Theft of Caravaggio masterpiece

Fate of Nativity taken from Palermo church remains a mystery

Caravaggio's painting Nativity with
St Lawrence and St Francis

One of the most notorious art crimes in history was discovered on this day in 1969 when a housekeeper at the Oratory of Saint Lawrence in Palermo arrived for work to find that the Nativity with St. Francis and St. Lawrence, painted by the Renaissance master Caravaggio in 1609, had been stolen.

The painting sat above the altar in the Oratory, which is situated in Via Immacolata in the centre of the Sicilian capital, adjacent to the Basilica of Saint Francis of Assisi, but when the housekeeper, Maria Gelfo, opened up with her sister on the morning of 18 October, they were confronted with an empty frame.

Worth an estimated £20 million (€23.73 million; $27.52 million), the painting has never been found, leaving half a century’s worth of theories about its fate to remain unproven.  Most of the theories link the theft to the Sicilian Mafia.

It is assumed that the painting was taken during the night of the 17-18 October, although the weather was reportedly awful, with a lightning storm raging for much of the night and Palermo suffering a deluge of rain, hardly ideal conditions for carrying a valuable work of art from a church to a waiting vehicle.

The thieves broke into the Oratory and seemingly headed straight for the Caravaggio. The painting appeared to have been cut from its frame using a sharp blade. Maria Gelfo also told police that a rug was also missing, which led to speculation that the canvas was removed from the church rolled up inside the rug.

The empty frame above the altar, 
pictured soon after the theft

Yet what happened to the painting is shrouded in mystery, not least because files containing statements made to police by key witnesses mysteriously disappeared, along with a report on the state of the premises ordered after Benedetto Rocco, the parish priest at the time of the theft, had raised concerns about security with the local state official for works of art, Vincenzo Scuderi.

Rocco had also raised concerns about Scuderi allowing RAI, the state broadcaster, to film a programme on hidden treasures inside the oratory - including Caravaggio’s painting - which was broadcast in August 1969. 

Gelfo, meanwhile, had expressed her worries about the security of a street-level window that could have been forced by an intruder, as well as reporting an unusually large number of strangers wanting to see the Caravaggio in the weeks leading up to its disappearance.

When the investigation into the crime was reopened in 2017 by the government’s anti-Mafia commission, following supposedly credible information supplied by Mafia pentiti Marino Mannoia and Gaetano Grado, the statements from Rocco and Gelfo had vanished.

Mannoia and Grado said that the painting was in Switzerland, albeit having been cut up, after Mafia boss Gaetano Badalamenti, who had made his money from trafficking heroin to the United States and had supposedly commissioned its theft, decided he no longer wanted it on his hands. The involvement of Badalamenti tallied with an interview given by Rocco in 2001 in which he claimed that Badalamenti was the perpetrator and had attempted to open a negotiation with the Catholic Church for its return, cutting off a small section of the canvas and sending it to Rocco to prove he had it.

Gaetano Badalamenti, a Mafia
boss accused of ordering the theft

However, the police were unable to find the files relating to the crime, including Rocco’s statements. Rocco, Gelfo and Badalamenti are all now dead.

Mannoia had previously told the anti-Mafia magistrate Giovanni Falcone that the Mafia had commissioned the theft after agreeing a price with a buyer, but that when the buyer saw the painting, it was so badly damaged he called the deal off.  Experts have since said that, had the painting been rolled up to be smuggled out inside a rug, it is likely that large amounts of paint would have cracked and fallen off.

Other explanations of its fate are that the painting was eaten by pigs after being kept in a barn, that it was buried by another mafioso, Gerlando Alberti, after he had failed to sell it, and that it was transported to Campania to be sold to the Naples Camorra only to be buried under rubble during the 1980 earthquake.

Another theory, put forward by a Mafia expert in Palermo, is that the theft was actually carried out by highly-skilled professional art thieves working independently of the local Mafia and that the multiple claims of Cosa Nostra responsibility were false, issued somewhat in panic by local gang bosses embarrassed that a crime of such magnitude had taken place under their noses without their knowledge. 

Detail from Giacomo Serpotta's
stucco work in the Oratory

Travel tip:

The Oratory of Saint Lawrence was founded in around 1570 by the Company of Saint Francis of Assisi, a baroque church built over the remnants of an ancient church dedicated to Saint Lawrence (San Lorenzo). It is located in the La Kalsa or Tribunali district of Palermo near Corso Vittorio Emanuele, next door to the basilica of Saint Francis (San Francesco d'Assisi).  In addition to Caravaggio’s masterpiece, the setting of which, above the altar, is now occupied by a reproduction of the original, the Oratory is also notable for the brilliant stucco decorations by Giacomo Serpotta, born in the neighbourhood but considered by many to be one of Sicily’s greatest artists.

Palermo's beautiful cathedral, viewed across the
its square in the Monte di Pietà district of the city

Travel tip:

Although the Mafia have long cast an unwanted shadow over Palermo, thankfully most visitors know it as an attractive tourist destination, a vibrant city with a wealth of history, culture, art, music and food. It has many outstanding restaurants as well as fine examples of Romanesque, Gothic and Baroque churches, palaces and buildings.  Attractions include the extraordinary Cappella Palatina, featuring Byzantine mosaics decorated with gold leaf and precious stones, the Teatro Massimo, the largest opera house in Italy and the third biggest in Europe, and a beautiful cathedral that blends Norman, Moorish, Gothic, Baroque and Neoclassical styles.  Although the Sicilian Baroque style is strongly represented in the city’s architecture, the streets around Via Libertà and the seaside resort of Mondello, just outside the city, feature many examples of Stile Liberty, the Italian variant on Art Nouveau, in villas built for the well-to-do of Palermo in the late 19th and early 20th centuries.

Also on this day: 

1634: The birth of painter Luca Giordano

1833: The birth of entrepreneur Cristoforo Benigno Crespi

1933: The birth of racing driver Ludovico Scarfiotti

The Feast Day of St Luke the Evangelist

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17 October

The end of the Venetian Republic

Peace treaty saw Venice given away to Austria

A peace settlement signed in a small town in north-east Italy on this day in 1797 heralded a dark day for Venice as the Most Serene Republic officially lost its independence after 1,100 years.  The Treaty of Campo Formio, drawn up after the Austrians had sought an armistice when faced with Napoleon Bonaparte's advance on Vienna, included an exchange of territory that saw Napoleon hand Venice to Austria.  It marked the end of the First Coalition of countries allied against the French, although it was a short-lived peace.  A Second Coalition was formed the following year.  The Venetian Republic, still a playground for the rich but in decline for several centuries in terms of real power, had proclaimed itself neutral during the Napoleonic Wars, wary that it could not afford to sustain any kind of conflict.  But Napoleon wanted to acquire the city nonetheless, seeing it as a potential bargaining chip in his empire-building plans and had his eye on its vast art treasures.  In May 1797 he provoked the Venetians into attacking a French ship and used this as an excuse to declare war.  The reaction of the Venetian Grand Council and the last of its Doges, Ludovico Manin, was to vote the Republic out of existence.  Read more…

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Bartolommeo Bandinelli - Renaissance sculptor

Career scarred by petty jealousies

The sculptor Bartolommeo Bandinelli, a contemporary and rival of Michelangelo and Benvenuto Cellini in Renaissance Italy, was born on this day in 1473 in Florence.  He left his mark on Florence in the shape of the monumental statue of Hercules and Cacus in the Piazza della Signoria and his statues of Adam and Eve, originally created for the Duomo but today housed in the Museo Nazionale del Bargello.  Also known as Baccio Bandinelli and Bartolommeo Brandini, he was skilled in small sculptures but became known and disliked for his antagonistic manner with other artists and his particular hatred of Michelangelo, of whom he was bitterly jealous.  Giorgio Vasari, the artist and sculptor who was the first to compile a written history of art and artists, and who was a student in Bandinelli’s workshop, recalled an occasion when Bandinelli was so enraged by the excitement that ensued when a Michelangelo drawing was uncovered in the Palazzo Vecchio that, as soon as an opportunity arose, he tore it up.  Where Michelangelo was revered for everything he did, Bandinelli’s critics said he lacked the skills required to tackle large sculptures.  Read more…

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Giovanni Matteo Mario - operatic tenor

Disgraced nobleman became the toast of London and Paris

The operatic tenor Giovanni Matteo Mario, a Sardinian nobleman who deserted from the army and began singing only to earn a living after fleeing to Paris, was born on this day in 1810 in Cagliari.  He was baptised Giovanni Matteo de Candia, born into an aristocratic family belonging to Savoyard-Sardinian nobility. Some of his relatives were members of the Royal Court of Turin. His father, Don Stefano de Candia of Alghero, held the rank of general in the Royal Sardinian Army and was aide-de-camp to the Savoy king Charles Felix of Sardinia.  He became Giovanni Mario or Mario de Candia only after he had begun his stage career at the age of 28. He was entitled to call himself Cavaliere (Knight), Nobile (Nobleman) and Don (Sir) in accordance with his inherited titles, yet on his first professional contract, he signed himself simply ‘Mario’ out of respect for his father, who considered singing a lowly career.  Although he was one of the most celebrated tenors of the 18th century, Italy never heard Mario sing. Instead, the Royal Opera House, Covent Garden in London and the Théâtre Italien in Paris witnessed most of his triumphs.  Read more…

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16 October

Dorando Pietri - marathon runner

Athlete who made his fortune from famous disqualification

The athlete Dorando Pietri, who found fame and fortune after being disqualified in the 1908 Olympic marathon, was born on this day in 1885 in Mandrio, a hamlet near Carpi, in Emilia-Romagna.  In an extraordinary finish to the 1908 race in London, staged on an exceptionally warm July day, Pietri entered the White City Stadium in first place, urged on by a crowd of more than 75,000 who were there to witness the finish, only for his legs to buckle beneath him.  He was helped to his feet by two officials only to fall down four more times before he crossed the finish line.  Each time, officials hauled him to his feet and walked alongside him, urging him on and ready to catch him if he fell.  The final 350 yards (320m) of the event accounted for 10 minutes of the two hours, 54 minutes and 46 seconds recorded as his official time.  Eventually, a second athlete entered the stadium, the American Johnny Hayes, but Pietri had staggered over the line before he could complete the final lap.  The American team was already unpopular with the British crowd, partly because of a row about a flag at the opening ceremony. They lost even more support after they lodged an objection to the result.   Read more…

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Dino Buzzati - author

Novelist likened to Camus whose short stories remain popular

The multi-talented author Dino Buzzati, whose output included five novels, several theatre and radio plays, a children’s novel, five opera libretti, some poetry, a comic book in which he also drew the illustrations, and several books of short stories, was born on this day in 1906 in Belluno.  Buzzati’s most famous novel, Il deserto dei Tartari (1940), titled The Tartar Steppe in the English translation, saw Buzzati compared to Albert Camus and Franz Kafka as a work of existentialist style, but it is for his short stories that he still wins acclaim.  A new collection entitled Catastrophe and Other Stories, which showcases Buzzati’s talent for weaving nightmarish fantasy into ordinary situations, was published earlier this year.  Buzzati, who worked as a journalist for the whole of his adult life and also painted prolifically, was the second of four children born to Giulio Cesare Buzzati, a distinguished professor of international law, and Alba Mantovani, a veterinarian born in Venice.  The family’s main home was in Milan but they had a summer villa in San Pellegrino, a village just outside Belluno in the foothills of the Dolomites, which was where Dino was born.  Read more…

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Election of Pope John Paul II

How Karol Wojtyla became first non-Italian pope for 455 years

Pope John Paul II, who was to have a political and social influence unmatched by any pontiff since the Middle Ages, was elected to be the new leader of the Catholic Church on this day in 1978.  The result of the second Papal conclave in what became known as the Year of the Three Popes was announced after eight ballots. The new pontiff succeeded Pope John Paul I, who had died on September 28 after only 33 days in office, who had himself followed Pope Paul VI, who had passed away in August after reigning for 15 years.  The new man chosen was 58-year-old Cardinal Karol Wojtyla, then Archbishop of Kraków, the first non-Italian to hold office for 455 years since the Dutch Pope Adam VI, who served from 1522-23.  Wojtyla's stand against Poland's Communist regime had brought him respect but he was not seen as a Vatican favourite and his elevation to the highest office stunned the Catholic world.  Yet he would go on to become one of the most familiar faces in the world, remaining in post for almost 27 years, which made him the second longest-serving pope in modern history after Pope Pius IX. Read more…

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15 October

Gibbon's moment of inspiration

Walk around the Forum sparked idea for epic work 

The English writer and historian Edward Gibbon claimed that the inspiration to write the book that - unbeknown to him - would grant him literary immortality came to him while exploring the ruins of the Forum in Rome on this day in 1764.  Gibbon, who had enjoyed modest success with his first book, entitled Essay on the Study of Literature, was in Rome after deciding to embark on the Grand Tour, taking in the Italian cities of Florence, Naples and Venice as well as the capital.  Later, in his memoirs, Gibbon wrote that:  "It was at Rome, on the fifteenth of October 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted friars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind."  In the event, the book expanded to cover rather more than the city of Rome.  The History of the Decline and Fall of the Roman Empire ran to six volumes and as many as 5,000 pages in the original version and saw Gibbon, whose second work - Mémoires Littéraires de la Grande Bretagne - had been dismissed as having little merit by fellow writers and historians, eventually recognised as in the forefront of historians in Europe.  Read more…

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Angelo Schiavio - footballer

Scored goal that won Italy's first World Cup

Angelo Schiavio, the hero of the Italian football team’s first World Cup victory in 1934, was born on this day in 1905 in Bologna.  The centre forward, a prolific goalscorer for his home-town club in Serie A, scored the winning goal in the final against Czechoslovakia to hand victory to the Azzurri in the 16-team tournament, of which the Italians were hosts.  In the final at the Stadio Flaminio in Rome, the Azzurri had gone behind to a goal by the Czech winger Antonin Puc with 19 minutes remaining, but equalised 10 minutes later through Raimundo Orsi, the Argentina-born forward from Juventus, taking the match into extra time.  Schiavio struck the decisive goal, driven home with his right foot from a pass by Enrique Guaita, another Argentine – one of 12 to represent Italy and Argentina in the days before playing for more than one nation was outlawed.  It was his fourth goal of the tournament, sparking massive celebrations in Rome and across Italy, albeit in a mood of triumph hijacked by Benito Mussolini and his Fascist regime.  Rumours circulated, almost inevitably, that match officials had been bribed to make decisions favouring the Italians.  Read more…

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Virgil – Roman poet

Writer’s epic poem commemorates achievements and ideals of Rome

Regarded as the greatest of the Roman poets, Virgil, or Publius Vergilius Maro as he was originally named, was born on this day in 70 BC in the village of Andes near Mantua, in what is now Lombardy.  Virgil is famous for his work, the Aeneid, which told the story of Rome’s founder and the Roman mission to civilise the world under divine guidance. It is widely considered one of the most important poems in the history of Western literature.  Experts have high regard for Virgil’s poetry, not only for the music and diction of his verse and for his skill in constructing an intricate work on a grand scale, but also because of what it reveals about Roman life and behaviour.  Virgil was born of peasant stock and his love of the Italian countryside and the people who worked in it is well reflected in his poetry.  He was educated in Cremona, Milan and Rome and acquired a thorough knowledge of Greek and Roman authors and was trained in rhetoric and philosophy.  When Virgil was 20, Julius Caesar crossed the Rubicon and began the series of civil wars that did not end until Augustus’s victory at Actium in 31 BC.  Hatred and fear of civil war is powerfully expressed by Virgil in his poetry.  Read more…

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Roberto Vittori – astronaut

High-flying Colonel contributed to space research

Roberto Vittori, the last non-American to fly on board the US Space Shuttle, was born on this day in 1964 in Viterbo.  An Italian air force officer, Vittori was selected by the European Space Agency to be part of their Astronaut Corps and has participated in three space flights.  In 2011 Vittori was on board the Space Shuttle that travelled to the International Space Station to install the AMS-02 cosmic ray detector to examine dark matter and the origin of the Universe.  Vittori had to grapple the six-tonne AMS-02 with the Space Shuttle’s robotic arm and move it to the station for installation. This was to be the final flight of Space Shuttle Endeavour.  He is one of five Italians to have visited the International Space Station. The others are Umberto Guidoni, who was the first European to set foot on board when he flew on Space Shuttle Endeavour in 2001, Paolo Nespoli, who visited as recently as 2017 and at 61 is the European Space Agency’s oldest active astronaut, Luca Parmitano and Samantha Cristoforetti, the first Italian woman in space.  Nespoli, who has participated in three International Space Station missions, was coming to the end of a 159-day stay when Vittori visited.  Read more…

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Giovanni Migliara – painter

19th century artist captured many beautiful views for posterity

Giovanni Migliara, who rose from working as a theatre set designer to becoming court painter to King Charles Albert of Sardinia, was born on this day in 1785 in Alessandria in Piedmont.  He was first apprenticed to the sculptor Giuseppe Maria Bonzanigo, but then went on to study at the Brera Academy.in Milan with Giocondo Albertolli.  He began working as a set designer with Teatro Carcano in Milan in 1804 and then moved to La Scala in 1805, where he served under the direction of Alessandro Sanquirico until 1809. His theatre work enabled him to acquire skills as a landscape artist and a creator of perspective.  Migliara had to stop working while he was suffering from a serious lung problem but from about 1810 he started painting miniatures and then moved on to watercolours and then oils on canvas, silk and ivory, drawing inspiration from Venetian painters.  In 1812 he exhibited four views of Milan at the Brera Academy, officially signalling his return to the world of art.  Migliara specialised in painting views and romantic, historical subjects. Because of the high quality of his work he became a favourite of the aristocracy living in Milan at the time.  Read more…

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14 October

Alesso Baldovinetti - painter

One of first to paint realistic landscapes

The early Renaissance painter Alesso Baldovinetti, whose great fresco of the Annunciation in the cloister of the Basilica of the Santissima Annunziata in Florence is still intact, was born on this day in 1425 in Florence.  Baldovinetti was among a group described as scientific realists and naturalists in art which included Andrea del Castagno, Paolo Uccello and Domenico Veneziano. Influenced by Uccello’s use of visual perspective, he had a particular eye for detail and his views of the Arno river in his Nativity and Madonna are regarded as among Europe’s earliest paintings of accurately reproduced landscapes.  Veneziano’s influence is reflected in the pervasive light of his earliest surviving works, and he was also greatly influenced by Fra' Angelico. Historians believe that in the 1460s Baldovinetti was the finest painter in Florence, although some argue that he did not fulfil all his initial promise.  Born into the family of a wealthy Florentine merchant, Baldovinetti rejected the chance to follow his father’s trade in favour of art.  In 1448, he became a member of the Accademia di San Luca in Rome. It is thought that he assisted with decorations in the church of Sant’ Egidio in Trastevere.  Read more…

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Alessandro Safina – singer

Tenor who has blended opera and rock

Alessandro Safina, a singer trained in opera who has expanded the so-called ‘crossover’ pop-opera genre to include rock influences, was born on this day in 1963 in Siena.  A household name in Italy, the tenor is less well known outside his own country but has recorded duets with international stars such as Sarah Brightman, South Korean soprano Sumi Jo, Rod Stewart, former Pretenders singer Chrissie Hynde, Scottish actor and singer Ewan McGregor and the superstar Italian tenor Andrea Bocelli.  Safina’s biggest album to date is Insieme a Te, which has sold more than 700,000 copies.  It was written in collaboration with the Italian pianist and composer Romano Musumarra, who helped realise Safina’s ambition of creating soulful rock-inspired music for the tenor voice.  He first performed songs from the album at the Olympia theatre in Paris in 1999.  Safina was born into an opera-loving family and earned money to pay for singing lessons by working in his father’s stationery business.  Set on becoming a professional singer from the age of nine, he began attending a music academy at 12 and was accepted for a place at the Luigi Cherubini Conservatory in Florence at 17.  Read more…

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Palma Giovane - painter

Mannerist took the mantle of Tintoretto 

The Venetian artist Jacopo Negretti, best known as Jacopo Palma il Giovane - Palma the Younger - or simply Palma Giovane, died in Venice on this day in 1628.  Essentially a painter of the Italian Mannerist school, Palma Giovane's style evolved over time and after the death of Tintoretto in 1594 he became the most revered artist in Venice.  He became in demand beyond Venice, too, particularly in Bergamo, the city in Lombardy that was a dominion of Venice, and in central Europe.  He received many commissions in Bergamo and was often employed in Prague by the Habsburg Emperor, Rudolph II, who was a noted art connoisseur.  Palma had been born into a family of painters. His great uncle, also called Jacopo, was the painter Palma Vecchio - Palma the Elder - while his father, Antonio Negretti, was a pupil of the elder Palma’s workshop manager, Bonifacio Veronese, whose shop and clientele he inherited after the latter’s death.  The younger Palma is said to have developed his skills making copies in the style of Titian, although the claim in some biographies that he worked in Titian's workshop in Venice is now thought to be incorrect.  Read more…

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13 October

NEW - Francesca Bertini - silent movie actress

Diva described as Italy’s first film star

The actress Francesca Bertini, one of the three so-called divas of Italy’s silent movie era, died on this day in 1985 in Rome at the age of 93. Between her screen debut in 1907 and her effective retirement in 1935, Bertini appeared in 139 titles. Her last appearance came in 1976, at the age of 84, when the director Bernardo Bertolucci persuaded her to accept a cameo in his epic historical drama, Novecento (1900).  Bertini, Lyda Borelli and Pina Menichelli were regarded as Italy’s three biggest female stars of the silent movie years and though Borelli came to be seen as the most talented of the three, there is no doubt that Bertini was a woman of outstanding ability. She has been described as Italy's first film star.  Her most famous film, Assunta Spina, a 1915 production, not only saw her take the title role but write scripts and direct many of the scenes, introducing a level of realism into the performances that was ahead of its time.  Bertini’s birth was registered in 1892 at an orphanage in Florence as Elena Taddei, although it is unclear whether Taddei was the name of her father. Her mother was said to be Adelina di Venanzio Fratiglioni, an unmarried woman who was thought to have been an actress herself.  Read more…

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Piero Dusio - sportsman and entrepreneur

His Cisitalia company revolutionised automobile design

The footballer, racing driver and businessman Piero Dusio was born on this day in 1899 in Scurzolengo, a village in the hills above Asti, in Piedmont.  Dusio made his fortune in textiles but it is for his postwar venture into car production that he is most remembered. Dusio’s Cisitalia firm survived for less than 20 years before going bankrupt in the mid-1960s but in its short life produced a revolutionary car - the Cisitalia 202 - that was a gamechanger for the whole automobile industry.  Dusio played football for the Turin club Juventus, joining the club at 17 years old, and was there for seven years before a knee injury forced him to retire at the age of only 24, having made 15 appearances for the senior team, four of them in Serie A matches.  He kept his connection with the club and from 1942 to 1948 was Juventus president. In the short term, though, he was forced to find a new career. He took a job with a Swiss-backed textile firm in Turin as a salesman. He took to the job immediately and made an instant impression on his new employers, selling more fabric in his first week than his predecessor had in a year.  Within a short time he had been placed in charge of sales for the whole of Italy.  Read more…

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Execution of former King of Naples

Joachim Murat, key aide of Napoleon, shot by firing squad

Joachim Murat, the French cavalry leader who was a key military strategist in Napoleon's rise to power in France and his subsequent creation of an empire in continental Europe, was executed on this day in 1815 in Pizzo in Calabria.  The charismatic Marshal was captured by Bourbon forces in the coastal town in Italy's deep south as he tried to gather support for an attempt to regain control of Naples, where he had been King until the fall of Napoleon saw the throne returned to the Bourbon king Ferdinand IV in May 1815.  Murat was held prisoner in the Castello di Pizzo before a tribunal found him guilty of insurrection and sentenced him to death by firing squad. The 48-year-old soldier from Lot in south-west France had been an important figure in the French Revolutionary Wars and gained recognition from Napoleon as one of his best generals, his influence vital in the success of Napoleon's campaigns in Egypt and Italy and in victories against the numerically superior Prussians and Russians.  He was a flamboyant dresser, going into battle with his uniform bedecked in medals, gold tassels, feathers and shiny buttons.  Yet for all his peacock tendencies, he was renowned as a bold, brave and decisive leader. Read more…

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Mario Buda - anarchist

Prime suspect in Wall Street Bombing 

Mario Buda, the anarchist suspected but never convicted of the 1920 Wall Street bombing, was born on this day in 1884 in Savignano sul Rubicone, a town in the Emilia-Romagna region, about 90km (56 miles) southeast of Bologna.  Some 38 people were killed, with hundreds more injured, when a horse-drawn cart packed with explosives exploded close to the New York Stock Exchange building on the famous thoroughfare. Buda was identified by a blacksmith who had rented him the horse and Federal agents began an investigation.  The Italian, who had emigrated to the United States in 1907, was known to the police after being arrested previously in connection with a double-murder in the town of Braintree, Massachusetts. He had escaped from custody on that occasion and evaded detection again, boarding a ship to return to Italy before he could be questioned over the bombing. Born into a family of modest means, Buda led an unsettled youth. He was arrested for robbery at the age of 15 and later served a jail term after being indicted on a charge of noise pollution at night. On his release, he was apprenticed to a shoemaker but remained restless.  Read more... 

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Claudius - Roman emperor

Suspicious death of leader who conquered Britain

The Roman emperor Claudius, whose reign was notable among other things for turning Britain into a province of the Empire, died on this day in 54 AD.  It is a widely held view that he was murdered, by poisoning, on the orders of his scheming fourth wife, Julia Agrippina, the mother of his successor, Nero, in one of the power struggles that at the time were ever present.  It is thought he ingested some poisonous mushrooms that his taster, the eunuch Halotus, had assured him were safe to eat, either at an official banquet on the evening of October 12 or at his first meal of the following day.  When Claudius began to show signs of distress, one version of the story is that his physician, Xenophon, pushed a feather into his throat, ostensibly to make him vomit, but actually to ensure that he did not recover by administering more poison, with which he had coated the feather.  There have been arguments that the poisoning story was nonsense and that, at 63, Claudius died from natural causes related to ageing. Yet Agrippina - sometimes referred to as Agrippina the Younger - seemed to have had a clear motive.  Read more…

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Francesca Bertini - silent movie actress

Diva described as Italy’s first film star

Francesca Bertini appeared in 
almost 150 movies in her career

The actress Francesca Bertini, one of the three so-called divas of Italy’s silent movie era, died on this day in 1985 in Rome at the age of 93.

Between her screen debut in 1907 and her effective retirement in 1935, Bertini appeared in 139 titles. Her last appearance came in 1976, at the age of 84, when the director Bernardo Bertolucci persuaded her to accept a cameo in his epic historical drama, Novecento (1900).

Bertini, Lyda Borelli and Pina Menichelli were regarded as Italy’s three biggest female stars of the silent movie years and though Borelli came to be seen as the most talented of the three, there is no doubt that Bertini was a woman of outstanding ability. She has been described as Italy's first film star.

Her most famous film, Assunta Spina, a 1915 production, not only saw her take the title role but write scripts and direct many of the scenes, introducing a level of realism into the performances that was ahead of its time.

Bertini’s birth was registered in 1892 at an orphanage in Florence as Elena Taddei, although it is unclear whether Taddei was the name of her father. Her mother was said to be Adelina di Venanzio Fratiglioni, an unmarried woman who was thought to have been an actress herself. After 1910, when her mother married Arturo Vitiello, she was known as Elena Seracini Vitiello.

Vitiello was thought to be a furniture dealer who had connections with the theatre in Naples as a propman and Bertini’s first experiences of acting came in the southern city. In fact, her debut came in a stage production of Assunta Spina, a short story that its Neapolitan author, Salvatore Di Giacomo, had turned into a play.

Francesca Bertini in a scene from her
most successful movie, Assunta Spina 

Her early film roles included Lucrezia Borgia, Cordelia in King Lear, Manon Lescaut in a screen adaptation of Puccini’s opera and by 1915 she had already clocked up 50 credits and was becoming known everywhere that silent films were taking off.

The success of such films as Histoire d’un Pierrot (1914), Sangue bleu (1914), Nelly la gigolette (1915) and La signora delle camelie (1915) saw Bertini able to negotiate substantial pay deals and significant artistic input.

In interviews later in life, Bertini declared her pride in Assunta Spina, claiming she was the first to suggest shooting scenes in the street rather than on stage sets and using members of the public as extras, to a degree that it should be seen as a forerunner of the Neorealism that put Italian cinema on the map in the postwar years.

Bertini had the opportunity to take her career to Hollywood in 1920 as the Fox Film Corporation offered her a contract. However, she turned it down. Recently married to Paul Cartier, a wealthy Swiss banker, she wanted to move with him to Switzerland. 

After 10 films in 1920 alone, Bertini significantly reduced her output once married, winding down her career further once Mussolini’s Fascists began to introduce censorship.  After the third of three adaptations of Odette, based upon the play by Victorien Sardou, in 1935, she went 15 years without making another screen appearance.

When Bertolucci invited Bertini to appear in Novecento, part of a cast that included Robert De Niro, Gerard Depardieu, Donald Sutherland, Laura Betti, Stefania Sandrelli, Alida Valli and Burt Lancaster, it was taken as a tribute to her own talent and to the stars of the silent movie era.

Bertini returned to Rome after the death of her husband and spent her final years in the Italian capital.

The Florence duomo dominates the skyline of
Italy's beautiful Renaissance city

Travel tip:

Florence, Bertini’s birthplace, remains one of the most beautiful cities in Europe, largely on account of its wealth of art and architecture, the visible legacy of its history as the cradle of the Renaissance. Its duomo - the Cattedrale di Santa Maria del Fiore - with its enormous dome by Filippo Brunelleschi and campanile by Giotto, towers above the city and is the dominant feature of almost every cityscape. The focal point of the city is the Piazza della Signoria, which contains several important sculptures and statues, including a copy of Michelangelo's David - the original is in the Galleria dell'Accademia - outside the Palazzo Vecchio, Bandinelli's Hercules and Cacus, just to the right of the David, and the Nettuno by Ammannati.   Under the Loggia dei Lanzi, to the right of Palazzo Vecchio, the statue of Perseus holding Medusa's head, by Benvenuto Cellini, alongside Giambologna's Rape of the Sabines.

A reconstruction of ancient Rome is part of
the Cinecittà complex in the south of the city

Travel tip:

The centre of the movie industry in Rome is Cinecittà, the largest film studio in Europe, spreading over an area of 100 acres with  22 stages and 300 dressing rooms. Situated six miles south of the city centre, it is the hub of the Italian film industry. Built during the Fascist era under the personal direction of Benito Mussolini and his son, Vittorio, the studios were bombed by the Allies in the Second World War but were rebuilt and used again in the 1950s for large productions, such as Ben Hur. These days a range of productions, from television drama to music videos, are filmed there.

Also on this day:

54: The death of Claudius, Roman emperor

1815: The execution of Napoleon’s chief aide in Italy, Joachim Murat

1884: The birth of anarchist Mario Buda

1899: The birth of sportsman and entrepreneur Piero Dusio

(Florence picture by Andrea Spallanzani from Pixabay)

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