television advertising campaign for their products featuring the Giannini family.

The multiple pregnancy came about after Rosanna, desperate to start a family with Franco after being married in 1976, had been given hormone treatment after fearing she was entering an unnaturally early menopause.

She became pregnant in April 1979 but after feeling unwell during a particularly hot summer that year she was admitted to hospital for tests.  There she underwent an ultrasound scan and was astonished when the nurse carrying out the scan told her she was expecting twins, then spotted the third, fourth, fifth and sixth babies.

Her gynaecologist told her to keep her news a secret to avoid media attention ahead of the event but once the babies arrived there was no keeping it quiet.  By an amazing coincidence, the only other surviving sextuplets in the world at that time had been born in South Africa on January 11, 1974.

The six Giannini children – Letizia, Linda, Fabrizio, Francesco, Giorgio and Roberto – all weighed between 2lb 9oz (1.16kg) and 3lb 12oz (1.7kg) and thrived through childhood and adolescence, although Francesco came through a difficult time when he developed a serious kidney problem as a 19-year-old.

He slipped into a coma for a while and Rosanna credits the intervention of Don Alvaro, the parish priest of nearby Arezzo, who visited him in hospital and performed a blessing with the relics of Padre Pio, the much-venerated saint, for bringing about his recovery.

Rosanna pictured in 2015, aged 64, when her
famous sextuplets turned 35

Media interest in the family naturally tailed off after a number of years but in 2015, on the occasion of the children’s 35^th birthday, Rosanna gave an interview to the Italian newspaper La Stampa in which she lamented the fact that, despite four of the six obtaining degrees and the other two passing their high school exams, only Giorgio, a business economics graduate, had a permanent job, as an auditor for a company in Florence.

Of the others, Linda and Letizia, both graduates, were teaching but only on temporary contracts, Roberto had a job in a textile factory and Fabrizio, the other graduate, was working in a shopping mall with no job security.  Francesco had recently been laid off from his office job.

“In a way my children are emblematic of today’s Italy,” she said. “Four have degrees, the other two have high school certificates, and yet four do not have permanent or stable jobs.”

She and Franco had, though, become grandparents for the first time thanks to the arrival in 2014 of Letizia’s son, Tommaso.

The hilltop town of Bibbiena

Travel tip:

Bibbiena is an ancient town situated on a hill overlooking the Archiano river with a well-preserved medieval centre not well known to tourists but which contains a number of attractive palaces and churches, including the 14^th century Chiesa di San Lorenzo and the 12^th century Chiesa di Santi Ippolito e Donato. The town is surrounded by typical Tuscan countryside of rolling hills dotted with characteristic larch, beech and fir trees.  The town has a strong tradition of producing pecorino cheese.

Arezzo's sloping Piazza Grande

Travel tip:

The city of Arezzo is well worth including in any Tuscan itinerary. Its central square, the sloping Piazza Grande, is as beautiful as any in Italy, while the city’s Duomo has painted vaulted ceilings and a 15th-century fresco of Mary Magdalene by Piero della Francesca. The Basilica di San Francesco has a chapel decorated with more Piero frescoes and inside the Basilica di San Domenico can be found a 13th-century Crucifix painted by Cimabue.  Piazza Grande hosts a large antiques fair every month and an annual medieval festival entitled the Saracen Joust, which features “knights” on horseback representing different areas of the city.

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Pina Menichelli – silent movie star

Screen diva who enjoyed worldwide fame

Pina Menichelli in one of the extravagant
costumes she wore in Il Fuoco

The actress Pina Menichelli, who became one of the most celebrated female stars of the silent movie era, was born on this day in 1890 in Castroreale, a village in northeast Sicily.

Menichelli’s career was brief – she retired at the age of just 34 – but in her last eight or nine years on screen she enjoyed such popularity that her films played to packed houses and she commanded a salary that was the equivalent of millions of euros in today’s money.

Without words, actors had to use facial expressions and body movements to create character in the parts they were playing and Menichelli, a naturally beautiful woman, exploited her elegance and sensuality to the full, at times pushing the limits of what was acceptable on screen.

In fact, one of her films, La Moglie di Claudio (Claudio’s Wife) was banned by the censors for fear it would offend sensitivities, particularly those of the Catholic Church.

Generally cast in the role of femme fatale, Menichelli thus became something of a sex symbol in the years after the First World War and there was considerable shock when she announced abruptly in 1924 that she was quitting the film industry for good.

Born Giuseppa Iolanda Menichelli, she came from a theatrical background.  Her parents, Cesare and Francesca, were touring theatre actors, part of a dynasty of performers that included Nicola Menichelli, an 18^th century comedian. Two sisters and a brother also became actors.

Menichelli and Amleto Novelli in the film Padrone
delle Ferriere directed by Eugenio Perego

She grew up on the road. She went to school in Bologna in northern Italy and joined a theatre company to tour Argentina as a teenager in 1908.

While she was living in Buenos Aires she met and married Libero Pica, an Italian journalist who was based there, and had two sons, the first of whom, sadly, survived only a few days.

Had things worked out differently, her big-screen career might never have happened, but after she became pregnant for a third time the couple separated and she returned to Italy. Her third child, a daughter, was born in Milan in 1912.

In 1913, with the Italian film industry still in its infancy, Menichelli signed up with the Rome studio Cines, and between 1913 and 1915 made 35 movies, graduating from small parts in short films to lead roles in features.

She was climbing the ladder towards fame, having earned favourable comparisons with Lydia Borelli and Francesca Bertini, the most famous Italian actresses of the day, when she moved to Itala Films of Turin, lured there by the director, Giovanni Pastrone, who saw in her the potential to become a star.

Giovanni Pastrone recognised Pina
Menichelli's star potential

He gave her the lead role in a film entitled Il Fuoco (The Fire), about the tempestuous love affair between an aristocratic poet (Menichelli) and an impoverished painter (Febo Mari), which was critically acclaimed and became a global success.

Her next role, as a glamorous Russian countess pursued by an amorous diplomat (Alberto Nepoti), in Pastrone’s Tigre Reale (Royal Tiger), had critics trying to outdo one another in the extravagance of their praise, referring to her “erotic charge, seductive glances and provocative body movements.”

One critic, noting Menichelli's propensity for writhing poses and sudden, dramatic movements, rather unflatteringly dubbed her "Our Lady of the Spasms."

It established Menichelli as the biggest star of all the divas of Italy’s silent movie scene and her salary catapulted almost overnight from around 12,000 lire per year working for Cines to move than 300,000 lire per year at Itala.

In 1919, she took the bold decision to leave Pastrone and Itala Films in order to sign up with Rinascimento Film of Rome, a company set up specifically for her by Baron Carlo d’Amato, who would later become her second husband.

The Italian film industry was beginning to struggle as the economic hardships of the 1920s began to take hold, yet by targeting foreign markets D’Amato was able to buck the trend and Menichelli continued to enjoy success.

La Storia di Una Donna won
critical acclaim for Menichelli

She was also given a platform to show off a different range of acting talents by a director willing to experiment.  His 1920 feature La Storia di Una Donna starred Menichelli as a mystery woman taken unconscious with gunshot wounds to a hospital, where a detective trying to identify her finds a diary telling the story of her life, which is then played out for the audience as a series of extended flashbacks, a technique at the time that was highly unusual.

Menichelli made a total of 13 films for D’Amato, rounding off with a couple of light-hearted comedies before the two were married in 1924, following the death of her first husband, who had always refused to allow their marriage to be annulled.

It was then that she announced she was not only retiring but turning her back on the cinema to the extent that she wished almost to erase it from her life, destroying every photograph, poster and programme she possessed and making it known that approaches from journalists, biographers or cinema historians who might wish to chronicle her career would not be welcome.

Wealthy enough never to have to worry about money, she seemingly wanted nothing but to resume the life of a housewife and mother that was denied to her when she parted acrimoniously from her first husband.  The image of a “vamp”, a femme-fatale, a sex symbol, she felt was incompatible with that of a good wife.

She lived the remainder of her life – another 60 years – out of the spotlight, outliving her husband and dying in relative obscurity in Milan in 1984 at the age of 94.

The hilltop town of Castroreale in Sicily

Travel tip:

Castroreale, where Pina Menichelli was born, is a hilltop village in northeast Sicily about 9km (5.5 miles) inland and 30km (19 miles) southwest of the city of Messina. It is notable for having 80 churches – roughly one for every 35 residents.  Notable among these are the 15^th century Duomo di Santa Maria Assunta, with its Mannerist façade with Baroque and classical decorations, the church of the Candelora on Via Umberto I, which contains a 17^th century wooden altar with carvings attributed to Giovanni Siracusa.  Two art collections, housed in the former church of Santa Maria degli Angeli, and in the Civic Museum, are worth a visit.

The Villa della Regina was a palace of the House of Savoy

Travel tip:

The studios of Itala Film, where Menichelli found fame, were in Via Luisa del Carretto, a street in Turin in the neighbourhood of Gran Madre, a quiet residential area across the Po river from the main part of the city yet only five or 10 minutes from the centre.  Nearby is the Villa della Regina, a 17^th century palace designed by Ascanio Vitozzi for the House of Savoy.

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Massimiliano Fuksas – architect

Brilliant designs illuminate cities worldwide

Massimiliano Fuksas is one of Italy's foremost
architects of the modern era

The international architect Massimiliano Fuksas, whose work has influenced the urban landscape in more than a dozen countries across the globe, was born on this day in 1944 in Rome.

The winner of multiple awards, Fuksas sits alongside Antonio Citterio and Renzo Piano as the most important figures in contemporary Italian architectural design.

His Fuksas Design company, which has its headquarters in a Renaissance palace near Piazza Navona in Rome, also has offices in Paris and in Shenzhen, China, employing 140 staff.

Among more than 600 projects completed by the company in 40 years, those that stand out include Terminal Three at the Shenzhen Bao’an International Airport in China, the New National Archives of France at Pierrefitte sur Seine-Saint Denis, the Peres Peace House in Tel Aviv,  the Zenith Music Hall in Strasbourg, the Armani Ginza Tower in Tokyo, the Italian Space Agency headquarters in Rome and the FieraMilano Trade Fair complex on the outskirts of Milan.

Ongoing projects include the new EUR Hotel and Conference Centre in Rome, the Duomo metro station in Naples, the Australia Forum centre in Canberra, Australia and the Rhike Park music theatre and museum complex in Tbilisi, Georgia.

Fuksas, who had a Lithuanian father and an Italian mother of Austrian heritage, wanted to be an artist and in the early 1960s would work in the studio of the painter Giorgio de Chirico, who had been the founder of the Scuola Metafisica in Italian art in the early part of the century, which had similarities with the Surrealism movement that emerged in Paris at around the same time.  

Fuksas's Zenith Music Hall in Strasbourg resembles
a giant paper lantern 

He spent time in London with Archigram, a group of avant-garde architects, and also visited Copenhagen before returning to Rome to enrol at Sapienza University, where he graduated in architecture in 1969.

Setting up a studio with his first wife, Anna Maria Sacconi, in the 1970s he worked on many public sector projects in Lazio, particularly in the towns of Anagni and Paliano.

Fuksas’s reputation began to grow after a leading architecture magazine in France ran a feature about his municipal gymnasium project in Paliano, famous for a façade that appears to have become detached from the main building and leans at a seemingly precarious angle.  It led him to be invited to exhibit at the Paris Biennial of 1982.

Since 1985 he has shared a professional as well as personal relationship with Doriana Mandrelli, a designer from Rome who graduated from Sapienza University in 1979. She became his second wife and is the mother of his three daughters, Elisa, Lavinia and Priscilla.

The FieraMilano site is notable for its
undulating mesh roof

By the 1990s, major international projects were keeping Fuksas continuously busy, including the Twin Tower office and residential development in Vienna, the Europark retail complex in Salzburg and the modernisation of the PalaLottomatica sports venue in Rome’s EUR district.

In 2004, the new headquarters and research centre for Ferrari at Maranello in Emilia-Romagna and the Nardini Research Centre at Bassano del Grappa in the Veneto were completed, followed the following year by the FieraMilano site between the suburbs of Rho and Pero.

With Doriana running the business, a lucrative deal was struck with Armani to revamp some stores and construct new ones, among the most eye-catching being the Armani Ginza Tower in Tokyo.

Although he has moved away from the bizarre and surrealistic, into which category the façade of the Paliano gymnasium fell, Fuksas still wanted his buildings to have a bold visual impact and would use conventional materials to create unusual effects.

For example, he wanted the roof of the FieraMilano to resemble draped cloth and achieved this with an undulating mesh of steel and glass.  With the circular Zenith Music Hall in Strasbourg, the use of an irregular steel frame covered with a translucent textile membrane creates the impression, especially at night, of a giant lantern.

The terminal Fuksas designed for Shenzen Bao'an
International airport in China

The airport terminal in Shenzen, which Fuksas designed after winning a competition from a field that included the British architectural star Sir Norman – now Lord – Foster, itself resembles the frame of an aeroplane.

Fuksas and his family divide their time between homes in Rome, where they have a substantial apartment overlooking Castel Sant’Angelo, and in Paris, where their residence is on the fashionable Place de Vogues in the Marais neighbourhood.

Unlike some architects obsessed with modernity, Fuksas is respectful of history.  In fact, he says he would do nothing with the traditional historic centres of Italian cities except turn them into clean and airy pedestrian zones, empty of traffic except for metro trains and non-polluting buses and trams, beginning with Rome and Naples.

Fuksas's design for the facade of a gymnasium complex
in the town of Paliano was bizarre but drew attention

Travel tip:

The medieval hill town of Anagni, full of steep, narrow streets offering shade from the summer sun, used to be popular with Roman emperors as a cooler, fresher place to which to retreat from the oppressive heat of the summer.  It also produced four popes, all from the Conti family.  Paliano is among the smaller, neighbouring towns and villages.

Rome's cylindrical Castel Sant' Angelo seen across the
bridge over the Tiber river

Travel tip:

Once the tallest building in Rome, the distinctively cylindrical Castel Sant’Angelo was originally commissioned by the Emperor Hadrian to be built on the right bank of the Tiber as a mausoleum for him and his family, although it was later used by the popes as a fortress and castle.  An urn containing Hadrian's ashes was placed there a year after his death in 138, together with those of his wife Sabina, and his first adopted son, Lucius Aelius. The remains of subsequent emperors were also placed there, the last recorded deposition being Caracalla in 217, although after the building’s conversion to military use it became a target for Visigoth looters in the fifth century and most of the urns were destroyed and their contents randomly scattered.

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Maria Teresa de Filippis – racing driver

Pioneer for women behind the wheel

Maria Teresa de Filippis in 1958

The racing driver Maria Teresa de Filippis, who was the first woman to compete in a Formula One world championship event and remains one of only two to make it on to the starting grid in the history of the competition, died on this day in 2016 in Gavarno, a village near Bergamo in Lombardy.

De Filippis, a contemporary of the early greats of F1, the Italians Giuseppe Farina and Alberto Ascari and the Argentine Juan Manuel Fangio, qualified for the Belgian Grand Prix in June 1958 and finished 10^th.

She made the grid for the Portuguese and Italian Grands Prix later in the year but had to retire from both due to engine problems. 

She managed only six laps in the former but was unlucky not to finish in the latter event at Monza, where she completed 57 of the 70 laps. Although she was at the back of the field, 13 other cars had retired earlier in the race and she would therefore have finished eighth.

These were her only F1 races. The following year she turned her back on the sport following the death of her close friend, the French driver Jean Behra, in a crash in Germany. Only a year earlier, her former fiancé, the Italian driver Luigi Musso, had also been killed.

De Filippis prepares to take the wheel outside the Maserati
garage during the 1958 season

De Filippis came from a wealthy background, born in Naples in 1926 and brought up in the 16^th century Palazzo Marigliano. Her family, with aristocratic roots, also owned the Palazzo Bianco in Caserta.

A keen horsewoman, she also loved skiing and tennis as a teenager but took up car racing in order to prove a point to her two older brothers, Antonio and Giuseppe, who had teased her about her prowess at the wheel.

Determined to prove them wrong, at 22 she entered her first race, a hill climb between the port of Salerno and the town of Cava di Tirreni, 10km (6 miles) inland, and won.

Finding, to her surprise, that she had no fear behind the wheel she quickly progressed to sports car events, finishing second in the 1954 Italian sports car championship.

It was at the sports car race that accompanied the 1956 Naples Grand Prix that De Filippis caught the eye.  Driving a works-entered Maserati 200S on a circuit that followed the walled streets and tree-lined boulevards of Posillipo, an upmarket residential area of her home city, she started at the back of the grid after missing practice but worked her way through the field to finish second.

Maria Teresa de Filippis pictured at the age of 88

The invitation to compete in Formula One soon followed and it was in the Maserati 250F, the same car that took Fangio to his fifth world title the previous year, that she made her historic debut at the Spa-Francorchamps circuit.

Although a woman in motorsport was not a new phenomenon – the French driver and aviator Camille du Gast had taken part in the 1901 Paris to Berlin rally – Formula One was a wholly male-dominated world and there were considerable barriers to overcome.

Stirling Moss, the British driver she considered a friend, doubted whether a woman had the strength to handle an F1 car at speed, while the director of the French Grand Prix at Reims that followed the Belgian race allegedly barred her from taking part, telling her – in her words – that “the only helmet a woman should wear is the one at the hairdressers.”

It was at the French Grand Prix that Luigi Musso died. Although they had broken off their engagement and he had a new girlfriend, his death hit De Filippis hard nonetheless and made her think about whether she wanted to continue.

As the only female driver, she was never short of attention, but one of the fans to whom she was introduced at her Monza appearance in 1958, an Austrian textile chemist by the name of Theodor Huschek, made a bigger impression than others.

The iconic Maserati 250F

She bumped into him again in Istanbul the following year and after meeting for a third time on a skiing trip they became engaged and married. After living in Austria and Switzerland they moved to Cortina d’Ampezzo in the Dolomites, then to Rome and next Capri, the idyllic island in the Bay of Naples.

They had a daughter, Carola, and settled in Bergamo area when Theodor began working for the Legler textile firm in Ponte San Pietro, to the northwest of the city. They settled in Gavarno, a village between Scanzorosciate and Nembro.

Despite De Filippis having broken new ground for women in motor racing, the only other female driver to participate in a Formula One race is Lella Lombardi, her fellow Italian, who started 12 times between 1974 and 1976.

In later life, De Filippis was vice-president of the International Club of Former F1 Grand Prix Drivers.

The facade of the Palazzo Marigliano

Travel tip:

The Palazzo Marigliano, built in the early 16^th century, is the former home of Andrea de Capua, the fourth Count of Altavill and the chief legal executive for the Kingdom of Naples. It was refurbished in the 1750s with frescoes by Francesco de Mura and paintings by Giovanni Battista Maffei. It can be found right in the heart of the city in Via San Biagio dei Librai, which forms part of the historic Spaccanapoli, the narrow, straight thoroughfare that runs in a 2km (1.25 miles) diagonal across the city. Today the beautiful inner courtyard hosts artisan workshops and part of the palace is given over to apartments.

Gavarno is situated in a wooded valley near Bergamo

Travel tip:

Gavarno is a village of some 1,200 residents a few kilometres to the northeast of Bergamo overlooking the stream of the same name that joins the Serio river at nearby Nembro. Built largely on a gentle hillside, it is in an area popular with walkers, offering pleasant woodland paths. Between Gavarno and Nembro there is a interesting modern church, consecrated only in 2000, dedicated to Pope Giovanni XXIII, who hailed from Sotto il Monte in Bergamo province.

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