4 August

Pope Urban VII

Pope for just 12 days but introduced world's first smoking ban

Pope Urban VII was born Giovanni Battista Castagna on this day in 1521 in Rome.  Although his 12-day papacy in 1590 was the shortest in history, he is remembered as being the first person in the world to declare a ban on smoking.  He was against the use of tobacco generally, threatening to excommunicate anyone who ‘took tobacco in the porchway of, or inside a church, whether it be by chewing it, smoking it with a pipe, or sniffing it in powdered form through the nose’.  The ban is thought to have been upheld for the most part until 1724, when Pope Benedict XIII, himself a smoker, repealed it.  Castagna was the son of a nobleman of Genovese origin and studied in universities all over Italy. He obtained a doctorate in civil law and canon law from the University of Bologna.  He served as a constitutional lawyer to Pope Julius III and was then ordained a priest.  He took part in the Council of Trent and then served as an apostolic nuncio in Spain for four years.  Castagna was also Governor of Bologna, apostolic nuncio to Venice and then Papal Legate to Flanders and Cologne.  He is remembered for his charity to the poor.  Read more…

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Giovanni Spadolini - politician

The first non-Christian Democrat to lead Italian Republic

Giovanni Spadolini, who was the Italian Republic’s first prime minister not to be drawn from the Christian Democrats and was one of Italy's most respected politicians, died on this day in 1994.  In a country where leading politicians and businessmen rarely survive a whole career without becoming embroiled in one corruption scandal or another, he went to the grave with his reputation for honesty intact.  Although he was an expert on Italian unification and became a professor of contemporary history at the University of Florence when he was only 25, a background that gave him a deep knowledge of Italian politics, he first built a career as a journalist.  He became a political columnist for several magazines and newspapers, including Il Borghese, Il Mondo and Il Messaggero, and was appointed editor of the Bologna daily II Resto del Carlino in 1955, at the age of 30.  In 1968, having doubled Il Resto’s circulation, he left Bologna to become the editor at Corriere della Sera, in Milan, where he remained until 1972.  It was while editing the Corriere that he became known for his anti-extremist stance, condemning violent student activists on the left and terrorists on the right in equal measure.  Read more…

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Lorenzo di Pierfrancesco de’ Medici - banker

Art enthusiast who was Botticelli’s major patron

The Florentine banker and politician Lorenzo di Pierfrancesco de’ Medici, who was a significant figure in Renaissance art as the main sponsor and patron of the painter Sandro Botticelli, was born on this day in 1463.  The great-grandson of Giovanni di Bicci de’ Medici, the founder of the Medici bank, Lorenzo di Pierfrancesco belonged to the junior, sometimes known as ‘Popolani’ branch of the House of Medici.  In 1476, when he and his brother, Giovanni, were still boys, their father, Pierfrancesco de’ Medici the Elder, died. They became wards, effectively, of their cousin, Lorenzo il Magnifico - Lorenzo the Magnificent - a member of the senior branch of the family and the effective ruler of Florence.  Relations between the two branches had been tense for some years and were not helped when Lorenzo di Pierfrancesco discovered, on becoming an adult, that Lorenzo had plundered a considerable sum from he and his brother’s joint inheritance in order to stave off a threatened bankruptcy of the family’s financial empire.  Although Lorenzo had provided the boys with the best education money could buy - the notable Florentine Renaissance humanists Marsilio Ficino, Angelo Poliziano and Giorgio Antonio Vespucci (uncle of Amerigo) were among their tutors - and given them a number of properties in compensation, the incident created a lingering bitterness.  Read more…

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Book of the Day: Absolute Monarchs - A History of the Papacy, by John Julius Norwich.

In Absolute Monarchs, a chronicle that captures nearly two thousand years of inspiration and intrigue, John Julius Norwich recounts in riveting detail the histories of the most significant popes and what they meant politically, culturally, and socially to Rome and to the world. Norwich presents such popes as Innocent I, who in the fifth century successfully negotiated with Alaric the Goth, an invader civil authorities could not defeat; Leo I, who two decades later tamed (and perhaps paid off) Attila the Hun; the infamous "pornocracy"- the five libertines who were descendants or lovers of Marozia, debauched daughter of one of Rome's most powerful families; Pope Paul III, "the greatest pontiff of the 16th century," who reinterpreted the Church's teaching and discipline; John XXIII, who in five short years starting in 1958 instituted reforms that led to Vatican II; and Benedict XVI, who had to contend with a modern global priest sex scandal. Epic and compelling, Absolute Monarchs is an enthralling history.

John Julius Norwich was the author of more than 20 books, including the New York Times bestseller Absolute Monarchs. He began his career in the British foreign service, but resigned his diplomatic post to become a writer. He was a chairman of the Venice in Peril Fund and the honorary chairman of the World Monuments Fund. He died in 2018.

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3 August

NEW - Omero Antonutti - actor and voice dubber

Narrator of Oscar-winning Life is Beautiful had long career

The actor Omero Antonutti, who acted in around 60 films and was the Italian voice of many international stars, was born on this day in 1935 in Basiliano, a village about 13km (eight miles) west of the city of Udine in the Friuli-Venezia Giulia region of northeast Italy.   His most acclaimed performance came in Padre padrone, a 1977 film directed by Paolo and Vittorio Taviani, a Palme d’Or winner at Cannes that was considered by many critics to be the co-directing brothers’ finest work.  Antonutti worked with the Taviani brothers again on La notte di San Lorenzo (1982), which won the Grand Prix du Jury at Cannes, and Kaos (1984), in which he took the part of the playwright Luigi Pirandello in a film based on some of Pirandello’s own short stories.  He was often asked to portray significant figures in dramatisations of real-life events. For example, he took the part of Roberto Calvi, the ill-fated chairman of the Banco Ambrosiano in the Giuseppe Ferrara’s 2002 feature The Bankers of God: The Calvi Affair, and played the shady Sicilian banker Michele Sindona in Michele Placido’s 1995 film Un eroe borghese - A Bourgeois Hero.  Read more…

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Imperia Cognati - courtesan

Prostitute who became a celebrity

Imperia Cognati, who acquired celebrity status in Rome in the early 16th century as a courtesan to a number of rich and powerful figures, was born on this day in 1486.  Courtesans were originally the female companions of courtiers of the papal court, whose duties required them to be educated and familiar with etiquette, so that they could participate in the formalities of court life and take part in polite conversation.  In time, however, in some cases their companionship became of a more intimate nature and they became the mistresses of their courtiers, who in the papal court were clerics not permitted to marry.  It was common, too, for courtesans to be the companions of several clients simultaneously.  They were in effect a new class of prostitute, refined and educated enough to hold their own in polite society.  Imperia Cognati acquired her elevated status mainly through being the chosen companion of Agostino Chigi, a Sienese banker closely associated with Pope Alexander VI and others and a patron of the Renaissance.  At one time he was thought to be the richest banker in the world.  He lavished Imperia – as she was usually known – to the extent that she could afford to keep both a palace in Rome and a country villa.  Read more…

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Antonio da Sangallo the Younger - architect

Talented Florentine was commissioned by the Popes

Antonio da Sangallo the Younger, who left his mark on Rome during the Renaissance, died on this day in 1546 in Terni in Umbria.  Sangallo was the chief architect on St Peter’s Basilica from 1520 onwards and built many other beautiful churches and palaces in the city and throughout the Papal States.  He was born Antonio Cordiani in Florence in 1484. His grandfather had been a woodworker and his uncles, Giuliano and Antonio da Sangallo, were architects.  The young man followed his uncles to Rome to pursue a career in architecture and ended up taking the name Sangallo himself.  He became an assistant to Donato Bramante and started by preparing sketches for his master.  Recognising his talent, Bramante gave Sangallo projects to complete with no more than an outline of the design and motifs.  Sangallo’s first major commission was for the Church of Santa Maria di Loreto in 1507.  He came to the attention of Cardinal Alessandro Farnese, who later became Pope Paul III, and was commissioned to design the Farnese Palace in Piazza Farnese and a palace and church in the Cardinal’s home town of Gradoli.  Read more…

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Francesco Ferruccio - military leader

Florentine soldier celebrated in Italy’s national anthem 

Francesco Ferruccio, the military leader whose heroic attempt to defend Florence against the powerful army of the Holy Roman Empire is recalled in Italy’s national anthem, died on the battlefield on this day in 1530.  A Florentine by birth, Ferruccio had been charged with leading the army of the Republic of Florence as the city came under attack during the War of the League of Cognac, when the Pope Clement VII connived with the emperor Charles V to overthrow the republic and restore power in Florence to his own family, the Medici.  Despite being outnumbered, Ferruccio’s soldiers engaged the Imperial forces at Gavinana, just outside Florence, killed their leader and drove them back, only for the enemy to be reinforced by the arrival of 2,000 German mercenaries under the leadership of the condottiero, Fabrizio Maramaldo.  His army almost annihilated, Ferruccio was taken prisoner and, despite being wounded, was stabbed in the throat by Maramaldo and bled to death, an act considered against the code of chivalrous conduct that honourable soldiers were expected to observe.  More than 300 years later, Goffredo Mameli, the poet and patriot, recalled Ferruccio in the lyrics of a song, Il Canto degli Italiani, that would later be adopted as the national anthem of the united Italy.  Read more...

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La Scala - opera and ballet theatre

First night at the world’s most famous opera house

Milan’s Teatro alla Scala was officially inaugurated on this day in 1778.  Known to Italians simply as La Scala, the theatre has become the leading opera house in the world and many famous artists have appeared there. A fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A group of 90 wealthy patrons, the owners of private boxes in the theatre, wrote to Archduke Ferdinand of Austria-Este asking that a new theatre be built.  The new theatre was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. The church was deconsecrated and demolished to make way for the theatre.  With the cost of the project met by the 90 patrons, who paid in advance for boxes, the new theatre was designed by neoclassical architect Giuseppe Piermarini and at the official opening on 3 August 1778, Antonio Salieri’s opera L’Europa riconosciuta was premiered.  As with most theatres at the time, the main floor had no seats, with audience members standing to watch the performances. This had the effect of making the theatre a meeting place, but also a venue for business dealings. Read more…

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Book of the Day: The History of Italian Cinema: A Guide To Italian Film From Its Origins To The Twenty-First Century, by Gian Piero Brunetta

Published in English for the first time, The History of Italian Cinema is the most comprehensive guide to Italian film ever assembled, tracing the complete history of filmmaking in Italy, from its origins in the silent era through its golden age in the 1940s, 1950s, and 1960s, and its subsequent decline to its resurgence today. Gian Piero Brunetta covers more than 1,500 films, discussing renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy such as Dino Risi and Ettore Scola. He examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods such as the Fascist era. Brunetta illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, he recreates the world of Italian cinema, giving readers rare insights into the actors, cinematographers, film critics, and producers that have made Italian cinema unique. 

Gian Piero Brunetta, an Italian film critic, historian and academic. is the foremost scholar of Italian cinema. Professor of cinema history and criticism at the University of Padua, he is the author of more than 20 books and has written about cinema for the Italian daily newspaper La Repubblica as well as numerous Italian and foreign literary and film magazines.

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Omero Antonutti - actor and voice dubber

Narrator of Oscar-winning Life is Beautiful enjoyed long and successul career

Omero Antonutti had success on
screen and as a stage actor

The actor Omero Antonutti, who acted in around 60 films and was the Italian voice of many international stars, was born on this day in 1935 in Basiliano, a village about 13km (eight miles) west of the city of Udine in the Friuli-Venezia Giulia region of northeast Italy.

His most acclaimed performance came in Padre padrone, a 1977 film directed by Paolo and Vittorio Taviani, a Palme d’Or winner at Cannes that was considered by many critics to be the co-directing brothers’ finest work.

Antonutti worked with the Taviani brothers again on La notte di San Lorenzo (1982), which won the Grand Prix du Jury at Cannes, and Kaos (1984) in which he took the part of the playwright Luigi Pirandello in a film based on some of Pirandello’s own short stories.

He was often asked to portray significant figures in dramatisations of real-life events. For example, he took the part of Roberto Calvi, the ill-fated chairman of the Banco Ambrosiano in the Giuseppe Ferrara’s 2002 feature The Bankers of God: The Calvi Affair, and played the shady Sicilian banker Michele Sindona in Michele Placido’s 1995 film Un eroe borghese - A Bourgeois Hero. In Piazza Fontana: The Italian Conspiracy, directed by Marco Tullio Giordano in 2012, Antonutti was cast as the Italian president, Giuseppe Saragat.

At the same time, his strong, deep voice meant his skills were in big demand as a voice dubber, with Italian cinema and television audiences preferring international productions to be voiced over by Italian actors, rather than have the visual experience spoiled by subtitles.

Antonutti was the Italian voice of Christopher Lee in the Lord of the Rings series, Sleepy Hollow, The Hobbit and other films. He voiced over Michael Gambon in The King’s Speech, Christopher Plummer in The Mystery of the Templars - National Treasure and Millennium - The Girl with the Hatred, and John Hurt in V for Vendetta. Omar Sharif, Robert Duvall, Donald Sutherland and Rutger Hauer were others whose words were interpreted by Antonutti.

Antonutti's voice can be heard as
the narrator in Life is Beautiful

Robert Benigni chose him to narrate Life is Beautiful in 1997, the film going on to win Oscars for Best Foreign Film, Best Leading Actor for Benigni himself and Best Soundtrack for Nicola Piovani.

As a young man, Antonutti lived in Trieste, the port city on the border of Italy and Slovenia. He found work in the shipyards but acted in his spare time, in the late 1950s appearing in the shows of the Silvio D’Amico Acting School before joining the company of the Teatro Stabile di Trieste.

His first film part came in 1966, when he appeared in Le piacevoli notte - Pleasant Nights, a trilogy of comedic tales set in the Middle Ages directed by Luciano Lucignani, acting in the illustrious company of Ugo Tognazzi, Gina Lollobrigida and Vittorio Gassman.

But it was not until the 1970s that his big screen career began in earnest. After landing a part in La donna della domenica (1975), the dramatisation of a popular murder mystery starring Marcello Mastroianni and Jacqueline Bisset and directed by Luigi Comencini, it was only two years before the Taviani brothers cast him as Efisio Ledda, the despotic father of Gavino Ledda in Padre Padrone, based on the semi-autobiographical novel of the same title by Gavino Ledda, which describes the way Efisio refused to let his son attend elementary school in the 1940s and forced him instead to work on the family sheep farm in Sardinia, which meant he grew up illiterate.

The acclaim Antonutti received for the dramatic intensity of his portrayal of Efisio set him up for a long career in the cinema, part of which he spent in Spain, where his life is commemorated at the Valencia Film Festival.

Antonutti (left) played opposite Saverio Marconi
in the Taviani brothers' Padre Padrone

The last important movie in which he appeared was Gianna Amelio’s Hammamet, released in 2020, a story about the last years in Tunisia of the controversial former prime minister, Bettino Craxi, who went into voluntary exile there to escape jail after being prosecuted as part of the Tangentopoli bribes scandal that rocked Italian politics in the 1990s. Antonutti, by then in his 80s, played Craxi’s father.

In his 50-plus years as a movie and television actor, Antonutti never forgot his theatrical roots. He often returned to the Teatro Stabile in Trieste, taking part whenever a milestone was celebrated in the theatre’s history and occasionally even accepting a part in a play, such was his love of acting in its purest form, on stage in front of a live audience.

Sadly, he did not live long enough to witness the release of his final film. In declining health for a number of years, he died from cancer in November 2019 at the Ospedale Civile in Udine where he was receiving treatment.

Antonutti had spent the final 10 years of his life with his wife, Graziella, whom he married in 2009. His funeral took place at the Chiesa di Sant'Antonio Nuovo in Trieste.

The Loggia del Lionello is one of the architectural
features of Udine's Piazza della Libertà

Travel tip:

Udine, the nearest city to Antonutti’s home village of Basiliano, is an attractive and wealthy provincial city, known as the gastronomic capital of Friuli. Udine's most attractive area lies within the mediaeval centre, which has Venetian, Greek and Roman influences. The main square, Piazza della Libertà, features the town hall, the Loggia del Lionello, built in 1448–1457 in the Venetian-Gothic style, and a clock tower, the Torre dell’Orologio, which is similar to the clock tower in Piazza San Marco - St Mark's Square - in Venice. Long regarded as something of a hidden gem, Udine does not attract the tourist traffic of other, better-known Italian cities, yet with its upmarket coffee shops, artisan boutiques and warm, traditional eating places in an elegant setting, it has much to commend it.

Trieste's Canal Grande is overlooked by the 
Chiesa di Sant'Antonio Nuovo

Travel tip:

The port of Trieste, tucked away in a bay at the top of the Adriatic sea, is the capital of the Friuli-Venezia Giulia region. Within only a few kilometres of the border with Slovenia to its east and south and less than 30km (19 miles) from the northern border of Croatia, Trieste had been disputed territory for thousands of years and officially became part of the Italian Republic only as recently as 1954. Previously it had been part of the Austro-Hungarian empire and then Yugoslavia, who disputed the border until the Treaty of Osimo in 1975.  The area today is one of the most prosperous in Italy and Trieste is a lively, cosmopolitan city and a major centre for trade and ship building.  The city has a coffee house culture that dates back to the Habsburg era.  Caffè Tommaseo, in Piazza Nicolò Tommaseo, near the grand open space of the Piazza Unità d’Italia, is the oldest in the city, dating back to 1830.

Also on this day:

1486: The birth of celebrated courtesan Imperia Cognati

1530: The death of Florentine military leader Francesco Ferruccio

1546: The death of architect Antonio da Sangallo the Younger

1778: The inauguration of Milan’s Teatro alla Scala

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2 August

Pietro Mascagni – composer

One opera was enough to build reputation of musician

Pietro Mascagni, the creator of the opera Cavalleria rusticana, died on this day in 1945 in Rome, at the age of 81.  Cavalleria rusticana was an outstanding success when it was first performed in Rome in 1890 and was said to have single-handedly brought the Verismo movement, in which the characters were ordinary people rather than gods, mythological figures or kings and queens, into Italian opera.  The beautiful intermezzo from the opera was used in the soundtrack of the 1980 film Raging Bull and a production of the opera was used as the setting for the climax of the 1990 film The Godfather Part III, with Michael Corleone’s son Anthony playing Turridu, the opera’s male protagonist. The film ends with the intermezzo playing.  In 2001 Andrea Bocelli recorded a song entitled Mascagni on his Cieli di Toscana album and had an excerpt from Cavalleria rusticana incorporated into the music.  The opera has been so successful that it has led to Mascagni sometimes being dismissed as a one-opera composer, but, in fact, the composer wrote 15 operas, as well as orchestral and piano music and songs.  Read more…

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Bologna railway station bombed

Biggest terrorist atrocity in Italy's history killed 85

Italy suffered the most devastating terrorist outrage in its history on this day in 1980 with the bombing of Bologna's main railway station.   A massive 23kg (51lbs) of explosive packed into a suitcase left in a crowded waiting room was detonated at 10.25am, creating a blast that destroyed much of the main building of the station and badly damaged a train on one of the platforms.  Many people, locals and tourists, Italians and foreign nationals, were caught up in the explosion. Some were killed instantly, others died as a result of the roof of the waiting room collapsing on to the victims. There were 85 deaths and more than 200 other people were wounded.  The bomb was clearly placed to cause mass casualties. It was the first Saturday in the traditional August holiday period, one of the busiest days of the year for rail travel, and the explosive-laden suitcase was left in a room with air conditioning, then still relatively rare in Italy. On a hot day, the room was naturally full of people.  The attack was the deadliest of several during a bleak period of 10-12 years in Italian history that became known as the Years of Lead, when the ideological struggle between the left and right in Italian politics was at its height.  Read more…

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Carlo Savina - film composer and musical director

Worked on major scores including The Godfather and Fellini’s Amarcord

Musical director Carlo Savina, who arranged soundtracks written by such luminaries of the film music industry as Ennio Morricone and Nino Rota, was born on this day in 1919 in Turin.  Savina was also a prolific film composer in his own right and is credited with writing or arranging the scores of at least 200 movies in a career spanning more than 35 years. He won a David di Donatello award for Best Music for the 1985 crime drama The Pizza Connection, directed by Damiano Damiani and starring Michele Placido, a version of which was released in the United States as The Sicilian Connection.  Yet Savina is more frequently remembered for his work with Rota on the multi-award winning soundtrack of the first film in Francis Ford Coppola’s The Godfather trilogy in 1972 and with Federico Fellini the following year on Amarcord, the maestro’s semi-autobiographical film about growing up in a village in the Fascist Italy of the 1930s.  He worked with Fellini and Rota on many projects, including La dolce vita (1960), which remains their most famous collaboration.  Read more…

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Francis Marion Crawford – author

Novelist found inspiration while living in Sorrento

The American writer Francis Marion Crawford was born on this day in 1854 in Bagni di Lucca in Tuscany.  A prolific novelist, Crawford became known for the vividness of his characterisations and the realism of his settings, many of which were places he had visited in Italy.  He chose to settle in later life in the coastal resort of Sorrento in Campania where he even had a street named after him, Corso Marion Crawford.  Crawford was the only son of the American sculptor, Thomas Crawford. He spent his childhood going backwards and forwards between Italy and America and studied at various American and European Universities.  He spent some time in India where he found the inspiration for his first successful novel, Mr Isaacs, which was published in 1882.  In 1883 he returned to Italy to settle there permanently. He lived at the Hotel Cocumella in the village of Sant’Agnello just outside Sorrento to begin with. He then bought a nearby farmhouse, from which he developed the Villa Crawford, an impressive clifftop residence easily identifiable from the sea by the tall buttresses Crawford added as a safeguard against erosion.  Read more…

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Book of the Day: Understanding Italian Opera, by Tim Carter

Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In Understanding Italian Opera, an engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries.  Carter  offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Boheme. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history.

Tim Carter, professor of music at the University of North Carolina, Chapel Hill, has published widely on music in late Renaissance and early Baroque Italy, Mozart's operas, and American musical theater in the 1930s and '40s.

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