Renzo Mongiardino - interior and set designer

Favourite of wealthy clients known as the ‘architect of illusion’

Renzo Mongiardino in his studio, where he created
designs for some of Italy's finest houses

Lorenzo ‘Renzo’ Mongiardino, who became Italy’s leading classic interior designer and a creator of magnificent theatre and film sets, died in Milan on this day in 1998.

He was 81 years old and had never fully recovered from an operation the previous November to install a pacemaker.

Mongiardino, who was nominated for two Academy Awards for Best Art Direction during his career, worked on interior design for an international clientele that included the industrialist and art collector Baron Hans Heinrich Thyssen-Bornemisza, the business tycoons Aristotle Onassis and Gianni Agnelli, the former Russian prince Stanisław Albrecht Radziwiłł and his socialite wife Lee Radziwill, the fashion designer Gianni Versace, the Lebanese banker Edmond Safra, the Rothschild family and the Hearst family.

Nonetheless, he habitually rejected his reputation as the eminence grise of interior design. ''I'm a creator of ambiance, a scenic designer, an architect but not a decorator,'' he once said.

The only son of Giuseppe Mongiardino, a theatre impresario who introduced colour television to Italy, Mongiardino grew up in an 18th-century palazzo in Genoa and attributes his fascination with houses to the memory of standing with his mother in the palace’s vast entrance hall and hearing her lament how difficult it would be to furnish.

A detail from Gianni Versace's Rome residence, in
Via Appia Antica, which Mongiardino decorated

It sparked his imagination and a desire to study design and architecture, although his parents insisted he enrolled at university to study law. Only after he failed numerous exams did they relent and allow him to abandon law in favour of architecture, in which his marks were outstanding.

As an architecture student in 1930s Milan he was exposed to the new orthodoxies of the Modern Movement, but, fortified by his belief in the classicism of the family home, he resisted their pull.

A man whose appearance prompted the New York Times to describe him as a “scholarly bohemian whose noble profile and fastidiously combed fan-like beard gave him an uncanny resemblance to Giuseppe Verdi”, Mongiardino's distinguished career in theatre and film set design included the 1964 Covent Garden production of Tosca, starring Maria Callas and La Traviata at La Fenice in 1972, directed by Giancarlo Menotti.

Later, Mongiardino moved into the cinema, collaborating especially with Franco Zeffirelli on films such as The Taming of the Shrew (1967), Romeo & Juliet (1968) - for both of which he was nominated for an Academy Award - and Brother Sun, Sister Moon (1971). He also decorated Zeffirelli’s house in Positano.

Mongiardino in a sauna he designed for a house in Turin
known as the Fetta di Polenta for its unusual shape 

His first design project outside theatre sets was a house for his sister. In early 1950s, he accepted a friend's offer to decorate an apartment and felt he had found his vocation.

Though he was not against the use of rare fabrics and expensive antiques, ingenious fakery was a consistent element of Mongiardino's decors, hence the description once given to him of “the architect of illusion”.

Although money was not an object for many of his clients, he was more interested in the effects he could create than the materials he was using and maintained a loyal stable of painters, carpenters, gilders and model makers assembled in his theatrical work, who brought the tricks of the stage trade to their work on houses.

Consequently, intricate mosaics were often nothing more than paint and supposedly marble walls were actually layered with marble-pattern paper. One of his trusted artisans was expert at recreating the look and feel of materials such as Cordoba leather with the help of pressed cardboard and felt-tip pens.

At the time of his death, Mongiardino was working on two big projects. One was an ideal city in the tradition of Urbino or Pienza, for which he had the backing of a group of Italian businessmen. The other was the faithful reconstruction of La Fenice opera house in Venice, which had been gutted by fire in 1996 and was being restored by the architect Gae Aulenti. 

The Doge's Palace is one of many grand buildings
in the wealthy Ligurian city of Genoa

Travel tip:

The port city of Genoa, the capital of the Liguria region, boasts many fine buildings thanks to the wealth generated by its history as a powerful trading centre and later by the growth of its shipyards and steelworks. Many of those buildings have been restored to their original splendour, of which the Doge's Palace, the 16th century Royal Palace and the Romanesque-Renaissance style San Lorenzo Cathedral are just three examples.  The area around the restored harbour area offers a maze of fascinating alleys and squares, enhanced recently by the work of Genoa architect Renzo Piano, and a landmark aquarium, the largest in Italy.

The rectorate of the Politecnico di Milano in Piazza
Leonardo da Vinci

Travel tip:

The Politecnico di Milano - the Polytechnic University of Milan - from which Mongiardino graduated, is the largest technical university in Italy, with about 42,000 students. Founded in 1863, it is the oldest university in Milan. It has two main campuses in Milan city, plus other satellite campuses in Como, Lecco, Cremona, Mantua and Piacenza. The central offices and headquarters are located in the historical campus of Città Studi in Piazza Leonardo da Vinci in Milan. According to the World University Rankings, it is in the top 10 in the world for both design and architecture.

More reading:

Gio Ponti, the visionary of design who helped shape modern Milan

How Gae Aulenti blazed a trial for women in Italian design

Renzo Piano - the Genoese architect behind the Shard and the Pompidou Centre

Also on this day:

1728: The birth of opera composer Niccolò Piccinni 

1749: The birth of playwright and poet Count Vittorio Alfieri

1957: The death of conductor Arturo Toscanini


Home 

Paolo Vaccari - rugby player

Italy’s second all-time highest try scorer

Paolo Vaccari played 64 times for the Italian
national rugby team, scoring 22 tries

The rugby player Paolo Vaccari, who scored 22 tries for the Italian national team in a 64-cap career, was born on this day in 1971 in Calvisano, a town in Lombardy about 30km (19 miles) southeast of Brescia.

A versatile back equally adept at wing, centre or full-back, Vaccari was regarded as a strong defender and an intelligent and technically-sound back who frequently created scoring opportunities for players around him.

Although he was good enough to be selected for the renowned Barbarians invitational XV against Leicester Tigers in 1998, he played all his domestic rugby in Italy, enjoying great success.

He won the double of Italian Championship and Cup with Milan Rugby in 1994-95 and was a title-winner for the second time with his home club Calvisano 10 years later, during a run in which Calvisano reached the Championship final six years in a row, from 2001-06.

Vaccari had won his second Italian Cup medal with Calvisano in 2003-04.

In international rugby, his proudest moment was undoubtedly scoring Italy’s fourth try in their historic 40-32 victory over reigning Five Nations champions France in the final of the FIRA Cup in Grenoble in 1997.

Vaccari's father was one of the founders
of Calvisano's rugby club

It was the first time the azzurri had beaten France and was a significant result in their bid to be admitted to the top table of international rugby in the northern hemisphere, a campaign that bore fruit in 2000 when they were admitted to the expanded Six Nations Championships.

He had also participated in Italy’s first victory over a British team, in a warm-up match for the 1995 World Cup, when the azzurri defeated Ireland in Treviso.

Injury caused him to miss Italy’s first match in the Six Nations, against Scotland in Rome in 2000, but he was present to contribute to another historic victory against Wales - their first against the Dragons - in Rome in the 2003 tournament.  He retired from international rugby the same year. Only Marcello Cuttitta, another winger, has scored more tries for Italy.

As a native of Calvisano, Vaccari was destined to become a rugby player.  The agricultural town in the flat Po plain has become a stronghold of Italian rugby, their team winning the Italian Championship six times.

His father was Gianluigi Vaccari, who along with Alfredo Gavazzi and Tonino Montanari founded the Calvisano club in 1970.

Paolo began to play with the oval ball virtually as soon as he could walk, dreaming of wearing the yellow and black jersey of the Calvisano team.

Vaccari scored in Italy's historic victory over France in
the 1997 FIRA Cup in Grenoble

He became adept so quickly that his coach pitched him into a competitive junior match a year before he reached 13 years old - the minimum legal age - by picking him under the name of another player who was the correct age.  Vaccari’s first-team debut came in February 1987 - two weeks after his 16th birthday.

He made his international debut in the summer of 1991 as Italy toured Namibia and was selected for the first of his three Rugby World Cups the same year, scoring a try in a 30-9 victory over the United States and playing at historic Twickenham for the first time as Italy lost 36-6 to a strong England team, before taking part in a creditable azzurri performance against the formidable New Zealand All Blacks, who came out 31-21 winners.

In 1993, after six years in Calvisano’s first XV, Vaccari joined Amatori Milano - then owned by media magnate, AC Milan owner and future prime minister Silvio Berlusconi and playing as Milan Rugby.

The attraction was to play alongside the likes of Italy’s Argentina-born fly half Diego Dominguez, the twins Massimo and Marcello Cuttitta, Franco Properzi and Massimo Giovanelli in a star-studded line-up. It was a testament to Vaccari’s standing in the game by that time that he was hired as a replacement for the great Australian David Campese.

Vaccari helped Calvisano win the Italian
Championship for the first time in 2005

Milan were beaten by L’Aquila in the Championship final in Vaccari’s first season but the following year, further strengthened by the arrival of another great Australian in Michael Lynagh, won the Championship-Cup double.

Vaccari subsequently received offers to play club rugby in South Africa but declined, partially because by then he was studying at the Politecnico di Milano and did not want to abandon his studies.

Instead, he returned in 1995 to his home club, Calvisano, where he would play for the remainder of his career.

As a member of the team that won Calvisano’s first Italian Championship in 2004-05 on their fourth consecutive appearance in the final, defeating Benetton Treviso, he remains a club legend.

Nowadays, a qualified architect, Vaccari is a member of the council of the Italian Rugby Federation.

Married to Azzurra and the father of two children - Martina and Leonardo - Vaccari is a vintage car enthusiast. In fact, he took part in the 2011 edition of the Mille Miglia, once a major endurance event in motor racing but now a festival of classic and vintage cars.

One of the gates that remain from Calvisano's
historic military fortifications

Travel tip:

Calvisano, a town of around 8,500 residents which has roots in Roman times, was something of a military stronghold in the 14th century, when it figured in the struggle between the warring Guelphs and the Ghibellines, who took shelter from their enemies in the town’s castle. In the first half of the 15th century, it became drawn into another fight between rival families as the Visconti and Serenissima battled for the control of the territory corresponding to the current province of Brescia.  Parts of the original fortification remain, including two gates, one to the north and the other to the south. The latter, adjoining Piazza Caduti, is surmounted by the Torre Civica.

Find a hotel in Calvisano with tripadvisor

Treviso is a city of canals, although on a
somewhat smaller scale than Venice

Travel tip:

Treviso, another major centre for rugby in Italy, is known to many visitors to Italy as the ‘second’ airport of Venice, yet it is an attractive city worth visiting in its own right, rebuilt and faithfully restored after the damage suffered in two world wars. Canals are a feature of the urban landscape – not on the scale of Venice but significant nonetheless – and the Sile river blesses the city with another stretch of attractive waterway, lined with weeping willows. The arcaded streets have an air of refinement and prosperity and there are plenty of restaurants, as well as bars serving prosecco from a number of vineyards. The prime growing area for prosecco grapes in Valdobbiadene is only 40km (25 miles) away to the northeast.


More reading:

Andrea lo Cicero - rugby star turned TV presenter

Flavio Briatore - the entrepreneur behind the Benetton brand

Brescia's finest sportsman? - the AC Milan and Italy great Franco Baresi

Also on this day:

1623: The death of Venetian historian and statesman Paolo Sarpi

1926: The death of classic Neapolitan songwriter Giambattista De Curtis

1935: The birth of football coach Gigi Radice


Home

Alberico Gentili – international lawyer

Academic gave the world its first system of jurisprudence

Alberico Gentili moved to London after
becoming a Protestant

Alberico Gentili, who is regarded as one of the founders of the science of international law, was born on this day in 1552 in San Ginesio in the province of Macerata in Marche.

He was the first European academic to separate secular law from Roman Catholic theology and canon law and the earliest to write about public international law.

He became Regius Professor of Civil Law at the University of Oxford in England and taught there for 21 years.

Gentili graduated as a doctor of civil law in 1572 from the University of Perugia but was exiled from Italy in 1579 and eventually went to live in England because he became a Protestant.

He taught at Oxford from 1581 until his death in 1608 and became well-known for his lectures on Roman law and his writing on legal topics.

In 1588 Gentili published De jure belli commentatio prima - First Commentary on the Law of War. This was revised in 1598 to become Three Books on the Law of War, which contained a comprehensive discussion on the laws of war and treaties.

Gentili advised Queen
Elizabeth I of England

Gentili believed international law should comprise the actual practices of civilised nations, tempered by moral, but not specifically religious, considerations.

Although he rejected the authority of the church, he used the reasoning of the canon law as well as the civil law whenever it suited his purpose.

The Dutch jurist Hugo Grotius, who wrote On the Law of War and Peace in 1625, drew extensively on Gentili’s work.

Legal scholars say Gentili was the first to attempt to provide the world with anything like a regular system of natural jurisprudence.

In 1584 Queen Elizabeth I’s ministers called on Gentili and another expert in international law, Jean Hotman, to advise them on how to deal with the Spanish ambassador in London, Don Bernardino de Mendoza, who was implicated in a conspiracy against the Queen.

De Mendoza was suspected of being involved in the Throckmorton Plot, which was a conspiracy to replace Elizabeth on the throne with her Catholic cousin, Mary Queen of Scots and to restore Catholicism to England.

The Church of St Helen Bishopsgate in the City of
London, where Gentili is buried

Elizabeth’s Privy Council wanted De Mendoza tried for treason but they weren’t sure of the legality of this move.

Gentili and Hotman’s legal advice was that ambassadors were protected by diplomatic immunity ‘infallibly within the sanctuarie of the lawe of nations.’ They said the Privy Council’s only recourse was to order the recall of De Mendoza. Their advice was followed and when Mendoza ignored the order, he was transported to Calais.

From about 1590 Gentili practiced in the High Court of Admiralty in London where continental civil law rather than common English Law was applied.

In 1600 he was called to the Honourable Society of Gray’s Inn, one of the four Inns of Court in London.

Gentili died in London in 1608 and was buried in the Church of St Helen Bishopsgate in the City of London.

The square in the centre of San Ginesio in the Marche
region, where Gentili was born

Travel tip:

San Ginesio, where Gentili was born, is a town of 3,500 inhabitants in the province of Macerata in the Marche region, about 60 km (37 miles), southwest of Ancona. It is surrounded by imposing 14th century castle walls with all the defensive structures of the period still visible.  Buildings of note in the town include the Ospedale dei Pellegrini - The Hospital of the Pilgrims of St. Paul - a 13th century building with a low-column portico and loggia,and the Collegiate Church of San Ginesio, which has a noteworthy  terracotta decoration attributed to Enrico Alemanno, the only Florentine gothic style work in the Marche region.

The Piazza della Repubblica in Perugia

Travel tip:

Gentili graduated from the 14th century University of Perugia, in the capital city of the region of Umbria. A stunning sight on a hilltop, Perugia, which was one of the main Etruscan cities of Italy, is also home to a second university for foreign students learning Italian.  Some 34,000 students bolster the population each year. Perugia is a notable centre for culture and the arts, hosting the world-renowned Umbria Jazz Festival each July. It also hosts a chocolate festival – Perugia being the home of the Perugina chocolate company, famous for Baci.  The artist Pietro Vannucci, commonly known as Perugino, lived in nearby Città della Pieve and was the teacher of Raphael.


More reading:

The medieval lawyer who wrote more than 3,000 opinions

Giuseppe 'Peppino' Prisco - lawyer and football administrator

The feast day of Ercolano, patron saint of Perugia

Also on this day:

1451: The birth of Franchino Gaffurio

1883: The birth of dress designer Nina Ricci

1919: The birth of political survivor Giulio Andreotti


Home

Veronica De Laurentiis - actress and author

Turned personal torment into bestselling book

Veronica De Laurentiis has become a fervent campaigner
against domestic violence because of her own experiences

The actress and author Veronica De Laurentiis, the daughter of legendary film producer Dino De Laurentiis and actress Silvana Mangano, was born on this day in 1950 in Rome.

Although she still works in film and TV, she is best known as a campaigner against domestic violence and the author of the bestselling book Rivoglio la mia vita (I Want My Life Back), which revealed details of the attacks she was subjected to in her first marriage. Her then-husband was subsequently jailed for 14 years.

Veronica De Laurentiis was cast in the blockbuster movie Waterloo - produced by her father - when she was just 18, alongside the great actors Rod Steiger and Christopher Plummer.

She married young, however, and after the birth of her first child, Giada - now well known as a TV cook in the United States - decided to suspend her acting career in order to focus on parenthood.

Her mother, the actress Silvana Mangano,
was a star of postwar Italian cinema

With her husband, she lived in Italy until after the birth of her third child, at which point they moved to America, living first in Florida, then New York and finally in Los Angeles.

They divorced four years after the birth of their fourth child, after which Veronica sustained herself by setting up a fashion design studio in Los Angeles, where she spent 12 years designing and making clothes.

At the same time she was undergoing therapy, the culmination of which was a book, published in 2006, the shocking revelations in which saw it rocket to the top of the Italian bestseller lists.

Rivoglio la mia vita not only described the violence she suffered in her marriage and the torment that followed her daughter’s revelation that she had been abused, as well as the personal guilt she felt at being unaware that it was going on.

De Laurentiis also wrote about her mother’s depression and the suicide attempt that she helped her father avert at the age of 14, but also about her life in the family villa near the Via Appia Antica in Rome and the aggressive, controlling nature of her father, not only over her mother’s career but her own.

Dino De Laurentiis, who died in 2010, opposed the publication of the book, telling Veronica she should not “wash the family’s linen in public” but she believed she had to go ahead.

Veronica's father, the film producer Dino
De Laurentiis, opposed her book

Nowadays, married again, she has returned to acting and does some television work, but devotes much time to touring Italy speaking to women about rape, abuse, and the importance of speaking out.

She wrote a second book - Riprenditi La Tua Vita – Le otto chiavi di Veronica  (Take Back Your Life - Veronica’s Eight Keys), published in 2009.

She set up a group in Los Angeles in which she encourages women to come forward and tell their stories and began a foundation to fight domestic violence in Italy.  The first “Silvana Mangano Centre” for the victims of domestic abuse, named in honour of her mother, opened in 2011 in Formia in Lazio, midway between Rome and Naples.

Formia is now a modern port on the coast between Rome
and Naples but has a rich history

Travel tip:

Situated on the Tyrrhenian Sea coast between Rome and Naples, in Lazio but close to the border with Campania, Formia is a port town with that was a popular resort with the wealthy of Imperial Rome. One of its major attractions is the Tomba di Cicerone, a Roman mausoleum just outside the town which is said to have been built for the great Roman orator Cicero, who was reportedly assassinated on the Appian Way outside the town in 43 BC. Formia is also home to the Cisternone Romano, an underground reservoir built by the Romans. testament to Roman ingenuity.  Other remains include the towers of the forts of Mola and Castellone, once two neighbouring villages. The generally modern feel of much of the resort and harbour today is down to a bombardment suffered during the Second World War, when Formia was a point on the German army’s Gustav Line and suffered heavy damage during the Allied invasion.

The Via Antica Appia passes through
the ancient port of Terracina

Travel tip:

The Via Appia Antica - the Appian Way - is the ancient Roman road that linked Rome with the port of Brindisi some 550km (340 miles) away in the southeast corner of the peninsula. Beginning at Porto San Sebastiano, two miles south of the Colosseum, while some of the road is open to traffic other sections are preserved in their original form, passing through pleasant parkland, and there are numerous catacombs, tombs and other ruins along the way.  It offers a quieter experience to visitors to Rome, away from the inevitably thronged centre. From Rome, the road followed a straight route to Terracina, followed the coast through Formia and then diverted inland through Capua and Benevento before crossing the peninsula to Taranto and on to Brindisi.


More reading:

Dino De Laurentiis - how a pasta trader from Naples helped put Italian cinema on the map

How Silvana Mangano shook off her sex-symbol image

Vittorio Gassman - Italy's 'Olivier'

Also on this day:

1898: The birth of opera singer Carlo Tagliabue

1936: The birth of operatic baritone Renato Bruson

1970: The birth of tragic cycling star Marco Pantani


Home

John Singer Sargent - painter

Celebrated portraitist had lifelong love for Italy

John Singer Sargent, photographed in
1903 by James E Purdy

The painter John Singer Sargent, who was hailed as the leading portraitist of his era but was also a brilliant painter of landscapes, was born on this day in 1856 in Florence.

Although he became an American citizen at the first opportunity, both his parents being American, he spent his early years in Italy and would regularly return to the country throughout his life.

At his commercial peak during the Edwardian age, his studio in London attracted wealthy clients not only from England but from the rest of Europe and even from the other side of the Atlantic, asking him to grant them immortality on canvas.

His full length portraits, which epitomised the elegance and opulence of high society at the end of the 19th century, would cost the subject up to $5,000 - the equivalent of around $140,000 (€122,000; £109,000) today.

Sargent was born in Italy on account of a cholera pandemic, the second to hit Europe that century, which caused a high number of fatalities in London in particular. His parents, who were regular visitors to Italy, were in Florence and decided it would be prudent to stay.

A Sargent portrait of a celebrated
American actress and her daughter

There was always a strong chance that he would be born in Italy. Although his parents had a home in Paris, they were almost constantly travelling to one part of Europe or another in search of culture, and Italy, with its wealth of classical attractions, was a favourite destination.

Sargent’s sister, Mary, was also born in Florence and in time the family decided to stay there, his father relinquishing his position as an eye surgeon in Philadelphia.

The young Sargent did not have a formal education but learned much from his parents, quickly developing an appreciation of art, particularly in Venice, where he studied at first hand the works of Tintoretto, whom he rated an inferior only to Titian and Michelangelo.

By the age of 12, Sargent was already making his own sketches of the scenic wonders of Italy. He received his first organised art instruction from the German landscape painter, Carl Welsch, in Florence but left in 1874 to study in Paris. He was 22 before he made his first visit to the United States, and although he took the opportunity to claim his American citizenship, he immediately returned to Italy.

He spent time in Naples and Capri in 1878 before taking a studio in Venice, from which he painted many views, often of the lesser-known parts of the city and of Venetian people going about their normal daily lives. Where many painters focused on the places that attracted tourists, and did very well as a result, Sargent was more interested in the real Venice.

Sargent's impressionist-style watercolour of the Scuola di San
Rocco in Venice, noted for its collection of Tintoretto paintings

Among his Venetian scenes, his Scuola di San Rocco (c. 1903) marks Sargent as one of the finest watercolour painters of all time.

He found his own best commercial opportunities lay in Paris, and subsequently London, however, and portrait-painting became the driving force of his career.

His gift was in his ability to make each portrait somehow unique, despite the repetitive nature of the work. He managed to find something different about every sitter, could use props and background to suggest their class or occupation, and specialised in capturing his subjects in off-guard moments, rather than formal poses, to evoke a sense of their nature.

But portraits were not really what he wanted to do and, in 1910, having grown wealthy, Sargent gave up portraiture and devoted the rest of his life to painting murals and Alpine and Italian landscapes in watercolour.

Sargent's watercolour of the church of Santa Maria della Salute

Travel tip:

The great Baroque church of Santa Maria della Salute was one of Sargent’s favourite churches in Venice. Standing at the entrance to the Grand Canal and supported by more than a million timber piles, it was built to celebrate the city’s deliverance from the plague that claimed the lives of 46,000 Venetians in 1630. It is one of the most imposing architectural landmarks in Venice and has inspired painters such as Canaletto, Turner and Guardi. The interior consists of a large octagonal space below a cupola with eight side chapels. There are paintings by Titian and Tintoretto and a group of statues depicting the Virgin and Child expelling the plague by the Flemish sculptor, Josse de Corte.

Sargent's impression of a gondola passing beneath the Rialto

Travel tip:

The Rialto Bridge, of which Sargent sought different aspects, is the oldest of the four bridges spanning the Grand Canal in Venice, connecting the sestieri of San Marco and San Polo. Originally built as a pontoon bridge in 1181, and called Ponte della Moneta after the city’s mint, which stood near its eastern entrance, it was rebuilt several times, first in 1255, when it was replaced with a wooden bridge to cope with extra traffic generated by the development of the Rialto market. It had two inclined ramps meeting at a movable central section, that could be raised to allow the passage of tall ships. The rows of shops along the sides of the bridge were added in the first half of the 15th century. It was replaced by a stone bridge after once burning down and twice collapsing under the weight of people.

More reading:

Tintoretto, the dyer's son whose work adorns Venice

Titian, the giant of Renaissance art

The Festival of Madonna della Salute, when Venetians celebrate their deliverance from the plague

Also on this day:

1562: The birth of Charles Emmanuel I, Duke of Savoy

1751: The birth of Ferdinand I of the Two Sicilies

1848: Sicily rebels against the Bourbons


Home

The 1693 Sicily earthquake

Devastation that led to architectural rebirth

An engraving dated at 1696 is thought to depict ruined
buildings in Catania after the 1693 earthquake

A huge earthquake destroyed or severely damaged scores of towns and cities in Sicily on this day in 1693, killing more than 60,000 people.

Records say the tremor struck at around 9pm local time and lasted about four minutes.  It was mainly confined to the southeast corner of the island, with damage also reported in Calabria on the Italian mainland and even on Malta, 190km (118 miles) away.

Although it is an estimate rather than a verifiable figure, the earthquake has been given a recorded magnitude of 7.4, which makes it the most powerful in Italian history, although in terms of casualties it was eclipsed by the earthquake that destroyed much of Messina and Reggio Calabria in 1908, with perhaps up to 200,000 killed.

By another measure, the Mercalli intensity scale, it was awarded a score of XI, the maximum.  The Mercalli scale, devised in 1902, judges a quake’s severity by the intensity of shaking. The XI rating given to the 1693 event may well reflect accounts such as that offered by Vincentius Bonajutus, published in the Philosophical Transactions of the Royal Society, who wrote that "It was in this country impossible to keep upon our legs, or in one place on the dancing Earth; nay, those that lay along on the ground, were tossed from side to side, as if on a rolling billow."

The Palazzo Ducezia, designed by Vincenzo Sinatra, is one
of the Sicilian Baroque palaces in the rebuilt city of Noto

At least 70 towns and cities - including Catania, Syracuse (Siracusa), Noto and Acireale - were either very badly damaged or destroyed, with an area of 5,600 sq km (2,200 sq mi) affected.

Locally recorded counts of the dead indicate that there were probably more than 60,000 people killed. Around 12,000 of those - two thirds of the city’s population - were in Catania alone.

More damage and deaths occurred before the main earthquake in a powerful foreshock on January 9, itself with an estimated magnitude of 6.2, and as a result of tsunamis that devastated the coastal villages on the Ionian Sea and in the Straits of Messina.

The exact position of the epicentre remains unknown, although it was probably close to the coast, or slightly offshore, between Catania and Syracuse.  The tsunamis that followed affected some but not all coastal settlements. One place that did suffer was the port of Augusta, north of Syracuse, where the harbour was left drained when the sea receded, only to be swamped by waves of up to eight metres (26ft) high as the waters surged back.

Stefano Ittar's facade of the Basilica
della Collegiata in Catania

It may seem perverse to talk of good coming from such a catastrophic natural disaster that claimed so many lives, but it is an inescapable fact that had it not been for the 1693 earthquake, much of the wonderful architecture that makes the cities of southeast Sicily so attractive today might not exist.

That it does is thanks to the extravagantly wealthy aristocracy that controlled the purse strings on the island, which was then part of the Spanish empire.

After concentrating initially on restoring military defences around the strategically important Syracuse, Augusta, Catania and Acireale, the island’s government began drawing up of plans for the reconstruction of towns and cities.

Some, such as Catania, would be rebuilt to new plans on their existing sites, others such as Syracuse and Ragusa rebuilt following existing layouts, and others moved to new sites and built from scratch, as was the case with Noto and Avola.

In all cases, dozens of local architects were given palaces and churches to build.  Many had trained under the great Baroque architects in Rome and this was their opportunity, with money apparently no object, to recreate the sophisticated Baroque architecture that had become popular in mainland Italy, but had not really reached Sicily.

On such architect was Vincenzo Sinatra, a pupil of Rosario Gagliardi, who had been influenced by Gian Lorenzo Bernini’s work in Rome.  Sinatra was responsible for many of the new buildings in the new city of Noto, including the churches of Monte Vergine and San Giovanni Battista, the Basilica di Santa Maria Maggiore and its Loggiato, and the splendid Palazzo Ducezio (now the town hall).

Their work inspired more local architects to follow suit and between 1730 and 1780 the style that became known as Sicilian Baroque, characterised by typically Baroque curves and flourishes, but often with the addition of grinning masks or chubby cherubs, was at its peak, reflecting the flamboyance of the era.

Although the fashion for neoclassicism changed the thinking of architects on the island towards the end of the 18th century, it is Sicilian Baroque that gives Sicily much of its architectural character even today.

Other notable Sicilian Baroque architects include Andrea Giganti, Guarino Guarini, Stefano Ittar, Andrea Palma and Giovanni Battista Vaccarini.

The facade of the cathedral at Syracuse, which was
rebuilt by Andrea Palma in Baroque style

Travel tip:

As well as its Sicilian Baroque buildings, concentrated on the island of Ortygia, the historic centre linked to the modern city of Syracuse by the Ponte Umbertino, Syracuse is known for its ancient ruins. The Parco Archeologico Neapolis, situated within the city, comprises the Roman Amphitheater, the Teatro Greco and the Orecchio di Dionisio, a limestone cave shaped like a human ear. The Museo Archeologico Regionale Paolo Orsi, meanwhile, exhibits terracotta artifacts, Roman portraits and Old Testament scenes carved into white marble.  Syracuse as a city is listed by UNESCO as a World Heritage Site.

The city of Ragusa occupies a spectacular setting
on a rugged hillside in southeastern Sicily

Travel tip:

Ragusa, the principal city of the province of the same name, which also suffered much damage in the earthquake, is one of Sicily’s most picturesque cities. Set in same rugged landscape with a mix of medieval and Baroque architecture. The older part of the city, the spectacular Ragusa Ibla, is the town that was built on the site of the settlement destroyed in the quake, and is home to the grand Duomo di San Giorgio and the Giardino Ibleo, a public park with churches and fountains that offers stunning views.  Ragusa Ibla may seem familiar to viewers of the TV detective series Inspector Montalbano as the dramatic hillside city in the title sequence. The city streets also feature regular in location filming for the series, based on the books of Andrea Camilleri.



More reading:

How Giovanni Battista Vaccarini left his mark on Catania

The genius of Gian Lorenzo Bernini

Why the Messina earthquake of 1908 is the worst in Italian history

Also on this day:

1944: Mussolini has his son-in-law, Galeazzo Ciano, shot dead by a firing squad

1975: The birth of Matteo Renzi, Italy's youngest PM

1980: The birth of the Giannini sextuplets


Home

Maurizio Sarri - football manager

Chelsea’s former Napoli coach is 60 today

Maurizio Sarri spent more than 20 years working in
global finance before devoting himself to football

The football coach Maurizio Sarri - currently manager of Chelsea in the English Premier League - was born on this day in 1959 in Naples.

Sarri, who has an unusual background for a professional football coach in that he spent more than 20 years in banking before devoting himself to the game full-time, took over as Chelsea manager last summer, succeeding another Italian, Antonio Conte.

Previously, he had spent three seasons as head coach at SSC Napoli, twice finishing second and once third in Serie A.  He never played professionally, yet he has now held coaching positions at 19 different clubs.

Sarri was born in the Bagnoli district of Naples, where his father, Amerigo, a former professional cyclist, worked in the sprawling but now derelict Italsider steel plant.  It was not long, however, before the family moved away, however, first to Castro, a village on the shore of Lago d’Iseo, near Bergamo, and then to Figline Valdarno, in Tuscany, his father’s birthplace.

It was there that Sarri grew up and played football for the local amateur team. A centre half, he had trials with Torino and Fiorentina but was deemed not quite good enough for the professional game.

Sarri's Napoli team twice finished runners-up in
Serie A but were unable to overhaul Juventus

Instead, he focussed on a career in banking, finding employment with the prestigious Banca Monte dei Paschi di Siena, which has a history going back more than 500 years. He was held in such high regard as a currency trader he was posted to London, Zurich, Frankfurt and Luxembourg at times.

His love of football remained with him, however, and in 1990 he began coaching alongside his high-flying day job, first with the local amateur team at Stia, a pretty town in the Tuscan-Emilian Apennines, close to the sources of the Arno river.  They were in the eighth tier of the Italian football pyramid.

Sarri left Stia after one season and continued to work with small Tuscan clubs, winning promotion promotion with Faellese, Cavriglia and Antella. When in 2000 he took over at Sansovino, the team representing the historic town of Monte San Savino, near Arezzo, he was so certain he could win promotion to Serie D in his first season he vowed to quit coaching and concentrate on his banking career if they failed.

As it was, they were promoted and he decided instead to quit banking, relinquishing a good salary and job security to focus full time on football.

Sarri achieved promotion with
several small clubs in Italy

The decision looked a good one when he achieved more promotion success with another Tuscan club, Sangiovannese, whom he took to Serie C1, but less so over the following few years when spells in Serie B with Pescara, Arezzo (where he succeeded - and was replaced by - Antonio Conte, ironically), Verona and Perugia, and even a return to the lower tiers with Grosseto, Alessandria and Sorrento, yielded largely frustration and several sackings.

Sarri’s big break came in the summer of 2012 when, six months after being dismissed by Sorrento, he was hired as coach by Fabrizio Corsi, the chairman of ambitious Tuscan Serie B club Empoli, who judged that Sarri was a technically gifted coach who, given a squad of better quality than some of those he had worked with, would be able to achieve success.

His assessment was correct. Corsi backed him with some strong signings and, after just missing promotion in his first season in charge, when Empoli were beaten in the play-off final, Sarri led the team directly to Serie A at the second attempt.

After keeping Empoli safely in the top flight in the 2014-15, Sarri was taken on by Napoli, the club of the city of his birth, of which he had been a lifelong fan.  It seemed a bold choice to replace the proven Rafa Benitez but, it transpired, a shrewd one.

Having honed to perfection his fluid, attacking 4-3-3 system over the years, Napoli enjoyed three exceptional seasons. Playing the most exciting football in Serie A, Napoli set a club record by scoring 80 goals in the 2015-16 campaign, yet despite selling top scorer Gonzalo Higuain to arch rivals Juventus, surpassed it by a staggering 14 goals - the most scored by any team in one season in Serie A history - the following year.

Sarri is a heavy smoker - even during matches, although at
most grounds regulations do not permit him to do so

They did so thanks to a Sarri masterstroke, converted wide player Dries Mertens into a free-scoring centre forward so that he could invest the €90 million from the Higuain sale in other areas of the team.

Napoli were Serie A’s campioni d’inverno - the accolade given to the team top at the halfway stage - twice in Sarri’s three seasons, even though he was never able to hold off Juventus in the late stages of the campaign. His reputation received a further boost, ahead of his move to England, when no less a coach than Manchester City’s Pep Guardiola described Sarri’s Napoli as the “best team I have faced in my career” following their meeting in the Champions League.

Famously a heavy smoker - he would chain-smoke even during matches in Italy - he is married to Marina with one son. He keeps his private life quiet, spending his downtime at his villa on the Italian riviera.

Sarri's assistant manager at Chelsea is the club's former star player, the Sardinian Gianfanco Zola.

The Piazza Marsilio Ficino is the main
square in Figline Valdarno

Travel tip:

Figline Valdarno, situated in the upper reaches of the Arno valley some 35km (22 miles) southeast of Florence, is an historic town that was a major cultural centre during the Renaissance. The centre is the Piazza Marsilio Ficino, an attractive market square, at the end of which is the church of Santa Maria Assunta, which adjoins the Museum of Sacred Art, in which can be found a panel painting from the late 1400s of the Martyrdom of St. Lawrence, attributed to Cigoli.  An Annunciation painted by the young Cigoli can also be found in the Chapel of the Villa San Cerbone, where the refectory contains a Last Supper by Giorgio Vasari.  L'Antico Caffe Greco, in the centre, is run by a Napoli supporter, Agostino Iaiunese.

The Loggia dei Mercanti in Monte San Savino, where
Sarri enjoyed success with the local team, Sansovino

Travel tip:

Perched on a mountain that overlooks the Esse Valley, about 22km (14 miles) southwest of Arezzo and inhabited since the Etruscan period, Monte San Savino, where Maurizio Sarri coached the local team to promotion, was the home of the notable 15th century sculptor and architect Andrea Sansovino, who lived in the town’s most prosperous era. Relics of that golden period include the Porta Fiorentina, the striking Sanctuary of Santa Maria delle Vertighe, several picturesque small churches, the Palazzo Di Monte, the Logge dei Mercanti and an impressive Synagogue. The town has an annual porchetta festival to celebrate the traditional Tuscan speciality of slow-roasted pig.



More reading:

The southern Italian roots of top coach Antonio Conte

Why Chelsea fans rate Gianfranco Zola their greatest player of all time

Ottavio Bianchi - the northerner who steered Maradona's Napoli to the club's first Serie A title

Also on this day:

987: The death of powerful Venetian Doge Pietro Orseolo

1890: The birth of silent movie star Pina Menichelli

1903: The birth of car designer Flaminio Bertoni


Home