3 August

Antonio da Sangallo the Younger - architect

Talented Florentine was commissioned by the Popes

Antonio da Sangallo the Younger, who left his mark on Rome during the Renaissance, died on this day in 1546 in Terni in Umbria.  Sangallo was the chief architect on St Peter’s Basilica from 1520 onwards and built many other beautiful churches and palaces in the city and throughout the Papal States.  He was born Antonio Cordiani in Florence in 1484. His grandfather had been a woodworker and his uncles, Giuliano and Antonio da Sangallo, were architects.  The young man followed his uncles to Rome to pursue a career in architecture and ended up taking the name Sangallo himself.  He became an assistant to Donato Bramante and started by preparing sketches for his master.  Recognising his talent, Bramante gave Sangallo projects to complete with no more than an outline of the design and motifs.  Sangallo’s first major commission was for the Church of Santa Maria di Loreto in 1507.  He came to the attention of Cardinal Alessandro Farnese, who later became Pope Paul III, and was commissioned to design the Farnese Palace in Piazza Farnese and a palace and church in the Cardinal’s home town of Gradoli.  Read more…

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Imperia Cognati - courtesan

Prostitute who became a celebrity

Imperia Cognati, who acquired celebrity status in Rome in the early 16th century as a courtesan to a number of rich and powerful figures, was born on this day in 1486.  Courtesans were originally the female companions of courtiers of the papal court, whose duties required them to be educated and familiar with etiquette, so that they could participate in the formalities of court life and take part in polite conversation.  In time, however, in some cases their companionship became of a more intimate nature and they became the mistresses of their courtiers, who in the papal court were clerics not permitted to marry.  It was common, too, for courtesans to be the companions of several clients simultaneously.  They were in effect a new class of prostitute, refined and educated enough to hold their own in polite society.  Imperia Cognati acquired her elevated status mainly through being the chosen companion of Agostino Chigi, a Sienese banker closely associated with Pope Alexander VI and others and a patron of the Renaissance.  At one time he was thought to be the richest banker in the world.  He lavished Imperia – as she was usually known – to the extent that she could afford to keep both a palace in Rome and a country villa.  Read more…

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Francesco Ferruccio - military leader

Florentine soldier celebrated in Italy’s national anthem 

Francesco Ferruccio, the military leader whose heroic attempt to defend Florence against the powerful army of the Holy Roman Empire is recalled in Italy’s national anthem, died on the battlefield on this day in 1530.  A Florentine by birth, Ferruccio had been charged with leading the army of the Republic of Florence as the city came under attack during the War of the League of Cognac, when the Pope Clement VII connived with the emperor Charles V to overthrow the republic and restore power in Florence to his own family, the Medici.  Despite being outnumbered, Ferruccio’s soldiers engaged the Imperial forces at Gavinana, just outside Florence, killed their leader and drove them back, only for the enemy to be reinforced by the arrival of 2,000 German mercenaries under the leadership of the condottiero, Fabrizio Maramaldo.  His army almost annihilated, Ferruccio was taken prisoner and, despite being wounded, was stabbed in the throat by Maramaldo and bled to death, an act considered against the code of chivalrous conduct that honourable soldiers were expected to observe.  More than 300 years later, Goffredo Mameli, the poet and patriot, recalled Ferruccio in the lyrics of a song, Il Canto degli Italiani, that would later be adopted as the national anthem of the united Italy.  Read more...

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La Scala - opera and ballet theatre

First night at the world’s most famous opera house

Milan’s Teatro alla Scala was officially inaugurated on this day in 1778.  Known to Italians simply as La Scala, the theatre has become the leading opera house in the world and many famous artists have appeared there. A fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A group of 90 wealthy patrons, the owners of private boxes in the theatre, wrote to Archduke Ferdinand of Austria-Este asking that a new theatre be built.  The new theatre was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. The church was deconsecrated and demolished to make way for the theatre.  With the cost of the project met by the 90 patrons, who paid in advance for boxes, the new theatre was designed by neoclassical architect Giuseppe Piermarini and at the official opening on 3 August 1778, Antonio Salieri’s opera L’Europa riconosciuta was premiered.  As with most theatres at the time, the main floor had no seats, with audience members standing to watch the performances. This had the effect of making the theatre a meeting place, but also a venue for business dealings. Read more…

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2 August

NEW - Carlo Savina - film composer and musical director

Worked on major scores including The Godfather and Fellini’s Amarcord

Musical director Carlo Savina, who arranged soundtracks written by such luminaries of the film music industry as Ennio Morricone and Nino Rota, was born on this day in 1919 in Turin.  Savina was also a prolific film composer in his own right and is credited with writing or arranging the scores of at least 200 movies in a career spanning more than 35 years. He won a David di Donatello award for Best Music for the 1985 crime drama The Pizza Connection, directed by Damiano Damiani and starring Michele Placido, a version of which was released in the United States as The Sicilian Connection.  Yet Savina is more frequently remembered for his work with Rota on the multi-award winning soundtrack of the first film in Francis Ford Coppola’s The Godfather trilogy in 1972 and with Federico Fellini the following year on Amarcord, the maestro’s semi-autobiographical film about growing up in a village in the Fascist Italy of the 1930s.  He worked with Fellini and Rota on many projects, including La Dolce Vita (1960), which remains their most famous collaboration.  Read more…

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Pietro Mascagni – composer

One opera was enough to build reputation of musician

Pietro Mascagni, the creator of the opera Cavalleria rusticana, died on this day in 1945 in Rome, at the age of 81.  Cavalleria rusticana was an outstanding success when it was first performed in Rome in 1890 and was said to have single-handedly brought the Verismo movement, in which the characters were ordinary people rather than gods, mythological figures or kings and queens, into Italian opera.  The beautiful intermezzo from the opera was used in the soundtrack of the 1980 film Raging Bull and a production of the opera was used as the setting for the climax of the 1990 film The Godfather Part III, with Michael Corleone’s son Anthony playing Turridu, the opera’s male protagonist. The film ends with the intermezzo playing.  In 2001 Andrea Bocelli recorded a song entitled Mascagni on his Cieli di Toscana album and had an excerpt from Cavalleria rusticana incorporated into the music.  The opera has been so successful that it has led to Mascagni sometimes being dismissed as a one-opera composer, but, in fact, the composer wrote 15 operas, as well as orchestral and piano music and songs.  Read more…

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Bologna railway station bombed

Biggest terrorist atrocity in Italy's history killed 85

Italy suffered the most devastating terrorist outrage in its history on this day in 1980 with the bombing of Bologna's main railway station.   A massive 23kg (51lbs) of explosive packed into a suitcase left in a crowded waiting room was detonated at 10.25am, creating a blast that destroyed much of the main building of the station and badly damaged a train on one of the platforms.  Many people, locals and tourists, Italians and foreign nationals, were caught up in the explosion. Some were killed instantly, others died as a result of the roof of the waiting room collapsing on to the victims. There were 85 deaths and more than 200 other people were wounded.  The bomb was clearly placed to cause mass casualties. It was the first Saturday in the traditional August holiday period, one of the busiest days of the year for rail travel, and the explosive-laden suitcase was left in a room with air conditioning, then still relatively rare in Italy. On a hot day, the room was naturally full of people.  The attack was the deadliest of several during a bleak period of 10-12 years in Italian history that became known as the Years of Lead, when the ideological struggle between the left and right in Italian politics was at its height.  Read more…

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Francis Marion Crawford – author

Novelist found inspiration while living in Sorrento

The American writer Francis Marion Crawford was born on this day in 1854 in Bagni di Lucca in Tuscany.  A prolific novelist, Crawford became known for the vividness of his characterisations and the realism of his settings, many of which were places he had visited in Italy.  He chose to settle in later life in the coastal resort of Sorrento in Campania where he even had a street named after him, Corso Marion Crawford.  Crawford was the only son of the American sculptor, Thomas Crawford. He spent his childhood going backwards and forwards between Italy and America and studied at various American and European Universities.  He spent some time in India where he found the inspiration for his first successful novel, Mr Isaacs, which was published in 1882.  In 1883 he returned to Italy to settle there permanently. He lived at the Hotel Cocumella in the village of Sant’Agnello just outside Sorrento to begin with. He then bought a nearby farmhouse, from which he developed the Villa Crawford, an impressive clifftop residence easily identifiable from the sea by the tall buttresses Crawford added as a safeguard against erosion.  Read more…

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Carlo Savina - film composer and musical director

Worked on major scores including The Godfather and Fellini’s Amarcord

Carlo Savina conducting in during his 
time working in TV and radio in the 1950s

Musical director Carlo Savina, who arranged soundtracks written by such luminaries of the film music industry as Ennio Morricone and Nino Rota, was born on this day in 1919 in Turin.

Savina was also a prolific film composer in his own right and is credited with writing or arranging the scores of at least 200 movies in a career spanning more than 35 years.

He won a David di Donatello award for Best Music for the 1985 crime drama The Pizza Connection, directed by Damiano Damiani and starring Michele Placido, a version of which was released in the United States as The Sicilian Connection.

Yet Savina is more frequently remembered for his work with Rota on the multi-award winning soundtrack of the first film in Francis Ford Coppola’s The Godfather trilogy in 1972 and with Federico Fellini the following year on Amarcord, the maestro’s semi-autobiographical film about growing up in a village in the Fascist Italy of the 1930s.  He worked with Fellini and Rota on many projects, including La Dolce Vita (1960), which remains their most famous collaboration.

Although the music in a film would always be attributed to the headline composer in the credits, the work done by the likes of Savina in matching their music to the scenes and in producing an edited version of the soundtrack for commercial release was invaluable.

Savina came from a musical family. His father was the first clarinet for the orchestra of the public radio broadcaster EIAR, based in their home city.

Savina, who played a wide range of instruments,
is shown accompanying a vocal group on guitar

As a child, Savina learned to play the violin and as a student attended the Giuseppe Verdi Conservatory in Turin, where he studied piano, violin, composition, and conducting. He obtained further qualifications from the National Education Ministry in the 1940s.

Savina explored many avenues in music, for a while conducting small orchestras or playing soloists at dance halls in Turin. 

His early classical compositions included sonatas for clarinet and violin and a quartet for wind instruments. Savina also wrote a small number of operas, one of which was performed at the Teatro dei Rozzi in Siena.

Immediately after the Second World War, he wrote music and songs for the popular market.  In the 1950s, he began to acquire national fame through his work with the national broadcaster Rai, who entrusted him with the direction of a large string orchestra. He had a prominent role in the musical direction on the experimental programmes made for Rai’s early television output in 1953.

Savina was in his 30s before the film industry began to be his focus.  His relationship with some of the world’s most famous film music composers  began at the outset, when he composed the music to Carlo Borghesio’s 1950 comedy Il monello della strada (The Street Brat) in partnership with Rota.

Savina worked with Nino Rota
on The Godfather and other titles

He worked with the great commedia all’italiana director Mario Monicelli on Totò cerca pace (Totò seeks peace) in 1954 and thereafter until the late 1960s was writing as many as a dozen soundtracks per year. His individual output, from spaghetti westerns, of which he scored more than 30, to horror films, began to lessen in the 1970s, but by then he was in demand to work with other composers.

As well as Morricone and Rota, he collaborated with Armando Trovajoli, Mario Nascimbene, Stanley Myers, Stephen Sondheim, Philippe Sarde, and Miklós Rózsa among the great big-screen music composers of his time.  

It was his relationship with Rota and Fellini that would prove the most enduring and successful, spanning almost 30 years until Rota’s death in 1979. Their last collaboration was on Fellini’s Orchestra Rehearsal, a 1978 film in which members of an orchestra go on strike against their conductor.

Savina, who wrote under various pseudonyms in his career, including Herbert Buckman, Charles Hanger and James Munshin, died in Rome in 2002 at the age of 82.

After his death, the Centro Sperimentale di Cinematografia, Rome’s historic film school, established the Premio Carlo Savina as an annual prize for composers of film music. Winners include Morricone, Davide Cavuti and Franco Piersanti, who among other things wrote the music for the TV series based on Andrea Camilleri’s Inspector Montalbano novels.

Elegant streets and a vibrant café
culture are a feature of Turin

Travel tip:

Turin, the capital city of the region of Piedmont, where Carlo Savina was born and grew up, has some fine architecture that illustrates its rich history as the home of the Savoy Kings of Italy. Piazza Castello, with the royal palace, royal library and Palazzo Madama, which used to house the Italian senate, is at the heart of ‘royal’ Turin.  An elegant, stylish and sophisticated city, Turin has much to commend it, from its many historic cafés to 12 miles of arcaded streets and some of the finest restaurants in Piedmont. In the 19th century, the city’s cafés were popular with writers, artists, philosophers, musicians and politicians among others, who would meet to discuss the affairs of the day.  The city’s duomo, the Cattedrale di San Giovanni Battista, as it is also known, was built between 1491 and 1498 in Piazza San Giovanni in Turin, on the site of an old Roman theatre.

The Centro Sperimentale di Cinematogrofia
in Rome was established in the 1930s

Travel tip:

The Centro Sperimentale di Cinematografia has its headquarters in Via Tuscolana in Rome, was established at the time when the city became the hub of the Italian film industry because of the nearby Cinecittà, a large studio complex to the south of the city, built during the Fascist era under the personal direction of Benito Mussolini and his son, Vittorio. The studios were bombed by the Allies in the Second World War but were rebuilt and used again in the 1950s for large productions, such as Ben-Hur, the 1959 epic starring Charlton Heston, the acclaimed soundtrack of which saw Carlo Savina work with the Hungarian-American composer Miklós Rózsa. These days a range of productions, from television drama to music videos, are filmed there and Cinecittà has its own dedicated Metro stop.

Also on this day:

1854: The birth of author Francis Marion Crawford

1945: The death of composer Pietro Mascagni

1980: The bombing of Bologna railway station

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1 August

Cosimo de' Medici

Banker who founded the Medici dynasty

The first of the Medici rulers of Florence, Cosimo di Giovanni de' Medici, died on this day in 1464 in Careggi in Tuscany.  Cosimo had political influence and power because of the wealth he had acquired as a banker and he is also remembered as a patron of learning, the arts and architecture.  Cosimo, who is sometimes referred to as Cosimo the Elder (il Vecchio) was born into a wealthy family in Florence in 1389. His father was a moneylender who then joined the bank of a relative before opening up his own bank in 1397.  The Medici Bank opened branches in Rome, Geneva, Venice and Naples and the Rome branch managed the papal finances in return for a commission.  The bank later opened branches in London, Pisa, Avignon, Bruges, Milan and Lubeck, which meant that bishoprics could pay their money into their nearest branch for the Pope to use.  In 1410, Baldassarre Cossa, who was on one side of a power struggle within the Catholic Church, borrowed money from the bank to buy himself into the office of Cardinal and in return put the Medici in charge of all the papal finances.   This gave the Medici family the power to threaten defaulting debtors with excommunication.  Read more…

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Francesca Scanagatta - soldier

Woman pretended to be a man to join Austrian army

Francesca Scanagatta, an Italian woman who served in the Imperial Austrian army for seven years while pretending to be a man, was born on this day in 1776 in Milan.  Scanagatta – sometimes known as Franziska – was a small and apparently rather plain girl, who was brought up in Milan while the city was under Austrian rule. She admired the Austrian soldiers to the extent of wishing she could join the army, yet knew that as a girl she would not be allowed to.  Even so, it did not stop her dreaming and throughout her childhood and teenage years she worked on becoming physically stronger through exercise while reading as much literature as she could about the army.  By contrast, her brother Giacomo hated the idea of joining up. He was rather effeminate in nature and the very thought of becoming a soldier filled him with dread.  Yet his father wanted him to serve and arranged for him to attend a military school in Vienna.  Giacomo confided his fears in Francesca and she suddenly realised she had an opportunity to fulfil her dreams by signing up in his place.  So, in June 1794, dressed as a man, the 17-year-old travelled with Giacomo to Austria.  Read more…

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The Arab conquest of Sicily

Fall of Taormina put island in Muslim control

The Arab conquest of Sicily, which began in 827, was completed on this day in 902 with the fall of Taormina, the city in the northeast of the island that was the last stronghold of the Byzantine Empire, which had been in control for more than 350 years.  The island had been coveted by powers around the Mediterranean for centuries and raids by Saracens, as the Muslim Arabs from Roman Arabia became known, had been taking place since the mid-7th century without threatening to make substantial territorial gains.  However, in 827 the commander of the island's fleet, Euphemius, led a revolt against Michael II, the Byzantine Emperor, and when he and his supporters were at first driven from the island by forces loyal to Michael II, he turned to the Aghlabids, the rulers of Ifriqiya, the area of north Africa now known as Tunisia, for help.  The Aghlabids saw this as a strategic opportunity too good to miss and, with Euphemius’s forces to supplement their own, completed a successful landing on the southern coast and began to establish fortresses.  An attempt to capture Syracuse, which was then the capital, was beaten back, but when they turned their attention to Palermo it was a different story.  Read more…

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Paolo De Poli – enameller and painter

Artist devoted his life to an ancient technique

A painter who became fascinated with the ancient art of enamelling, Paolo De Poli was born on this day in 1905 in Padua.  At first De Poli experimented with enamelling small, decorative objects but after he mastered his craft he moved on to creating large panels for the interiors of ships, hotels and public buildings.  De Poli trained in drawing and embossing on metal at the art school Pietro Selvatico of Padua and then studied oil painting in Verona. He embarked on a career as a portrait and landscape painter.  In 1926 he participated for the first time in the Biennale di Venezia with the oil painting Still Life.  While travelling in the 1930s he visited art museums and archaeological sites and became interested in the traditional art of working with vitreous enamel.  From 1933 onwards, he devoted himself to creating enamel works on metal, experimenting with refined objects of many shapes in brilliant colours. He continued to improve his technique, reaching the highest level of skill.  In the 1940s, he collaborated with Milanese architect Gio Ponti in the production of furniture and decorative panels.  Read more…

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Antonio Cotogni – baritone

Singer who moved the composer Verdi to tears

Antonio ‘Toto’ Cotogni, who achieved international recognition as one of the greatest male opera singers of the 19th century, was born on this day in 1831 in Rome.  Cotogni’s fine baritone voice was particularly admired by the composer Giuseppe Verdi and music journalists wrote reviews full of superlatives after his performances.  Cotogni studied music theory and singing from an early age and began singing in churches and at summer music festivals outside the city.  He made his opera debut in 1852 at Rome’s Teatro Metastasio as Belcore in Donizetti's L’elisir d’amore.  After that he did not sing in public for a while, concentrating instead on building up his repertoire.  After singing in various Italian cities outside Rome he was signed up to sing at Rome’s Teatro Argentina in 1857 in Lucia di Lammermoor and Gemma di Vergy, also by Donizetti. Later that year he performed in Verdi's I due Foscari and Sanelli's Luisa Strozzi at Teatro Rossini in Turin. He met the soprano Maria Ballerini there and married her the following year.  His major breakthrough came in 1858 when he was asked to take the place of the famous baritone Felice Varesi in Nice.  Read more…

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