Mario Bava - filmmaker

‘Master of Italian Horror’ had far-reaching influence

Mario Bava followed his father
into the film industry

Mario Bava, whose near-50 year career in the film business saw him become a pioneer for horror and other genres in Italian cinema, was born on this day in 1914 in Sanremo.

At various times a screenwriter, director, cinematographer and special effects artist, Bava’s work was largely on low-budget productions, yet with his imagination and artistic flair he created films that would have far-reaching influence in the movie industry.

Although the content tended towards the macabre, Bava is credited as the driving force behind the first Italian science fiction film in The Day the Sky Exploded (1958), the first big-screen giallo - the Italian murder mystery genre - in The Girl Who Knew Too Much (1963), and the first Italian horror film in I Vampiri - The Vampires - in 1957.

His 1960 movie La maschera del demonio - The Mask of the Devil - was Italy’s first Gothic horror, his 1964 production Six Women for the Assassin is considered one of the earliest examples of the so-called ‘slasher’ movies, featuring mass murder. Steve Miner’s 1981 cult ‘slasher’ movie Friday the 13th Part II was directly inspired by Bava’s A Bay of Blood, which appeared a decade earlier.

Directors such a Martin Scorcese, Quentin Tarantino, Francis Ford Coppola  and Tim Burton all cite Bava as an influence on their own work, while the British rock band Black Sabbath, pioneers of the heavy metal genre, admitted that when they changed their name from Earth in 1968, they chose Black Sabbath because it was the title of a Bava film playing in a local cinema.

Although Bava’s father, Eugenio, was working as a special effects photographer and cameraman on Italian silent films when he was growing up, Mario’s first ambition was to make a living from painting. He had some talent, yet his paintings sold for relatively small amounts and turning them out with a frequency that could generate a living was impossible.

He needed a job in addition to his painting and through his father’s contacts found work as an assistant to other Italian cinematographers. He helped his father directly in the special effects department of the Istituto Luce, the film production plant created by the Fascist dictator Benito Mussolini, who wanted Italy to be at the forefront of the movie business as it began to take off as an entertainment industry in the 1920s.

Bava rejected several opportunities to take
his many talents to Hollywood

By the late 1930s, Bava had set up as a cinematographer in his own right and worked with the up-and-coming director Roberto Rossellini on two short films in 1940.

He began directing in the 1950s, taking over when Riccardo Freda walked out on the project, to finish I vampiri and working jointly with Paolo Heusch on The Day the Sky Exploded.

A somewhat unassuming person, Bava turned down several opportunities in Hollywood that would have enhanced both his standing and his bank balance. Indeed, most of the 72 films he made as director failed to achieve major commercial success. 

Yet many came to be regarded as classics, earning favourable comparison with the works of directors of much higher profile such as Alfred Hitchcock.  Movie historians now regard Bava as 'the Master of Italian Horror'.

Bava was proud that his son, Lamberto, followed him into the business. Lamberto worked as assistant to his father for 14 years before directing his first solo film in 1980.

His death in Rome in 1980 from a heart attack at the age of 65 came as a major shock to his friends and family and to the industry as a whole, given that he had undergone a physical a few days earlier and was declared by his doctor to be in perfect health.  He was buried at the Flaminio Cemetery in Rome.

The port of Sanremo in Liguria was one of the
first Italian resorts to become a tourist destination

Travel tip:

Sanremo, an Italian Riviera resort most famous as the home of the Sanremo Music Festival, the prestigious song contest that has been held there every year since 1951, is an historic Italian holiday destination that was one of the first to benefit when the phenomenon of tourism began to take hold in the mid-18th century, albeit primarily among the wealthy. Several grand hotels were established in the Ligurian town and the Emperor Nicholas II of Russia was among the European royals who took holidays there. The Swedish chemist Alfred Nobel, founder of the Nobel Prize, made it his permanent home.  Blessed with a comfortable climate most of the year, the area produces notable olive oils and is an important centre for the commercial growing of flowers.

Rome's Flaminio Cemetery is known for
its striking contemporary architecture

Travel tip:

Rome’s Flaminio Cemetery, established in 1945, is the largest cemetery in Italy, covering an area of 140 hectares. Also known as the Prima Porta cemetery, it can be found some 17km (11 miles) north of the centre of Rome. Designed by Elena Luzzato, it is considered a masterpiece of contemporary cemetery architecture. It houses the tombs of many famous personalities of Italian culture, art, entertainment, sport and politics, including the TV journalist Ilaria Alpi, the Communist leader Enrico Berlinguer, actors Rossano Brazzi, Gino Cervi and Virna Lisi, the athlete Pietro Mennea, the footballer Giorgio Chinaglia, singers Alberto Rabagliati and Renato Rascel, and Natasha Sophia Simpson, an 11-year-old American killed in the December 27, 1985 terrorist attack on Rome’s Fiumicino Airport.

Also on this day:

1598: The birth of sculptor Alessandro Algardi

1886: The birth of New York Mafia crime boss Salvatore Maranzano

1969: The birth of footballer and coach Antonio Conte

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Suso Cecchi D'Amico - screenwriter

Woman who scripted many of Italy's greatest movies

Suso Cecchi D'Amico, pictured in 1999

Suso Cecchi D’Amico, the most accomplished and sought-after screenwriter in 20^th century Italian cinema, was born on this day in 1914 in Rome.

She collaborated on the scripts of more than 100 films in a career spanning 60 years and worked with almost every Italian director of note, particularly the pioneers of neorealism, the movement in which she was a driving force.

The classic films in which she was involved are some of the greatest in cinema history, including  Vittorio De Sica's Bicycle Thieves (1948), William Wyler's Roman Holiday (1953), Mario Monicelli's I Soliti Ignoti (1958), which was released in the United States and Britain as Big Deal on Madonna Street, and Francesco Rosi's Salvatore Giuliano (1962).

She also worked with Michelangelo Antonioni on Le Amiche (The Girlfriends, 1955) and Franco Zeffirelli on Jesus of Nazareth (1977), but she was best known for her professional relationship with Luchino Visconti, for whom she was the major scriptwriter on almost all his films from Bellissima (1951) to The Innocent (1976), including his acclaimed masterpieces Rocco and His Brothers (1960) and Il Gattopardo - The Leopard (1963).

She was born Giovanna Cecchi in Rome. Just after her birth, her father named her Susannah, of which Suso is a Tuscan diminutive. Her mother, Leonetta Pieraccini, was a painter from a theatrical family in Tuscany, while her father, Emilio Cecchi, from Florence, was a journalist and literary critic. They lived for a while in Ariccia, in the Castelli Romani.

Anna Magnani and Luchino Visconti on the set
of Bellissima, scripted by Cecchi D'Amico

For a few years in the early 1930s, her father had worked for Mussolini's government, running the state-backed film company, which brought her into contact with many prominent figures from the film industry and the theatre, including Italy's leading theatre critic, Silvio D'Amico, whose son, Fedele, would later become Cecchi’s husband.

Cecchi was educated in Switzerland and then at Cambridge University before her father pulled strings to find her a job in Mussolini's ministry of foreign trade, where she worked for seven years as a secretary and interpreter.

She left when she married, from which point she became known as Cecchi D’Amico, although it would have been difficult for her to continue to work for the Fascist government given Fedele’s politics.

Fedele was a prominent member of the Italian resistance during the Second World War and edited an anti-Fascist newspaper, which meant he had to go into hiding.

After the war, he was in poor health and went to Switzerland for treatment for tuberculosis. With three children to raise, Cecchi D’Amico was obliged to become the breadwinner. She helped her father translating English literary works into Italian, including Thomas Hardy's Jude the Obscure and Shakespeare plays, which in turn led her into writing scripts for the cinema. She and her father worked together, in fact, on her first film, in 1946.

In 1947 she worked on two films directed by Luigi Zampa -  Vivere in Pace (To Live in Peace) and L'Onorevole Angelina (roughly Angelina: Member of Parliament), the latter starring Anna Magnani, who she had met first during the filming of Roberto Rossellini’s Rome, Open City in 1945, in which she had peripheral involvement, and who became one of her closest friends.

Cecchi D'Amico with her husband, Fedele, in 1943

In 1948 she was one of several scriptwriters who shared credits with De Sica and Cesare Zavattini on Bicycle Thieves, based on Luigi Bartolini's novel, which followed an impoverished man who searches for his stolen bicycle with his young son. It was Cecchi D’Amico who contributed the moving final scene in which, in a departure from the book’s ending, the man attempts to steal a replacement bicycle but is caught by the crowd and humiliated in front of his son, which leads them, as it happens, to form an even closer bond. She would later work with De Sica on another neorealist masterpiece, Miracle in Milan, in 1951.

She was invited to work on Roman Holiday after Wyler became aware Ben Hecht's original script, about a princess (Audrey Hepburn) who meets an American reporter (Gregory Peck) in Italy, failed to capture the real mood of 1950s Rome.

Cecchi D’Amico made her first film with Visconti in 1951, a satirical look at the film business entitled Bellisima, again starring Magnani. Subsequently she wrote or co-wrote all Visconti's films except two.

She was popular with directors because she was content to make creative suggestions and let them believe the ideas were their own. She had a special relationship, both professionally and in private, with Visconti, who generally conceived the outline of films himself but looked to Cecchi D’Amico for suggestions and advice.

The story of her life, Suso, aired
on Italian TV in 2007

She helped further the careers of many Italian stars. For instance, the comedy Big Deal on Madonna Street made a star of Marcello Mastroianni and gave Gina Lollobrigida her first significant part.

Cecchi D’Amico scripted several projects for Mario Monicelli. Indeed, her last work was on a Monicelli film, The Roses of the Desert (2006), a war movie set in Libya.

Given a lifetime achievement award at the Venice Film Festival in 1995, she explained that had there been more newspapers in the post-War years she might have been a journalist and that the neorealist movement was in essence another way in which she and others could write stories about the Italy they saw around them.

She died in Rome in 2010, having survived her husband by 20 years. Their three children have all made contributions to Italian cultural life - Silvia as a film producer, Caterina in directing the Centro Sperimentale di Cinematografia film school in Rome, and Masolino as a translator, critic and teacher.

Masolino's daughter, Margherita, interviewed her grandmother for the 1996 book Storie di Cinema (e d'Altro) – Stories About the Cinema (and Other Things), the closest Cecchi D’Amico came to an autobiography.  In 2007, a film about Cecchi D'Amico's life, entitled Suso, featuring conversations with Margherita and directed by the actor Luca Zingaretti was shown on Italian TV.

The Liceo Chateaubriand in Rome

Travel tip:

Cecchi D’Amico went to school in Rome at the Liceo Chateaubriand on Via di Villa Ruffo, not far from Piazza del Popolo at the start of the fashionable Flaminio district, a chic residential area but also home to the Auditorium Parco della Musica, a venue designed by Renzo Piano, the Maxxi Museum of Modern Art and the Ponte della Musica, the modern foot and cycle bridge across the Tiber.

A stall at the Porta Portese market 

Travel tip:

Many of the sights of Rome have been used for movie locations but some are less well known than others.  The exterior shots for Gregory Peck’s apartment in Roman Holiday were filmed in Via Margutta, a street not far from Piazza di Spagna and the Scalinata di Trinita dei Monti, otherwise known as the Spanish Steps, where Federico Fellini once lived.  Many of the scenes in Bicycle Thieves were shot around Porta Portese in Trastevere, which still hosts the largest Sunday market in Rome.

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