Omero Antonutti - actor and voice dubber

Narrator of Oscar-winning Life is Beautiful enjoyed long and successul career

Omero Antonutti had success on
screen and as a stage actor

The actor Omero Antonutti, who acted in around 60 films and was the Italian voice of many international stars, was born on this day in 1935 in Basiliano, a village about 13km (eight miles) west of the city of Udine in the Friuli-Venezia Giulia region of northeast Italy.

His most acclaimed performance came in Padre padrone, a 1977 film directed by Paolo and Vittorio Taviani, a Palme d’Or winner at Cannes that was considered by many critics to be the co-directing brothers’ finest work.

Antonutti worked with the Taviani brothers again on La notte di San Lorenzo (1982), which won the Grand Prix du Jury at Cannes, and Kaos (1984) in which he took the part of the playwright Luigi Pirandello in a film based on some of Pirandello’s own short stories.

He was often asked to portray significant figures in dramatisations of real-life events. For example, he took the part of Roberto Calvi, the ill-fated chairman of the Banco Ambrosiano in the Giuseppe Ferrara’s 2002 feature The Bankers of God: The Calvi Affair, and played the shady Sicilian banker Michele Sindona in Michele Placido’s 1995 film Un eroe borghese - A Bourgeois Hero. In Piazza Fontana: The Italian Conspiracy, directed by Marco Tullio Giordano in 2012, Antonutti was cast as the Italian president, Giuseppe Saragat.

At the same time, his strong, deep voice meant his skills were in big demand as a voice dubber, with Italian cinema and television audiences preferring international productions to be voiced over by Italian actors, rather than have the visual experience spoiled by subtitles.

Antonutti was the Italian voice of Christopher Lee in the Lord of the Rings series, Sleepy Hollow, The Hobbit and other films. He voiced over Michael Gambon in The King’s Speech, Christopher Plummer in The Mystery of the Templars - National Treasure and Millennium - The Girl with the Hatred, and John Hurt in V for Vendetta. Omar Sharif, Robert Duvall, Donald Sutherland and Rutger Hauer were others whose words were interpreted by Antonutti.

Antonutti's voice can be heard as
the narrator in Life is Beautiful

Robert Benigni chose him to narrate Life is Beautiful in 1997, the film going on to win Oscars for Best Foreign Film, Best Leading Actor for Benigni himself and Best Soundtrack for Nicola Piovani.

As a young man, Antonutti lived in Trieste, the port city on the border of Italy and Slovenia. He found work in the shipyards but acted in his spare time, in the late 1950s appearing in the shows of the Silvio D’Amico Acting School before joining the company of the Teatro Stabile di Trieste.

His first film part came in 1966, when he appeared in Le piacevoli notte - Pleasant Nights, a trilogy of comedic tales set in the Middle Ages directed by Luciano Lucignani, acting in the illustrious company of Ugo Tognazzi, Gina Lollobrigida and Vittorio Gassman.

But it was not until the 1970s that his big screen career began in earnest. After landing a part in La donna della domenica (1975), the dramatisation of a popular murder mystery starring Marcello Mastroianni and Jacqueline Bisset and directed by Luigi Comencini, it was only two years before the Taviani brothers cast him as Efisio Ledda, the despotic father of Gavino Ledda in Padre Padrone, based on the semi-autobiographical novel of the same title by Gavino Ledda, which describes the way Efisio refused to let his son attend elementary school in the 1940s and forced him instead to work on the family sheep farm in Sardinia, which meant he grew up illiterate.

The acclaim Antonutti received for the dramatic intensity of his portrayal of Efisio set him up for a long career in the cinema, part of which he spent in Spain, where his life is commemorated at the Valencia Film Festival.

Antonutti (left) played opposite Saverio Marconi
in the Taviani brothers' Padre Padrone

The last important movie in which he appeared was Gianna Amelio’s Hammamet, released in 2020, a story about the last years in Tunisia of the controversial former prime minister, Bettino Craxi, who went into voluntary exile there to escape jail after being prosecuted as part of the Tangentopoli bribes scandal that rocked Italian politics in the 1990s. Antonutti, by then in his 80s, played Craxi’s father.

In his 50-plus years as a movie and television actor, Antonutti never forgot his theatrical roots. He often returned to the Teatro Stabile in Trieste, taking part whenever a milestone was celebrated in the theatre’s history and occasionally even accepting a part in a play, such was his love of acting in its purest form, on stage in front of a live audience.

Sadly, he did not live long enough to witness the release of his final film. In declining health for a number of years, he died from cancer in November 2019 at the Ospedale Civile in Udine where he was receiving treatment.

Antonutti had spent the final 10 years of his life with his wife, Graziella, whom he married in 2009. His funeral took place at the Chiesa di Sant'Antonio Nuovo in Trieste.

The Loggia del Lionello is one of the architectural
features of Udine's Piazza della Libertà

Travel tip:

Udine, the nearest city to Antonutti’s home village of Basiliano, is an attractive and wealthy provincial city, known as the gastronomic capital of Friuli. Udine's most attractive area lies within the mediaeval centre, which has Venetian, Greek and Roman influences. The main square, Piazza della Libertà, features the town hall, the Loggia del Lionello, built in 1448–1457 in the Venetian-Gothic style, and a clock tower, the Torre dell’Orologio, which is similar to the clock tower in Piazza San Marco - St Mark's Square - in Venice. Long regarded as something of a hidden gem, Udine does not attract the tourist traffic of other, better-known Italian cities, yet with its upmarket coffee shops, artisan boutiques and warm, traditional eating places in an elegant setting, it has much to commend it.

Trieste's Canal Grande is overlooked by the 
Chiesa di Sant'Antonio Nuovo

Travel tip:

The port of Trieste, tucked away in a bay at the top of the Adriatic sea, is the capital of the Friuli-Venezia Giulia region. Within only a few kilometres of the border with Slovenia to its east and south and less than 30km (19 miles) from the northern border of Croatia, Trieste had been disputed territory for thousands of years and officially became part of the Italian Republic only as recently as 1954. Previously it had been part of the Austro-Hungarian empire and then Yugoslavia, who disputed the border until the Treaty of Osimo in 1975.  The area today is one of the most prosperous in Italy and Trieste is a lively, cosmopolitan city and a major centre for trade and ship building.  The city has a coffee house culture that dates back to the Hapsburg era.  Caffè Tommaseo, in Piazza Nicolò Tommaseo, near the grand open space of the Piazza Unità d’Italia, is the oldest in the city, dating back to 1830.

Also on this day:

1486: The birth of celebrated courtesan Imperia Cognati

1530: The death of Florentine military leader Francesco Ferruccio

1546: The death of architect Antonio da Sangallo the Younger

1778: The inauguration of Milan’s Teatro alla Scala

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Paolo Taviani - film director

Half of a successful partnership with brother Vittorio

Paolo Taviani has been active in Italian
cinema for more than 60 years 

The film director Paolo Taviani, the younger of the two Taviani brothers, whose work together won great acclaim and brought them considerable success in the 1970s and 80s in particular, was born on this day in 1931 in San Miniato, Tuscany.

With his brother Vittorio, who was two years his senior and died in April of this year, he wrote and directed more than 20 films.

Among their triumphs were Padre Padrone (1977), which won the Palme d’Or and the International Federation of Film Critics (FIPRESCI) prize at the Cannes Film Festival, La notte di San Lorenzo (The Night of the Shooting Stars, 1982), which won the Grand Prix du Jury at Cannes, and Caesar Must Die (2012), which won the Golden Bear at the Berlin International Film Festival.

The brothers famously would work in partnership, directing alternate scenes, one seldom criticising the other, if ever. The actor Marcello Mastroianni, who starred in their 1974 drama Allonsanfàn, is said to have addressed the brothers as “Paolovittorio.”

They were both born and raised in San Miniato by liberal, anti-Fascist parents who introduced them to art and culture. Their father Ermanno, a lawyer, would take them to watch opera as a reward for getting good grades at school.

Paolo Taviani (right) with his brother Vittorio. They
worked as a partnership until the latter's death in 2018

After the Second World War, in which San Miniato suffered badly at the hands of the occupying Germans, they both attended university in Pisa, where Paolo studied liberal arts and Vittorio read law.

While there, they saw Roberto Rossellini’s neorealist picture Paisan, about the Allied liberation of Italy. Its portrayal of what they described as their “own tragedy” had such a profound effect on them that they vowed to be making their own films within a decade.

Indeed, their first work, a short documentary film made in 1954 entitled San Miniato, July 1944, produced with the help of one of neorealism’s most famous scriptwriters, Cesare Zavattini, was the true story of a massacre carried out by the Nazis inside the town’s cathedral in revenge for the death of a German soldier.

They worked with the Dutch director Joris Ivens on another documentary, L'Italia non è un paese povero (Italy is Not a Poor Country), before teaming up with Valentino Orsini on two feature films, Un uomo da bruciare (A Man for Burning, 1962) and I fuorilegge del matrimonio (Outlaws of Love, 1963).

Padre Padrone (1977) was one of the
brothers' most successful films

Their first film in their own right was I sovversivi (The Subversives, 1967), a story of four members of the Italian Communist Party which anticipated the unrest of 1968. They hired Gian Maria Volontè, who had starred in Un uomo da bruciare, for the lead role in Sotto il segno dello scorpione (Under the Sign of Scorpio, 1969), which had the critics comparing their work with Bertolt Brecht, Pier Paolo Pasolini and Jean-Luc Godard.

They won praise for their literary adaptations, including in San Michele aveva un gallo (St Michael Had a Rooster, 1972), adapted from Tolstoy’s Divine and Human, and also Kaos (1984) and Tu ridi (You Laugh, 1998), both based on stories by Luigi Pirandello. 

After Padre Padrone, their career reached another big moment with La notte di San Lorenzo, a wartime drama based in part on their own early lives and drawing on their own documentary, set in 1944 in a Tuscan village poised to be snatched away from the Germans by approaching US troops.

Some of their later work was less well received by they scored another major success with Caesar Must Die, an unorthodox adaptation of Julius Caesar shot inside Rebibbia prison in Rome and performed by hardened lifers, many of them former mafia and Camorra hitmen. The film won the Golden Bear at Berlin in 2012 and was selected as the Italian entry for Best Foreign Language Film at the 85th Academy Awards, although it did not make the final.

Their last work as a partnership, Una questione privata (Rainbow: A Private Affair, 2017), won an Italian Golden Globes as Best Actor for Luca Marinelli.

Still active in Italian cinema, Paolo Taviani presented a lifetime achievement award to his fellow director Martin Scorsese - at 75 some 11 years his junior - at the Rome Film Festival last month.

Crowds at San Miniato's white truffle
festival, guarded by the Tower of Federico 

Travel tip:

San Miniato, where Taviani was born, is a charming town perched on a hill halfway between Florence and Pisa. Both cities fought to control it for two centuries. With a picturesque medieval centre built around the Fortress of Federico II and views over the Arno valley, it attracts visitors all year round but one of its busiest times is November, when the annual white truffle festival fills the streets with parades, concerts and artisan vendors. The Diocesan Museum, next to the cathedral, contains works by Filippo Lippi, Jacopo Chimenti, Neri di Bicci, Fra Bartolomeo, Frederico Cardi (known as Cigoli) and Verrocchio.  The church of San Domenico has terracotta works by Luca della Robbia, a fresco attributed to Masolino da Panicale and a burial monument sculpted by Donatello.

The Scuola Normale Superiore in Pisa

Travel tip:

Pisa, once a major maritime power, is now a university city renowned for its art and architectural treasures and with a 10.5km (7 miles) circuit of 12th century walls. The Campo dei Miracoli, formerly known as Piazza del Duomo, located at the northwestern end of the city, contains the cathedral (Duomo), baptistery and famously the tilting campanile known as the Leaning Tower of Pisa, all built in black and white marble between the 11th and 14th centuries. The Scuola Normale Superiore is one of three universities in Pisa, the others being the University of Pisa and the Scuola Superiore Sant’Anna.

More reading:

Roberto Rossellini - the father of neorealism

Marcello Mastroianni - the star who immortalised the Trevi Fountain

How actress Laura Betti became Pier Paolo Pasolini's muse

Also on this day:

1830: The death of Francis I of the Two Sicilies

1936: The birth of acress Virna Lisi

1982: The birth of golfer Francesco Molinari


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