28 May 2018

Caravaggio and a death in Campo Marzio

Hot-tempered artist killed man in Rome in row over a woman


Caravaggio was a brilliant painter but had a reputation for violence
Caravaggio was a brilliant painter but had
a reputation for drunken violence
The brilliant late Renaissance artist Caravaggio committed the murder that would cause him to spend the remainder of his life on the run on this day in 1606.

Renowned for his fiery temperament and history of violent acts as well as for the extraordinary qualities of his paintings, Caravaggio is said to have killed Ranuccio Tomassoni, described in some history books as a ‘wealthy scoundrel’, in the Campo Marzio district of central Rome, not far from the Piazza Monte D'Oro.

The incident led to Caravaggio being condemned to death by order of the incumbent pope, Paul V, and then fleeing the city, first to Naples, eventually landing in Malta.

It was thought that the two had a row over a game of tennis, which was gaining popularity in Italy at the time, and that the dispute escalated into a brawl, which was not unusual for Caravaggio. The story was that Tomassoni wounded the painter in some way, at which Caravaggio drew a sword and lashed out at his rival, inflicting a gash in the thigh from which he bled to death.

This was accepted by historians as a plausible story for almost 400 years until evidence emerged to challenge the theory in 2002, when papers unearthed in a search of Vatican and Rome state archives suggested a different explanation.

According to the English art historian Andrew Graham-Dixon, who revealed the findings in a BBC television documentary, Caravaggio killed Tomassoni in a botched attempt to castrate him.

Caravaggio among the narrow crowded streets of the Campo Marzio district
Caravaggio lived among the narrow
streets of the Campo Marzio district
The evidence had been turned up by Monsignor Sandro Corradini, an Italian art historian with a particular interest in Caravaggio, who found a surgeon’s report written on the day of Tomassoni’s death.

Maurizio Marini, another historian, told Graham-Dixon in the documentary that the surgeon’s report described a fatal wound to Tomassini’s femoral artery and surmised that Caravaggio was probably trying to castrate him.

Such barbaric acts were relatively common in Rome at the time, part of a ‘code of honour’ that dictated that if a man was insulted by another man he would cut his face, but that if a man’s woman was insulted then the man delivering the insult could expect a different part of his anatomy to be under threat.

The woman at the heart of their row was said to be Fillide Melandroni, who had allegedly succumbed to Caravaggio’s charms after he was asked to paint her for an Italian nobleman. It is thought that she was a prostitute and that Tomassino was her pimp.

It is little wonder, after he had been found guilty of murder, that Caravaggio was not keen to hang around. The sentence was beheading. Worse still, from the artist’s point of view, the sentence allowed for any member of the public, on spotting Caravaggio, to carry out the sentence themselves, on the spot.

In the event, Caravaggio escaped, yet died only four years later in mysterious circumstances. Official records said that he fell victim to a fever at Porta Ercole, on the Tuscan coast, but no records exist of a funeral or a burial and it is suspected that he himself may have been murdered, either by relatives of Tomassino or representatives of the ancient order of the Knights of Malta, avenging the maiming of one of their members in another brawl involving the painter, in Malta.

Caravaggio's David with the Head of Goliath. painted shortly before he died in 1610
Caravaggio's David with the Head of Goliath.
painted shortly before he died in 1610
Shortly before he died, while lying low in Naples with the intention of returning to Rome to seek clemency, he completed his David with the Head of Goliath, in which the severed head of the giant bears his own facial features, while David is given an expression of compassion for his victim.

Born Michelangelo Merisi in Milan in 1571, Caravaggio became known by the name of the town, in the province of Bergamo, where his family settled after leaving Milan to escape an outbreak of plague.

His work became famous for his realistic observation of the physical and emotional state of human beings and for his dramatic use of light and shade, known as chiaroscuro, which gave his paintings an almost three-dimensional quality. This was a formative influence for the baroque school of painting.

Some of his major works, such as The Calling of St Matthew, The Crucifixion of St Peter and Deposition, can be found in churches in Rome, but his work is also well represented in the Uffizi gallery in Florence.

The Sanctuary of the Madonna in Caravaggio
The Sanctuary of the Madonna in Caravaggio
Travel tip:

In addition to its connection with the artist, another attraction of the town of Caravaggio is the Sanctuary of the Madonna di Caravaggio, which was built in the 16th century on the spot where the Virgin Mary is said to have appeared to a local peasant woman.  The Sanctuary was later rebuilt and completed in the 18th century and is now visited by pilgrims from all over the world.  The town did have a theatre named after Caravaggio that was held in high regard but it was destroyed during the Second World War.

The Piazza del Popolo is among the highlights of Campo Marzio
The Piazza del Popolo is among the highlights of Campo Marzio
Travel tip:

Campo Marzio is Rome’s 4th rione - district - situated in the centre of Rome, comprising an area that includes Piazza di Spagna and the Scalinata di Trinità dei Monti - otherwise known as the Spanish Steps - and Piazza del Popolo, as well as the fashion district with the Via dei Condotti at its centre, overlooked by the Pincian Hill.  During the Middle Ages it was the most densely populated quarter of the city. It is bordered by the Tiber, the Quirinal hill in the north and the Capitoline Hill.

More reading:

The mysterious death of Caravaggio

Also on this day:

1987: The birth of Leandro Jayarajah, former member of the Italy national cricket team

1999: Da Vinci's The Last Supper goes back on display after 20-year restoration

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27 May 2018

Giuseppe Tornatore - writer and director

Oscar winner for Cinema Paradiso


Giuseppe Tornatore set many of his films in his native Sicily
Giuseppe Tornatore set many of his films
in his native Sicily
The screenwriter and director Giuseppe Tornatore, the creator of the Oscar-winning classic movie Cinema Paradiso, was born on this day in 1956 in Bagheria, a small town a few kilometres along the coast from the Sicilian capital Palermo.

Known as Nuovo Cinema Paradiso in Italy, Tornatore’s best-known work won the award for Best Foreign Language Film at the 62nd Academy Awards following its release in 1988.

The movie, written by Tornatore, tells the story of Salvatore, a successful film director based in Rome who returns to his native Sicily after hearing of the death of the man who kindled his love of the cinema, the projectionist at the picture house in his local village, who became a father figure to him after his own father was killed on wartime national service.

Much of the film consists of flashbacks to Salvatore’s life as a child in the immediate post-war years and there is a memorable performance by Salvatore Cascio as the director’s six-year-old self, when he was known as Toto, as he develops an unlikely yet enduring friendship with Alfredo, the projectionist, played by the French actor Philippe Noiret.

The movie is accompanied by a wonderful soundtrack by the composer Ennio Morricone, whose haunting theme captures the beautiful poignancy of the movie.

Morricone worked with Tornatore on many of his films, including two other magically crafted works in Baarìa, set in his home town of Bagheria, and Malèna, which has the model and actress Monica Bellucci in the title role, another Sicilian story of a 12-year-old boy’s obsessive love for a beautiful young woman.

Philippe Noiret and Salvatore Cascio in one of the most famous screenshots from Nuovo Cinema Paradiso
Philippe Noiret and Salvatore Cascio in one of the most
famous screenshots from Nuovo Cinema Paradiso
Tornatore initially worked as a photographer, seeing his efforts published in various photographic magazines. By the age of 16, he staged had staged two plays, by Luigi Pirandello and Eduardo De Filippo, and then began making documentary films for TV, beginning a long association with Rai in his early 20s.

In 1986 he made his debut in feature films with Il camorrista, starring the American actor Ben Gazzara, taken from a book by Giuseppe Marrazzo about a petty criminal in Naples, Raffaele Cutolo, who uses a spell in the Poggioreale prison to form the mafia organisation Nuova Camorra Organizzata, which would go on to become one of the most powerful criminal groups in Italy.  The movie earned him a Silver Ribbon as best new director from the Italian National Syndicate of Film Journalists.

Cinema Paradiso was only his second film, confirming the arrival of a new talent to rival some of the greats of the post-War era of Italian cinema, although the movie was almost written off as a flop.  When it was released in Italy in 1988, it did little to excite Italian audiences and takings were poor.

Yet the manager of a small cinema in Sicily, who had warmed to its theme, kept it on, inviting cinema-goers to watch it for nothing and then pay at the end if they liked it.  The offer was taken up in increasing numbers and gradually the film acquired almost a cult following. It won the Grand Jury Special Prize at the 1989 Cannes Film Festival, which gave it the springboard that would eventually lead to the Oscars the following year.

Tornatore’s body of work is not huge, amounting to only a dozen feature films in more than 30 years. The love of his native Sicily is a recurring theme and inevitably his movies are beautifully crafted.

In addition to the Oscar and Golden Globe for Cinema Paradiso, Tornatore has won four Best Director awards at the David di Donatellos - the premier awards ceremony in Italy - for L’uomo delle stelle (The Star Maker, 1986), La leggenda del pianista sull'oceano (The Legend of 1900, 1998), La sconoscuita (The Unknown Woman, 2006) and his English language film The Best Offer (2013).

The Villa Cattolica is one of Bagheria's characteristic Baroque villas. It now houses a museum.
The Villa Cattolica is one of Bagheria's characteristic
Baroque villas. It now houses a museum.
Travel tip:

Just 15km from Palermo in a southeast direction along the coast, Bagheria, which occupies an elevated position a short distance from the sea, has an atmosphere of a traditional Sicilian town and as well as featuring both in Cinema Paradiso and Baarìa - which is its Sicilian dialect name - it was also used for some scenes in The Godfather Part III. In the 17th and 18th centuries, it was a favoured by the aristocracy of Palermo as somewhere to spend the summer, the legacy of which is some 20 or more Baroque villas that add to the town’s charm.

The Greek Theatre in Taormina is a regular venue for open-air concerts in the summer months
The Greek Theatre in Taormina is a regular venue for
open-air concerts in the summer months
Travel tip:

Very much mimicking the Oscars, the David di Donatello awards were conceived in 1955 as a way to recognise the best of Italian cinema and promote the movie industry. Like the Oscars, the award itself is a gold-plated statuette, in this case a replica of the statue of David sculpted by Donatello, probably in around 1430-40, and currently housed in the Bargello museum in Florence. Between 1957 and 1980, the awards were presented at the open air Greek Teatre in Taormina.

Also on this day:

1508: The death of Lucrezia Crivelli, the 'mystery' woman of a Da Vinci painting

1944: The birth of Bruno Vespa, the face of Italy's long-running late night politics show Porta a Porta

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26 May 2018

Luca Toni - World Cup winner

Striker one of stars of 2006 triumph in Germany


Luca Toni with the World Cup in 2006. The hand gesture is the one he habitually made after scoring a goal
Luca Toni with the World Cup in 2006. The hand gesture
is the one he habitually made after scoring a goal
The footballer Luca Toni, who played an important role in Italy’s achievement in winning the soccer World Cup in Germany in 2006, was born on this day in 1977 in the small town of Pavullo nel Frignano in Emilia-Romagna.

Toni scored twice in Italy’s 3-0 victory over Ukraine in the quarter-finals before starting as the Azzurri’s main striker in both the semi-final triumph over the hosts and the final against France, in which they eventually prevailed on penalties. Toni hit the bar with one header and saw another disallowed for offside in the final.

The goals were among 16 he scored in 47 appearances for the national team but it was his remarkable club career that makes him stand out in the history of Italian football.

A muscular 6ft 4ins in height and hardly the most mobile of forwards, he was never seen as a great player, more an old-fashioned centre forward of the kind rarely seen in today’s game.

Yet between his debut for his local club, Modena, in 1994 and his retirement in 2016 following his final season with Hellas Verona, Toni found the net 322 times in club football, which makes him the fourth most prolific goalscorer among all Italian players. Most times, he celebrated by shaking his hand near his right ear, which he once explained began as meaning 'listen up - I just scored a goal!'

Toni in the colours of Fiorentina, for whom he scored 31 goals in the 2005-06 season
Toni in the colours of Fiorentina, for whom
he scored 31 goals in the 2005-06 season 
He scored more career goals indeed than Roberto Baggio, Francesco Totti and Gianluca Vialli, all of whom would probably figure in most fans’ idea of an Italian ‘hall of fame’. More too than the prolific Juventus and AC Milan star Filippo Inzaghi.

Of his contemporaries, only Alessandro del Piero (346) scored more, while historically he doffs his cap only to Silvio Piola (364) and the Internazionale legend Giuseppe Meazza (338).

In a nomadic career that saw him wear the colours of 13 different Italian clubs - plus one in Germany and one in Dubai - Toni was twice the capocannoniere - top scorer - in Serie A, hitting 31 goals for Fiorentina in 2005-06, which was the biggest individual tally in Italy’s top division for 47 years, and then sharing the honour with Inter’s Mauro Icardi some nine years later, in the 2014-15 season, when he scored 22 for Hellas Verona.

Toni did not make his Serie A debut until he was 23, by which time he had already played for five clubs in six seasons in the lower divisions.  He made his first start in the top flight for Vicenza and subsequently played alongside Baggio and Pep Guardiola at Brescia.

It was with Palermo in Serie B that Toni made his first real impact as a goalscorer. He scored 30 times as the Sicilian club won promotion in 2004 to end an absence of more than 30 years from Serie A and a further 20 the following season as the Rosanero qualified for the UEFA Cup for the first time in their history.

Toni was the No 9 for the Azzurri in the 2006 World Cup final
Toni was the No 9 for the Azzurri
in the 2006 World Cup final
Those goals brought his first call-up for the Azzurri and a big-money move to Fiorentina, where his goals in 2005-06 propelled Fiorentina to fourth place and qualification for the Champions League, although the place was rescinded after Fiorentina were caught up in the calciopoli match-fixing scandal.

Toni showed great loyalty to the fallen club, offering to stay with them even after they were ordered to start the following season in Serie B, a sentence commuted on appeal to a 15-points deduction in Serie A.  When he left at the end of the 2007 season it was only because an approach from Bayern Munich in Germany allowed him to keep his pledge of not joining a rival Italian club.

His first season in the Bundesliga was a huge success, his 24 goals helping Bayern win the title. He also scored both goals as Bayern beat Borussia Dortmund 2-1 to add the German Cup and complete the double. Despite an ankle injury keeping him out for a long spell, he still managed 14 goals in his second season.

After falling out with manager Louis Van Gaal midway through the 2009-10 season, Toni was on the move again, spending brief spells with Roma, Genoa, Juventus, Al Nasr in Dubai and Fiorentina again. It looked like his career was drawing to a close but then newly-promoted Verona took a gamble by offering him a one-year contract to play on beyond his 37th birthday.

It paid off handsomely as Toni enjoyed a renaissance, rediscovering his old deadliness in the penalty area to score 20 goals in the 2013-14 season and 22 in the 2014-15 campaign, by the end of which he was 38, when his 22 goals made him the oldest capocannoniere in the history of Serie A.

Toni (left) and his teammate Miroslav Klose  in the Bayern Munich team in 2007-08
Toni (left) and his teammate Miroslav Klose
in the Bayern Munich team in 2007-08
His retirement at the end of the 2015-16 season came with a fairytale ending in a 2-1 home win over already-crowned Serie A champions Juventus, in which he scored Verona’s first goal with a penalty taken in the so-called Panenka style, chipped delicately into the centre of the goal after the goalkeeper commits himself to diving left or right.

After retirement, Toni took courses with a view to remaining at Verona as director of football but left in 2017 and has more recently worked as a pundit.

Married to the model Maria Cecchetto, with whom he has two children, he was back on a football pitch earlier this month in a star-studded testimonial for the great Azzurri midfielder Andrea Pirlo, getting on the scoresheet as usual as the match ended 7-7.

The Castle of Montecuccolo at Pavullo nel Frignano
The Castle of Montecuccolo at Pavullo nel Frignano
Travel tip:

Pavullo nel Frignano, where Luca Toni was born, is a town of around 17,000 inhabitants in the Modenese Apennines. It is home to the medieval Castle of Montecuccolo, birthplace of the 17th century condottiero - mercenary - Raimondo Montecuccoli. Pavullo sadly suffered extensive damage during the Second World War because of its proximity to the German defences on Gothic Line.

The Arena di Verona hosted a football match in the early days of the local football team, Hellas Verona
The Arena di Verona hosted a football match in the early
days of the local football team, Hellas Verona
Travel tip:

Toni’s final team, Hellas Verona, acquired its name after it was founded in 1903 by a group of students from the prestigious local lyceum, where a classics professor put forward the name Hellas, which is the Greek equivalent of the Latin word patria, meaning homeland. The city was largely indifferent towards football at first but the Veronese began to take more of an interest after the club staged a game against their local rivals Bentegodi in the city's Roman amphitheatre, now famous as the Arena di Verona, attracting national media attention.

Also on this day:

1805: Napoleon Bonaparte crowned King of Italy

1955: Formula One motor racing champion Alberto Ascari tragically dies in a crash at Monza

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25 May 2018

Padre Pio – Saint

Capuchin friar is claimed to have cured cancer


Padre Pio has become one of the most popular saints in history
Padre Pio has become one of the most
popular saints in history
Padre Pio, who has become one of the world’s most famous and popular saints, was born on this day in 1887 in Pietrelcina in Campania.

He was well-known for exhibiting stigmata, marks corresponding to the crucifixion wounds of Jesus, constantly making him the subject of controversy.

Padre Pio has said that at five years old he decided to dedicate his life to God and as a youth he reported experiencing heavenly visions and ecstasies. At the age of 15 he was admitted to the novitiate of the Capuchin Order, taking the name of Fra Pio, in honour of Pope Pius I.

He suffered from poor health for most of his life and fellow friars say he often appeared to be in a stupor during prayers. One claimed to have seen him in ecstasy, levitating above the ground.

In 1910 he was ordained a priest and moved to a friary in San Giovanni Rotondo in Foggia.

He was called up to serve in the Italian army during the First World War and assigned to the medical corps in Naples, but because of his poor health he was declared unfit for service and discharged.

In 1918 he exhibited stigmata for the first time while hearing a confession. This was to continue until his death 50 years later.

A photograph of the young Padre Pio and his stigmata
A photograph of the young
Padre Pio and his stigmata
Critics have accused him of faking the stigmata by using carbolic acid to make the wounds.

The historian Sergio Luzzato claimed in one of his books that there is a document in the Vatican archives recording that Padre Pio once requested carbolic acid from a pharmacist. The Church later dismissed this allegation, claiming Padre Pio used the acid as a sterilising agent before administering injections to combat Spanish Flu.

To try to reduce the publicity surrounding Padre Pio, the Vatican introduced sanctions forbidding him from saying mass in public and displaying his stigmata. But after a while they cancelled these, allowing pilgrims from all over the world to visit him and many later claimed they had been healed by him.

The young Karol Wojtyla visited Padre Pio while studying in Italy. An Austrian cardinal has said Father Wojtyla confided in him that Padre Pio had told him he would one day ascend to the highest post in the church.

During the visit, the future Pope John Paul II had asked Padre Pio to pray for one of his friends in Poland who was suffering from cancer. It was later discovered the friend’s cancer was in spontaneous remission and doctors could find no explanation for this.

Padre Pio's cell at the San Giovanni Rotondo friary
Padre Pio's cell at the San Giovanni Rotondo friary
In 1968, Padre Pio died at the age of 81 in his cell at San Giovanni Rotondo. After his death the marks on his body completely disappeared.

Padre Pio was beatified in 1999 and canonised in 2002 by Pope John Paul II.

There are now more than three thousand Padre Pio prayer groups with an estimated three million members, and parishes all over the world have been dedicated to him.

Among his devotees is the newly-installed Prime Minister of Italy, Giuseppe Conte, who was born near Foggia and attended a classical lyceum in San Giovanni Rotondo.

The village of Pietralcina in Campania, Padre Pio's birthplace
The village of Pietrelcina in Campania, Padre Pio's birthplace
Travel tip:

Padre Pio is now known as Saint Pio of Pietrelcina in recognition of his birthplace, a small farming village in the province of Benevento in the Campania region of Italy.  His feast day is celebrated on September 23, the date of his death. He is the patron saint of Pietrelcina, and also of Italy, Malta, civil defence volunteers, adolescents, stress relief and the January blues.

The church of Santa Maria delle Grazie in San Giovanni Rotondo
The church of Santa Maria delle Grazie in San Giovanni Rotondo
Travel tip:

Padre Pio’s major shrine is the Sanctuary of Saint Pio of Pietrelcina in San Giovanni Rotondo in the province of Foggia. His body was initially buried in a crypt in the Church of our Lady of Grace (Santa Maria delle Grazie) in the town. In 2004 the Sanctuary of Saint Pio was dedicated by Pope John Paul II and in 2008 the saint’s body was exhumed from the crypt and prepared for display. It was confirmed at the time that the stigmata were not visible. In 2010 the Saint’s remains were moved to a golden crypt within the Sanctuary of Saint Pio.

Also on this day:

1922: The birth of former Communist leader Enrico Berlinguer

1971: The birth of Olympic marathon champion Stefano Baldini

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