Isabella Leonarda – composer

Devout nun wrote an abundance of Baroque music

Isabella Leonarda - a portrait from 

Isabella Leonarda, a nun who was one of the most productive women composers of her time, was born on this day in 1620 in Novara.

Leonarda’s published work spans a period of 60 years and she has been credited with more than 200 compositions.

She did not start composing regularly until she was in her fifties, but noted in the dedication to one of her works that she wrote music only during time allocated for rest, so as not to neglect her administrative duties within the convent.

Leonarda was the daughter of Count Gianantonio Leonardi and his wife Apollonia. The Leonardi were important people in Novara, many of them church and civic officials.

Leonarda entered the Collegio di Sant’Orsola, a convent in Novara, when she was 16 and rose to a high position within the convent.

Listen to an example of Leonarda's music:

Her published compositions began to appear in 1640 but it was the work she produced later in her life that she is remembered for today and she became one of the most prolific convent composers of the Baroque era.

The title page of a musical
score by Leonarda 

It is believed she taught the other nuns to perform music, which would have given her the opportunity to have her own compositions performed.

Leonarda wrote in nearly every genre of sacred music and is one of only two Italian women who wrote instrumental music at this time.

Her predominant genre was the solo motet, but her most notable achievements are considered to be her sonatas. Sonata 12 is her only solo sonata and is one of her best known compositions.

All her compositions carried a double dedication, one to the Virgin Mary and one to a highly-placed living person, perhaps in the hope they would give financial support to the convent. In one of her dedications she stated that she wrote music not to gain credit in the world, but so that all would know she was devoted to the Virgin Mary.

Leonarda died in Novara in 1704 at the age of 83.

The Piazza Gramsci in the heart of Novara

Travel tip:

Novara, where Leonarda was born and died, is to the west of Milan in the Piedmont region of Italy. It is the second biggest city in the region after Turin. Founded by the Romans, it was later ruled by the Visconti and Sforza families. In the 18th century it was ruled by the House of Savoy. In the 1849 Battle of Novara, the Sardinian army was defeated by the Austrian army, who occupied the city. This led to the abdication of Charles Albert of Sardinia and is seen as the beginning of the Italian unification movement.

The cupola and the bell tower of the
Basilica of San Gaudenzio in Novara

Travel tip:

The most imposing building in Novara is the Basilica of San Gaudenzio, which has a 121-metre high cupola, but the centre of religious life in the city is the Duomo, which was built where the temple of Jupiter stood in Roman times. Facing the Duomo is the oldest remaining building in Novara, the Battistero. The pretty courtyard of the Broletto, is the historic meeting place of the city council and right at the centre of the city is the Piazza delle Erbe. Outside the city is the Novara Pyramid, which is also called the Ossuary of Bicocca. It was built to hold the ashes of fallen soldiers after the 19th century Battle of Novara.

More reading:

The Puccini contemporary who chose sacred music over opera

The music of Barbara Strozzi

The first Battle of Novara

Also on this day:

1610: The birth of Francesco I d'Este, Duke of Modena

1925: The birth of author Andrea Camilleri, creator of Inspector Montalbano


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Giacomo Zabarella – philosopher

Scholar devoted his life to explaining Aristotle’s ideas

Giacomo Zaberella: a portrait by an unknown
artist kept at the Bodleian Libraries in Oxford

The leading representative of Renaissance Aristotelianism, Giacomo Zabarella, was born on this day in 1533 in Padua in the Veneto.

His ability to translate ancient Greek enabled him to understand the original texts written by Aristotle and he spent most of his life presenting what he considered to be the true meaning of the philosopher’s ideas.

He had been born into a noble Paduan family who arranged for him to receive a humanist education.

After entering the University of Padua he was taught by Francesco Robortello in the humanities, Bernardino Tomitano in logic, Marcantonio Genua in physics and metaphysics and Pietro Catena in mathematics. All were followers of Aristotle.

Zabarella obtained a Doctorate in Philosophy from the university in 1553 and was offered the Chair of Logic in 1564. He was promoted to the first extraordinary chair of natural philosophy in 1577.

Zabarella became well known for his writings on logic and methodology and spent his entire teaching career at the University of Padua.

The title page of Zabarella's book,
Opera Logica, published in 1577

As an orthodox Aristotelian, he sought to defend the scientific status of theoretical natural philosophy against the pressures emanating from the practical disciplines such as the art of medicine and anatomy.

His knowledge of Greek enabled him to consult Greek commentators on Aristotle’s work as well as medieval writers.

Zabarella’s first published work was Opera Logica in 1577 and his commentary on Aristotle’s Posterior Analytics appeared in 1582.

He died in Padua at the age of 56 in 1589. His great work in natural philosophy, De rebus naturalibus, was published posthumously in 1590. It contained 30 treatises of Aristotelian natural philosophy and an introduction that he had written only weeks before his death. His two sons edited his incomplete commentaries on Aristotle’s texts and published them a few years later.

Zabarella’s works were reprinted in Germany early in the 17th century, where his brand of philosophy had a big following, especially among Protestant Aristolelians.

Palazzo del Bò is the main building of Padua University

Travel tip:

The University of Padua was established in 1222 and is one of the oldest in the world, second in Italy only to the University of Bologna. The main university building, Palazzo del Bò in Via VIII Febbraio in the centre of Padua, used to house the medical faculty. You can take a guided tour to see the pulpit used by Galileo when he taught at the university between 1592 and 1610.

The Caffè Pedrocchi is just a few yards along Via VIII
Febbraio from Palazzo del Bò 

Travel tip:

Via VIII Febbraio commemorates the date and location of the struggle between Austrian soldiers and students and citizens of Padua, when both the University and the Caffè Pedrocchi became battlegrounds. The Padua rebellion was one of a series of revolts in Italy during 1848. The Austrians were seen as arrogant and aggressive and the ideas of Mazzini and Cavour about a united Italy were becoming popular with progressive thinkers. Students and professors at Padua University had been meeting at the University and in Caffè Pedrocchi to discuss their discontent. You can still see a hole in the wall of the White Room inside Caffè Pedrocchi made by a bullet fired by an Austro-Hungarian soldier at the students. The café has been a meeting place for students, intellectuals and writers for nearly 200 years. Founded by coffee maker Antonio Pedrocchi in 1831, it quickly became a centre for the Risorgimento movement and was popular with students because it was near Palazzo del Bò, the main university building.

More reading:

The philosopher who wrote the 'Manifesto of the Renaissance'

Why a renowned Aristotelian philosopher refused to look through Galileo's telescope

The philosopher with a Utopian dream to banish poverty

Also on this day:

1568: The birth of philosopher Tommaso Campanella

1970: The birth of Paralympian Francesca Porcellato


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Giacinto Facchetti - footballer

The original - and best - attacking full back

Giacinto Facchetti in the famous blue and black
striped shirt of the all-conquering Inter-Milan

The footballer Giacinto Facchetti, who captained Italy at two World Cups and won four Serie A titles plus two European Cups for Inter Milan, died on this day in 2006 in Milan.

He had been suffering from pancreatic cancer. When his funeral took place at the Basilica di Sant’Ambrogio in Milan, more than 12,000 fans joined the mourners marking his life. His remains were then taken back to his home town of Treviglio in the province of Bergamo.

Apart from being regarded as the model professional and a pillar of moral decency, Facchetti was seen as a player ahead of his time, the first attacking full back who was a master in both disciplines of his game.

Under the coaching of Internazionale’s great Argentine-born coach, Helenio Herrera, he became integral to the defensive system known as catenaccio, of which Herrera was one of the highest profile advocates.

But Facchetti also knew exactly when to turn defence into attack and to exploit his speed and athleticism going forward. Inter were known as a defensive team but they were also one of the best at punishing opponents with rapid breakaway attacks. In more than 600 appearances for Inter, Facchetti scored 75 goals, the most by any defender in the history of football in Italy.

The Italy team that won the 1968 European Championships
with Facchetti, the captain, at the back, on the far right

Some commentators believe he was the inspiration for West Germany's Frans Beckenbauer, who watched Facchetti's spectacular incursions from left back, his thundering right-footed shots, and asked himself why he, as a libero or sweeper, should not also make forward runs. He did, and came to be seen as one of the greatest all-round players the game has seen.

Facchetti’s prowess as a goalscorer was no accident. When Herrera spotted him playing for the youth team at his local club CS Trevigliese, he was a centre forward, but Herrera knew instantly he was the kind of player he wanted at full back.

Born in 1942, Facchetti had been a bright student. He once had ambitions to become a doctor but the chance to play professional football won the day. He made his Serie A debut for Inter against Roma in May 1961, at the age of 19.

Apart from Trevigliese, Facchetti played for no other club than Inter. With the so-called ‘Grande Inter’ team of the 1960s and early ‘70s, he won the scudetto in 1963, 1965, 1966 and 1971, the European Cup in 1964 and 1965, and two Intercontinental Cups in 1964 and 1965.

Facchetti remained with Inter after his playing
career ended, as a coach and then club president

In an era where the European Cup - unlike today’s Champions League - was a straight knock-out, Herrera’s Inter were the perfect team, sitting deep and soaking up pressure, then pouncing on the break, utilising the creative brilliance of Sandro Mazzola, Mario Corso and Luis Suárez up front. Only Jock Stein’s Celtic - the so-called Lions of Lisbon - denied Inter a European Cup hat-trick when they reached the final again in 1966.

Selected for the national team for the first time in May 1963, Facchetti went on to win 94 caps, a total surpassed only by Dino Zoff, Paolo Maldini, Fabio Cannavaro and Gianluigi Buffon.

He captained the azzurri 70 times, leading them at the World Cup finals 1970 and 1974, having played at his first World Cup in England in 1966, when Italy suffered the humiliation of being beaten by North Korea.

But Italy bounced back to win the European Championships in 1968 and then took part in two of the finest World Cup matches of all time in Mexico in 1970, first defeating West Germany 4-3 after extra time in the semi-finals in front of 102,000 fans in a baking hot Azteca Stadium, with Facchetti leading by unstinting example, followed by the final in which the Brazil of Pele, Rivelino, Jairzinho and Carlos Alberto put on one of the greatest exhibitions of exhilarating attacking football ever seen to win 4-1.

Facchetti saw out his career at Inter, first on the technical staff and latterly as nominal president, effectively protecting the actual owner and besieged ex-president, Massimo Moratti.

The Basilica of San Martino in Treviglio
was originally built in 1008

Travel tip:

Treviglio, where Facchetti was born, is situated about 20km (12 miles) south of Bergamo and about 40km (25 miles) east of Milan. Known as the town of courtyards, its main sights are the Palazzo Municipale, which dates back to 1300, and the Basilica of San Martino, originally built in 1008 and remade in the in Lombard-Gothic style in 1482, with a Baroque facade added in 1740. The bell tower dates to the early 11th century.  The historical Bar Milano, in Piazza Manara, was founded in 1896 and still retains the original furniture of the century and a counter in Art Nouveau style.

The Basilica di Sant'Ambrogio in Milan, where 12,000
Inter fans turned out for Facchetti's funeral

Travel tip:

The Basilica of Sant’Ambrogio is in south west Milan in Piazza Sant’Ambrogio. It was originally built by Aurelius Ambrosius, who was a lawyer who became Bishop of Milan by popular demand, on the site of an earlier Christian burial ground. It was named after him after his remains were placed there, before being rebuilt in the 11th century and further modified in the 15th century.

More reading:

The record-breaking career of Paolo Maldini

Gianluigi Buffon's long-running success story

The brilliance of Luigi Riva

Also on this day:

The Feast Day of Saint Rosalia

1850: The birth of military leader Luigi Cadorna

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Pietro Locatelli – musician

Violinist astonished his listeners with his ability

Pietro Antonio Locatelli was playing with an orchestra
in Bergamo when he was only 14 years old

Virtuoso violinist and Baroque composer Pietro Antonio Locatelli was born on this day in 1695 in Bergamo.

He showed an astonishing talent for playing the violin while he was still a young boy and began playing with the orchestra at the Basilica di Santa Maria Maggiore in Bergamo when he was 14.

In 1711, when he was 16 years old, he left to go to Rome and although it is not known whether he studied with Arcangelo Corelli before the composer’s death in 1713, he will have absorbed a lot of his influence by studying with the other eminent musicians in the city.

In 1714 Locatelli wrote to his father, telling him that he was a member of the band of household musicians working for Prince Michelangelo I Caetani, a notable political figure and scholar. While in Rome he made his debut as a composer, producing his XII Concerto Grossi Op I in 1721.

The house on Prinsengracht in Amsterdam, where Locatelli
died in 1764, is marked with a commemorative plaque

After 1725 his name crops up in Mantua, Venice, Munich, Berlin and Frankfurt and in every city he received rapturous acclaim for his violin performances. Many of his violin concertos were written at this time.

He was known to be in Kassel in Germany in December 1728 where he was paid generously after his performance by Charles I Landgrave of Hesse-Kassel. Afterwards the resident organist wrote that Locatelli had ‘astonished his listeners with hugely difficult violin passages.’

The musician moved to live in Amsterdam in 1729 where he gave music lessons, performed privately and had his own music published professionally.

Locatelli died in 1764 in his house on the Prinsengracht in the city.

He is perhaps best remembered for his L’Arte del violino, a group of 12 violin concerti for a solo violin.

The beautiful Piazza Vecchia lies at the heart of Bergamo's
medieval city, the Città Alta

Travel tip:

Pietro Locatelli is remembered in his native city of Bergamo by an area named after him in Longuelo, a suburb of the city. Bergamo is in the Lombardy region of northern Italy and is a fascinating, historic city with two distinct centres. The Città Alta, upper town, is a beautiful walled city with buildings that date back to medieval times, while the elegant Città Bassa that grew up on the plain below has some buildings that date back to the 15th century as well as imposing architecture added in the 19th and 20th centuries.

The north portal of the Basilica of Santa Maria
Maggiore, next to the Colleoni Chapel

Travel tip:

The Basilica of Santa Maria Maggiore, where Locatelli played as a teenager, is in Piazza Duomo in the Città Alta, The basilica, which dates back to the 12th century, is considered to be one of the finest buildings in Lombardy and has a beautiful interior, with a richly decorated cupola and fine Flemish and Florentine tapestries and works of art. At the back of the church is an elaborate white marble monument designed by Vincenzo Vela, marking the tomb of the 18th century opera composer Gaetano Donizetti, who was born and also died in Bergamo.

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