3 December 2018

Angela Luce – actress

Film star and singer was born in Spaccanapoli


The actress Angela Luce has worked with some of Italy's leading directors
The actress Angela Luce has worked with
some of Italy's leading directors
Neapolitan actress and singer Angela Luce was born Angela Savino on this day in 1937 in Naples.

She has worked for the theatre, cinema and television, is well-known for singing Neapolitan songs, and has written poetry and song lyrics.

At 14 years old, Angela took her first steps toward stardom when she took part in the annual music festival held at Piedigrotta in the Chiaia district of Naples, singing the Neapolitan song, Zi Carmeli.

Her cinema career began in 1956, when she was only 19, when she appeared in Ricordati di Napoli, directed by Pino Mercanti. Since then she has appeared in more than 80 films and has worked for directors including Luchino Visconti, Pier Paolo Pasolini, Mario Amendola, Luigi Zampa and Pupi Avati.

Angela won a David Donatello award for L’amore molesto directed by Mario Martone and was also nominated for the Palma d’Oro at Cannes.

She has acted opposite such illustrious names as Marcello Mastroianni, Vittorio Gassman, Alberto Sordi, Vittorio de Sica and Totò.

Angela Luce (right) in a scene from Franco Rossi's
1960 film Morte di un amico
Her voice has been recorded in the historic archives of Neapolitan songs and she has won prizes for her singing. She wrote the lyric for the song Voglia, which, set to the music of Angelo Fiore, was awarded the Premio Unicef in 1984.

Angela has been quoted as saying she was ‘discovered’ by the Neapolitan dramatist Eduardo De Filippo. She has interpreted many significant roles from his plays in the theatre and appeared with him on Italian television in his play, Il contratto.

During a newspaper interview given last year on her 80th birthday, Angela said the occasion was a good opportunity to ‘thank God for giving her strength and health and a loud, clear voice’, so that she was able to sing without a microphone and, in church, without an orchestra.

The colourful street known as Spaccanapoli is close to where Angela Luce was born
The colourful street known as Spaccanapoli is close
to where Angela Luce was born
Travel tip:

Angela was born in Via Mezzocannone in the part of Naples known as Spaccanapoli, a lively area, rich with churches, historic buildings and bars. Close to her home is the main building of the Università degli Studi di Napoli Federico II, known as Gesu Vecchio, which was built in the 16th century as a Jesuit College and became home to the University in the 18th century.


The church of Santa Maria di Piedigrotta is in the fashionable Chiaia district of Naples
The church of Santa Maria di Piedigrotta
is in the fashionable Chiaia district of Naples
Travel tip:

Angela made her first appearance as a singer at the annual song-writing competition the Festival of Piedigrotta, held near the Church of Santa Maria di Piedigrotta in the Chiaia neighbourhood on the seafront of Naples. The competition was held to judge songs written in Neapolitan dialect and over the years inspired such classics as O sole mio, Funiculi, Funicula, Torna a Surriento and Santa Lucia.


More reading:

What made Vittorio de Sica a maestro of Italian cinema

How Vittorio Gassman was once called 'the Olivier of Italian actors'

Eduardo De Filippo and the 'essence' of Naples

Also on this day:

1596: The birth of violin maker Nicolò Amati

1911: The birth of film music composer Nino Rota

1947: The birth of controversial Lega Nord politician Mario Borghezio


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2 December 2018

Maria Bricca - war hero

Humble cook whose actions helped end siege of Turin in 1706


The painting by Francesco Gonin shows Maria leading the soldiers into the hall
The painting by Francesco Gonin shows
Maria leading the soldiers into the hall
The unlikely war hero Maria Bricca, whose actions would precipitate a major victory for the Duchy of Savoy in the War of the Spanish Succession, was born on this day in 1684 in Pianezza, then a village about 12km (7 miles) northwest of the city of Turin.

Maria, who was born Maria Chiaberge but changed her name after she married Valentino Bricco in 1705, became an important figure in the ending of the four-month siege of Turin by the French in 1706.

She hated the French, who had sacked Pianezza in 1693 when she was just eight years old, killing villagers and looting property before her eyes. In 1706. when they took control of the castle at Pianezza, which occupied a strategic position overlooking the Dora Riparia river, it brought back memories of the scenes she had witnessed as a child.

The castle had been changed in character to a noble residence rather than a military fort but was a natural stronghold nonetheless. The French stocked it with supplies for the 44,000 soldiers who were occupied in the siege of Turin, then enclosed by fortified walls and defended by a garrison of around 12,000 Savoy troops.

When Maria, who was nicknamed La Bricassa, heard that Prince Eugene of Savoy had dispatched a force of 9,000 Prussian soldiers led by his ally, Prince Leopold of Anhalt-Dessau, to try to take control of the castle, she knew she had information that could help them.

The monument to Maria Bricca, in bronze, again shows her at the forefront of the assault in Pianezza castle
The monument to Maria Bricca, in bronze, again shows her
at the forefront of the assault in Pianezza castle
As a cook, she had previously worked at the castle and knew of the existence of a secret underground passage that led from the village - possibly from her own house - directly into the castle.

She brought this to the attention of the Prussian prince and, on the night of September 5, 1706, while the Marquis Visconti was launching an attack on the castle from the outside, Maria led the soldiers along the underground passage until they reached a secret door that opened directly into the main dance hall of the castle, where French officers were said to be celebrating what they considered to be an imminent victory in the siege of the great city.

Some accounts have suggested Maria was the first to break through the door, wielding an axe and shouting “Viva i savoia!” (Long live the Savoys!), although this is disputed.

Inside, the French were taken completely by surprise. Some even wondered whether this sudden incursion was part of the evening’s entertainment until the invaders began killing French soldiers.

This modern sculpture in Pianezza is by Gabriele Garbolino Ru
This modern sculpture in Pianezza is
by Gabriele Garbolino Ru
The operation was a huge success, resulting in the capture of two colonels, two generals and a loot of cannons, 600 horses and two million francs. There were 200 mules loaded with provisions for the besiegers stationed around Turin, and 50 mules laden with Champagne for the Duke D'Orleans.

What’s more, in the hours that followed, the Savoy-Prussian soldiers were able to attack the French army and within two days the siege of Turin was over.

Maria Bricca died in relative obscurity at the age of 49 but the story of her contribution to the defeat of the French was revived in the 19th century when an account came to light, written by an anonymous French observer, which noted the role of the former castle employee in helping the Savoy army launch their surprise assault.

As a result, her memory was immortalised in a painting by the artist Francesco Gonin which hung originally in the Sala del Caffè in Palazzo Reale in Turin, and which can be found now in the royal apartments at the Basilica of Superga outside Turin, which shows Maria Bricca wielding an axe.

There is a nearby monument featuring her image, installed in 1906 on the bicentenary of the victory.

The silent movie star Lidia Quaranta played the part of Maria Bricca in a 1910 film
The silent movie star Lidia Quaranta played
the part of Maria Bricca in a 1910 film
La Superga was constructed by the Savoy king Vittorio Amedeo II as thanks to the Virgin Mary for the defeat of the French.

More recently, a modern monument - sculpted by Gabriele Garbolino Ru - in the town of Pianezza.

The tunnel has been renamed Galleria Maria Bricca and is occasionally open to the public.

In Turin there are a number of streets that carry her name, as well as a retirement home, and there is a plaque marking her house in Pianezza.

Her story captured the imagination of filmmakers. In 1910, the silent film 'Maria Bricca: the heroine of Piedmont' directed by Edoardo Bencivenga and starring the then-famous actress Lidia Quaranta as Maria, was released in cinemas.

More recently, in 2011, her story was the subject of a short film,  Pianezza 1706 - Maria Bricca.


The house in Pianezza where Maria Bricca lived at the time of the attack on the town's castle in 1706
The house in Pianezza where Maria Bricca lived at the time
of the attack on the town's castle in 1706
Travel tip:

Pianezza today is a town of just over 15,000 inhabitants on the outskirts of Turin in Piedmont.  It is located just beyond what would have been the western gates of Turin, along the banks of the Dora Riparia river. The area grew in population at the end of the 17th century with the development of silk and textile industries, and again in the 20th century when factories began to locate in the area, including the Leone Pastiglie confectionery company.  Only a few remains of the castle exist, in the grounds of the Villa Lascaris, which was built on its site early in the 19th century.  The most impressive building in the town is the neo-Gothic Sanctuary of San Pancrazio, originally built between 1647 and 1657 and rebuilt substantially in the 20th century.


The Piazza San Carlo in Turin is typical of the city's  often-overlooked elegance and style
The Piazza San Carlo in Turin is typical of the city's
often-overlooked elegance and style
Travel tip:

The city of Turin, once the capital of Italy and traditionally seat of the Savoy dynasty, is best known for its royal palaces but tends to be overlooked by visitors to Italy, especially new ones, who flock first to Rome, Florence, Venice and Milan. Yet as an elegant, stylish and sophisticated city, Turin has much to commend it, from its many historic cafés to 12 miles of arcaded streets and some of the finest restaurants in Piedmont. To enjoy Turin’s café culture, head for Via Po, Turin’s famous promenade linking Piazza Vittorio Veneto with Piazza Castello, or nearby Piazza San Carlo, one of the city’s main squares. In the 19th century, these cafès were popular with writers, artists, philosophers, musicians and politicians among others, who would meet to discuss the affairs of the day.

Search tripadvisor for hotels in Turin

More reading:

Filippo Juvara, the architect behind the beautiful Basilica of Superga

The tragedy of the Superga Disaster

The first Vittorio Amadeo to rule Savoy

Also on this day:

1916: The death of composer Paolo Tosti

1930: The birth of fashion designer Roberto Capucci

1946: The birth of fashion house founder Gianni Versace


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1 December 2018

Eugenio Monti - bobsleigh champion

Olympic winner who was honoured for sportsmanship


Eugenio Monti won two Olympic medals at the age of 40 after previously being honoured for outstanding sportsmanship
Eugenio Monti won two Olympic medals at the age of 40
after previously being honoured for outstanding sportsmanship 
The double Olympic bobsleigh champion Eugenio Monti, who became the first athlete to be awarded the Pierre de Coubertin Medal for sportsmanship, died on this day in 2003 in Belluno.

Monti was recognised with the award after the 1964 Winter Games in Innsbruck, during which he twice made gestures of selfless generosity towards opponents, both of which arguably cost him the chance of a gold medal.

The preeminent bobsleigh driver in the world going into the 1964 Games and an eight-time world champion in two and four-man events, Monti was desperate to add Olympic golds to his medal collection.

He had won silver in both his specialisations when Italy hosted the Winter Olympics in 1956 and was denied the opportunity to improve on that four years later when the 1960 Games at Squaw Valley in California went ahead with no bobsleigh events, due to the organisers running out of time and money to build a track.

Eugenio Monti and his brakeman in the two-man bob event at the 1956 Winter Olympics in Cortina d'Ampezzo
Eugenio Monti and his brakeman in the two-man bob
event at the 1956 Winter Olympics in Cortina d'Ampezzo
In Innsbruck, Monti and his brakeman Sergio Siorpaes were favourites in the two-man event,  After two runs on the first day, Britain’s Tony Nash and Robin Dixon led the field. On day two, however, the rear axle bolt on their sled sheared off.

They had no spare and would have had to forgo their second and final run of the day - and their chance at Olympic gold - if it weren’t for Monti’s extraordinary sportsmanship in offering to lend them the bolt from his sled. The British pair went on to record the fastest time on that final run and won gold by just 0.12 seconds. Italians Sergio Zardini and Romaro Bonagura took silver with Monti and Siorpaes claiming the bronze.

Four days later in the four-man event, Monti’s selflessness towards his fellow competitors shone through for a second time when the rear axle on the Canadian team’s sled was damaged. Monti sent the Italian team’s mechanics to repair it, with the consequence that the Canadian team won gold, with Monti having to settle for another bronze.

Eugenio Monti led the Italian quartet to a gold medal in the 1968 Winter Olympics in Grenoble
Eugenio Monti led the Italian quartet to a gold
medal in the 1968 Winter Olympics in Grenoble
Monti’s gestures were all the more remarkable given that he was 36 years old and had already suffered serious problems with his knees, arguably running out of time to achieve his Olympic dreams.

There was no more popular champion, then, in Grenoble four years later when a 40-year-old Monti won the gold medal in both the two-man and four-man events.

The two-man contest could not have been closer. At the start of the final run, West Germany I, piloted by Horst Floth, led by a tenth of a second from Monti’s Italy I sled. The Italians went first and broke the track record.

The German response was impressive – but they finished a tenth of a second slower. With both crews recording exactly the same cumulative time, gold went to Italy on the basis of producing the single fastest run.

With an Olympic gold at last in his pocket, Monti went into the four-man contest in buoyant mood and overcame difficult conditions to lead his team to more success. Again, the margin was tiny – less than 0.1secs over two runs – but Monti prevailed to win his second gold, and so became the first man to win both bobsleigh events at the same Winter Olympics.

Monti was made a Commendatore of the  Italian Republic in honour of his career
Monti was made a Commendatore of the
Italian Republic in honour of his career
It turned out to be the final race of his illustrious career. Immediately, he announced his retirement, having won six Olympic medals, nine world titles and the lasting respect of the Olympic family.

In addition, he was awarded Italy's highest civilian honor – Commendatore of the Italian Republic.

Born in 1928 in Toblach (Dobbiaco in Italian), a largely German-speaking municipality in the province of Bolzano in the South Tyrol area of Trentino-Alto Adige, Monti, was the best young Italian skier of his generation. He became known as il rosso volante - the Flying Redhead - and won national titles in slalom and giant slalom, but in 1951 an accident resulted in torn ligaments in both knees, which put paid to his alpine skiing career.

It was then that he switched to bobsleigh. In 1954 he won his first Italian championship and by 1957 was a world champion, going on to dominate the sport in Italy and be a force internationally for more than a decade.

After retirement, he was for a time the manager of the Italian bobsleigh team, while at the same time looking after the skiing facility he ran in Cortina d’Ampezzo, about 32km (20 miles) from Toblach, one of Italy’s major ski resorts and the host of the 1956 Winter Olympics.

Monti died on December 1, 2003 in rather sad circumstances, taking his own life to escape the suffering of Parkinson’s Disease.

Following his death, Olympic track at Cortina was renamed the Pista Olimpica di Bob - Eugenio Monti in his honour. The track was awarded the 2011 world championships

His name was also given to Turn 19 at Cesana Pariol - the bobsleigh track used for the 2006 Winter Olympics in Turin.

Cortina d'Ampezzo is a beautiful Alpine town with a huge draw for tourists
Cortina d'Ampezzo is a beautiful Alpine
town with a huge draw for tourists
Travel tip:

Cortina d'Ampezzo, often called simply Cortina, is a town in the southern Dolomites in the Veneto region. Situated in the valley of the Boite river,it is a winter sport resort known for its skiing trails, scenery, accommodation, shops and après-ski scene and remains popular with celebrities and European aristocracy. Austrian territory until 1918, it was traditionally a regional craft centre, making handmade products appreciated by early British and German holidaymakers as tourism emerged in the late 19th century. Today, the local economy thrives on tourism, particularly during the winter season, when the population of the town typically increases from about 7,000 to 40,000.  Although Cortina was unable to go ahead with the scheduled 1944 Winter Olympics because of World War II, it hosted the Winter Olympics in 1956 and subsequently a number of world winter-sports events. Several films have been shot in the town, mostly notably The Pink Panther (1963), For Your Eyes Only (1981) and Cliffhanger (1993).

Hotels in Cortina d'Ampezzo from TripAdvisor

The village of Toblach is in a beautiful valley in the  German-speaking South Tyrol area of northern Italy
The village of Toblach is in a beautiful valley in the
German-speaking South Tyrol area of northern Italy
Travel tip:

The small town of Toblach, or Dobbiaco in Italian, can be found about 100km (62 miles) northeast of Bolzano and a similar distance north of Belluno in the alpine valley of the Puster river, at an elevation of 1,241m (4,072 ft) above sea level.  The spectacular mountain peaks known as Tre Cime di Lavaredo/Drei Zinnen are located nearby.  The area’s main claim to fame is that the composer Gustav Mahler was living in a tiny wood cabin in the pine forests close to Toblach, in the summers of 1908–10, when he composed his ninth symphony, the last he completed, and began work on his tenth symphony.


More reading:

How Lamberto della Costa became Italy's first Olympic bobsleigh champion

Why Alberto Tomba is Italy's greatest skier

The ex-prisoner of war who became Italy's first Olympic alpine skiing champion

Also on this day:

1455: Death of Florentine sculptor Lorenzo Ghiberti

1958: The birth of distance runner Alberto Cova

1964: The birth of World Cup hero 'Toto' Schillaci


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30 November 2018

Andrea Doria – Admiral

Military commander with outstanding tactical talent


Andrea Doria's portrait was painted by Sebastiano del Piombo in around 1526
Andrea Doria's portrait was painted by
Sebastiano del Piombo in around 1526
Andrea Doria, the most important naval leader of his time, was born on this day in 1466 in Oneglia in Liguria.

Because of his successes on both land and sea he was able to free Genoa from domination by foreign powers and reorganise its government to be more stable and effective.

Doria was part of an ancient aristocratic family but he was orphaned while still young and grew up to become a condottiero, or soldier of fortune.

He served Pope Innocent VIII, King Ferdinand I and his son Alfonso II of Naples, and other Italian princes.

Between 1503 and 1506 he helped his uncle, Domenico, crush the Corsican revolt against the rule of Genoa.

Attracted to the sea, Doria fitted out eight galleys and patrolled the Mediterranean, fighting the Ottoman Turks and Barbary pirates, adding to his wealth and reputation along the way.

He then entered the service of Francis I of France who was fighting the Emperor Charles V in Italy and helped him capture Genoa.

A medal bearing the image of Andrea Doria, who continued to sail in his '80s
A medal bearing the image of Andrea
Doria, who continued to sail in his '80s
But after becoming disillusioned with French policies in Genoa, Doria transferred his support to Charles V and helped him drive the French out of Genoa.

Charles made him grand admiral of the imperial fleet and gave him the title of Prince of Melfi.

As the new ruler of Genoa, Doria imposed a government made up of the city’s main aristocratic families. His reformed constitution for the city was to last until 1797.

He also continued to command naval expeditions against the Turks and helped Charles V extend his domination of the Italian peninsula.

In 1547 a rival family started to plot against Doria and they eventually murdered his nephew, Giannetino, but the conspirators were quickly defeated and severely punished by Doria.

The house where Andrea Doria was born, overlooking the port in Oneglia on the Ligurian coast
The house where Andrea Doria was born, overlooking
the port in Oneglia on the Ligurian coast
At the age of 84, Doria was still regularly sailing against the Barbary pirates and he went to fight against the French when they seized Corsica, which was under the control of Genoa at the time Doria finally retired in 1555 and passed his command to his great nephew, Giovanni Andrea Doria.

Doria died in 1560 in Genoa at the age of 93 and left his estate to Giovanni Andrea.  The family of Doria-Pamphili-Landi is descended from the famous Admiral and bears his title, Prince of Melfi.

Several Italian and US ships have been named after Andrea Doria.  An Italian passenger ship, the SS Andrea Doria, sank off the coast of Massachusetts after colliding with another ship in 1956, causing the deaths of 46 people.

A football club named after him - the Società Ginnastica Andrea Doria, founded in 1895 - was a forerunner of one of Genoa's two major teams, Sampdoria, which was formed in 1946 after a merger of SG Andrea Doria with another club, Sampierdarenese.

The port city of Genoa, once ruled over by Andrea Doria, has a proud history as a maritime power
The port city of Genoa has a proud
 history as a maritime power
Travel tip:

Genoa, which was once ruled over by Doria, is the capital city of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.





Oneglia is part of the larger port of Imperia in Liguria
Oneglia is part of the larger port of Imperia in Liguria
Travel tip:

Oneglia, where Doria was born, was a town on the Ligurian coast that had been purchased by the Doria family in the 13th century. It was joined to Porto Maurizio in 1923 by Mussolini  to form the comune of Imperia. The area has become well known for cultivating flowers and olives and there is a Museum of the Olive in the part of the city that used to be Oneglia.



More reading:

When Genoa's ships routed the fleet of Pisa

How architect Renzo Piano gave new life to the port of his home town of Genoa

The founding of Genoa Cricket and Football Club

Also on this day:

1485: The birth of writer and stateswoman Veronica Gambara

1954: The birth of Godfather actress Simonetta Stefanelli

1954: The death of tenor Beniamino Gigli


Home



29 November 2018

Agostino Chigi - banker and arts patron

Nobleman from Siena became one of Europe’s richest men


A Roman coin bearing the image of Agostino Chigi, who was one of the 16th century's richest bankers
A Roman coin bearing the image of Agostino Chigi,
who was one of the 16th century's richest bankers
The banker Agostino Chigi, who was a major sponsor of artists during the Renaissance, was born on this day in 1466 in Siena.

At its height, Chigi’s banking house in Rome was the biggest financial institution in Europe, employing up to 20,000 people, with branches throughout Italy and abroad, as far apart as London and Cairo.

Chigi invested a good deal of his wealth in supporting the arts, notably providing financial backing to almost all the main figures of the early 16th century, including Perugino, Sebastiano del Piombo, Giovanni da Udine, Giulio Romano, Il Sodoma (Giovanni Bazzi) and Raphael.

Perugino painted The Chigi Altarpiece, dated at around 1506-1507, which hangs in the Chigi family chapel in the church of Sant'Agostino in Siena. 

Chigi’s significant legacy to Rome was to have built a chapel in the church of Santa Maria della Pace, another - his mortuary chapel, the Chigi Chapel - in the church of Santa Maria del Popolo, and the superb suburban villa in Trastevere, on the banks of the Tiber, which since 1579 has been known as the Villa Farnesina. 

The altarpiece painted by Perugino for Agostino Chigi in Siena
The altarpiece painted by Perugino
for Agostino Chigi in Siena
Agostino Chigi was the son of the prominent Sienese banker Mariano Chigi, from an ancient and illustrious Tuscan family. He moved to Rome around 1487, taking with him a rich fund of capital.

He grew the wealth of his own bank by lending considerable sums to Pope Alexander VI and others, and by diversifying from regular banking practice by buying monopoly control of salt mining in the Papal States and the Kingdom of Naples, as well as that of alum, a mineral used in the textile industry.

After the death of the Borgia pope Alexander VI and his short-lived Sienese successor Pius III Piccolomini, Chigi helped Pope Julius II, in return for which he became treasurer and notary of the Apostolic Camera.  Agostino even accompanied Julius in the field in his military campaigns and went to Venice on his behalf to buy Venetian support for the papal forces in the War of the League of Cambrai.

Work began on his magnificent palace in Trastevere in 1506. Chigi took the unusual step of commissioning an untried pupil of Bramante, Baldassare Peruzzi, to design and oversee the construction of the villa, although he may have been helped Giuliano da Sangallo, the favored architect of Lorenzo de' Medici.

Raphael's fresco The Triumph of Galatea. in the loggia at the Villa Farnesina
Raphael's fresco The Triumph of Galatea.
in the loggia at the Villa Farnesina
His design differed from that of the typical urban palazzo, which tended to be rectangular, with an enclosed courtyard. This villa, intended as an airy summer pavilion, had a U-shaped plan with a five-bay loggia between the arms, facing north, which was the main entrance.

The best known element of the sumptuous decorations are Raphael's frescoes on the ground floor, both in the loggia depicting the classical and secular myths of Cupid and Psyche, and in the east-facing loggia, depicting The Triumph of Galatea. 

This was a mythological scene from an intended series inspired by the Stanze per la giostra of the Florentine poet Angelo Poliziano. It shows the near-naked sea nymph Galatea on a shell-shaped chariot drawn by two dolphins, surrounded by other sea creatures.

It has been noted that Raphael’s Galatea bore similarities to the courtesan, Imperia Cognati, who was Agostino Chigi's lover and is said to have posed for Raphael on more than one occasion. The art historian and Raphael's near-contemporary, Giorgio Vasari, noted, however, that Raphael had said that Galatea was the product of his imagination, an idealised beauty.

It was at this villa that Chigi held sumptuous banquets. He was recognised as the richest man in Rome but was said to have affected a contempt of money by throwing silver dishes into the Tiber at the end of the parties, although it is thought his servants were on hand to collect them in nets draped under the windows.

The villa was called the Viridario in Chigi's time. It became the property of the Farnese family in 1577, more than a half-century after his death.

The Palazzo Chigi, the current official residence of Italian prime ministers, was bought by Fabio Chigi, related to Agostino as a descendent of his father’s brother, shortly after he became Pope Alexander VII in 1655.

The northern aspect of the Villa Farnesina, which was  Agostino Chigi's summer palace in Rome
The northern aspect of the Villa Farnesina, which was
Agostino Chigi's summer palace in Rome
Travel tip:

The Villa Farnesina can be found on Via della Lungara in the Trastevere district of Rome.  After the Farnese family, the villa belonged to the Bourbons of Naples and in 1861 to the Spanish Ambassador in Rome, Bermudez de Castro, Duke of Ripalta. Today, it is owned by the Italian State and accommodates the Accademia dei Lincei, a long-standing academy of sciences. The main rooms of the villa, including the Loggia, are open to visitors from 9am to 2pm on Monday to Saturday, and on every second Sunday of the month from 9am to 5pm. For more details, visit http://www.villafarnesina.it


The Palazzo Chigi in Rome was built originally for the  Aldobrandini family before passing to the Chigi family in 1659
The Palazzo Chigi in Rome was built originally for the
Aldobrandini family before passing to the Chigi family in 1659
Travel tip:

The 16th-century Palazzo Chigi, which overlooks the Piazza Colonna and the Via del Corso in Rome, was begun in 1562 by Giacomo della Porta and completed by Carlo Maderno in 1580 for the Aldobrandini family. It was in the ownership of the Chigi family, who had it remodelled by Felice della Greca and Giovan Battista Contini, from 1659 until the 19th century. It became the residence of the Austro-Hungarian Ambassador to Italy in 1878 before being bought by the Italian state in 1916, when it became the home of the Minister for Colonial Affairs. Later it was the official residence of the Italian Minister of Foreign Affairs and in 1961 became the official meeting place of Council of Ministers, whose president is the head of the Italian government - the prime minister - and can now use the palace as his official residence.


More reading:

Raphael: The precocious genius from Urbino

How the courtesan Imperia Cognati became a 16th century celebrity

Pope Alexander VI - the scheming Borgia pope

Also on this day:

1463: The birth of antiquities collector Andrea della Valle

1797: The birth of composer Donizetti

1850: The birth of Agostino Richelmy, the cardinal who fought with Garibaldi

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28 November 2018

Caterina Scarpellini – astronomer and meteorologist

Female ‘assistant’ remembered for her important discoveries


Caterina Scarpellini moved to work at  Campidoglio Observatory aged 18
Caterina Scarpellini moved to work at
Campidoglio Observatory aged 18
The astronomer Caterina Scarpellini, who discovered a comet in 1854 and was later awarded a medal by the Italian government for her contribution to the understanding of astronomy and other areas of science, died on this day in 1873 in Rome.

Caterina had moved from her native Foligno in Umbria to Rome at the age of 18 to work as an assistant to her uncle, Abbe Feliciano Scarpellini, who was the director of the Roman Campidoglio Observatory. He had been appointed in 1816 by Pope Pius VI to a new chair of sacred physics in the Roman College of the Campidoglio, marking a turning point in the attitude of the Roman Catholic Church to science.

From 1847 onwards, Caterina edited Corrispondenza Scientifica in Rome, a bulletin publishing scientific discoveries. She carried out her observations six times a day and reported on her findings.

The observatory was part of the Palazzo Senatorio on Piazza del Campidoglio in the centre of Rome
The observatory was part of the Palazzo Senatorio on
Piazza del Campidoglio in the centre of Rome
She married Erasmo Fabri, who was also an assistant at the observatory, and together they established a meteorological station in Rome in 1856.

Caterina published reports of her astronomical observations and meteorological measurements in Italian, French and Belgian journals and also wrote about electrical, magnetic and geological phenomena.

Along with another scientist, she reported on a chemical analysis of sand that had fallen in Rome over three nights in February 1864, which she discovered had blown there from the Sahara desert during a storm.

She compiled the first Italian meteor catalogue and was the only observer in Rome of the 1866 Leonid meteor shower.

Caterina Scarpellini, here depicted in a magazine  illustration, made many important scientific findings
Caterina Scarpellini, here depicted in a magazine
illustration, made many important scientific findings
Caterina also wrote about Saturn’s rings, her ideas about the formation of the planets and her hypotheses concerning celestial mechanics.

She became a member of the Accademia dei Georgofili in Florence, an historic institution promoting scientific and agricultural research.

Her writings on the influence of the moon on earthquakes brought her honours from the Moscow Imperial Society of Naturalists and the Viennese Royal Geological Institute.

After Caterina’s death at the age of 65 following a stroke, a statue of her was erected in the Campo Verano cemetery in Rome. A crater on the planet Venus has been named after her.

The Palazzo Orfini in Foligno, where a printing shop  opened in 1470, printing Dante's Divine Comedy
The Palazzo Orfini in Foligno, where a printing shop
opened in 1470, printing Dante's Divine Comedy
Travel tip:

Foligno, where Caterina Scarpellini was born in 1808, is an ancient town in the province of Perugia in Umbria, situated 40km (25 miles) south east of Perugia. It has suffered several major earthquakes, including one as recently as 1997, but still standing are the 13th century Palazzo Communale and the Renaissance-style Palazzo Orfini, where a printing shop opened in 1470 and Dante’s Divine Comedy was printed there in 1472, becoming the first book to be printed in the Italian language.




The present-day Rome Observatory is in Villa di Parco Mellini, at the top of Monte Mario
The present-day Rome Observatory is in Villa di
Parco Mellini, at the top of Monte Mario
Travel tip:

The Campidoglio Observatory in Rome, where Caterina worked as assistant to her uncle, was located in the eastern tower of the Palazzo Senatorio in Piazza del Campidoglio on the top of Capitoline Hill. The observatory was later acquired by the Italian state and its equipment was transferred to the Villa di Parco Mellini at the top of Monte Mario outside Rome, which is still the location of the Astronomical Observatory of Rome and an Astronomical Museum housing an important collection of historic astronomical instruments.



More reading:

How 18th century scientist Laura Bassi broke new ground for women

Margherita Hack and the popularising of science

Why Giovanni Schiaparelli believed there were canals on Mars

Also on this day:

1907: The birth of writer Alberto Moravia

1913: The birth of film music composer Mario Nascimbene

1977: The birth of World Cup hero Fabio Grosso


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27 November 2018

Senesino - operatic castrato

Sienese singer who worked with composer Handel


The castrato singer Senesino was one of the  highest paid performers in 18th century London
The castrato singer Senesino was one of the
highest paid performers in 18th century London
The acclaimed contralto castrato singer Senesino, who enjoyed a long professional relationship with the composer George Frideric Handel, died on this day in 1758 in Siena.

During the 18th century, when opera’s popularity was at its height, the castrati singers - male singers castrated as boys to preserve their prepubescent vocal range - were the highest paid members of the cast and the likes of Carlo Broschi, who sang under the stage name Farinelli, Giovanni Carestini (“Cusanino”), Gaetano Majorano ("Caffarelli") and Gaspare Pacchierotti were the genre’s first superstars.

Senesino could be added to that list.  When he made his first appearance for Handel in his three-act opera Radamisto in 1720 his salary was reported as between 2000 and 3000 guineas, which today would be worth around £250,000 to £365,000 (€280,000-€400,000).

Born Francesco Bernardi in 1686, Senesino took his name from his home town, Siena. His father was a barber in the Tuscan city.

He joined the choir of Siena’s Duomo - the Cattedrale di Santa Maria Assunta - in 1695 and was castrated at the comparatively late age of 13. He made his stage debut in Venice in 1707, and over the next decade his reputation and salary grew exponentially.

A magazine illustration of Senesino on stage with the sopranos Francesca Cuzzoni and Faustina Bordoni
A magazine illustration of Senesino on stage with the
sopranos Francesca Cuzzoni and Faustina Bordoni
Although his acting skills were sometimes mocked by the critics, acclaim for his voice was universal.  One composer with whom he worked described it as “a powerful, clear, equal and sweet contralto voice, with a perfect intonation and an excellent shake. His manner of singing was masterly and his elocution unrivalled.”

Senesino was engaged by Handel as primo uomo (lead male singer) in his company, the Royal Academy of Music, in London in 1720.

He would stay in England for much of the next 16 years, along the way becoming a prominent figure in London society, numbering the Duke of Chandos, Lord Burlington and the landscape designer William Kent among his friends. He embraced English culture, amassing a collection of paintings, rare books, scientific instruments and other treasures.

At his peak, Senesino was so popular he would sometimes upstage the great rival Italian sopranos of the era, Francesca Cuzzoni and Faustina Bordoni, who were also employed by Handel’s company.

Handel created 17 leading roles for Senesino, among them Giulio Cesare, Andronico in Tamerlano, Bertarido in Rodelinda, Floridante and Ottone.

Senesino had a reputation for being touchy and full of professional vanity
Senesino had a reputation for being touchy
and full of professional vanity
Yet their relationship was often stormy.  Senesino was touchy, vain and insolent, full of professional vanity and with a love of intrigue.  He would frequently test Handel’s patience.

They split for the first time in 1728 following the break-up of the Royal Academy, although after singing for a while in Paris and Venice, Senesino rejoined Handel in 1730, singing in four more new operas and several oratorios.

Yet their relationship was little better and when the Neapolitan Nicola Porpora arrived in London in 1733 to be chief composer at the rival company, Opera of the Nobility, Senesino was lured away for good.

In his new position, he sang alongside the aforementioned Farinelli, who is regarded as the finest soprano castrato of all time.

Senesino ended his career in England in 1736. He continued to perform in Italy before deciding to retire in 1740, by which time the opera-going public had new favourites and saw his style as somewhat dated. He made his final appearance in Porpora's Il trionfo di Camilla at the Teatro San Carlo in Naples.

He returned to Siena, where he used his wealth to build a handsome town house. It was stocked with furniture imported from England. In fact, he lived as much as he could like an English gentleman. Tea was his preferred drink, he employed a black servant, as was popular in England during his time there, and amused himself with pets that were fashionable in London, including a monkey and a parrot.

The shell-shaped Piazza del Campo in Siena is regarded as one of Europe's most beautiful medieval squares
The shell-shaped Piazza del Campo in Siena is regarded as
one of Europe's most beautiful medieval squares
Travel tip:

At the centre of Siena is the shell-shaped Piazza del Campo, established in the 13th century as an open marketplace on a sloping site between the three communities that eventually merged to form Siena. It is regarded as one of Europe's finest medieval squares, looked over by the Palazzo Pubblico and the Torre del Mangia.  The red brick paving, fanning out from the centre in nine sections, was put down in 1349. It has become famous as the scene of the historic horse race, the Palio di Siena.


Siena's magnificent Duomo, where Senesino sang as a boy. is a masterpiece of Italian Romanesque architecture
Siena's magnificent Duomo, where Senesino sang as a boy.
is a masterpiece of Italian Romanesque architecture
Travel tip:

Siena’s Duomo - the Cathedral of St Mary of the Assumption - was designed and completed between 1215 and 1263 on the site of an earlier structure. It has a beautiful façade built in Tuscan Romanesque style using polychrome marble. There had been plans to build an enormous basilica, which would have been the largest in the world, but the idea was abandoned because of lack of funds due to war and the plague. Nonetheless, the cathedral built in its place, with a pulpit designed by Nicola Pisani, is considered a masterpiece of Italian Romanesque-Gothic architecture.



More reading:

Why Farinelli was music's first superstar

When Cuzzoni and Bordino came to blows on stage

How Nicola Porpora died impoverished

Also on this day:

8BC: The death of the Roman poet Horace

1570: The death of the architect Jacopo Sansovino

1964: The birth of former soccer player and Italy coach Roberto Mancini


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