10 June 2024

Mercurino Arborio di Gattinara – politician and cardinal

Lawyer and strategist dreamt of a united Europe ruled by the Emperor

As adviser to Emperor Charles V, Gattinara wielded huge influence
As adviser to future Emperor Charles V,
Gattinara wielded huge influence
Influential statesman and political adviser Mercurino Arborio di Gattinara was born on this day in 1465 in Gattinara in Piedmont.

Gattinara became Grand Chancellor to the Holy Roman Emperor Charles V and, despite being a layman who had never been ordained as a priest, he was created a cardinal.

He was one of the most important men active in politics of his time and he set out to centralise power in Germany and make the Holy Roman Empire a moral and political arbiter for all the kingdoms and principalities in Europe.

Born in his family’s home in Gattinara, he was the eldest son of Paolo Arborio di Gattinara and Felicità Ranzo, who was from an important family in Vercelli.

After his father’s death, Gattinara had to interrupt his studies for financial reasons and went to Vercelli to practise with his father’s cousin, who was a notary.

He was able to resume his law studies at the University of Turin after marrying Andreetta Avogadro and using her dowry to pay for his studies. After obtaining his doctorate, he practised law in Turin.

In 1501, he became adviser to Duchess Margherita of Habsburg, the daughter of Emperor Maximilian 1 of Habsburg. Margherita was married to Duke Philibert II of Savoy and the work he did for her enabled her to obtain for the rest of her life the administration of Romont, Villars and Bresse. The Duchess appointed Gattinara as tax lawyer and president of Bresse.

Charles V was crowned Emperor in 1530
Charles V was crowned
Emperor in 1530
When King Philip of Castile died, he left six young children, among whom was the future Emperor Charles V. Margherita, who was their aunt, asked Gattinara to organise their education on behalf of their grandfather, the Emperor Maximilian. 

Margherita was also given the task of governing Burgundy by Emperor Maximilian and on her behalf, Gattinara began negotiations that would lead to the formation of the League of Cambrai.

He also wrote an operetta dedicated to the young Charles, in which he presented his theories on universal monarchy.

After Charles became King of Castile and Aragon, he appointed Gattinara as his adviser. When the Emperor Maximilian I died, Gattinara ensured Charles had support from the prince electors for his accession to the imperial throne.

Gattinara was the adviser to Charles V during the Italian Wars between 1521 and 1526 and he reorganised the imperial army and its finances. He wrote a treatise on good government and was created a cardinal in 1529, despite having no background in the church. 

After Charles V was crowned emperor in the Basilica of San Petronio in Bologna in 1530, Gattinara left Italy to attend the Diet of Augsburg, which was convened on the emperor’s behalf to quell growing religious tensions in Europe.

Gattinara died in Innsbruck while he was on the way to Augsburg on June 5, 1530.  His remains were taken to Gattinara and buried in the parish church of San Pietro.

He had worked up to 18 hours a day to fulfil his vision of a united Europe and he could express himself in Italian, Spanish, French, German and Dutch, skills which were particularly appreciated at the court of the Emperor Charles V. 

The Torre delle Castelle overlooks Gattinara
The Torre delle Castelle
overlooks Gattinara
Travel tip:

Gattinara is a small town in the province of Vercelli in Piedmont, about 35km (22 miles) northwest of the city of Novara, whose province it borders. Situated in the lower part of the picturesque Valsesia, it has an historic centre where the Church of San Pietro, the last resting place of Mercurino di Gattinara, is situated. The church dates back to 1147. The town is known for its prestigious red wine, Gattinara, which has been given the status of DOCG (Denominazione di Origine Controllata e Garantita). The town is overlooked by the massive Torre delle Castelle, all that remains of an ancient mediaeval fortified complex built around the 11th century, which tops a hill to the northwest of the town. The tower has become a symbol of the town.

The Mole Antonelliana is an unmissable feature of the skyline of Piedmont's capital, Turin
The Mole Antonelliana is an unmissable feature
of the skyline of Piedmont's capital, Turin
Travel tip:

The University of Turin, where Mercurino di Gattinara studied for his degree, is one of the oldest universities in Europe, founded in 1406 by Prince Ludovico di Savoia. The main university buildings are in Via Giuseppe Verdi, close to Turin’s famous Mole Antonelliana, an architectural landmark first conceived as a synagogue, before being bought by the city and declared a monument to national unity. Designed and started by architect Alessandro Antonelli in 1863, but not completed until 1889, it rises to a height of 167.5m (550ft). A lift, which was originally installed in 1961 during celebrations to mark the centenary of the Italian Unification and renovated in 1999, allows visitors to reach a panoramic terrace 85m (279ft) above the ground to take in extraordinary views of the city and the surrounding Alps.

Also on this day: 

1918: The death of writer and composer Arrigo Boito

1940: Italy enters World War Two

1959: The birth of football coach Carlo Ancelotti


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9 June 2024

9 June

The death of Nero

Brutal emperor killed himself with help of aide

The Roman emperor Nero, whose rule was associated with extravagance and brutality, died on this day in 68 AD in what would now be described as an assisted suicide.  Effectively deposed as emperor when simultaneous revolts in the Gallic and Spanish legions coincided with the Praetorian Guard rising against him, with Galba named as his successor, Nero fled Rome, seeking refuge from one of his few remaining loyalists.  Phaon, an imperial freedman, gave him the use of a villa four miles outside Rome along Via Salaria, where he hastened, under disguise, along with Phaon and three other freedmen, Epaphroditos, Neophytus, and Sporus.  Nero had hoped to escape to Egypt but realised there was no one left to provide the means and asked the four freedmen to begin digging his grave, in readiness for his death by suicide.  In the meantime, the Senate had declared Nero a public enemy. As well as ordering the executions of numerous rivals, real or perceived, and even having his mother and two wives killed, Nero made many enemies through unpopular policies and confiscation of property.  Read more...

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Nedo Nadi - Olympic record-breaker

Five-medal haul at 1920 Antwerp Games included unique treble

Nedo Nadi, the Italian fencer regarded as among the greatest of all time, was born on this day in 1894 in Livorno, the port on the Tuscan coast. Born into a fencing family - his father, Giuseppe, was a renowned fencing master - Nadi won five gold medals at the 1920 Olympics in Antwerp, which remained the most by any athlete at a single Games until Mark Spitz won seven swimming titles.  Nadi’s own distinction is that he was and still is the only fencer to have won a gold medal with all three weapons, winning the individual championship in both foil and sabre and a team gold in the épée. His quintuple of medals was completed with team golds in both the sabre and foil.  His younger brother, Aldo, was also part of the winning Italian team in the épée and sabre events.  Their total of seven golds is the most won by members of the same family at a single Games.  Nedo’s historic achievement might never have happened if his father had had his way. Giuseppe believed the épée to be a “crude and undisciplined" weapon and refused to teach it, limiting the two brothers’ tuition to foil and sabre, to which they were introduced as children. Read more…

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Luigi Cagnola - architect

Designer of Milan’s neoclassical Arch of Peace

The architect Luigi Cagnola, among whose most notable work the monumental Arco della Pace - Arch of Peace - in Milan stands out, was born in Milan on this day in 1762.  The Arco della Pace, commissioned when Milan was under Napoleonic rule in 1807, can be found at Porta Sempione, the point at which the historic Strada del Sempione enters the city, about 2km (1.2 miles) northwest of the Duomo. Cagnola’s original commission a year earlier was for a triumphal arch for the marriage of Eugenio de Beauharnais, viceroy of the Kingdom of Italy, with Princess Amalia of Bavaria. The arch was made of wood, and not intended as a permanent structure, but Cagnola’s design was of such beauty that the Milan authorities asked him to reconstruct it in marble. His other major works include the Porta Ticinese, another of the main gates into Milan, the campanile - bell tower - of the church of Santi Nazario e Celso in Urgnano, a small town just outside Bergamo in Lombardy, the chapel of Santa Marcellina in Milan, the staircase of the Villa Saporiti in Como, and his own villa just outside Inverigo, the town to the southwest of Lake Como where Cagnola spent his final days. Read more…

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Luigi Fagioli - racing driver

Man from Le Marche is Formula One's oldest winner

Racing driver Luigi Fagioli, who remains the oldest driver to win a Formula One Grand Prix, was born on this day in 1898 at Osimo, an historic hill town in the Marche region.  Fagioli was a highly skilled driver but one who was also renowned for his fiery temperament, frequently clashing with rivals, team-mates and his bosses.  It was typical of his behaviour after recording his historic triumph at the F1 French Grand Prix at Reims in 1951 he announced in high dudgeon that he was quitting Formula One there and then.  He was furious that his Alfa Romeo team had ordered him during the race to hand his car over to Juan Manuel Fangio, the Argentine who would go on to win the 1951 World Championship, which meant the victory was shared rather than his outright.  Nonetheless, at 53 years and 22 days, Fagioli's name entered the record books as the oldest F1 Grand Prix winner.  Fagioli trained as an accountant but was always fascinated with the new sport of car racing and his background - he was born into a wealthy family of pasta manufacturers - gave him the financial wherewithal to compete.  Read more…

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The Maestà of Duccio

Masterpiece influenced the course of Italian art history

A magnificent altarpiece by the artist Duccio di Buoninsegna was unveiled in the cathedral in Siena on this day in 1311.  Duccio’s Maestà was to set Italian painting on a new course, leading away from Byzantine art towards using more realistic representations of people in pictures.  The altarpiece was commissioned by the city of Siena from the artist and was composed of many individual paintings.  The front panels made up a large picture of an enthroned Madonna and Child with saints and angels.  At the base of the panels was an inscription, which translated into English means: ‘Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus.’  When the painting was installed in the cathedral on June 9, 1311, one witness to the event wrote: ‘…on that day when it was brought into the cathedral, all workshops remained closed and the bishop commanded a great host of devoted priests and monks to file past in solemn procession.  This was accompanied by all the high officers of the commune and by all the people; all honourable citizens of Siena surrounded said panel with candles held in their hands, and women and children followed humbly behind’. Read more…

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Book of the Day: Nero: Matricide, Music, and Murder in Imperial Rome, by Anthony Everitt and Roddy Ashworth

The Roman emperor Nero's name has long been a byword for cruelty, decadence, and despotism. As the stories go, he set fire to Rome and thrummed his lyre as it burned. He then cleared the charred ruins and built a vast palace. He committed incest with his mother, who had schemed and killed to place him on the throne, and later murdered her.  But these stories, left behind by contemporary historians who hated him, are hardly the full picture. In Nero: Matricide, Music, and Murder in Imperial Rome, celebrated historian Anthony Everitt and investigative journalist Roddy Ashworth reveal the contradictions inherent in Nero and offer a reappraisal of his life. Contrary to popular memory, the empire was well managed during his reign. He presided over diplomatic triumphs and his legions overcame the fiery British queen Boudica. He loved art, culture, and music, and he won the loyalty of the lower classes with fantastic spectacles. He did not set fire to Rome.  In Nero, ancient Rome comes to life: the fire-prone streets, the deadly political intrigues, and the ongoing architectural projects. In this teeming, politically unstable world, Nero was vulnerable to fierce reproach from the nobility and relatives who would gladly usurp him, and he was often too ready to murder rivals.  This is the bloodstained story of one of Rome's most notorious emperors; but in Everitt and Ashworth's hands, Nero's life is also a complicated, cautionary tale about the mettle required to rule.

Anthony Everitt has written extensively on European and classical culture. He is the author of Cicero, Augustus, Alexander the Great, Hadrian and the Triumph of Rome, The Rise of Rome and The Rise of Athens. Roddy Ashworth is an award-winning investigative journalist.

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8 June 2024

8 June

Benedetto Alfieri – architect

Talented designer behind the Teatro Regio in Turin

Baroque architect Benedetto Innocenzo Alfieri was born on this day in 1699 in Rome.  He was a member of the Alfieri family who originated in Piedmont and he became the uncle of the dramatist, Vittorio Alfieri. Benedetto was also the godson of Pope Innocent XII.  Alfieri was sent to be educated in mathematics and design by the Jesuits. He later moved to Piedmont and lived in both Turin and Asti, where he practised as a lawyer and an architect.  Charles Emmanuel III, King of Sardinia, one of his patrons, commissioned him to design the Royal Theatre in Turin, originally assigned to Filippo Juvara, but who died before work began. The building was acknowledged as his masterpiece, but it burned down in 1936 and the theatre did not reopen until 1973.  Benedetto also helped with the decoration of the interior of the Basilica of Corpus Domini in Turin and the interior of Palazzo Chiablese next to the Royal Palace in Turin. In recognition, Charles Emmanuel III made him Count of Sostegno.  Alfieri also completed the bell tower of the Church of Sant’Anna in Asti and the façade of Vercelli Cathedral.  Read more…

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Giuseppe Fiorelli - archaeologist

The man whose painstaking work saved Pompeii

Giuseppe Fiorelli, the archaeologist largely responsible for preserving the ruins of Pompeii, was born on this day in 1823, in Naples.  It was due to Fiorelli’s painstaking excavation techniques that much of the lost Roman city on the Neapolitan coast was preserved as it had looked when, in 79 AD, it was totally submerged under volcanic ash following the eruption of Vesuvius.  He also hit upon the idea of filling the cavities in the hardened lava and solidified ash left behind by long-rotted bodies and vegetation with plaster to create a model of the person or plant that had been engulfed.  This became known as the Fiorelli process.  Little is known of Fiorelli’s early life apart from some details of his academic career, which clearly show him to be precociously clever.  He studied law from the age of 11 and obtained a degree in legal studies at the age of 18. He was also a student of italic languages, numismatics – the study of coins, paper money and medals -- and epigraphy – the study and interpretation of ancient inscriptions.  Having chosen to pursue his interest in archaeology and the study of ancient civilisations, he wrote an article on numismatics that won him membership of a number of academies at the age of 20.  Read more…

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Luigi Comencini – film director

Movies helped create an international audience for Italian cinema

Award winning director and screenwriter Luigi Comencini was born on this day in 1916 in Salò, a town on the banks of Lake Garda in Lombardy.  He is considered to have been one of the masters of the commedia all’italiana genre, a type of film produced between the 1950s and the 1970s that dealt with social issues such as divorce, contraception and the influence of the Catholic Church in a sardonically humorous way.  After Comencini studied architecture in Milan he went to work as a newspaper film critic. He began his career as a filmmaker in 1946 with a short documentary, Bambini in città, about the hard life of children in post-war Milan.  His first successful movie was L’imperatore di Capri in 1949, featuring the comedian Totò.  Comencini’s 1953 film, Pane, amore e fantasia, starring Vittorio De Sica and Gina Lollobrigida, is considered a prime example of neorealismo rosa -  pink neorealism. It was followed by Pane, amore e gelosia in 1954.  His masterpiece is considered to be Tutti a casa, starring Alberto Sordi, which was a bitter comedy about Italy after the armistice of 1943, when Italy surrendered to the Allies.  Read more…

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Beatrice Portinari – Dante’s inspiration

Florentine beauty was immortalised in verse

Beatrice ‘Bice’ di Folco Portinari, who has been identified as the lifelong love of the important poet Dante Alighieri, died on this day in 1290 in Florence, at the age of 25.  Dante is believed to have met Beatrice only twice, but was said to have been so affected by the encounters that he loved her for the rest of his life.  Many scholars believe Beatrice was the inspiration for Dante’s work, Vita Nuova, and that she also acted as his guide in the last book of his narrative poem, the Divine Comedy, and was the symbol of divine grace and theology in his poetry.  Beatrice was the daughter of a rich banker, Folco Portinari, and she lived in a house near Dante’s home in Florence. Dante first met Beatrice when they were both just nine years old at a May Day party given by her family.  But by the time Dante was 12, he had been promised by his parents in marriage to Gemma di Manetto Donati, who was from another powerful, local family.  Years after his marriage to Gemma, Dante claimed he met Beatrice again and he wrote several sonnets to her, without ever getting to know her properly, which were examples of the mediaeval notion of courtly love.  Read more…

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Tomaso Albinoni - Venetian composer

Prolific writer of operas and instrumental music

The composer Tomaso Albinoni, perhaps best known for the haunting and powerful Adagio in G Minor, was born on this day in 1671 in Venice.  Albinoni was a contemporary of two other great Venetian composers, Arcangelo Corelli and Antonio Vivaldi, and was favourably compared with both.  It is his instrumental music for which he is popular today, although during his own lifetime he was famous for his operas, the first of which was performed in Venice in 1694.  He is thought to have composed some 81 operas in total, although they were not published at the time and the majority were lost.  His first major instrumental work also appeared in 1694. With the support of sponsorship from noble patrons, he published nine collections - in Italy, Amsterdam and London - beginning with Opus 1, the 12 Sonate a Tre, which he dedicated to his fellow Venetian, Cardinal Pietro Ottoboni, the grand-nephew of Pope Alexander VIII.  It was this work that established his fame.  He followed it with another collection of instrumental pieces, dedicated to Charles IV, Duke of Mantua, who may have employed him as a violinist.  Read more…

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Guido Banti – physician

Doctor was the first to define leukaemia

The innovative physician and pathologist Guido Banti was born on this day in 1852 in Montebicchieri in Tuscany.  His work on the spleen led him to discover that a chronic congestive enlargement of the spleen resulted in the premature destruction of red blood cells. Closely related to leukaemia, this was later named 'Banti’s disease' in his honour.  Banti’s father was a physician and sent him to study medicine at the University of Pisa and the Medical School in Florence.  He graduated in 1877 and was appointed an assistant at the Hospital of Santa Maria Nuova and also as an assistant in the laboratory of Pathological Anatomy.  The ability to observe patients in bed and then carry out post mortem examinations was to prove fundamental to his work.  Within five years he had become chief of medical services. In 1895, after a five year spell in a temporary post he was appointed Ordinary Professor of Pathological Anatomy in the medical school in Florence. He remained in this post for 25 years.  Banti published the first textbook in Italy on the techniques of bacteriology in 1885.  He studied and also wrote about heart enlargement.  Read more…

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Book of the Day: Art and Architecture in Italy, 1600-1750 - Volume 3: Late Baroque, by Rudolf Wittkower

This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower’s text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time. Art and Architecture in Italy, 1600-1750 - Volume 3: Late Baroque is the third book in the three-volume survey.

Rudolf Wittkower was a British art historian specialising in Italian Renaissance and Baroque art and architecture, who spent much of his career in London, but was educated in Germany, and later moved to the United States.

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7 June 2024

7 June

Federico da Montefeltro – condottiero

Patron of the arts made money through war

Federico da Montefeltro, one of the most successful of the Italian condottieri, was born on this day in 1422 in Gubbio.  He has been immortalised by the famous portrait painted of him by Piero della Francesca, where he was dressed in red and showing his formidable profile.  Federico ruled Urbino from 1444 until his death, commissioning the building of a large library where he employed his own team of scribes to copy texts.  He was the illegitimate son of Guidantonio da Montefeltro but he was legitimised by the Pope with the consent of Guidantonio’s wife.  Federico began his career as a condottiero - a kind of mercenary military leader - at the age of 16. When his half-brother, who had recently become Duke of Urbino, was assassinated in 1444, Federico seized the city of Urbino.  To bring in money he continued to wage war as a condottiero. He lost his right eye in an accident during a tournament and later commissioned a surgeon to remove the bridge of his nose to improve his field of vision and make him less vulnerable to assassination attempts.  Subsequently, he refused to have his portrait painted in full face, hence he is depicted in profile by Piero della Francesca.  Read more…

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Pippo Baudo - TV presenter

Record-breaking host of Sanremo festival

The television presenter Pippo Baudo, who became one of the most recognisable personalities on Italian television in a broadcasting career spanning six decades, was born on this day in 1936 in Militello in Val di Catania, in Sicily.  Baudo has presented numerous shows for the national broadcaster Rai and for private networks but is probably best known as the host of the annual Sanremo Music Festival and the presenter of the immensely popular Sunday afternoon magazine show Domenica In.  He was the face of Sanremo a record 13 times between 1968 and 2008, eclipsing another much-loved TV host, Mike Bongiorno, who presented the prestigious song contest on 11 occasions.  Baudo has anchored or co-hosted Domenica In for 13 seasons.  His appearance in the 2016-17 edition of the show came 37 years after he presented the programme for the first time in 1979.  His other major shows include Settevoci, Canzonissima, Fantastico, Serata d'onore and Novecento.  Pippo - short for Giuseppe - is the son of a lawyer, whose father had ambitions for his son to follow a similar career path.  Read more…

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Gaetano Berenstadt – operatic castrato

Italian-born performer who specialised in roles created by Handel

Gaetano Berenstadt, an alto castrato who sang many roles in George Frideric Handel’s operas, was born on this day in 1687 in Florence.  His parents were German and his father played the timpani - kettle drums - for the Grand Duke of Tuscany.  Berenstadt was sent to be a pupil of Francesco Pistocchi, a singer, composer and librettist who founded a singing school in Bologna.  After performing in Bologna and Naples, Berenstadt visited London where he performed the role of Argante in a revival of Handel’s Rinaldo. The composer created three new arias especially for Berenstadt’s voice.  On a later visit to London, Berenstadt sang for the composers of the Royal Academy of Music. On this visit he created the roles of Tolomeo in Handel’s Giulio Cesare, the title role in Flavio, and the role of Adalberto in Ottone.  Back in Italy, he sang music by Italian composers and in two new compositions by Johann Adolph Hasse. He usually took on the role of a villainous tyrant and, despite the quality of his voice, he never portrayed a female character.  His final appearances on stage were in his native Florence.   Read more…

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Book of the Day:  The Light of Italy: The Life and Times of Federico da Montefeltro, Duke of Urbino, by Jane Stevenson

The one-eyed mercenary soldier Federico da Montefeltro, lord of Urbino between 1444 and 1482, was one of the most successful condottiere of the Italian Renaissance: renowned humanist, patron of the artist Piero della Francesca, and creator of one of the most celebrated libraries in Italy outside the Vatican. From 1460 until her early death in 1472 he was married to Battista, of the formidable Sforza family, their partnership apparently blissful. In the fine palace he built overlooking Urbino, Federico assembled a court regarded by many as representing a high point of Renaissance culture. For Baldassare Castiglione, Federico was la luce dell'Italia – 'the light of Italy'.  The Light of Italy: The Life and Times of Federico da Montefeltro, Duke of Urbino is an affectionate account of Urbino's flowering and decline casts revelatory light on patronage, politics and humanism in 15th-century Italy. As well as recounting the gripping stories of Federico and his Montefeltro and della Rovere successors, Stevenson considers in details Federico's cultural legacy – investigating the palace itself, the splendours of the ducal library, and his other architectural projects in Gubbio and elsewhere.

Jane Stevenson is a British historian, literary scholar, and author. A former Regius Professor of Humanity at the University of Aberdeen, since 2017 she has been Senior Research Fellow at Campion Hall, Oxford.

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