17 May 2016

Sandro Botticelli – painter

Renaissance master was forgotten until the 19th century



Botticelli's The Birth of Venus
Botticelli's The Birth of Venus, painted in 1485
Early Renaissance artist Sandro Botticelli died on this day in 1510 in Florence.

Years before his death he had asked to be buried in the Church of Ognissanti in Florence at the feet of a woman for whom it is believed he suffered unrequited love. 

She was Simonetta Vespucci, a married noblewoman, who had died in 1476. She is thought to have been the model for Botticelli’s major work, The Birth of Venus, which was painted years later in 1485, and that she also appeared in many of his other paintings.

After his death, Botticelli was quickly forgotten and his paintings remained in the churches and villas for which they had been created until the late 19th century, when people started to appreciate his work again.

Botticelli was born Alessandro di Mariano di Vanni Filipepi in 1445. He was active during the golden age of painting in Florence under the patronage of Lorenzo de' Medici and Lorenzo di Pierfrancesco de' Medici and was for a time apprenticed to both Fra Filippo Lippi and Verrocchio.

In 1481 Botticelli was summoned to Rome by Pope Sixtus IV to paint three frescoes for the Sistine Chapel. Another of his major works, Primavera, was painted just after this in 1482.

In later life Botticelli was influenced by the religious preacher, Savonarola, and his art became deeply devout. The Mystical Nativity, painted in 1500, is an example of this change of style.

After his death he was largely forgotten until the beginning of the 19th century when an English collector bought The Mystical Nativity and took it back home with him. The painting later went on show in Manchester, where it was viewed by a million people, and sparked renewed interest in the artist.


Chiesa di San Salvatore di Ognissanti
Chiesa di San Salvatore di Ognissanti
Travel tip:

Botticelli’s wishes were carried out and his tomb is in the Chiesa di San Salvatore di Ognissanti, a Franciscan church in Borgo Ognissanti in the centre of Florence. Botticelli’s fresco of Saint Augustine, painted in 1480, can be seen on the south wall of the church.

Travel tip:

Many of Botticelli’s works are in the Uffizi gallery in Florence where they are now admired by millions of visitors from all over the world. Work began in 1560 to create a suite of offices (uffici) for the administration of Cosimo I. The architect, Vasari, created a wall of windows on the upper storey and from about 1580 the Medici began to use this well-lit space to display their art treasures. This was the start of one of the most famous art galleries in the world. The present day Uffizi Gallery, in Piazzale degli Uffizi, is open from 8.15 am to 6.50 pm from Tuesday to Sunday.

More reading:

Savonarola and the Bonfire of the Vanities

Why Simonetta Vespucci was hailed as the embodiment of human perfection

The patron of the arts who sponsored Michelangelo and Botticelli


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16 May 2016

Laura Pausini - singer-songwriter

Grammy Award-winner has sold more than 70 million records


Photo of Laura Pausini
Laura Pausini
One of Italy's best-selling recording artists of all time, pop singer-songwriter Laura Pausini celebrates her 42nd birthday today. The first Italian female performer to win a Grammy Award, she was born on this day in 1974 in Solarolo, in the province of Ravenna.

Pausini's records have sold more than 70 million copies worldwide, more than both Zucchero and Eros Ramazzotti, two giants of Italian popular music.  The figure is all the more remarkable for the fact that Pausini has only scratched the surface of the English-language market, which is by far the most lucrative.

She records mainly in Italian but has also enjoyed considerable success with recordings in Spanish and, more recently, in Catalan. She is the first non-Spanish artist to sell more than a million copies of a single album in Spain.

Pausini's background and upbringing always made it likely she would pursue a career in the music industry.

Her father, Fabrizio, is a pianist who played as a session musician for Abba's Anni-Frid Lyngstad and with a group from which was formed the best-selling Italian band Pooh. Later in his career, after he had established himself as a piano bar artist, he encouraged Laura to sing.  Her first live performance, in front of an audience, came when she sang with her father in a restaurant in Bologna.

More performances followed and after she had taken part in a number of singing competitions her talent came to the attention of an Italian producer, Angelo Valsiglio, who asked her to sing a song that would in time become a Pausini classic.

That song, La Solitudine, was released as a single in February 1993. With it, Pausini won the 43rd Sanremo Music Festival and reached number one in the Italian singles chart.  It also reached top spot in Belgium and charted at number two in the Netherlands.

La Solitudine featured on her debut album, Laura Pausini, released later in 1993.  She has since record 11 more studio albums, the latest of which, Simile, was released in 2015, plus a number of compilations, live recordings and collaborations with other artists. Her last five studio albums have reached number one in the Italian album charts.

Pausini has also had five number one singles in Italy, including Limpido, in 2013, on which she collaborated with the Australian superstar, Kylie Minogue.

Photo of Laura Pausini
Laura Pausini during her 2010 world tour to
promote her album Inedito
A singer with a powerful mezzo-soprano voice, Laura Pausini has been likened by music critics to Celine Dion, Barbra Streisand and Mariah Carey.  Part of her popularity is down to the lyrics of her songs, which have often expressed sentiments with which fans have been able to identify.

The winner of one regular Grammy Award and three Latin Grammy Awards among numerous honours, Pausini was made a Commander Order of Merit of the Italian Republic in 2006.

She has a three-year-old daughter, Paola, with her partner, the guitarist, composer and music producer, Paolo Carta.

Travel tip:

Solarolo, in Emilia-Romagna, a little under 40 kilometres from Ravenna and about halfway between Bologna and Rimini, is an elegant town of some 4,500 inhabitants, notable for being on the front line of battles between German troops and the British 8th Army towards the end of the Second World War, due to its strategic location close to the River Senio.  Its main sights include the Santuario della Madonna della Salute.

Tagliatelle alla Bolognese
Travel tip:

Bologna, where Pausini made her performing debut, appropriately in a restaurant, is known as the gastronomic capital of Italy, the city that invented tortellini and mortadella and gave the world the meat sauce (ragù) known as bolognese, which is authentically served with tagliatelle rather than spaghetti.

(Photos of Laura Pausini by LivePict.com and Valentini17 CC BY-SA 3.0)

(Tagliatelle photo by D Sharon Pruitt CC BY-SA 2.0)

More reading:


Ligabue - record-breaking rock star

Little Tony - 60s pop star inspired by Little Richard

Also on this day:

1915: The birth of film director Mario Monicelli

1945: The birth of businessman and former Inter chairman Massimo Moratti


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15 May 2016

Claudio Monteverdi – composer

Baroque musician who gave us the first real opera



Portrait of Monteverdi
Bernardo Strozzi's 1630 portrait of Monteverdi
The composer and musician Claudio Monteverdi was baptised on this day in 1567 in Cremona in Lombardy.

Children were baptised soon after their birth in the 16th century so it is possible Monteverdi was born on 15 May or just before.

He was to become the most important developer of a new genre, the opera, and bring a more modern touch to church music.

Monteverdi studied under the maestro di cappella at the cathedral in Cremona and published several books of religious and secular music while still in his teens.

He managed to secure a position as a viola player at Vincenzo Gonzaga’s court in Mantua where he came into contact with some of the top musicians of the time. He went on to become master of music there in 1601
.
It was his first opera, L’Orfeo, written for the Gonzaga court, that really established him as a composer.

In the early 17th century, the intermedio, the music played between the acts of a play, was evolving into the form of a complete musical drama, or opera. Monteverdi’s L’Orfeo was the first fully developed example of this and is the earliest opera still being regularly staged.

It had its first performance in 1607 in Mantua. Two letters, both dated 23 February, 1607, refer to the opera due to be performed the next day in the Ducal Palace as part of the annual carnival in Mantua in Lombardy.

Picture of L'Orfeo frontispiece
The frontispiece from Monteverdi's
score of L'Orfeo, performed in 1607
In one of them a palace official writes: ‘… it should be most unusual as all the actors are to sing their parts.’

Francesco Gonzaga, the brother of the Duke, wrote in a letter dated 1 March, 1607 that the performance had been to the ‘great satisfaction of all who heard it.’

L’Orfeo, or La favola d’Orfeo as it is sometimes called, is based on the Greek legend of Orpheus. It tells the story of the hero’s descent to Hades and his unsuccessful attempt to bring his dead bride, Eurydice, back to the living world.

The libretto had been written by Alessandro Striggio and the singers were accompanied by an orchestra of about 40 musical instruments.

It was staged again in Mantua and then possibly in other towns in Italy before the score was published by Monteverdi in 1609. There is evidence that the opera was also performed in Salzburg, Geneva and Paris from 1614 onwards.

But after Monteverdi’s death in 1643 the opera was forgotten until a 19th century revival led to other performances.

While it is recognised that L'Orfeo is not the first opera, it is the earliest opera that is still regularly performed in theatres today and it established the basic form that European opera was to take for the next 300 years.

A performance in Paris in 1911 gave L’Orfeo particular prominence and it has since been regularly included in the repertoire of opera houses.

Nowadays, Monteverdi is acknowledged as the first great opera composer.


Photo of Cremona's Duomo
The Duomo in Cremona, where
Monteverdi studied music
Travel tip:

Cremona’s Duomo, where Monteverdi studied music, is an important example of Romanesque architecture dating from the 12th century. The facade with its large rose window was probably added in the 13th century. Linked to the cathedral by a loggia, is the Torrazzo, the tallest bell tower in Italy and the third largest in the world, standing at 112.7 metres. Work began on the Torrazzo in the eighth century and the spire was completed in 1309. 


Travel tip:

Mantua is an atmospheric old city, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family, which has a famous room, Camera degli Sposi, decorated with frescoes by Andrea Mantegna.  It is not known for certain, but the premiere of L’Orfeo may have taken place in the Galleria dei Fiumi, which has the dimensions to accommodate a stage and orchestra and space for a small audience.


More reading:

The story of Monteverdi's L'Orfeo

Luca Marenzio, the madrigal writer who influenced Monteverdi

How court musician Jacopo Peri wrote the first 'opera'

Also on this day:

1902: The birth of band leader Pippo Barzizza

1936: The birth of actress and opera singer Anna Maria Alberghetti





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14 May 2016

Marco Zanuso - architect and designer

Innovative ideas put Italy at the forefront of contemporary style



Photo of Marco Zanuso
Marco Zanuso
Marco Zanuso, the architect and industrial designer whose innovative ideas helped revolutionize furniture and appliance design in Italy after the Second World War, was born in Milan on this day in 1916. 

Influenced by the Rationalist movement that emerged in the 1920s, he was one of the pioneers of the Modern movement, which brought contemporary styling to mass-produced consumer products.  His use of sculptured shapes, bright colours, and modern synthetic materials helped make Italy a leader in furniture fashion.

Italy had for many years been something of a trendsetter in interior design but during the post-War years, with the fall of Fascism and the rise of Socialism, there was a sense of liberation among Italian creative talents.

With the recovery of the Italian economy there was a substantial growth in industrial production and mass-produced furniture. By the 1960s and 1970s, Italian interior design reached its pinnacle of stylishness.

Zanuso was at the forefront, producing designs that used tubular steel, acrylics, latex foam, fibreglass, foam rubber, and injection-moulded plastics.

His first major successes came for Pirelli, the tyre makers, who in 1948 opened a new division, Arflex, to design seating using foam rubber upholstery. They commissioned Zanuso to produce their first designs and his distinctively shaped "Lady" armchair won first prize at the 1951 Milan Triennale.

Picture of Zanuso-designed folding radio
A folding radio cube designed by Marco Zanuso and
Richard Sapper for Brionvega
In 1957, Zanuso entered into a partnership with German designer Richard Sapper. 

They convinced consumers that plastic could be a viable material for furniture in the home with a brightly coloured, stackable child's chair. Their moulded metal "Lambda" kitchen chair became a worldwide bestseller.

In 1959, Zanuso and Sapper were hired as consultants to Brionvega, an Italian company trying to produce stylish electronics that would challenge those being made in Japan and Germany. They designed a series of  radios and televisions that became stylistic icons. Their portable "Doney 14" was the first completely transistorised television.

They also designed a folding "Grillo" telephone for Siemens in 1966, one of the first telephones to put the dial and the earpiece on the same unit.

Zanuso turned his ideas and versatility to other household items, including a bright red fan, bright yellow kitchen scales, a knife sharpener and a streamlined sewing machine.

Several of his award-winning product designs eventually became part of a permanent collection of the Museum of Modern Art in New York City.

As an architect, Zanuso also designed housing, factories and offices, not only in Italy but in South America and South Africa.

He designed the Olivetti factory buildings in Buenos Aires in 1954, which featured external air conditioning, another Olivetti building in São Paulo, the Necchi sewing machine company's office building in Pavia in Italy and IBM factory buildings in Milan.

As a member of the city planning commission in Milan, his projects included the renovation of the Teatro Fossati and the construction of the Teatro Strehler, a new venue for the Piccolo Teatro della Città di Milano.

The fifth of six sons of an orthopaedic doctor, he trained in architecture at the Milan Polytechnic university and after military service in the Italian Navy he opened his own design office in 1945 and edited the influential design magazines Domus and Casabella.

He taught architecture and design at the Milan Polytechnic from the 1960s, and served twice as president of the Italian Association of Industrial Design.  He continued working into his late 70s, designing a cutlery set for Alessi in 1995.

He died in Milan in 2001, aged 85.  His son, Marco Zanuso Jnr, one of four children, followed him into architecture and design.

Photo of Piccolo Teatro Strehler in Milan
Zanuso's Piccolo Teatro Strehler in Milan
Travel tip:

The Piccolo Teatro della Città di Milano, founded in 1947, was Italy's first permanent repertory company. It has three venues, the Teatro Grassi, in Via Rovello, between Sforza Castle and the Piazza del Duomo, the Teatro Studio and the Teatro Strehler.  The company puts on around 30 performances per year, while the venues host cultural events, including festivals, films, concerts, conferences and conventions.

Travel tip:

The Medieval city of Pavia, once the most important town in northern Italy, has many fine churches, including a cathedral boasting one of the largest domes in Italy and the beautiful Romanesque Basilica di San Michele.  The Visconti Castle, surrounded by a large moat, houses the Civic Museum. Another notable attraction is the covered bridge across the Ticino River, a reproduction of a 13th-century bridge destroyed during the Second World War.

(Photo of Zanuso radio by Andrea Pavanello CC BY-SA 3.0)
(Photo of Piccolo Teatro Strehler by Dispe CC BY-SA 3.0)

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