Showing posts with label Roberto Rossellini. Show all posts
Showing posts with label Roberto Rossellini. Show all posts

18 June 2022

Isabella Rossellini - actress and model

Daughter of ‘cinema royalty’ who became star in her own right

Isabella Rossellini won critical acclaim for her performance as a nightclub singer in Blue Velvet
Isabella Rossellini won critical acclaim for her
performance as a nightclub singer in Blue Velvet
The actress and model Isabella Rossellini, famed for her roles in the David Lynch-directed mystery Blue Velvet and the Oscar-winning black comedy Death Becomes Her and for 14 years the face of luxury perfume brand Lancôme, was born on this day in 1952 in Rome.

Her parents were the Swedish triple Academy Award-winning actress Ingrid Bergman and the Italian director Roberto Rossellini, one of the pioneers of the neorealism movement that spawned some of Italy’s finest films. She is the eldest by 34 minutes of twin girls.

Resident in the United States since 1979, when she married the American director Martin Scorsese, she has a home on Long Island, New York, where she keeps a number of animals. 

An active campaigner for various wildlife conservation causes, Rossellini has a MA in Animal Behaviour & Conservation after studying the subject at Hunter College, New York. Although her acting career continues, she moved in a less conventional direction by writing, directing and appearing in a series of short documentary films about sexual and reproductive behaviour in animals entitled Green Porno.

Rossellini was the face of French cosmetics brand Lancôme
Rossellini was the face of French
cosmetics brand Lancôme
Although she is now seen as the offspring of ‘screen royalty’ in that Bergman and Roberto Rossellini were two of the most famous names in cinema in the postwar years, her parents’ relationship initially caused controversy.  

Bergman had begun an affair with the Italian after writing to ask if he would like to direct her and fell pregnant with Isabella and Isotta’s elder brother, Robin, while still married to a Swedish dentist.  This was seen as scandalous in the conservative fifties and Bergman did not work again in the US for several years, while given a similarly harsh reception in her own country.

After her parents divorced when she was five, Rossellini had an unconventional upbringing, her time divided between different homes, although she insisted in interviews in later life that she had happy memories of her childhood.  Yet she also suffered from scoliosis, a condition affecting the spine that required two years of sometimes painful treatment.

After attending arts college in New York, she had her first brief film role as a nun in the 1976 musical fantasy A Matter of Time, which starred her mother and Liza Minnelli.  Her first proper role came in the 1979 Italian film Il prato (The Meadow), of which one critic wrote: ‘She looks like her mother, but she certainly hasn’t inherited her talent.’

Rossellini pictured at the 1990 Cannes Film Festival with her then partner, David Lynch
Rossellini pictured at the 1990 Cannes Film
Festival with her then partner, David Lynch
The pressure of feeling she had to live up to such expectations persuaded her to focus more on her modelling career, in which she had already worked with many renowned magazine photographers, but after the death of her mother in 1982 her own screen career acquired some momentum.

Her appearance in the 1985 film White Nights, directed by Taylor Hackford, introduced her to international audiences. Her role as a troubled nightclub singer in Lynch’s Blue Velvet followed in 1986 and the next 10 years brought a series of well-received performances, including Death Becomes Her in 1992, when she was cast alongside Meryl Streep, Goldie Hawn and Bruce Willis.

Her television work gained her accolades too, including a Golden Globe nomination in 1997 for her performance in the made-for-TV drama Crime of the Century and an Emmy Award nomination for her work on the television series Chicago Hope.

In the meantime, Rossellini had become the principal model and spokesperson for Lancôme in 1982, a role she fulfilled until 1996 when, controversially, she was deemed “too old” at 43 and effectively sacked. Her daughter, Elettra Rossellini Wiedemann, became the new face of Lancôme in 2009, five years before the brand, by then with a female CEO at the helm, re-engaged her mother as a global ambassador.

While continuing to take regular film roles, Rossellini’s fascination with animal behaviour, which began with a book she was given as a 14-year-old, led her to enrol at Hunter College, a public college attached to the City University of New York, to study the subject.

It was around this time that she began a collaboration with the Sundance Channel, an independent film network founded by the actor Robert Redford, which commissioned My Dad Is 100 Years Old, a film tribute to Rossellini’s father which she created herself.

Rossellini with her sister, Isotta, on a  Sardinian beach in 1960
Rossellini with her sister, Isotta, on a 
Sardinian beach in 1960
The idea for Green Porno emerged from this collaboration. The concept, which began with a series of short, humorous films in which Rossellini dresses up as various animals and, with the aid of cardboard cut-outs and foam-runner models, enacts the mating rituals of insects and animals.  The first series was so successful that further series and spin-offs followed, including a live show on stage at the Adelaide Festival of Arts in 2014.

In her personal life, Rossellini has been married twice - to Scorsese from 1979 to 1982 and production designer Jon Wiedemann from 1983 to 1986, with whom she has a daughter, Elettra, and an adopted son, Roberto. 

She had a five-year relationship with David Lynch after working for him on Blue Velvet and a two-year engagement to the English actor Gary Oldman, but remains single. 

Rossellini has a close relationship with her twin sister, Isotta, a professor of Italian literature who has taught at Columbia, New York, Harvard and Princeton universities.

Santa Marinella, north of Rome, is blessed with wide, sandy beaches
Santa Marinella, north of Rome, is blessed
with wide, sandy beaches
Travel tip:

One of Rossellini’s childhood homes was at Santa Marinella, a seaside town of about 19,000 residents approximately 65km (40 miles) northwest of Rome on the Lazio coast, near Civitavecchia. Once a favoured retreat of wealthy Romans, it is divided into a port area overlooked by the medieval Castello Odescalchi, now a hotel, and a resort with long, sandy beaches and streets lined with boutiques, cafes, bakeries, and seafood restaurants.

Stromboli remains an active 
volcano in the Aeolian Sea
Travel tip:

Rossellini’s mother, Ingrid Bergman, first worked for her father on his 1950 film Stromboli, set on the volcanic island of Stromboli in the Aeolian Sea, around 70km (43 miles) off the northern coast of Sicily. A still-active volcano towering out of the sea, the island is attractive for day trippers, while there are a small number of hotels in the village of Stromboli on the northeast of the island and in Ginostra at the other extremity. Rossellini’s film was responsible for a surge in tourist attention, which led to the development of clusters of holiday homes around a few stretches of volcanic sand.

Also on this day:

1511: The birth of sculptor and architect Bartolomeo Ammannati

1943: The birth of actress, singer and TV presenter Raffaella Carrà

1946: The birth of football coach Fabio Capello


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25 November 2019

Rosanna Schiaffino – actress

Dramatic life of Italian sex goddess


Rosanna Schiaffino became a movie goddess in the mould of Sophia Loren and Gina Lollobrigida
Rosanna Schiaffino became a movie goddess in
the mould of Sophia Loren and Gina Lollobrigida
Film star Rosanna Schiaffino, who for more than 20 years, between the 1950s and the 1970s, starred opposite the most famous actors of the period, was born on this day in 1939 in Genoa in Liguria.

Schiaffino worked for some of Italian cinema’s greatest directors, but in the 1980s turned her back on the cinema world to marry the playboy and steel industry heir, Giorgio Falck, entering a relationship that descended into acrimony after she was diagnosed with breast cancer.

Born into a wealthy family, Schiaffino was encouraged in her acting ambitions by her mother, who paid for her to go to a drama school.  She entered beauty contests and won the title of Miss Liguria when she was just 14.

She also took some modelling jobs and her photograph appeared in many magazines. She was spotted by the film producer Franco Cristaldi, who paired her with Marcello Mastroianni in Un ettaro di cielo (Piece of the Sky) in 1959.

Schiaffino made her name in her second film for Cristaldi, La Sfida (The Challenge), directed by Francesco Rosi, in which she gave a powerful, but sensitive performance as a Neapolitan girl, inspired by the real life character of Pupetta Maresca, a former beauty queen who became a famous Camorra figure after killing the murderer of her husband in revenge.  The film won acclaim at the 1958 Venice film festival.

She  won an award for her performance as Lucrezia in the film La Mandragola (The Mandrake), an adaptation of a play by Niccolò Machiavelli.

Schiaffino and Marcello Mastroianni in a  scene from A Piece of the Sky
Schiaffino and Marcello Mastroianni in a
scene from A Piece of the Sky
Schiaffino was often referred to as ‘the Italian Hedy Lamarr’ but she was more of a sex goddess in the style of Sophia Loren and Gina Lollobrigida.

In 1966 she married the film producer Alfredo Bini, with whom she had a daughter, Antonella. They would divorce in 1976.

After making more than 40 films, working with directors including Pier Paolo Pasolini, Roberto Rossellini and Jean-Luc Godard, Rosanna gave up acting to enjoy a new life mixing with the jet set, her activities often featuring in gossip magazines all over the world.

During the summer of 1980 in Portofino, she met Giorgio Falck, who was newly divorced, and they had a well publicised affair. They had a son, Guido, in 1981 and were married in 1982.

In 1991 she was diagnosed with breast cancer and the marriage then went into decline. They divorced after unpleasant disputes over the custody of their son and the allocation of money.

She died of the illness in 2009, aged 69, in Milan.

The maritime city of Genoa is the capital of Liguria and the sixth largest city in Italy
The maritime city of Genoa is the capital of Liguria and
the sixth largest city in Italy
Travel tip:

Genoa, where Rosanna Schiaffino was born, is the capital city of the region of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.

The picturesque fishing village of Portofino has become a draw for artists and celebrities
The picturesque fishing village of Portofino has become
a draw for artists and celebrities
Travel tip:

The region of Liguria in northwest Italy is also known as the Italian Riviera. It runs along a section of the Mediterranean coastline between France and Tuscany and is dotted with pretty seaside villages, with houses painted in different pastel colours.  The fishing village of Portofino, about an hour’s drive southeast along the coast from Genoa, has become famous for its picturesque harbour and for its associations with artists and celebrities. A novel published in 1922 is credited with making Portofino famous. The Enchanted April by Elizabeth von Arnim was inspired by the author’s stay in Portofino and was made into a film in 1991 with a cast including Joan Plowright, Miranda Richardson and Alfred Molina. The film was nominated for three Oscars.

Also on this day:

1343: Amalfi is destroyed by a tsunami

1881: The birth of Pope John XXIII

1950: The birth of writer and entertainer Giorgio Faletti

1955: The birth of choreographer and dancer Bruno Tonioli



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8 November 2018

Paolo Taviani - film director

Half of a successful partnership with brother Vittorio


Paolo Taviani has been active in Italian cinema for more than 60 years
Paolo Taviani has been active in Italian
cinema for more than 60 years 
The film director Paolo Taviani, the younger of the two Taviani brothers, whose work together won great acclaim and brought them considerable success in the 1970s and 80s in particular, was born on this day in 1931 in San Miniato, Tuscany.

With his brother Vittorio, who was two years his senior and died in April of this year, he wrote and directed more than 20 films.

Among their triumphs were Padre Padrone (1977), which won the Palme d’Or and the International Federation of Film Critics (FIPRESCI) prize at the Cannes Film Festival, La notte di San Lorenzo (The Night of the Shooting Stars, 1982), which won the Grand Prix du Jury at Cannes, and Caesar Must Die (2012), which won the Golden Bear at the Berlin International Film Festival.

The brothers famously would work in partnership, directing alternate scenes, one seldom criticising the other, if ever. The actor Marcello Mastroianni, who starred in their 1974 drama Allonsanfàn, is said to have addressed the brothers as “Paolovittorio.”

They were both born and raised in San Miniato by liberal, anti-Fascist parents who introduced them to art and culture. Their father Ermanno, a lawyer, would take them to watch opera as a reward for getting good grades at school.

Paolo Taviani (right) with his brother Vittorio. They  worked as a partnership until the latter's death in 2018
Paolo Taviani (right) with his brother Vittorio. They
worked as a partnership until the latter's death in 2018
After the Second World War, in which San Miniato suffered badly at the hands of the occupying Germans, they both attended university in Pisa, where Paolo studied liberal arts and Vittorio read law.

While there, they saw Roberto Rossellini’s neorealist picture Paisan, about the Allied liberation of Italy. Its portrayal of what they described as their “own tragedy” had such a profound effect on them that they vowed to be making their own films within a decade.

Indeed, their first work, a short documentary film made in 1954 entitled San Miniato, July 1944, produced with the help of one of neorealism’s most famous scriptwriters, Cesare Zavattini, was the true story of a massacre carried out by the Nazis inside the town’s cathedral in revenge for the death of a German soldier.

They worked with the Dutch director Joris Ivens on another documentary, L'Italia non è un paese povero (Italy is Not a Poor Country), before teaming up with Valentino Orsini on two feature films, Un uomo da bruciare (A Man for Burning, 1962) and I fuorilegge del matrimonio (Outlaws of Love, 1963).

Padre Padrone (1977) was one of the brothers' most successful films
Padre Padrone (1977) was one of the
brothers' most successful films
Their first film in their own right was I sovversivi (The Subversives, 1967), a story of four members of the Italian Communist Party which anticipated the unrest of 1968. They hired Gian Maria Volontè, who had starred in Un uomo da bruciare, for the lead role in Sotto il segno dello scorpione (Under the Sign of Scorpio, 1969), which had the critics comparing their work with Bertolt Brecht, Pier Paolo Pasolini and Jean-Luc Godard.

They won praise for their literary adaptations, including in San Michele aveva un gallo (St Michael Had a Rooster, 1972), adapted from Tolstoy’s Divine and Human, and also Kaos (1984) and Tu ridi (You Laugh, 1998), both based on stories by Luigi Pirandello. 

After Padre Padrone, their career reached another big moment with La notte di San Lorenzo, a wartime drama based in part on their own early lives and drawing on their own documentary, set in 1944 in a Tuscan village poised to be snatched away from the Germans by approaching US troops.

Some of their later work was less well received by they scored another major success with Caesar Must Die, an unorthodox adaptation of Julius Caesar shot inside Rebibbia prison in Rome and performed by hardened lifers, many of them former mafia and Camorra hitmen. The film won the Golden Bear at Berlin in 2012 and was selected as the Italian entry for Best Foreign Language Film at the 85th Academy Awards, although it did not make the final.

Their last work as a partnership, Una questione privata (Rainbow: A Private Affair, 2017), won an Italian Golden Globes as Best Actor for Luca Marinelli.

Still active in Italian cinema, Paolo Taviani presented a lifetime achievement award to his fellow director Martin Scorsese - at 75 some 11 years his junior - at the Rome Film Festival last month.

Crowds at San Miniato's white truffle  festival, guarded by the Tower of Federico
Crowds at San Miniato's white truffle
festival, guarded by the Tower of Federico 
Travel tip:

San Miniato, where Taviani was born, is a charming town perched on a hill halfway between Florence and Pisa. Both cities fought to control it for two centuries. With a picturesque medieval centre built around the Fortress of Federico II and views over the Arno valley, it attracts visitors all year round but one of its busiest times is November, when the annual white truffle festival fills the streets with parades, concerts and artisan vendors. The Diocesan Museum, next to the cathedral, contains works by Filippo Lippi, Jacopo Chimenti, Neri di Bicci, Fra Bartolomeo, Frederico Cardi (known as Cigoli) and Verrocchio.  The church of San Domenico has terracotta works by Luca della Robbia, a fresco attributed to Masolino da Panicale and a burial monument sculpted by Donatello.

The Scuola Normale Superiore in Pisa
The Scuola Normale Superiore in Pisa
Travel tip:

Pisa, once a major maritime power, is now a university city renowned for its art and architectural treasures and with a 10.5km (7 miles) circuit of 12th century walls. The Campo dei Miracoli, formerly known as Piazza del Duomo, located at the northwestern end of the city, contains the cathedral (Duomo), baptistery and famously the tilting campanile known as the Leaning Tower of Pisa, all built in black and white marble between the 11th and 14th centuries. The Scuola Normale Superiore is one of three universities in Pisa, the others being the University of Pisa and the Scuola Superiore Sant’Anna.

More reading:

Roberto Rossellini - the father of neorealism

Marcello Mastroianni - the star who immortalised the Trevi Fountain

How actress Laura Betti became Pier Paolo Pasolini's muse

Also on this day:

1830: The death of Francis I of the Two Sicilies

1936: The birth of acress Virna Lisi

1982: The birth of golfer Francesco Molinari


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12 October 2018

Gillo Pontecorvo - film director

Most famous film was banned in France


Gillo Pontecorvo was a journalist before being inspired to make a career as a film director
Gillo Pontecorvo was a journalist before being inspired
to make a career as a film director
The film director Gillo Pontecorvo, whose best known film, La battaglia di Algeri (The Battle of Algiers) won the Golden Lion at the Venice Film Festival in 1966 and was nominated for three Academy Awards, died on this day in 2006 in Rome, aged 86.

A former journalist who had been an Italian Resistance volunteer and a member of the Italian Communist Party, Pontecorvo had been in declining health for some years, although he continued to make documentary films and commercials until shortly before his death.

Although it was made a decade or so after the peak years of the movement, La battaglia di Algeri is in the tradition of Italian neorealism, with newsreel style footage and mainly non-professional actors.

Pontecorvo also won acclaim for his 1960 film Kapò, set in a Second World War concentration camp, and Burn! (1969) - titled Queimada in Italy - which was about the creation of a so-called banana republic on the fictitious Caribbean island of Queimada, starring Marlon Brando and loosely based on the failed slave revolution in Guadeloupe.

A poster for the US release of the film La battaglia di algeri
A poster for the US release of the
film La battaglia di algeri
Kapò, which was also was nominated for an Oscar, won a Italian National Syndicate of Film Journalists Silver Ribbon award for Didi Perego as best supporting actress, and the Mar del Plata Film Festival award for Susan Strasberg for best actress.

La battaglia di Algeri, which focussed on the Algerian War of Independence against the occupying French, caused great controversy in France, where it was banned for five years after the government objected to its sympathetic treatment of the Algerian rebels. Its co-star and joint producer, Saadi Yacef, was one of the leaders of the Algerian Liberation Front.

Pontecorvo was born in November 1919, in Pisa, into a high-achieving family. His father, Massimo, owned three textile factories employing more than 1,000 people. His eldest brother among seven siblings, Guido, later became an eminent geneticist, his second brother, Paolo, an engineer who worked on radar during the Second World War II and his third brother, Bruno, a renowned nuclear physicist.

Gillo enrolled at the University of Pisa to study chemistry but dropped out, taking the decision when Mussolini’s race laws came into force in 1938 to follow Bruno in fleeing to Paris, where he found work as a journalist.

When the German Army closed in on Paris, in June 1940, Pontecorvo and Bruno, along with their cousin Emilio Sereni, their friend, the future Nobel Prize-winning microbiologist Salvador Luria, and Pontecorvo’s future wife, Henrietta, fled the city on bicycles.

Marlon Brando played the lead character in Pontecorvo's film Burn!
Marlon Brando played the lead character
in Pontecorvo's film Burn!
Pontecorvo reached St Tropez, where he earned money by drawing on his talent as a tennis player, providing lessons for rich residents.

By 1941, he had secretly joined the Italian Communist Party, and began to make regular trips to Italy to help organize anti-Fascist partisans.  Going by the pseudonym Barnaba, he spent the summer of 1943 working for his party’s underground newspaper, L'Unità, in Milan. From there he moved to Turin, where he began to organise factory workers.

After the war, he returned to Paris as the representative of Italy in the Youth World Federation and the Communist-backed World Federation of Democratic Youth.  Although his political philosophy remained Marxist, he broke his ties with the Communist party in 1956 after the Soviet intervention to suppress the Hungarian Revolution.

By then, his career as a filmmaker was established.  Although for many years an enthusiast for the cinema, it was after seeing Roberto Rossellini’s film, Paisà, that he gave up journalism and, using his own money and a 16mm camera, began to shoot political documentaries.

In 1957 he directed his first full-length film, La grande strada azzurra (The Wide Blue Road), which explored the life of a fisherman and his family facing hard times on a small island off the Dalmatian coast of Italy. The film won a prize at the Karlovy Vary International Film Festival.

Pontecorvo was director of the Venice Film Festival
Pontecorvo was director of
the Venice Film Festival 
Pontecorvo’s output was relatively small, largely because he spent months and sometimes years in research as he sought to produce authentic portrayals of events.

His last full-length feature film was Ogro (1979), which was inspired by the car bomb murder by ETA terrorists of Carrerro Blanco, the prime minister of Spain under Franco in 1973.  The film brought Pontecorvo his second David di Donatello award for Best Director, which he had also won for Burn! (Queimada).

Director of the Venice Film Festival from 1992 to 1994, Pontecorvo was married twice. His second wife, Teresa Ricci, bore him three sons - Ludovico, Marco and Simone.  Marco Pontecorvo followed his father’s footstep and became a filmmaker.

The Campo dei Miracoli in Pisa, with the baptistery in the foreground and the Leaning Tower beyond the cathedral
The Campo dei Miracoli in Pisa, with the baptistery in the
foreground and the Leaning Tower beyond the cathedral
Travel tip:

Pisa used to be one of Italy’s major maritime powers, rivalling Genoa and Venice, until silt deposits from the Arno river gradually changed the landscape and ultimately cut the city off from the sea in the 15th century. Nowadays, almost 15km (9 miles) inland, it is a university city renowned for its art and architectural treasures with a 10.5km (7 miles) circuit of 12th century walls. The Campo dei Miracoli, formerly known as Piazza del Duomo, located at the northwestern end of the city, contains the cathedral (Duomo), baptistery and famously the tilting campanile known as the Leaning Tower of Pisa, all built in black and white marble between the 11th and 14th centuries.

Giorgio Vasari's Palazzo della Carovana used to be the headquarters of a Medici military order
Giorgio Vasari's Palazzo della Carovana used to be the
headquarters of a Medici military order
Travel tip:

In the centre of Pisa, the elegant Piazza dei Cavalieri is dominated by Palazzo della Carovana, built and lavishly decorated by Giorgio Vasari between 1562 and 1564. Originally the headquarters of the Knights of St. Stephen, a Roman Catholic dynastic military order founded in 1561 by Cosimo I de' Medici, first Grand Duke of Tuscany, it is now the main building of the Scuola Normale Superiore di Pisa, one of three universities in Pisa, the others being the University of Pisa and the Scuola Superiore Sant’Anna.

More reading:

How Roberto Rossellini changed Italian cinema

Francesco Rosi - master of neorealism

The brilliance of Oscar-winner Vittorio de Sica

Also on this day:

1492: The death of Renaissance painter Piero della Francesca

1935: The birth of tenor Luciano Pavarotti


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30 July 2018

Michelangelo Antonioni - film director

Enigmatic artist often remembered for 1966 movie Blowup


Michelangelo Antonioni was described as one of Italian cinema's 'last greats'
Michelangelo Antonioni was described
as one of Italian cinema's 'last greats'
The movie director Michelangelo Antonioni, sometimes described as “the last great” of Italian cinema’s post-war golden era, died on this day in 2007 at his home in Rome.

Antonioni, who was 94 years old when he passed away, was a contemporary of Federico Fellini and Luchino Visconti.

Remarkably, three of that trio’s most acclaimed works - Fellini’s La dolce vita, Visconti’s Rocco and His Brothers and Antonioni’s L’avventura - appeared within a few months of one another.

Antonioni’s genius lay in the way he challenged traditional approaches to storytelling and drama and the way people viewed the world in general.

His characters were often intentionally vague, his most favoured themes being social alienation and bourgeois ennui, reflecting his view that life left many people emotionally adrift and unable to find their bearings.  His movies often had no strong plot in a conventional sense, were dotted with unfinished conversations and seemingly disconnected incidents. His style was seen as a rejection of neorealism, his films more a metaphor for human experience, rather than a record of it.

He divided opinions. At the Cannes Film Festival in 1960, when L’avventura was shown, half the audience booed and jeered. But Antonioni’s fellow director Roberto Rossellini sprang to his defence, hailing the movie, about a young woman's disappearance during a boating trip and how her lover and her best friend join forces to search for her but eventually begin having an affair, as a work of genius.

The actress Monica Vitti in a scene from L'eclisse (1962)
The actress Monica Vitti in a scene from L'eclisse (1962)
L’avventura (1960) was the first of three films, with Le notte (1961) and L’eclisse (1962), that were described as his “trilogy on modernity and its discontents”. All starred a young Roman actress called Monica Vitti, who was at the time Antonioni’s lover.  Some critics argue that the exquisite, mysterious qualities that Vitti brought to her acting were the key to the trilogy’s success and Antonioni’s breakthrough with large international audiences. His first film in colour, The Red Desert (1964) explored similar themes.

He and Vitti stayed together for 10 years, their relationship falling between his two marriages. His third wife, Enrica Fico, was also a director.

Antonioni made a number of films in English, the most famous of which were Zabriskie Point (1970) and The Passenger (1975) and, above all, Blowup (1966), a movie starring David Hemmings and Vanessa Redgrave that was shocking at the time for its sex scenes, which was loosely based on the life of David Bailey, the photographer who captured the Swinging Sixties with more style and impact than any of his contemporaries.

Antonioni was honoured with numerous awards for his films
Antonioni was honoured with numerous
awards for his films
Born in Ferrara, in the Po valley, Antonioni came from a family that enjoyed largely self-made prosperity thanks to his father’s efforts, though taking evening classes alongside his day job, to establish a career that was paid well enough for him to rise above his working-class roots.

Growing up, Antonioni loved music and drawing, with a fascination for architecture, and had he not fallen in love with the cinema he might have been an accomplished violinist. He went to university in Bologna, where he obtained a degree in economics, before beginning work for Il Corriere Padano, a newspaper based in Ferrara, where he wrote film reviews.

In his 20s he played tennis, winning amateur championships in northern Italy, and moved to Rome. During the Second World War he fought against the Fascists as a member of the Italian Resistance.

In 1942, Antonioni ventured into film-making for the first time, co-writing A Pilot Returns with Roberto Rossellini. He made his own debut with Gente del Po (1943), a short film about poor fishermen in the Po valley. His earliest feature films, many of which were lost after Rome was liberated by the Allies, were neorealist in style, before he broke away from that genre in the 1950s to make films with the theme of social alienation that would become common in his work.

Antonioni received numerous film festival awards and nominations throughout his career. He is one of only three directors to have won the Palme d'Or (Cannes), the Golden Lion (Venice) and the Golden Bear (Berlin), and the only director to have won these three and the Golden Leopard (Locarno). He received an honorary Academy Award in 1995.

The Este Castle dominates the centre of Ferrara
The Este Castle dominates the centre of Ferrara
Travel tip:

The city of Ferrara in Emilia-Romagna is about 50km (31 miles) northeast of Bologna. It was ruled by the Este family between 1240 and 1598. Building work on the magnificent Este Castle in the centre of the city began in 1385 and it was added to and improved by successive rulers of Ferrara until the end of the Este line. Apart from the castle, the city has other architectural gems, including many the striking Renaissance building Palazzo dei Diamanti, so-called because the stone blocks of its facade are cut into the shape of diamonds.

The Archiginnasio is the oldest part of Bologna University
The Archiginnasio is the oldest part of Bologna University
Travel tip:

Bologna University, where Antonioni studied, was founded in 1088 and is the oldest university in the world. The oldest surviving building, the Archiginnasio, is now a library and is open Monday to Friday from 9 am to 7 pm, and on Saturdays from 9 am to 2 pm. It is a short walk away from Piazza Maggiore and the Basilica di San Petronio in the centre of the city.

More reading:

Fellini's legacy to Italian cinema

Luchino Visconti - the aristocrat of Italian cinema

Why Roberto Rossellini is known as the 'father of neorealism'

Also on this day:

1626: The Naples earthquake that killed 70,000 people

1909: The birth of chemist Vittorio Erspamer, the scientist who discovered serotonin



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28 November 2017

Mario Nascimbene - film music composer

First Italian to score for Hollywood


Mario Nascimbene
Mario Nascimbene
The composer Mario Nascimbene, most famous for composing the music for more than 150 films, was born on this day in 1913 in Milan.

Nascimbene’s legacy in the history of Italian cinema is inevitably overshadowed by the work of Ennio Morricone and the late Nino Rota, two composers universally acknowledged as giants of Italian film music.

Yet the trailblazer for the great Italian composers of movie soundtracks was arguably Nascimbene, whose engagement to score Joseph L Mankiewicz’s 1954 drama The Barefoot Contessa won him the distinction of becoming the first Italian to write the music for a Hollywood production.

It was such an unexpected commission that Nascimbene confessed in an interview in 1986 that when he was first contacted about the film by Mankiewicz’s secretary he shouted down the phone and hung up, suspecting a hoax perpetrated by a friend who only a few months earlier had caught him out in a similar wind-up over the score for the William Wyler movie Roman Holiday.

Only after a third call from the secretary did he reluctantly agree to meet the director and when his doorbell rang he was convinced his friend would be on the other side as before, only to fling it open and find Mankiewicz standing on his front step, ready to explain that he had been impressed by his work in Italian cinema and did indeed want to hire him.

The movie poster for Joseph Mankiewicz's The Barefoot Contessa
The movie poster for Joseph Mankiewicz's
The Barefoot Contessa
The Barefoot Contessa, starring Humphrey Bogart, Ava Gardner and Edmond O’Brien, won an Oscar for O’Brien as Best Supporting Actor and was a box office hit, gaining Nascimbene a level of exposure he had never before known.

More work in America soon came his way and more success, his scores for Robert Rossen’s Alexander the Great, starring Richard Burton and Claire Bloom, A Farewell to Arms, starring Rock Hudson and Jennifer Jones, Mankiewicz’s The Quiet American, starring Audie Murphy and Michael Redgrave, and The Vikings, a swashbuckling romp starring Kirk Douglas, establishing his reputation.

He cracked the British market, too, with his commission to score the 1959 movie Room at the Top, directed by Jack Clayton and nominated for six Academy Awards, winning Best Actress for Simone Signoret and Best Adapted Screenplay for Neil Paterson.

Nascimbene himself won three Nastro d'Argento awards for best score for Rome 11:00 (1952), Violent Summer (1960) and  for Pronto... c'è una certa Giuliana per te (1968).

In 1991, Nascimbene was awarded a "Career David" from the David di Donatello Awards, honouring his lifetime achievements.

Nascimbene's work is overshadowed by Ennio Morricone
Nascimbene's work is overshadowed
by Ennio Morricone (above)
Born in Milan, Nascimbene attended the  "Giuseppe Verdi" Conservatory of Music under the guidance of Ildebrando Pizzetti, studying composition and orchestral conducting.  After graduating, he wrote several pieces of chamber music and a ballet.

His first film work came in 1941 for the Italian movie Love Song and the success of that project encouraged him to concentrate his energy on the cinema, where he came to be regarded as one of the finest movie composers of his lifetime.

Nascimbene was particularly appreciated for inventing ‘Mixerama’, a revolutionary style that allowed him to incorporate into his scores the sounds of non-orchestral instruments, such as the jaw harp and harmonica, and even everyday noises such as the ticking of a clock, the ring of a bicycle bell or, famously, the clacking of typewriters in Giuseppe de Santis’s neorealist Rome 11:00.

Having worked briefly but successfully with Federico Fellini on Amore in Città (Love in the City) in 1953, he was disappointed that Fellini eventually chose Rota as his favoured composer, but established good relationships of his own with De Santis and Roberto Rossellini, composing the score for the latter’s 1975 epic The Messiah.

Nascimbene, who also did some work in contemporary opera and jazz music, was twice married.  He died in Rome in 2002 at the age of 88.

Colourful Via Abramo Lincoln
Colourful Via Abramo Lincoln
Travel tip:

One of the quirkier attractions in Milan can be found to the east of the city centre at the centre of a block just beyond Porta Vittoria, bordered to the south by Corso XXII Marzo and to the north by Corso Indipendenza.  Running parallel with Via Pasquale Sottocorno and accessed from Via Benvenuto Cellini, the narrow, tree-lined Via Abramo Lincoln is the most unusual street in the context of the city, a collection of small, terraced houses, each painted a different colour from its neighbour.  It has the feel of London’s Notting Hill and is all that exists of a dream of a workers’ co-operative in the late 19th century to create an area of small, affordable houses which, largely because of economic turmoil and the First World War, never progressed beyond a single street.

Parco Papa Giovanni Paolo II, behind the Basilica  of San Lorenzo Maggiore
Parco Papa Giovanni Paolo II, behind the Basilica
of San Lorenzo Maggiore
Travel tip:

Another less well-known place to visit in Milan is the Parco Papa Giovanni Paolo II, not far from the Navagli canal district in an area known as Ticinese, a stretch of green public space that links to basilicas, the Basilica of Sant’Eustorgio to the south and to the north the magnificent Basilica of San Lorenzo Maggiore, with its Corinthian columns left behind from a 3rd century Roman temple.



22 July 2017

Indro Montanelli – journalist

Veteran writer who cast a critical eye on Italian politics and society


Indro Montanelli, in the offices of Corriere della Sera, working
from an improvised chair made from a pile of books
A writer and journalist regarded as one of the greatest of 20th century Italy, Indro Montanelli, died on this day in 2001 in Milan.

The previous year he had been named as one of 50 World Press Freedom Heroes by the International Press Institute.

Montanelli had been a witness to many of the major events of the 20th century. He was in Danzig when Hitler rejected the ultimatum from Britain and France in September 1939. He was in the streets of Budapest in 1956 when Soviet tanks rolled in and he was shot in the legs by Red Brigades terrorists on an Italian street in 1977.

Montanelli was born Indro Alessandro Raffaello Scizogene Montanelli in 1909 at Fucecchio near Florence.

He studied for a law degree at the University of Florence in the early 1920s and began his journalistic career by writing for the Fascist newspaper, Il Selvaggio.

Montanelli in Ethiopia in 1936
Montanelli in Ethiopia in 1936
He then worked as a crime reporter for Paris Soir before serving as a volunteer with Italian troops in the Eritrean Battalion in Ethiopia - Abyssinia as it was then - where he wrote war reports which later formed the basis for the first of his 40 books. 

It was a book that honestly conveyed what Montanelli had seen, some of which caused him to change his mind about Benito Mussolini, the Fascist leader. It was a little too honest for the Fascist oligarchy, however, and, after his similarly objective reporting on the Spanish civil war did not meet with Fascist approval, his press accreditation was withdrawn.

Despite this, he continued to write, the Corriere della Sera getting around the ban on his working as a journalist by hiring him as a ‘collaborator’, in which capacity he sent back reports from Scandinavia and the Baltic States, the Balkans and Greece.

After witnessing the disastrous Italian invasion of Greece, Montanelli decided to join the partisan movement against the Fascist regime.

During the Nazi occupation of Italy he was arrested and narrowly avoided being executed. His reprieve was thanks to the intervention of some influential admirers who put pressure on the Germans.

His prison experiences inspired him to write a novel, Il Generale della Rovere, based on his meeting in prison with a German spy posing as an Allied military commander, which was later filmed by Roberto Rossellini and won the Venice Golden Lion in 1959.

Montanelli pictred in Milan in 1992
Montanelli pictred in Milan in 1992
After the war, Montanelli co-edited a magazine called Il Borghese, which tried to cater for what remained of right-wing cultural tastes in a country divided between the Communists and Christian Democrats.

His increasing anger at the Communists was to eventually win the approval of media magnate Silvio Berlusconi, who backed the right-leaning newspaper, Il Giornale, which Montanelli had founded in 1973 after breaking away from Corriere following a change in the paper's political direction.

Montanelli remained as the editor until 1994 when he fell out with Berlusconi after criticising his entry into politics.

The journalist was made a Knight Grand Cross of the Order of Merit of the Italian Republic in 1995.

It was Gianni Agnelli, then proprietor, who persuaded Montanelli to return to Corriere, where he commented on prominent Italians in editorials and on a letter’s page entitled Montanelli’s Room.

He spent his last years vigorously opposing Silvio Berlusconi’s politics.

Montanelli also wrote a series of successful history books, including one about Rome, which became a regular textbook used in schools.

Towards the end of his life, Montanelli lived in an apartment overlooking Piazza Navona in Rome.

He died at the age of 92 after a prostate cancer operation at a clinic in Milan.

The day after his death, Corriere della Sera published a letter he had written on its front page, ‘Indro Montanelli’s farewell to his readers’.

The journalist had also left instructions for his ashes be placed in an urn above his mother’s tomb at Fucecchio.

Montanelli's reputation was tarnished by his admission that he bought a 12-year-old Ethiopian girl to be his wife during Mussolini’s campaign in Ethiopia, in common with other Italian soldiers, who took advantage of local laws that made such marriages legal. Asked about the marriage on a television interview in 1969, Montanelli refused to apologise. 

The house in Piazza Garibaldi in Fucecchio, near Florence, where Montanelli was born
The house in Piazza Garibaldi in Fucecchio, near
Florence, where Montanelli was born
Travel tip:

Fucecchio, where Indro Montanelli was born, is a municipality  of Florence. One of the major sights in the town is the Abbey of San Salvatore which was built in the upper part of Fucecchio in the 11th century. The town is mentioned frequently in the 1917 opera Gianni Schicchi by Giacomo Puccini.

Travel tip:

Indro Montanelli was among many distinguished Italian writers who worked for Corriere della Sera, a daily newspaper founded in 1876 in Milan. The newspaper’s headquarters have been in the same building in Via Solferino in the centre of Milan since the beginning of the 20th century.

21 July 2017

Suso Cecchi D'Amico - screenwriter

Woman who scripted many of Italy's greatest movies


Suso Cecchi D'Amico, pictured in 1999
Suso Cecchi D'Amico, pictured in 1999
Suso Cecchi D’Amico, the most accomplished and sought-after screenwriter in 20th century Italian cinema, was born on this day in 1914 in Rome.

She collaborated on the scripts of more than 100 films in a career spanning 60 years and worked with almost every Italian director of note, particularly the pioneers of neorealism, the movement in which she was a driving force.

The classic films in which she was involved are some of the greatest in cinema history, including  Vittorio De Sica's Bicycle Thieves (1948), William Wyler's Roman Holiday (1953), Mario Monicelli's I Soliti Ignoti (1958), which was released in the United States and Britain as Big Deal on Madonna Street, and Francesco Rosi's Salvatore Giuliano (1962).

She also worked with Michelangelo Antonioni on Le Amiche (The Girlfriends, 1955) and Franco Zeffirelli on Jesus of Nazareth (1977), but she was best known for her professional relationship with Luchino Visconti, for whom she was the major scriptwriter on almost all his films from Bellissima (1951) to The Innocent (1976), including his acclaimed masterpieces Rocco and His Brothers (1960) and Il Gattopardo - The Leopard (1963).

She was born Giovanna Cecchi in Rome. Just after her birth, her father named her Susannah, of which Suso is a Tuscan diminutive. Her mother, Leonetta Pieraccini, was a painter from a theatrical family in Tuscany, while her father, Emilio Cecchi, from Florence, was a journalist and literary critic. They lived for a while in Ariccia, in the Castelli Romani.

Anna Magnani and Luchino Visconti on the set of Bellissima, scripted by Cecchi D'Amico
Anna Magnani and Luchino Visconti on the set
of Bellissima, scripted by Cecchi D'Amico
For a few years in the early 1930s, her father had worked for Mussolini's government, running the state-backed film company, which brought her into contact with many prominent figures from the film industry and the theatre, including Italy's leading theatre critic, Silvio D'Amico, whose son, Fedele, would later become Cecchi’s husband.

Cecchi was educated in Switzerland and then at Cambridge University before her father pulled strings to find her a job in Mussolini's ministry of foreign trade, where she worked for seven years as a secretary and interpreter.

She left when she married, from which point she became known as Cecchi D’Amico, although it would have been difficult for her to continue to work for the Fascist government given Fedele’s politics.

Fedele was a prominent member of the Italian resistance during the Second World War and edited an anti-Fascist newspaper, which meant he had to go into hiding.

After the war, he was in poor health and went to Switzerland for treatment for tuberculosis. With three children to raise, Cecchi D’Amico was obliged to become the breadwinner. She helped her father translating English literary works into Italian, including Thomas Hardy's Jude the Obscure and Shakespeare plays, which in turn led her into writing scripts for the cinema. She and her father worked together, in fact, on her first film, in 1946.

In 1947 she worked on two films directed by Luigi Zampa -  Vivere in Pace (To Live in Peace) and L'Onorevole Angelina (roughly Angelina: Member of Parliament), the latter starring Anna Magnani, who she had met first during the filming of Roberto Rossellini’s Rome, Open City in 1945, in which she had peripheral involvement, and who became one of her closest friends.

Cecchi D'Amico with her husband, Fedele, in 1943
Cecchi D'Amico with her husband, Fedele, in 1943
In 1948 she was one of several scriptwriters who shared credits with De Sica and Cesare Zavattini on Bicycle Thieves, based on Luigi Bartolini's novel, which followed an impoverished man who searches for his stolen bicycle with his young son. It was Cecchi D’Amico who contributed the moving final scene in which, in a departure from the book’s ending, the man attempts to steal a replacement bicycle but is caught by the crowd and humiliated in front of his son, which leads them, as it happens, to form an even closer bond. She would later work with De Sica on another neorealist masterpiece, Miracle in Milan, in 1951.

She was invited to work on Roman Holiday after Wyler became aware Ben Hecht's original script, about a princess (Audrey Hepburn) who meets an American reporter (Gregory Peck) in Italy, failed to capture the real mood of 1950s Rome.

Cecchi D’Amico made her first film with Visconti in 1951, a satirical look at the film business entitled Bellisima, again starring Magnani. Subsequently she wrote or co-wrote all Visconti's films except two.

She was popular with directors because she was content to make creative suggestions and let them believe the ideas were their own. She had a special relationship, both professionally and in private, with Visconti, who generally conceived the outline of films himself but looked to Cecchi D’Amico for suggestions and advice.

The story of her life, Suso, aired
on Italian TV in 2007
She helped further the careers of many Italian stars. For instance, the comedy Big Deal on Madonna Street made a star of Marcello Mastroianni and gave Gina Lollobrigida her first significant part.

Cecchi D’Amico scripted several projects for Mario Monicelli. Indeed, her last work was on a Monicelli film, The Roses of the Desert (2006), a war movie set in Libya.

Given a lifetime achievement award at the Venice Film Festival in 1995, she explained that had there been more newspapers in the post-War years she might have been a journalist and that the neorealist movement was in essence another way in which she and others could write stories about the Italy they saw around them.

She died in Rome in 2010, having survived her husband by 20 years. Their three children have all made contributions to Italian cultural life - Silvia as a film producer, Caterina in directing the Centro Sperimentale di Cinematografia film school in Rome, and Masolino as a translator, critic and teacher.

Masolino's daughter, Margherita, interviewed her grandmother for the 1996 book Storie di Cinema (e d'Altro) – Stories About the Cinema (and Other Things), the closest Cecchi D’Amico came to an autobiography.  In 2007, a film about Cecchi D'Amico's life, entitled Suso, featuring conversations with Margherita and directed by the actor Luca Zingaretti was shown on Italian TV.

The Liceo Chateaubriand in Rome
The Liceo Chateaubriand in Rome
Travel tip:

Cecchi D’Amico went to school in Rome at the Liceo Chateaubriand on Via di Villa Ruffo, not far from Piazza del Popolo at the start of the fashionable Flaminio district, a chic residential area but also home to the Auditorium Parco della Musica, a venue designed by Renzo Piano, the Maxxi Museum of Modern Art and the Ponte della Musica, the modern foot and cycle bridge across the Tiber.

A stall at the Porta Portese market
A stall at the Porta Portese market 
Travel tip:

Many of the sights of Rome have been used for movie locations but some are less well known than others.  The exterior shots for Gregory Peck’s apartment in Roman Holiday were filmed in Via Margutta, a street not far from Piazza di Spagna and the Scalinata di Trinita dei Monti, otherwise known as the Spanish Steps, where Federico Fellini once lived.  Many of the scenes in Bicycle Thieves were shot around Porta Portese in Trastevere, which still hosts the largest Sunday market in Rome.


7 July 2017

Vittorio De Sica - film director

Oscar-winning maestro behind 1948 classic Bicycle Thieves


Vittorio De Sica was one of the major figures of Italian neorealism
Vittorio De Sica was one of the major figures
of Italian neorealism
Vittorio De Sica, the director whose 1948 film Bicycle Thieves is regarded still as one of the greatest movies of all time, was born on this day in 1901 in Sora in Lazio.

Bicycle Thieves, a story set in the poverty of post-War Rome, was a masterpiece of Italian neorealism, the genre of which the major figures, in addition to De Sica, were Luchino Visconti, Roberto Rossellini and Giuseppe de Santis and, to a smaller degree, Federico Fellini.

The movie was one of four that landed Academy Awards for De Sica. Another of his great neo-realist movies, Shoeshine (1948), won an honorary Oscar, while Bicycle Thieves won a special award as an outstanding foreign language film in the days before the Best Foreign Language Film category was introduced.

De Sica would later win Oscars in that section for Yesterday, Today and Tomorrow (1963) – a comedy starring Sophia Loren and Marcello Mastroianni – and The Garden of the Finzi-Continis (1970). 

His Marriage Italian Style (1964), also starring Loren and Mastroianni, also earned a nomination as Best Foreign Language Film and for Loren as Best Actress. Loren did win Best Actress for her role in his 1961 movie La Ciociara, which was released outside Italy as Two Women.

Lamberto Maggiorani (left) and Enzo Staiola played
father and son in De Sica's acclaimed Bicycle Thieves
Born in Sora, which lies between Rome and Naples in the area known as Ciociaria, De Sica essentially grew up in Naples, to which his father, Umberto, who worked as a bank clerk with Banca d’Italia, was transferred in 1905.

During the First World War, De Sica had his first taste of the entertainment business when he joined a musical group that performed in military hospitals in Naples. He is said to have had an excellent singing voice.

He began acting in the 1920s and became something of a matinee idol on the stage. This was to lead to movie roles, mainly in light comedies. De Sica was box office for a while, chosen to star opposite female headliners such as Loren and Gina Lollobrigida.

When he turned to directing, he began with movies in a similarly frothy vein. So he took audiences and the critics by surprise with his fourth film, The Children Are Watching Us, released in 1944. An extraordinarily sensitive story about a child whose mother elopes with another man, leaving his father distraught, the film was the first product of De Sica’s collaboration with the screenwriter Cesare Zavattini.

Zavattini, a former law student, began to write screenplays when his employer, Angelo Rizzoli, moved from publishing books and magazines into producing films.  He and De Sica would work together on Shoeshine, Bicycle Thieves, Miracle in Milan (1951), which won a Palme D’Or at the Cannes Film Festival, and Umberto D (1952).

Yesterday, Today and Tomorrow won the  third of De Sica's four Academy Awards
Yesterday, Today and Tomorrow won the
third of De Sica's four Academy Awards
Umberto D, a bleak study of the problems of old age, was a box-office flop, so much so that film historians saw it as the beginning of the end for neo-realism. Indeed, it prompted De Sica to return to lighter work.

Nonetheless, he continued to collect awards and after some commentators had written him off as past his peak he sprang another surprise with The Garden of the Finzi-Continis, based on a novel by Giorgio Bassani about the plight of Jews in Italy under Fascism, which won him another Oscar for Best Foreign Language Film and a Golden Bear at the Berlin International Film Festival.

A compulsive gambler, De Sica often lost large sums of money and accepted work he might otherwise have turned down in order to settle debts.  He was married twice, first to the actress Giuditta Rissone, who bore him a daughter, and later to the Spanish actress Maria Mercader, with whom he had two sons.

His personal life was complicated, however. He made a pact with his first wife to maintain the pretence of marriage while their daughter was growing up and at Christmas would turn the clocks back two hours in his second wife’s house so he could celebrate with both families, one after the other.

De Sica was a member of the Italian Communist Party, and it was the cause of some discomfort to him that his relationship with Maria Mercader created an unwelcome link with Ramon Mercader, her brother, who was a Spanish communist but at the same time an agent for the Soviet secret police, on whose behalf he carried out the assassination of the Bolshevik revolutionary Leon Trotsky in Mexico in 1940.

Sora sits alongside the Liri river against the backdrop of the Apennine mountains
Sora sits alongside the Liri river against the backdrop
of the Apennine mountains
Travel tip:

Built on a plain alongside the Liri river, in the shadow of the Monti Ernici range in the Apennines, the town of Sora can be found about 25km east of Frosinone in Lazio, about 120m  south-east of Rome and 140km north of Naples, close to the border with Abruzzo. A settlement since the fourth century BC, when it was occupied by the Volsci tribe, it has been at various times under the rule of Rome and Naples.  It lies at the heart of the Ciociaria, an area renowned for its cuisine and colourful and elaborate peasant costumes. Today its economy is a mix of industry and agriculture. It is a pleasant town with some pretty squares, including Piazza Santa Restituta, which sits in front of the church of the same name, just off Lungoliri Mazzini. On rocks above the town there are the remains of a walled fortification that dates back to the Volsci period.

The Toledo Metro station in Naples
The Toledo Metro station in Naples
Travel tip:

The Banca d’Italia building in Naples is in a fairly nondescript street linking Via Medina with Via Toledo, not on the tourist trail. Yet within a few metres is one of the city’s more unlikely must-see places, the Metro station Toledo. It is one of a number of so-called ‘art stations’ on the line linking Piazza Garibaldi and Piscinola. Toledo is famous for its breathtaking escalator descent through a vast mosaic by the Spanish architect Oscar Tusquets Blanca known as the Crater de Luz – the crater of light – which creates the impression of daylight streaming into a volcanic crater.