Terror attack on Café de Paris

Grenades thrown into iconic meeting place

A bloodstained pavement and upturned
tables and chairs after the attack

The Café de Paris, a hang-out for Rome’s rich and famous during the 1950s and ‘60s and a symbol of the era encapsulated in Fellini’s classic film La dolce vita, was attacked by terrorists on this day in 1985.

Tables outside the iconic venue, on the city’s fashionable Via Veneto, were packed with tourists on a busy evening when two grenades were thrown from a passing car or motorcycle.

One of the devices, of the classic type known as pineapple grenades, failed to explode, but the other did go off, injuring up to 39 people.

Although 20 were taken to hospital, thankfully most were released quickly after treatment for minor wounds. There were no fatalities and only one of those hospitalised, a chef who happened to be waiting on tables at the time of the attack, suffered serious injuries, from which he recovered.

Most of the victims were reported to be American, Argentine, West German or British tourists enjoying a late evening drink while taking in the atmosphere of Roman nightlife on a street lined with shops, cafés, airline offices and luxury hotels.

It was thought that three individuals carried out the attack but only one was apprehended and charged. While two of the attackers drove away at speed, Ahmad Hassan Abu Alì Sereya fled the scene on foot and was arrested by a policeman near Piazza Fiume, just under a kilometre away. 

A 27-year-old born in Lebanon, Sereya claimed to be in Rome to buy clothes to resell on a market stall in Beirut.

The tree-lined Via Veneto was a symbol of wealth
and luxury the mid-20th century Rome

He said he was in Via Veneto at the time of the attack purely by chance. But Italian secret service agents found in his possession a telephone number registered to an office of the Palestinian Abu Nidal militant group, which was enough evidence for a court to find him guilty and hand down a 17-year prison sentence.

The motive for the attack was never fully established but it is thought the Café de Paris was chosen because of its proximity to the American Embassy in Rome. The date of the attack coincided with the third anniversary of the massacre of up to 3,000 Palestinians and Lebanese Shiites by Israeli-backed military and militia groups on the outskirts of Beirut in 1982.

The Café de Paris incident was one in a long sequence of Arab-linked terror attacks or planned attacks in Rome during the 1970s and ‘80s, the deadliest of which both occurred at the city’s Fiumicino airport.

In 1973, an attack carried out by five terrorists claimed 34 lives, including 29 passengers on a Pan American Airways plane that was stormed as it was waiting to take off.

In December 1985, just nine weeks after the Café de Paris incident, four attackers threw grenades and opened fire at the check-in desks of Israel's El Al Airline and the United States carrier Trans World Airlines, killing 12 travellers and an Israeli security officer.

Fellini's classic movie La dolce vita was
filmed in the area around Via Veneto

Travel tip:

Via Veneto, once one of Rome’s most elegant and expensive thoroughfares, is actually called Via Vittorio Veneto, named after the Battle of Vittorio Veneto, a decisive Italian victory of World War I, although the full name is rarely used.  Among many exclusive shops, luxury hotels and bars, the Café de Paris was probably the most famous venue. The place to see and be seen in the 1950s and ‘60s, it was a magnet for visitors hoping to catch a glimpse of the film stars, models and other jet-setters who often occupied its tables. The bar was immortalised in Federico Fellini’s movie La dolce vita, starring Anita Ekberg, Anouk Aimée and Marcello Mastroianni, with many shots filmed there. 

The shutters across the entrances to the Cafè
de Paris remain permanently closed

Travel tip

Anyone wanting to pay a nostalgic visit to the Café de Paris today will be disappointed. Although the beautiful wood and coloured glass of its frontage are still in place, and the Liberty framed glass display cases still contain black and white photographs of its famous ‘60s clientele, the doors are permanently shuttered up. The business went into decline in the later years of the 20th century and fell into the hands of mafia groups in the early part of this century, after which it was closed as part of a crackdown on money laundering. Located at No. 90 Via Veneto, close to the United States Embassy, it was revived by an anti-mafia co-operative, who served wine and food produced on land confiscated from crime gangs in southern Italy, but closed permanently in 2014 after the interior was destroyed in an arson attack. 

Also on this day:

1797: The birth of British Museum librarian Sir Anthony Panizzi

1841: The birth of politician Alessandro Fortis

1866: The Sette e Mezzo Revolt in Palermo

2005: Camorra boss Paolo Di Lauro arrested

Home

La dolce vita - cinematic masterpiece

Commentary on decadence of 1950s Rome saw Fellini hailed as a genius

Marcello Mastroianni and Anita Ekberg in the
most famous scene from Fellini's classic

La dolce vita, a film still regarded as one of the greatest in cinema history, was screened in front of a paying audience for the first time on this day in 1960.

After a preview before invited guests and media at the Fiamma cinema in Rome, the Capitol Cinema in Milan was chosen for its public premiere. The movie went on general release in Italy the day afterwards and made its London debut on 8 February.  It was shown in America for the first time in April of the following year.

Directed by Federico Fellini, the film won the Palme d'Or, the highest award presented at the Cannes Film Festival in 1960 and was nominated for four Academy Awards, including Best Director for Fellini, although ultimately the production team had to be content with the Oscar for Best Costumes.

It won numerous awards in Italy, while the brilliant Nino Rota’s soundtrack was nominated for a Grammy.  In America, the National Board of Review and the New York Film Critics Circle made it their best foreign film of 1961.

Federico Fellini is remembered by many as
the greatest of all Italian film-makers

The film is episodic rather than having a conventional plot, following the life of Marcello Rubini, a somewhat jaded magazine gossip columnist portrayed by Marcello Mastroianni, over seven days and nights in the Rome of the late 1950s.

It is a decade in which the city, desperate to forget the shame of Fascism and the devastation inflicted on the country by World War Two, revels in everything modern and exciting about what feels like a reborn Italy.  The stars created by the country’s renascent movie industry, now joined by an influx of Americans and others, are the new gods and goddesses. Rubini, accompanied by his photographer friend Paparazzo, follows their every move.

Immersing himself in the glitzy nightlife around the capitol’s fashionable Via Veneto, the handsome, sharply-dressed Rubini himself indulges in the hedonistic pleasures on offer with only occasional restraint, much to the annoyance of his girlfriend, Emma.

But in Fellini’s story he is struggling with an inner conflict, at once chastising himself for the shallowness of his profession and his failure to make the most of his writing talent, but unable to resist the temptations of alcohol, easy sex and opportunities to behave outrageously that seem to present themselves each day.

Mastroianni became one
of Italy's biggest stars

Fellini conveys this, and delivers a critique on the state of an Italian society he is willing to see as in moral decline, through what is essentially a series of parables, in which the characters are sharply drawn and the scenes resonantly symbolic.

The episode in which Anita Ekberg, cast as a visiting Swedish starlet, lures Mastroianni to follow her, fully clothed, into the Trevi Fountain, is the one for which the film is most remembered, while the name of Paparazzo has entered the language to describe any photographer who pursues the rich and famous.

Yet it has a complexity that continues to intrigue, its near three-hour duration demanding that viewers return again and again to appreciate it in all its subtlety. Fellini’s fellow director Pier Paolo Pasolini wrote that "La dolce vita is too important to be discussed as one would normally discuss a film.”

More than 13.5 million Italians paid to watch the film, attracted not least by its controversial nature.  Its opening sequence, in which a gathering of bikini-clad girls interrupt their sunbathing to wave as a helicopter towing a statue of Jesus passes overhead, was condemned by the Catholic church as a parody of a second coming of Christ. In countries including Spain and Portugal it was banned for several years.

Fellini once said that the original germ of the idea for La dolce vita came from the fashion in the 50s for the so-called sack dress, a waistless garment that was tapered at the hemline but billowed out in the middle, which he imagined to represent a way in which a physically beautiful woman might conceal her moral shortcomings from view.

Others have speculated that he might have been influenced by the Montesi scandal that had reached its conclusion only two years before he began shooting.  The film ends when Rubini and others are partying on a beach at dawn when fishermen haul ashore a huge, ray-like fish that had become caught in their net and died.  The Montesi scandal, which linked Rome society figures to drug-fuelled orgies at a luxurious beachside villa, began when the body of Wilma Montesi, a 21-year-old woman who had gone missing in Rome the day before, was discovered lying face down at the water’s edge on a beach near the capital.

Nicola Salvi's Trevi Fountain, with the statue of
Oceanus by Pietro Bracci in the centre

Travel tip:

The Trevi Fountain, which was symbolically turned off and draped in black after Marcello Mastroianni died, was officially opened by Pope Clement XIII in 1762. Standing at more than 26m (85 feet) high and 49m (161 feet) wide, it is the largest Baroque fountain in Rome and probably the most famous fountain in the world. It was designed by a Roman architect, Nicola Salvi, but he died when it was only half finished. Made from Travertine stone quarried in Tivoli near Rome, the fountain was completed by Giuseppe Pannini, with Oceanus (god of all water), designed by Pietro Bracci, set in the central niche. Coins are traditionally thrown into the fountain by visitors, using the right hand over the left shoulder. It was once estimated about 3000 euros were thrown into the fountain each day, money that helped feed the city’s poorest citizens.

A picture postcard from Milan showing the
Capitol Cinema building 

Travel tip:

Milan’s former Capitol Cinema was located on the corner of Via Croce Rossa and Via dei Giardini, not far from Via Manzoni and Via Monte Napoleone.  Designed in the late 1930s, it was part of an imposing building that combined shops, offices and apartments. With seats for 1,350 people, it screened its first film in September 1949 and hosted many premieres, often attended by the directors and stars. The debut of La dolce vita attracted such a large crowd that windows were reportedly broken in the crush.  The film was so successful it continued to be shown at the Capitol for several months. Other famous Italian films to make their public debut there included Luchino Visconti’s Rocco and His Brothers (Rocco e i suoi fratelli) and Vittorio De Sica’s La ciociara, released outside Italy as Two Women, which featured an Oscar-winning performance by Sophia Loren.  Sadly, the Capitol’s popularity declined in the 1980s and it was closed permanently in 1984. Today the building houses a large clothes shop. 

Also on this day:

1578: The death of portrait painter Giovanni Battista Moroni

1932: The birth of football coach Cesare Maldini

1964: The birth of football coach Carolina Morace

The Festival of Saint Agatha of Sicily

Home

Valentina Cortese – actress

Vibrant performer made more than 100 films

Valentina Cortese in Michelangelo Antonioni's 1955 film
Le Amiche (The Girlfriends)

Film star Valentina Cortese was born on this day in 1923 in Milan.

She had an acting career lasting nearly 60 years and won an Academy Award nomination for her performance as an ageing, alcoholic movie star in Francois Truffaut’s Day for Night in 1973.

Cortese was born to a single mother, who sent her to live with her maternal grandparents in Turin when she was six years old.

She enrolled in the National Academy of Dramatic Arts in Rome at the age of 15 and made her screen debut in 1940. This paved the way for her first internationally acclaimed film in 1948, an Italian adaptation of Les Miserables with Gino Cervi and Marcello Mastroianni, in which she played the roles of both Fantine and Cosette.

She then appeared in the British film The Glass Mountain in 1949 and also appeared in many American films of the period, while continuing to work in Europe with directors such as Michelangelo Antonioni, Federico Fellini and Francois Truffaut.

After signing a contract with 20th Century Fox, Cortese starred in Malaya with Spencer Tracey and James Stewart and The House on Telegraph Hill with Richard Basehart and William Lundigan.

With the American actor James Stewart on the set of
Richard Thorpe's 1949 war drama Malaya

Cortese married her co-star, Richard Basehart, in 1951 and had one son with him, who became the actor Jackie Basehart.

The couple divorced in 1960 and Cortese never remarried.  Jackie died in Milan in 2015, four years before her own death.

She also enjoyed success on the stage, appearing in plays by Chekhov, Shakespeare, Brecht and Pirandello, frequently starring at Milan’s Piccolo Teatro.

Her final American film was When Time Ran Out in 1980, but she continued to make films in Italy until the 1990s. Having appeared in more than 100 films and TV shows, her final appearance was when she played the role of a Mother Superior in Franco Zeffirelli’s film, Sparrow, in 1993.

Valentina Cortese died in 2019 in Milan at the age of 96.

Milan's famous Gothic cathedral at the heart of
Lombardy's principal city

Travel tip:

Milan, where Valentina Cortese was born and died, is the capital city of the northern region of Lombardy. A leading city in the fields of art, entertainment, fashion and finance, Milan has a wealth of theatres with a long tradition of staging a variety of entertainment. In north west Milan, Teatro Dal Verme in San Giovanni sul Muro opened in 1872, the Teatro dell’Arte in Viale Alemagna was redesigned in 1960 and Teatro Litta next to Palazzo Litta in Corso Magenta is believed to be the oldest theatre in the city. The famous opera house, La Scala, inaugurated in 1778, has a fascinating museum that displays costumes and memorabilia from the history of the theatre. The entrance is in Largo Ghiringhelli, just off Piazza Scala. It is open every day except the Italian Bank Holidays and a few days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

The Piccolo Teatro Grassi in Milan,
founded in 1947

Travel tip:

The Piccolo Teatro in Milan, where Valentina Cortese regularly appeared, was founded in 1947 in Via Rivoli in north west Milan by theatre impresario Paolo Grassi and director Giorgio Strehler. The first public theatre in Italy, it aimed to be an arts theatre for everyone and continues to stage quality productions for the broadest possible audience to this day.

Also on this day:

1803: The birth of book thief Guglielmo Libri 

1926: The birth of singer Claudio Villa

1958: The birth of shoe designer Cesare Paciotti

Capodanno in Italy


Home

Laura Antonelli - actress

Pin-up star of 1970s sex-comedies

Laura Antonelli first moved to Rome
to be a gymnastics teacher

The actress Laura Antonelli, whose career was at its peak while Italian cinema audiences were indulging a taste for sex-comedies during the 1970s, was born on this day in 1941 in Pula, a port city now part of Croatia but then known as Pola, capital of the Italian territory of Istria.

A curvaceous brunette who posed for both the Italian and French editions of Playboy magazine in the early 1980s, although Antonelli was mostly remembered for appearing scantily clad opposite male stars such as Marcello Mastroianni and Michele Placido, she was a talented actress, winning a Nastro d’Argento - awarded by Italian film journalists - as best actress in Salvatore Samperi’s 1974 comedy-drama Malizia (Malice).

She also worked on several occasions for Luchino Visconti, one of Italy’s greatest directors. Indeed, she starred in 1976 as the wife of a 19th century Roman aristocrat in Visconti’s last film, L’Innocente (The Innocent), based on the novel The Intruder by Gabriele d'Annunzio.

However, the success of her career was largely built on roles in films such as Devil in the Flesh (1969), The Divine Nymph (1975) and Tigers in Lipstick (1979), the content of which outraged Italy’s fledgling feminist movement and shocked the Catholic Church.

Devil in the Flesh, also known as Venus in Furs and based on Leopold von Sacher-Masoch’s erotic novel of the latter name, was released in Germany in 1969 but immediately banned upon its first showing in Italy in 1973, with all copies of the film confiscated by the authorities on the grounds of indecency.  It was re-released two years later, but in a heavily-censored version.

Antonelli was most frequently cast as a sultry
temptress in 1970s sex-comedies and dramas

Malizia was her breakthrough film, but even that had a plot that was sexually highly-charged as Antonelli portrayed a widower’s young housekeeper who battles the advances of both her employer and his teenage sons. The film was a box-office hit and Antonelli became Italy’s newest sex symbol.

She was seldom out of the gossip magazines and in 1972 began a long and sometimes tempestuous relationship with the French playboy actor Jean-Paul Belmondo, her co-star in The Scoundrel (1971) and Docteur Popaul (1972), whose previous girlfriends included Ursula Andress and Brigitte Bardot.  They had met in Paris.

Antonelli was born Laura Antonaz in Pola. Her family was displaced during the Second World War and lived in refugee camps before moving to Naples, where her father found work as a hospital administrator.

As a teenager, her parents regarded her as ugly and clumsy and pressed her to take up gymnastics, in her words, “in the hope I would at least develop some grace.” She became proficient, excelling in rhythmic gymnastics and eventually qualified as a gymnastics instructor.

She moved to Rome and began a career as a high-school gym teacher. Her social life in Rome enabled her to meet people in the entertainment industry, who helped her first find modelling work and then some small parts in films.  She made her big-screen debut in 1966.

Antonelli had a long relationship with
the French actor Jean-Paul Belmondo

Antonelli, who had been married to a publisher, Enrico Piacentini, broke up with Belmondo in 1980.

She had another major success in 1981 opposite the French actor Bernard Giraudeau in Ettore Scola’s drama Passione d’amore (Passion of Love), in which she played the beautiful married mistress of an army captain. The film was later the inspiration for a Stephen Sondheim musical Passion.

Thereafter, Antonelli career began to slip into decline and after a 1991 sequel to Malizia bombed, she began a retirement that saw her eventually become a recluse, her well-being not helped by a 10-year battle to overturn a conviction for dealing cocaine after the drug was discovered by police in a raid on her home. She protested her innocence and finally won €108,000 (£76,000) in compensation.

Unwilling to be seen in public in her later years after botched cosmetic surgery, she become the beneficiary of a law passed in Italy that provides financial assistance for artists who have fallen on hard times.  She died in June 2015 from a heart attack, aged 73, at her villa in Ladispoli, a modest seaside resort about 35km (22 miles) from Rome.

The Croatian port city of Rovinj on the Istrian peninsula,
 which was part of Italy between 1920 and 1945

Travel tip:

The Istrian peninsula, which includes a number of beautiful towns and cities such as Pula, Rovinj, Perec and Vrsar, was partitioned to Italy in the Treaty of Rapallo in 1920 after the dissolution of the Austria-Hungary empire following the First World War. In the Second World War it became a battleground for rival ethnic groups and political groups. It was occupied by Germany but with their withdrawal in 1945  Yugoslav partisans gained the upper hand and Istria was eventually ceded to Yugoslavia. It was divided between Croatia and Slovenia following the break-up of Yugoslavia in 1991. Nowadays, only the small town of Muggia, near Trieste, remains part of Italy.

The remains of the Roman villa of Pompeo at Ladispoli,
the seaside resort near Rome, where Antonelli died

Travel tip:

Modern Ladispoli is a somewhat characterless seaside resort made up of hotels and apartment buildings built on a grid of criss-crossing parallel streets. Ladispoli occupies the area of the ancient Alsium, the port of the Etruscan city of Cerveteri and later a Roman colony.  Remains of both ancient civilisations are visible in the Etruscan necropolis of Monteroni and Vaccina and the Roman Villa of Pompeo.  There is also a castle, the Castle of Palo, built in the 12th century and rebuilt 400 years later.

Also on this day:

1873: The death of astronomer Caterina Scarpellini

1907: The birth of novelist Alberto Moravia

1913: The birth of film music composer Mario Nascimbene

1977: The birth of World Cup hero Fabio Grosso


Home

Rosanna Schiaffino – actress

Dramatic life of Italian sex goddess

Rosanna Schiaffino became a movie goddess in
the mould of Sophia Loren and Gina Lollobrigida

Film star Rosanna Schiaffino, who for more than 20 years, between the 1950s and the 1970s, starred opposite the most famous actors of the period, was born on this day in 1939 in Genoa in Liguria.

Schiaffino worked for some of Italian cinema’s greatest directors, but in the 1980s turned her back on the cinema world to marry the playboy and steel industry heir, Giorgio Falck, entering a relationship that descended into acrimony after she was diagnosed with breast cancer.

Born into a wealthy family, Schiaffino was encouraged in her acting ambitions by her mother, who paid for her to go to a drama school.  She entered beauty contests and won the title of Miss Liguria when she was just 14.

She also took some modelling jobs and her photograph appeared in many magazines. She was spotted by the film producer Franco Cristaldi, who paired her with Marcello Mastroianni in Un ettaro di cielo (Piece of the Sky) in 1959.

Schiaffino made her name in her second film for Cristaldi, La Sfida (The Challenge), directed by Francesco Rosi, in which she gave a powerful, but sensitive performance as a Neapolitan girl, inspired by the real life character of Pupetta Maresca, a former beauty queen who became a famous Camorra figure after killing the murderer of her husband in revenge.  The film won acclaim at the 1958 Venice film festival.

She  won an award for her performance as Lucrezia in the film La Mandragola (The Mandrake), an adaptation of a play by Niccolò Machiavelli.

Schiaffino and Marcello Mastroianni in a
scene from A Piece of the Sky

Schiaffino was often referred to as ‘the Italian Hedy Lamarr’ but she was more of a sex goddess in the style of Sophia Loren and Gina Lollobrigida.

In 1966 she married the film producer Alfredo Bini, with whom she had a daughter, Antonella. They would divorce in 1976.

After making more than 40 films, working with directors including Pier Paolo Pasolini, Roberto Rossellini and Jean-Luc Godard, Rosanna gave up acting to enjoy a new life mixing with the jet set, her activities often featuring in gossip magazines all over the world.

During the summer of 1980 in Portofino, she met Giorgio Falck, who was newly divorced, and they had a well publicised affair. They had a son, Guido, in 1981 and were married in 1982.

In 1991 she was diagnosed with breast cancer and the marriage then went into decline. They divorced after unpleasant disputes over the custody of their son and the allocation of money.

She died of the illness in 2009, aged 69, in Milan.

The maritime city of Genoa is the capital of Liguria and
the sixth largest city in Italy

Travel tip:

Genoa, where Rosanna Schiaffino was born, is the capital city of the region of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.

The picturesque fishing village of Portofino has become
a draw for artists and celebrities

Travel tip:

The region of Liguria in northwest Italy is also known as the Italian Riviera. It runs along a section of the Mediterranean coastline between France and Tuscany and is dotted with pretty seaside villages, with houses painted in different pastel colours.  The fishing village of Portofino, about an hour’s drive southeast along the coast from Genoa, has become famous for its picturesque harbour and for its associations with artists and celebrities. A novel published in 1922 is credited with making Portofino famous. The Enchanted April by Elizabeth von Arnim was inspired by the author’s stay in Portofino and was made into a film in 1991 with a cast including Joan Plowright, Miranda Richardson and Alfred Molina. The film was nominated for three Oscars.

Also on this day:

1343: Amalfi is destroyed by a tsunami

1881: The birth of Pope John XXIII

1950: The birth of writer and entertainer Giorgio Faletti

1955: The birth of choreographer and dancer Bruno Tonioli



Home

Gabriele Ferzetti - actor

Starred in classic Italian films as well as Bond movie

Gabriele Ferzetti appeared in more than 160
movies and many TV dramas

The actor Gabriele Ferzetti, best known to international audiences for his role in the 1969 Bond movie On Her Majesty’s Secret Service but in Italy for the Michelangelo Antonioni classic L’Avventura (1960), was born on this day in 1925 in Rome.

Ferzetti, who cut a naturally elegant and debonair appearance, was the go-to actor for handsome, romantic leads in the early part of his career and although he was ultimately eclipsed to some extent by Marcello Mastroianni, he seemed equally content with prominent supporting roles. Rarely idle, he made more than 160 films and appeared in countless TV dramas and was still working at 85 years old.

His intense performance as Antonioni’s wealthy yet unfulfilled playboy opposite Lea Massari and Monica Vitti in L’Avventura was the role that identified him most as an actor of considerable talent. Ferzetti had played a similar character in another Antonioni classic Le amiche (1955).

Outside Italian cinema, he was memorable as the unscrupulous Morton, the railroad magnate who hobbled around on crutches in Sergio Leone’s Once Upon a Time in the West (1968), and as Marc Ange-Draco, the sophisticated Mafia boss who joins forces with James Bond in On Her Majesty’s Secret Service, which was George Lazenby’s only outing as 007.

With Lea Massari in his most famous role in the
Antonioni classic L'Avventura

Although Ferzetti spoke very good English, his accent was heavily Italian and he was dubbed in both roles.

In Rome, Ferzetti won a scholarship to attend the Silvio d’Amico National Academy of Dramatic Art, although his studies were abruptly cut short when he was expelled for appearing with a professional theatrical troupe.

It did not set him back too severely. After playing the young shepherd Sylvius in Luchino Visconti’s 1948 stage production of As You Like It, he won small roles in several films and quickly worked his way up to becoming a leading man.

The first movie to bring him wide recognition was Mario Soldati’s La provinciale (1953), which was packaged for English-speaking audiences as The Wayward Wife. Despite the nature of the production as a vehicle for the rising star Gina Lollobrigida in the title role, Ferzetti was superb as her bespectacled science professor husband.

Monica Vitti in another scene from L'Avventura

In the same year he landed the title role in the big-budget production Puccini, directed by Carmine Gallone, in which he portrayed the philandering Italian opera composer from his student days to a man in his 80s. He was Puccini again in House of Ricordi (1954), about the music-publishing house.

Ferzetti was first cast by Antonioni in Le Amiche (The Girl Friends) (1955), which won a Silver Lion at the Venice film festival.

When Antonioni summoned him again for L’Avventura, it ended a five-year period of rather mediocre films that did Ferzetti no favours, so the chance to play his weak and disillusioned character, a failed architect whose lover disappears while they are sharing a sailing trip around Sicily with wealthy friends, could not have come at a more opportune moment. L’Avventura won the jury prize at the Cannes Film Festival.

Ferzetti was acclaimed for his portrayal of the
the playboy composer Giacomo Puccini

His career still had a long time to run but the consensus is that nothing Ferzetti did in subsequent films stood up particularly well next to his performance in L’Avventura, although his Draco, the gentlemanly mafia boss who helps Bond track down his arch-enemy Blofeld, was a memorable character.

Ferzetti was hailed later for his portrayal of a psychiatrist trying to cover up his Nazi past in Liliana Cavani’s controversial The Night Porter (1974), a study of a sadomasochistic relationship between another former Nazi (Dirk Bogarde) and the woman he raped in a concentration camp (Charlotte Rampling).

By the 1990s, Ferzetti was appearing more frequently on television but there were still a few big-screen triumphs to come, notably as the Duke of Venice in Oliver Parker’s Othello and, in 2009, by which time he was 84, as the head of a wealthy Milanese industrial family in Io sono l’amore - I Am Love - directed by Luca Guadagnino.

Married twice and with a daughter, Anna, Ferzetti died in December 2015 at the age of 90.

Parioli's tree-lined boulevards make it one of the most
attractive residential areas in Rome

Travel tip:

Rome’s Silvio D’Amico National Academy of Dramatic Art, which has been attended by many aspiring actors, can be found in Via Vincenzo Bellini where it meets Via Guido d’Arezzo in the Parioli district of Rome, between the Villa Borghese gardens and the vast Parco di Villa Ada. It was opened in 1936. D'Amico, a theatre critic and writer who was a friend of Nobel prize winner Luigi Pirandello and French theatre director Jacques Copeau, was appointed Special Commissioner for the reform of the drama school and led the academy for many years.The academy now has university status.  Parioli is regarded as Rome’s most elegant residential area.

Smoke and steam rising from the crater of the
active volcano Stromboli during its 2008 eruption

Travel tip:

L’Avventura was filmed partly on location in the Aeolian Islands, a cluster of eight small islands in the Tyrrhenian Sea north of Sicily. The best known is undoubtedly Stromboli, an active volcano known as the ‘lighthouse of the Mediterranean’ on account of the molten lava that streams down the side of the visible 3,000ft (914m) of the mountain with every eruption, of which there are many. The largest of the islands is Lipari, which has a population of 12,000 people and is not unlike Capri in appearance, but with a fraction of the tourists. Salina, famed for its capers and sweet Malvasia wine, was used for the movie Il Postino while Panarea, which has a resident population of only 280, has become a fashionable celebrity hang-out. Yachts owned by Giorgio Armani and Roman Abramovich have regularly been spotted in the small harbour.

Stromboli hotels by Booking.com

More reading:

Michelangelo Antonioni - the 'last great' of postwar Italian cinema

How enigmatic beauty Monica Vitti also excelled in comedy roles

Marcello Mastroianni - the film star who immortalised the Trevi Fountain

Also on the day:

1826: The birth of inventor Innocenzo Manzetti

1861: The newly-created Kingdom of Italy is proclaimed in Turin

1939: The birth of football coach Giovanni Trapattoni


Home

Claudia Mori - actress and singer

Film star who married pop icon Adriano Celentano

Claudia Mori is half of what was at one time
Italy's golden celebrity couple

The actress, singer and later television producer Claudia Mori, married for more than half a century to Italy’s all-time biggest-selling recording artist, Adriano Celentano, was born on this day in 1944 in Rome.

She and Celentano met in 1963 on the set of Uno strano tipo (A Strange Type) a comedy film in which they were both starring. The two were married the following year at the Church of San Francesco in Grosseto in Tuscany, having kept their intentions secret to avoid publicity.

Mori was only 20 when she and Celentano - six years her senior - were married but she had already made several films.

Born Claudia Moroni, she made her film debut in Raffaello Matarazzo’s romantic comedy Cerasella at the age of just 15 in 1959, featuring as the title character opposite Mario Girotti, the actor who would later change his name to Terence Hill and become famous as the parish priest Don Matteo in the long-running television series of the same name.

The following year she had a supporting part a laundry worker colleague of Alain Delon in Luchino Visconti’s Rocco e i suoi fratelli (Rocco and His Brothers) and over the next two years played another supporting part in the Robert Aldrich’s biblical epic Sodom and Gomorrah, starring Stewart Granger and Pier Angeli, as well as co-starring as a beautiful princess in Giorgio Simonelli’s Ursus nella terra di fuoco (Ursus in the Land of Fire). 

A 15-year-old Mori on the beach at Vietri-sul-Mare with
co-star Mario Girotti during her movie debut in 1959

In 1964, she co-starred with her new husband in Super rapina a Milano (Super-robbery in Milan), the first film Celentano also directed.

At the same time, she was developing a singing career, releasing her first record - Non guardarmi (Don’t look at me) - in 1964.  Her career was boosted by teaming up with Celentano in a number of duets, notably with Chi non-lavora non-fa l'amore (Those who don't work don't make love), with which they won the 1970 Sanremo Festival.

In the 1970s, 80s and 90s, Mori alternated between acting and singing. More movie success came with Rugantino, L’emigrante (The Emigrant) and Culastrisce Nobile Veneziano (released in the United States as Lunatics and Lovers), in which she starred opposite Marcello Mastroianni. 

All were comedies, as was Yuppi Du, the 1975 movie in which she again starred with Celentano, who also directed the film. The English actress Charlotte Rampling was among her co-stars and the film was an Italian entry at the Cannes Film Festival.

Claudia Mori and Adriano Celentano
celebrate their 1970 Sanremo victory

During the same decade, Mori enjoyed her biggest solo recording success with Buonasera Dottore.  She became CEO of her husband’s record label, Clan Celentano, producing her husband's celebrated album of duets with Mina, Italy’s all-time biggest selling female artist, which sold more than two million copies.

Celentano himself - now 81 - can look back on a career in which he has sold in excess of 200 million records, well ahead of any other Italian recording artist.

More recently, Mori developed a television career. She was a judge on the Italian version of The X-Factor and her television production company Ciao ragazzi (Hello Boys) has turned out several successful mini-series of drama and drama-documentary films.

She and Celentano are still together, although they separated for a period in the 1980s following Celentano’s affair with another actress.  They had three children, Rosita, Giacomo and Rosalinda. Rosita is a television presenter, Rosalinda an actress.

Positano, with its dramatic cliffside setting, is one of
the jewels of the Amalfi Coast

Travel tip:

Claudia Mori’s debut movie Cerasella was filmed on location in Naples and on the Amalfi Coast, the 50km (31 miles) stretch of Campania coastline between the southern side of the Sorrentine Peninsula and Vietri-sul-Mare, the resort just outside Salerno. Notable for its steep cliffs and rocky inlets and coves, with a winding road that seems to cling to the cliff face, the area is a UNESCO World Heritage Site comprising a string of villages and towns, the most famous of which are Positano, Amalfi and Ravello. The town of Amalfi, which occupies a dramatic setting at the foot of the cliffs, attracts huge numbers of visitors each year. Its ninth-century Duomo dominates the town's central piazza, sitting at the top of a wide flight of steps.

Find accommodation in Amalfi with Booking.com

Galbiate, where Claudia Mori and Adriano Celentano have
a house, has views over Lago di Annone

Travel tip:

Mori and Celentano’s main home is in Galbiate, a small town in Lombardy about 50km (31 miles) northeast of Celentano’s home city of Milan and close to the small lakeside city of Lecco. Galbiate is close to Lago di Annone and Lago di Garlate, two small lakes to the south of Lake Como.  The area between the lakes includes the Natural Park of Monte Barro, which is the home of more than 1,000 varieties of plants in a climate of biodiversity probably unique in Lombardy. The area is also the habitat of birds of prey such as the the kestrel, buzzard, brown kite and peregrine falcon and the rare royal albanella.

Stay in Galbiate with Booking.com


More reading:

How Adriano Celentano became Italy's biggest selling pop star of all time

Terence Hill - from spaghetti westerns to parish priest

Luchino Visconti, the aristocrat of Italian cinema

Also on this day:

1602: The birth of Baroque painter Michelangelo Cerquozzi

1799: The death of Lazzaro Spallanzani, biologist who pioneered artificial insemination

1923: The birth of film director Franco Zeffirelli

(Picture credits: Positano by Glen MacLarty; Lago di Annone by Cantakukuruz; via Wikimedia Commons)

Home

Moira Orfei - circus owner and actress

‘Queen of the Big Top’ became cultural icon

Moira Orfei rarely strayed from her trademark look, with
heavy make-up and a turban-style hairdo 

Moira Orfei, an entertainer regarded as the Queen of the Italian circus and an actress who starred in more than 40 films, was born on this day in 1931 in Codroipo, a town in Friuli-Venezia Giulia about 25km (16 miles) southwest of Udine.

She had a trademark look that became so recognisable that advertising posters for the Moira Orfei Circus, which she founded in 1961 with her new husband, the circus acrobat and animal trainer Walter Nones, carried simply her face and the name 'Moira'.

As a young woman, she was a strikingly glamorous Hollywood-style beauty but in later years she took to wearing heavy make-up, dark eye-liner and bright lipstick, topped off with her bouffant hair gathered up in a way that resembled a turban.  Her camped-up appearance made her an unlikely icon for Italy’s gay community.

Born Miranda Orfei, she spent her whole life in the circus. Her father, Riccardo, was a bareback horse rider and sometime clown; her mother, part of the Arata circus dynasty, gave birth to her in the family’s living trailer.  Growing up, she performed as a horse rider, acrobat and trapeze artist.

Posters for Circo Moira Orfei always
featured her face and first name

Her film career began the year before she was married, with minor roles in a couple of action movies based loosely on historical themes. Dino De Laurentiis, the producer of one of them, suggested she changed her name from Miranda to Moira, after which the director Mario Costa gave her a bigger part in a swashbuckling adventure movie, Queen of the Pirates.

The so-called sword-and-sandal genre, very popular in Italy at the time, remained her speciality until she was given parts in a couple of comedies written for the great Italian comic actor, Totò.

Thereafter, although the adventure epic remained her staple, her acting talent was recognised in several movies that fell into the commedia all’Italiana genre.

She was in a cast headed by Marcello Mastroianni and Virna Lisi in Mario Monicelli’s Casanova ‘70 (in which her cousin, Liana Orfei, appeared as a lion tamer), played alongside Virna Lisi again in Pietro Germi’s Signore e Signori, with Nino Manfredi and Ugo Tognazzi in Dino Risi’s Straziami ma di baci saziami (Torture Me But Kill Me with Kisses), and with Vittorio Gassman in the Dino Risi classic Profumo di donna (Scent of a Woman).

Meanwhile, Circo Moira Orfei went from strength to strength. With Nones presenting obedient lions or tigers, she presented the circus’s performing elephants.

As a young actress, Orfei was a star of
many sword-and-sandal adventure movies

Her animal acts gained silver and gold awards at the International Circus Festival of Monte Carlo in 1987, 1989 and 2004 and she became known in the circus world as Moira of the Elephants.

In 1969, she and Nones launched Circo sul Ghiaccio - Circus on Ice - a monumental production which combined a circus ring and a skating rink. A highly elaborate show featured frequent set and costume changes and an international cast of circus and stars.

Circus on Ice toured in a huge big top, the largest seen in Italy. Moving from place to place involved 10 tractors, 34 articulated buses, two special trains and more than 100 caravans.

Orfei retired from performing in the late 1990s, although she continued to supervise every detail of the business.  She suffered some setbacks, including a serious car crash in 2000 that left her with a broken leg and five broken ribs, and a stroke in 2006, which happened during a show in Reggio Calabria and required her to take more than a year off in recuperation.

Subsequently, her active participation in shows was limited, although she would usually parade round the ring at the start, welcoming the audience. Her son and daughter, Stefano and Lara, followed in the family tradition and became part of the show, he becoming one of Europe's foremost animal trainers, she a talented equestrian.

Moira Orfei died in Brescia in 2015 a month ahead of what would have been her 84th birthday, passing away in her sleep in her trailer, having continued to follow the itinerant life of the circus to the end. Her funeral was held in San Donà di Piave - 40km (25 miles) from Venice and about 60km (37 miles) southwest of Codroipo.

A crowd put at around 5,000 watched the funeral cortege, with a hearse drawn by four white Lipizzaners - the breed closely associated with the Spanish Riding School of Vienna - carrying her coffin to the tune of a marching band playing circus music.

The Villa Manin in Codroipo, once home of Ludovico
Manin, the last Doge of the Venetian Republic

Travel tip:

Codroipo, which used to be part of the Venetian Republic, is best known for the Villa Manin, once the family home of Ludovico Manin, the last Doge of the Venitian Republic, who governed from 1789 until 1797, when Napoleon Bonaparte forced him to abdicate. It was at the villa in 1797 that the Treaty of Campoformio was signed, marking Napoleon's victory, the fall of the First Coalition (of European states opposed to Napoleon), and the cession of Friuli to Austria.

A typically elegant street in the town of San Donà di Piave

Travel tip:

Elegant San Donà di Piave is one of the historical main towns of the eastern Veneto, although it needed substantial reconstruction in the early 1920s after being heavily damaged during the First World War, when the drawn out Battle of Solstizio took place on the banks of the Piave river. The municipality of San Donà had been established in 1797 as the administrative centre of one of the 15 cantons of the Treviso district. It was part of the Lombard-Venetian Kingdom from 1815 and during the Austrian domination it kept its position of county seat of the district. In the first part of the 19th century, the centre of the city underwent some development, with the building of palaces, commercial buildings and a new cathedral, dedicated to the Blessed Virgin Mary.

Find a hotel in San Donà di Piave with TripAdvisor

More reading:

How Dino Risi helped launch the career of Sophia Loren

Why Mario Monicelli was one of the greats of Italian film

The former pasta salesman who helped put Italian cinema on the map

Also on this day:

69AD: Vespasian becomes emperor of Rome

1401: The birth of Renaissance artist Masaccio

1872: The birth of priest and composer Lorenzo Perosi


Home

Angela Luce – actress

Film star and singer was born in Spaccanapoli

The actress Angela Luce has worked with
some of Italy's leading directors

Neapolitan actress and singer Angela Luce was born Angela Savino on this day in 1937 in Naples.

She has worked for the theatre, cinema and television, is well-known for singing Neapolitan songs, and has written poetry and song lyrics.

At 14 years old, Angela took her first steps toward stardom when she took part in the annual music festival held at Piedigrotta in the Chiaia district of Naples, singing the Neapolitan song, Zi Carmeli.

Her cinema career began in 1956, when she was only 19, when she appeared in Ricordati di Napoli, directed by Pino Mercanti. Since then she has appeared in more than 80 films and has worked for directors including Luchino Visconti, Pier Paolo Pasolini, Mario Amendola, Luigi Zampa and Pupi Avati.

Angela won a David Donatello award for L’amore molesto directed by Mario Martone and was also nominated for the Palma d’Oro at Cannes.

She has acted opposite such illustrious names as Marcello Mastroianni, Vittorio Gassman, Alberto Sordi, Vittorio de Sica and Totò.

Angela Luce (right) in a scene from Franco Rossi's
1960 film Morte di un amico

Her voice has been recorded in the historic archives of Neapolitan songs and she has won prizes for her singing. She wrote the lyric for the song Voglia, which, set to the music of Angelo Fiore, was awarded the Premio Unicef in 1984.

Angela has been quoted as saying she was ‘discovered’ by the Neapolitan dramatist Eduardo De Filippo. She has interpreted many significant roles from his plays in the theatre and appeared with him on Italian television in his play, Il contratto.

During a newspaper interview given last year on her 80th birthday, Angela said the occasion was a good opportunity to ‘thank God for giving her strength and health and a loud, clear voice’, so that she was able to sing without a microphone and, in church, without an orchestra.

The colourful street known as Spaccanapoli is close
to where Angela Luce was born

Travel tip:

Angela was born in Via Mezzocannone in the part of Naples known as Spaccanapoli, a lively area, rich with churches, historic buildings and bars. Close to her home is the main building of the Università degli Studi di Napoli Federico II, known as Gesu Vecchio, which was built in the 16th century as a Jesuit College and became home to the University in the 18th century.

The church of Santa Maria di Piedigrotta
is in the fashionable Chiaia district of Naples

Travel tip:

Angela made her first appearance as a singer at the annual song-writing competition the Festival of Piedigrotta, held near the Church of Santa Maria di Piedigrotta in the Chiaia neighbourhood on the seafront of Naples. The competition was held to judge songs written in Neapolitan dialect and over the years inspired such classics as O sole mio, Funiculi, Funicula, Torna a Surriento and Santa Lucia.


More reading:

What made Vittorio de Sica a maestro of Italian cinema

How Vittorio Gassman was once called 'the Olivier of Italian actors'

Eduardo De Filippo and the 'essence' of Naples

Also on this day:

1596: The birth of violin maker Nicolò Amati

1911: The birth of film music composer Nino Rota

1947: The birth of controversial Lega Nord politician Mario Borghezio


Home