Showing posts with label Treviso. Show all posts
Showing posts with label Treviso. Show all posts

26 April 2022

Tommaso Allan - rugby player

Ex-Treviso star has won 61 international caps

Tommaso Allan in the green colours of Benetton Treviso, his home for five years
Tommaso Allan in the green colours of
Benetton Treviso, his home for five years
The rugby player Tommaso Allan, who has won 61 international caps for the Italy rugby union team since his debut in 2013, was born on this day in 1993 in Vicenza.

A specialist fly-half, Allan is third in the all-time points scoring chart for the Azzurri, having amassed a total of 327 points, including 12 tries and 54 conversions.  Only Diego Dominguez and Stefano Bettarello, both of whom also played at fly-half, scored more points for the national team in their careers.

Currently playing for Harlequins in the English Premiership, Allan spent five seasons playing for Benetton Treviso, one of Italy’s most famous and successful clubs.

Allan was born into a rugby-playing family. His mother, Paola Berlato, was herself an international player, with four caps for the Azzurre at scrum half; his father, William, born in Scotland, spent two years playing for the rugby team of Thiene, a small city in Vicenza province. His father’s brother, John, won nine international caps for Scotland and 13 for South Africa.

Tommaso began playing himself at around the age of six, training at the Petrarca Padova youth academy. 

His father’s career, however, meant that the family left Italy and Allan acquired his rugby education in England, training with the London Scottish and Wasps academies, and then in South Africa where, in 2012, he was a member of the Western Province under-19 team that won the Currie Cup. 

When his father took the family back to Scotland, Tommaso’s dual passport status meant he was eligible for Scotland’s junior teams and he was selected at under-17, under-18 and under-20 levels, competing in both the World Cup and the Six Nations at youth level. 

Allan being interviewed after his Harlequins debut
Allan being interviewed after
his Harlequins debut
He began his club career in France with Perpignan, for whom he made his debut in 2013. Among his teammates was Tommaso Benvenuti, a member of the Italy national team, while the club’s assistant coach was another Italian, Ciccio De Carli. 

They noted his talent and brought him to the attention of Jacques Brunel, the Frenchman who was then Italy’s coach. 

When Brunel named Allan in his 35-man training squad for the 2013 Tests against Australia, Fiji and Argentina, the player had to make a choice between playing for Italy or Scotland at senior level. 

Ultimately, he decided that the opportunity to play international rugby at the age of 20 was something he could not turn down and opted for the Azzurri, making his debut in the match against Australia, coming off the bench to score.

The following year he made his debut in the Six Nations championship, playing for Italy against Wales, France and Scotland. Thereafter, he became a regular in the Azzurri line-up. The following year he was a member of the Italy team that defeated Scotland at Murrayfield in the Six Nations, only the country’s second victory away from Italian soil since they were admitted to the Six Nations in 2000.

After that 2015 victory, Italy went another seven years without recording a single success, home or away, in the competition. The run ended when they beat Wales by a single point in Cardiff in March, 2022.

Allan in action for the Italy national team
Allan in action for the
Italy national team
Allan returned to his native country to play club rugby in 2016, when he signed for Benetton Treviso, one of Italy’s most famous clubs and national champions 15 times.

He made Treviso his home, settling there with his girlfriend, Benan, a Turkish-born student he had met on holiday in Barcelona. 

After sharing an apartment near Benetton Treviso’s base at the Ghirada sports complex south of Treviso, they were married at the Villa Condulmer, a 17th-century Venetian villa built in the Palladian style near Mogliano Veneto, a town between Treviso and Mestra.

While Tommaso pursued his career, Benan, who specialises in neurosciences, continued her education at the University of Padua, where she obtained a PhD. 

Allan left Benetton Treviso in 2021 to join Harlequins, who play at The Stoop, their home in Twickenham, South West London. He told the current Italy coach, the New Zealander Kieran Crowley, not to consider him for selection while he gives full attention to establishing himself in the Premiership but has not ruled out a return to international duty.

UPDATE: Since this article was written, Allan has increased his number of Italy caps to 80 and his points tally to 501, moving him up to second in the all-time chart behind Dominguez. He has also rejoined the French club, Perpignan.

The Piazza dei Signori is Vicenza's main square, attraction thousands of visitors in the summer
The Piazza dei Signori is Vicenza's main square,
attraction thousands of visitors in the summer
Travel tip: 

Known as both the city of Palladio and, on account of its historical trade in precious metals, the ‘city of gold’, Tommaso Allan’s home city of Vicenza is one of the gems of Italy’s Veneto region, with a centre rich in beautiful architecture, much of which has been built or influenced by the 16th century architect Andrea Palladio, who also left his mark on the area by building many impressive villas in the countryside around Vicenza. The most famous of these is the symmetrically four-sided Villa Almerico Capra, commonly known as La Rotonda. There are some 23 buildings in the city itself that were designed by Palladio, including perhaps the city’s most popular attraction, the Teatro Olimpico, which was his last work.

Canals are a feature of Treviso's urban landscape
Canals are a feature of
Treviso's urban landscape
Travel tip:

For many visitors to Italy, Treviso is no more than the name of the airport at which they might land en route to Venice, yet it is an attractive city worth visiting in its own right, rebuilt and faithfully restored after the damage suffered in two world wars. Canals are a feature of the urban landscape – not on the scale of Venice but significant nonetheless – and the Sile river blesses the city with another stretch of attractive waterway, lined with weeping willows. The arcaded streets have an air of refinement and prosperity and there are plenty of restaurants, as well as bars serving prosecco from a number of vineyards. The prime growing area for prosecco grapes in Valdobbiadene is only 40km (25 miles) away to the northeast.



Also on this day:

1538: The birth of painter Gian Paolo Lomazzo

1575: The birth of Maria de’ Medici, Queen of France

1925: The birth of chocolatier Michele Ferrero

1977: The birth of astronaut Samantha Cristoforetti 


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15 January 2019

Paolo Vaccari - rugby player

Italy’s second all-time highest try scorer


Paolo Vaccari played 64 times for the Italian  national rugby team, scoring 22 tries
Paolo Vaccari played 64 times for the Italian
national rugby team, scoring 22 tries
The rugby player Paolo Vaccari, who scored 22 tries for the Italian national team in a 64-cap career, was born on this day in 1971 in Calvisano, a town in Lombardy about 30km (19 miles) southeast of Brescia.

A versatile back equally adept at wing, centre or full-back, Vaccari was regarded as a strong defender and an intelligent and technically-sound back who frequently created scoring opportunities for players around him.

Although he was good enough to be selected for the renowned Barbarians invitational XV against Leicester Tigers in 1998, he played all his domestic rugby in Italy, enjoying great success.

He won the double of Italian Championship and Cup with Milan Rugby in 1994-95 and was a title-winner for the second time with his home club Calvisano 10 years later, during a run in which Calvisano reached the Championship final six years in a row, from 2001-06.

Vaccari had won his second Italian Cup medal with Calvisano in 2003-04.

In international rugby, his proudest moment was undoubtedly scoring Italy’s fourth try in their historic 40-32 victory over reigning Five Nations champions France in the final of the FIRA Cup in Grenoble in 1997.

Vaccari's father was one of the founders of Calvisano's rugby club
Vaccari's father was one of the founders
of Calvisano's rugby club
It was the first time the azzurri had beaten France and was a significant result in their bid to be admitted to the top table of international rugby in the northern hemisphere, a campaign that bore fruit in 2000 when they were admitted to the expanded Six Nations Championships.

He had also participated in Italy’s first victory over a British team, in a warm-up match for the 1995 World Cup, when the azzurri defeated Ireland in Treviso.

Injury caused him to miss Italy’s first match in the Six Nations, against Scotland in Rome in 2000, but he was present to contribute to another historic victory against Wales - their first against the Dragons - in Rome in the 2003 tournament.  He retired from international rugby the same year. Only Marcello Cuttitta, another winger, has scored more tries for Italy.

As a native of Calvisano, Vaccari was destined to become a rugby player.  The agricultural town in the flat Po plain has become a stronghold of Italian rugby, their team winning the Italian Championship six times.

His father was Gianluigi Vaccari, who along with Alfredo Gavazzi and Tonino Montanari founded the Calvisano club in 1970.

Paolo began to play with the oval ball virtually as soon as he could walk, dreaming of wearing the yellow and black jersey of the Calvisano team.
Vaccari scored in Italy's historic victory over France in  the 1997 FIRA Cup in Grenoble
Vaccari scored in Italy's historic victory over France in
the 1997 FIRA Cup in Grenoble

He became adept so quickly that his coach pitched him into a competitive junior match a year before he reached 13 years old - the minimum legal age - by picking him under the name of another player who was the correct age.  Vaccari’s first-team debut came in February 1987 - two weeks after his 16th birthday.

He made his international debut in the summer of 1991 as Italy toured Namibia and was selected for the first of his three Rugby World Cups the same year, scoring a try in a 30-9 victory over the United States and playing at historic Twickenham for the first time as Italy lost 36-6 to a strong England team, before taking part in a creditable azzurri performance against the formidable New Zealand All Blacks, who came out 31-21 winners.

In 1993, after six years in Calvisano’s first XV, Vaccari joined Amatori Milano - then owned by media magnate, AC Milan owner and future prime minister Silvio Berlusconi and playing as Milan Rugby.

The attraction was to play alongside the likes of Italy’s Argentina-born fly half Diego Dominguez, the twins Massimo and Marcello Cuttitta, Franco Properzi and Massimo Giovanelli in a star-studded line-up. It was a testament to Vaccari’s standing in the game by that time that he was hired as a replacement for the great Australian David Campese.

Vaccari helped Calvisano win the Italian  Championship for the first time in 2005
Vaccari helped Calvisano win the Italian
Championship for the first time in 2005
Milan were beaten by L’Aquila in the Championship final in Vaccari’s first season but the following year, further strengthened by the arrival of another great Australian in Michael Lynagh, won the Championship-Cup double.

Vaccari subsequently received offers to play club rugby in South Africa but declined, partially because by then he was studying at the Politecnico di Milano and did not want to abandon his studies.

Instead, he returned in 1995 to his home club, Calvisano, where he would play for the remainder of his career.

As a member of the team that won Calvisano’s first Italian Championship in 2004-05 on their fourth consecutive appearance in the final, defeating Benetton Treviso, he remains a club legend.

Nowadays, a qualified architect, Vaccari is a member of the council of the Italian Rugby Federation.

Married to Azzurra and the father of two children - Martina and Leonardo - Vaccari is a vintage car enthusiast. In fact, he took part in the 2011 edition of the Mille Miglia, once a major endurance event in motor racing but now a festival of classic and vintage cars.

One of the gates that remain from Calvisano's  historic military fortifications
One of the gates that remain from Calvisano's
historic military fortifications
Travel tip:

Calvisano, a town of around 8,500 residents which has roots in Roman times, was something of a military stronghold in the 14th century, when it figured in the struggle between the warring Guelphs and the Ghibellines, who took shelter from their enemies in the town’s castle. In the first half of the 15th century, it became drawn into another fight between rival families as the Visconti and Serenissima battled for the control of the territory corresponding to the current province of Brescia.  Parts of the original fortification remain, including two gates, one to the north and the other to the south. The latter, adjoining Piazza Caduti, is surmounted by the Torre Civica.

Find a hotel in Calvisano with tripadvisor

Treviso is a city of canals, although on a somewhat smaller scale than Venice
Treviso is a city of canals, although on a
somewhat smaller scale than Venice
Travel tip:

Treviso, another major centre for rugby in Italy, is known to many visitors to Italy as the ‘second’ airport of Venice, yet it is an attractive city worth visiting in its own right, rebuilt and faithfully restored after the damage suffered in two world wars. Canals are a feature of the urban landscape – not on the scale of Venice but significant nonetheless – and the Sile river blesses the city with another stretch of attractive waterway, lined with weeping willows. The arcaded streets have an air of refinement and prosperity and there are plenty of restaurants, as well as bars serving prosecco from a number of vineyards. The prime growing area for prosecco grapes in Valdobbiadene is only 40km (25 miles) away to the northeast.


More reading:

Andrea lo Cicero - rugby star turned TV presenter

Flavio Briatore - the entrepreneur behind the Benetton brand

Brescia's finest sportsman? - the AC Milan and Italy great Franco Baresi

Also on this day:

1623: The death of Venetian historian and statesman Paolo Sarpi

1926: The death of classic Neapolitan songwriter Giambattista De Curtis

1935: The birth of football coach Gigi Radice


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10 October 2018

Andrea Zanzotto - poet

Writer drew inspiration from landscapes of Veneto


Andrea Zanzotto wrote 15 volumes of poetry during his active career, while also teaching
Andrea Zanzotto wrote 15 volumes of poetry
during his active career, while also teaching
Andrea Zanzotto, who was regarded as one of Italy’s greatest 20th century poets, was born on this day in 1921 in Pieve di Soligo, the village near Treviso where he lived almost all of his life. 

Zanzotto, who spent 40 years as a secondary school teacher, wrote 15 books of poetry, two prose works, two volumes of critical articles and translations of French philosophers such as Michaux, Leiris and Bataille.

His first book of poetry, Dietro il paesaggio (1951), won a literary award judged by several noteworthy Italian poets. Critics reserved their greatest acclaim for his sixth volume, La beltà (1968), in which he questioned the ability of words to reflect truth.

Zanzotto, whose verse was consistently erudite and creative, was known for his innovative engagement with language and his fascination with the rugged landscapes of the Veneto, from which he drew inspiration and provided him with much symbolism.

His upbringing was difficult at times because his father, Giovanni Zanzotto, a painter who has trained at the Bologna Academy of Fine Arts, was a committed supporter of the Socialist politician Giacomo Matteotti, who was murdered by Fascist thugs in 1924 a few days after accusing Mussolini’s party of electoral fraud.

Zanzotto had a difficult upbringing in the  Fascist Italy of the 1920s and 1930s
Zanzotto had a difficult upbringing in the
Fascist Italy of the 1920s and 1930s
Fearing for his own safety, Giovanni fled to France in 1925. He returned to the Veneto, taking a job as a teacher in Santo Stefano di Cadore, about 100km (62 miles) north of Pieve di Soligo, not far from the border with Austria, in 1927 and the family reunited there in 1928.

Giovanni, in fact, painted some frescoes in a church in nearby Costalissoio but his campaigning against the Fascists and the collapse of a co-operative that was providing financial support for his family, forced him into exile again in 1931.

Andrea, who had been deeply affected by the death of his younger sister, Marina, became close to his maternal grandmother and an aunt, and began to develop his love of writing. They helped him to see his first work published in 1936.

After completing school, Zanzotto began to focus on a career in teaching but suffered another loss in 1937 when his other sister, Angela, died of typhus. The grief, combined with the fatigue of commuting to college in Treviso, took a toll on his health, yet he obtained his teaching credentials.

Zanzotto enrolled at the University of Padua, where he received his diploma in literature in 1942, with a thesis on the work of the Italian Nobel Prize winner Grazia Deledda, after which he began teaching in Valdobbiadene and then Treviso.

Andrea Zanzotto spent the majority of his 90-year life in Pieve di Solito
Andrea Zanzotto spent the majority of
his 90-year life in Pieve di Solito
In the meantime, having avoided conscription because of severe asthma, he participated in the Italian Resistance, working largely on propaganda publications, and after the war spent some time travelling in Switzerland, France and Spain before returning to Pieve di Soligo where he resumed his work as a teacher.

Zanzotto’s poetry was influenced by his study of European intellectual thought and became notable for his of divergent language, from the lofty lingua aulica of the great poets of the past, notably Petrarch and Dante, to the language of pop songs and advertising slogans.

Dialect was one of Zanzotto’s favourite linguistic registers. Section one of Filò (1976) was written in a pseudo-archaic Venetian dialect. It was composed at the request of Federico Fellini for his film Casanova. Section two, in fact, included a diatribe against the film industry.

Dialectal words and phrases reoccurred in Il Galateo in bosco (1978), the first book of a trilogy completed by Fosfeni (1983) and Idioma (1986), which are regarded among his finest works.

Although a lot of his writing suggested nostalgia for disappearing landscapes, languages and cultures, Zanzotto never lost sight of the present and its possible effects on the future. His later works were increasingly engaged with topical issues such as the effects of the Chernobyl nuclear disaster, the war in Bosnia, and local environmental changes.

He died in October 2011 at the age of 90, survived by his wife, Marisa, to whom he had been married for 52 years, and their children.

The neighbourhood of Cal Santa in Pieve di Solito, where Zanzotto lived for many years in his childhood
The neighbourhood of Cal Santa in Pieve di Solito, where
Zanzotto lived for many years in his childhood
Travel tip:

Pieve di Soligo is a town of some 12,000 inhabitants a little more than 30km (19 miles) north of Treviso, in a plain bordered to the north by the Belluno Prealps. At the heart of the town is the cathedral dedicated to Santa Maria Assunta, a neo-Romanesque monument built in the early 20th century by the architect Domenico Rupolo, who is well known for having designed the fish market by the Rialto bridge in Venice. Along the banks of the Soligo river are two of the oldest parts of the town, including Cal Santa, where Zanzotto spent much of his formative years.

The vine-clad hills around Valdobbiadene, home of Italy's finest Prosecco wines
The vine-clad hills around Valdobbiadene, home of Italy's
finest Prosecco wines
Travel tip:

The picturesque hills around Valdobbiadene, where Zanzotto briefly worked as a supply teacher, are famous for the production of what is generally regarded as the best Prosecco in Italy. It is largely made from Glera grapes and though the name comes from that of the village of Prosecco near Trieste, where the grape and wine originated, the only Prosecco granted DOCG status - the classification granted to superior Italian wines - is produced from grapes grown on the hills between the towns of Conegliano and Valdobbiadene, or from a smaller area around the town of Asolo, a few kilometres south of Valdobbiadene.

More reading:

How Grazia Deledda became the first Italian woman to win a Nobel Prize

The tragic brilliance of Giacomo Leopardi

What the Italian language owes to Petrarch

Also on this day:

1881: The death of missionary Saint Daniele Comboni

1891: The birth of Mafia boss Stefano Magaddino


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6 October 2017

Maria Bertilla Boscardin – wartime nurse

Brave nun was prepared to die caring for others


A depiction of Maria Bertilla Boscardin from Catholic Church literature
A depiction of Maria Bertilla Boscardin
from Catholic Church literature
Maria Bertilla Boscardin, a nun who was canonised for her devoted nursing of sick children and air raid victims in the First World War, was born on this day in 1888 in Brendola, a small town in the Veneto.

She was beatified by Pope Pius XII in 1952, just 30 years after she died, and made a saint by Pope John XXIII nine years later.

It was one of the quicker canonisations of modern history. Sometimes many decades or even hundreds of years pass before a person’s life is recognised with sainthood. 

Boscardin’s came so swiftly that relatives and some of the patients she cared for were present at her canonisation ceremony. Indeed, her father, Angelo, was asked to provide testimony during the beatification process.

Born into a peasant family, who knew her as Annette, her life in Brendola, which is about 15km (9 miles) southwest of Vicenza, was tough.  She was seen as rather a slow-witted child, mocked by her peers and unkindly nicknamed ‘the goose’ even by the local priest. Her father, a drunkard, was often abusive and violent.

She wanted to become educated but her attendance at school was at times only sporadic because her family required her to work.

Her ambition to become a nun was in part to escape from this unhappy childhood.  She was turned down by the first order to which she applied but the Sisters of St Dorothy in Vicenza admitted her to their convent, assigning her the religious name Maria Bertilla.

After a tough upbringing, Maria found her calling as a carer for sick children
After a tough upbringing, Maria found her
calling as a carer for sick children
Her first job was at the order’s large charity hospital in Treviso, where she worked in the kitchen, peeling potatoes.  What she is said to have told the novice-mistress of the convent indicated that she had very low self-esteem but she asked for their help to become a better person.

She found her calling after being assigned to work with the children being treated at the hospital, many of whom were suffering from diptheria, and needed constant attention.

One of the doctors at Treviso later testified that many of the children, separated from their families for the first time, arrived at the hospital so agitated that they would cry constantly for several days.

But Sister Bertilla, he recalled, “succeeded in rapidly becoming a mother to them all. After two or three hours the child, who was desperate, clung to her, calmly, as to his mother and followed her wherever she went.”

When the First World War spread to Italy in 1915, Bertilla vowed she would make the ultimate sacrifice, if necessary, to care for the wounded.  An entry in her diary read: ‘Here I am, Lord, to do according to your will, under whatever aspect it presents itself, let it be life, death or terror.'

As Treviso came under attack following the defeat of the Italian army at the Battle of Caporetto, she is said to have stayed with patients who could not be moved, praying and providing marsala wine for those who needed it.

After the war, she was sent to a sanatorium to care for soldiers with tuberculosis. Next she was sent to a seminary to care for survivors of an epidemic.

The statue of Maria Bertilla Boscardin at the
church of Saints Peter and Paul in Cagnano
She was unlucky with her own health, however.  Discovered to have a tumour in her early 20s, after which she underwent surgery, she fell ill again in her early 30s.

The cancer had recurred. The only hope of a cure was to have another operation. But she was much weaker this time and died in October, 1922, two weeks after her 34th birthday.

Having suffered so much cruelty as a young girl and left home with little sense of self-worth, Maria Bertilla ultimately left a deep impression on those who knew her.

She was initially buried in Treviso but after crowds regularly gathered at her grave, it was decided to erect a tomb for her in Vicenza. A memorial plaque placed on her tomb described her as "a chosen soul of heroic goodness ... an angelic alleviator of human suffering in this place."

The tomb became a pilgrimage site where several miracles of healing were said to have taken place.

A number of churches in the area around Vicenza have been dedicated to Saint Maria Bertilla Boscardin, including one at Via Antonio Federico Ozanam in the west of the city and another in the village of Cagnano, about 40km (25 miles) south of Vicenza, which has a statute of her.

Travel tip:

The house of the Sister Teachers of Santa Dorothea, where Maria Bertilla Boscardin took vows, is located in Contrà San Domenico in Vicenza. It contains a chapel dedicated to her which was built in 1952, in view of her beatification. In the same year the urn containing the remains of the saint, originally buried in Treviso, were placed under the altar table.  In 2002 thanks to architect Paolo Portoghesi the altar - previously in burnished copper - was replaced with one in white marble and the urn containing the remains of the saint was placed in front of it.

Waterways lined with weeping willows are a common sight in Treviso
Waterways lined with weeping willows are a
common sight in Treviso
Travel tip:

For many visitors to Italy, Treviso is no more than the name of the airport at which they might land en route to Venice, yet it is an attractive city worth visiting in its own right, rebuilt and faithfully restored after the damage suffered in two world wars. Canals are a feature of the urban landscape – not on the scale of Venice but significant nonetheless – and the Sile river blesses the city with another stretch of attractive waterway, lined with weeping willows. The arcaded streets have an air of refinement and prosperity and there are plenty of restaurants, as well as bars serving prosecco from a number of vineyards. The prime growing area for prosecco grapes in Valdobbiadene is only 40km (25 miles) away to the northeast.




4 October 2017

Giovanni Battista Piranesi – artist

Genius who put 18th century Rome on the map


Pietro Labruzzi's portrait of Piranesi, thought to have been painted a year after his death
Pietro Labruzzi's portrait of Piranesi, thought
to have been painted a year after his death
Draftsman, printmaker and architect Giovanni Battista Piranesi was born on this day in 1720 in Mogliano Veneto near Treviso in the Veneto.

He became famous for his large prints depicting the buildings of Rome, which stimulated interest in Rome and inspired the neoclassical movement in art in the 18th century.

Piranesi went to Rome to work as a draftsman for the Venetian ambassador when he was 20. There he studied with some of the leading printmakers of the day.

It was during this period that he developed his own, original etching technique, producing rich textures and bold contrasts of light and shadow by means of intricate, repeated bitings of the copperplate.

Among his finest early prints are the Prisons - Carceri - imaginary scenes depicting ancient Roman ruins, which are converted into fantastic dungeons filled with scaffolding and instruments of torture.

Piranesi later opened a workshop in Via del Corso and created the series of vedute - views - of Rome that established his fame.

Piranesi's etching of the Castel Sant'Angelo in Rome
Piranesi's etching of the Castel
 Sant'Angelo in Rome
Among his best mature prints are the series Roman Antiquities (Le antichita romane), Views of Rome (Vedute di Roma) and views of the Greek temples at Paestum.

His accuracy, his technical mastery and his depiction of the dramatic and romantic nature of the structures has made these prints the most original and impressive representations to be found in western art.

He was able to  replicate faithfully the actual remains, provide the missing parts and introduce groups of vases, altars and tombs that were absent in reality.

Many of his prints of Rome were collected by gentleman visiting the city as part of the Grand Tour. His precise observational skills allow people today to experience the atmosphere of Rome as it was in the 18th century, as many of the monuments and decorative details of the buildings he depicted have since disappeared, sometimes having been stolen.

Piranesi was also commissioned to restore the church of Santa Maria del Priorato in the Villa of the Knights of Malta on Rome’s Aventine Hill. He used ancient architectural elements in marble and stone for the façade of the church.

After his death in 1778, he was buried in a tomb inside Santa Priorato, the church he had helped to restore.

The Piazza Caduti in Mogliano Veneto
The Piazza Caduti in Mogliano Veneto
Travel tip:

Mogliano Veneto, where Piranesi was born, is a town in the province of Treviso, about halfway between Mestre and Treviso. It is particularly known for its medieval festival that takes place in the town every year in September. It is a stop on the Venice to Udine railway line and has regular services to Venice, Treviso, Udine and Trieste.

The church of Santa Maria del Priorato on Rome's Aventine Hill
The church of Santa Maria del Priorato on
Rome's Aventine Hill
Travel tip:

The church of Santa Maria del Priorato, where Piranesi is buried, is on the Aventine Hill, the most southern of Rome’s seven hills, which is now an elegant residential part of Rome. The original church was built in 939 but between 1764 and 1766 it was renovated by Piranesi and the Piazza dei Cavaliere di Malta was built in front of the church according to his design. The decorative façade of the church was designed by Piranesi to include emblems and references to the military and naval associations of the Knights of Malta. The way in which they are represented indicates Piranesi’s fascination with Rome’s ancient past.




8 July 2017

Ernest Hemingway – American novelist

War wounds sustained in Italy inspire the great American novel


Hemingway in the uniform he  wore while serving in Italy
Hemingway in the uniform he
wore while serving in Italy
An 18-year-old American Red Cross driver named Ernest Hemingway was severely wounded by shrapnel from an Austrian mortar shell on this day in 1918 at Fossalta di Piave in the Veneto.

Hemingway was taken to a field hospital in Treviso, from where he was transferred by train to a hospital in Milan. While in the hospital and recovering after two operations, he fell in love with his nurse, 26-year-old Agnes von Kurowsky.

His experiences of being wounded in Italy and falling in love later inspired him to write the novel, A Farewell to Arms.

On leaving school Hemingway had worked briefly as a reporter for The Kansas City Star before leaving for the Italian front in World War One to enlist as an ambulance driver.

While stationed at Fossalta di Piave he was bringing chocolates and cigarettes to the men on the front line when he was seriously injured by mortar fire. Despite his own wounds, Hemingway assisted some Italian soldiers to safety, for which he later received the Italian Silver Medal of Bravery.

Hemingway recuperating in hospital in Milan
Hemingway recuperating in hospital in Milan
After his release from hospital, he returned to the United States in January 1919. He and Agnes had agreed to get married in America, but two months later she wrote to say she had become engaged to an Italian army officer.

A Farewell to Arms, which was published in 1929, is a first-person account told by an American, Frederic Henry, who was serving as a lieutenant in the ambulance corps of the Italian Army. The novel focuses on a love affair between Henry and a woman he meets, Catherine Barkley, which is set against the backdrop of the First World War, with its cynical soldiers, combat and the displacement of populations.

A Farewell to Arms was Hemingway’s first best seller and is regarded as the finest American novel to depict World War One.

The Monument to Peace in Fosslalta, where the  memorial to Hemingway can be found
The Monument to Peace in Fosslalta, where the
memorial to Hemingway can be found
Travel tip:

Fossalta di Piave, where Hemingway was injured during the First World War, is a small town situated 64 km (38 miles) north of Venice, which is famous for the wine it produces. There is a memorial to Hemingway overlooking the river Piave.

Travel tip:

Treviso, where Hemingway was taken to hospital after he was wounded, is an historic, walled city in the Veneto region, with picturesque canals and water wheels. It is the headquarters of the clothing firm, Benetton, and is famous for producing Prosecco wine and the vegetable, radicchio.




2 July 2017

Pierre Cardin - fashion designer

Star of Parisian haute couture was born in Italy


Pierre Cardin, pictured in 2009
Pierre Cardin, pictured in 2009
Pierre Cardin, who has been described as the last survivor of the heyday of Parisian haute couture in the 50s and 60s, was born on this day in 1922 in the province of Treviso, north of Venice.

There are differing versions of the story of Cardin’s Italian origins.

One says that his parents were French but had a holiday home in Italy and that he was born in the village of Sant’ Andrea di Barbarana, on the Piave river, where his parents had a house.

Another says that his father was Italian, a labourer, that he was born in another small town in the province, San Biagio di Callalta and that he was the last of 11 children. This version suggests his father was in his 60s when Pierre – christened Pietro – was born.

What is agreed is that the family left Italy for France in 1924, possibly because of his father’s unease at the rise of Mussolini and his opposition to Fascism.

They settled in the industrial city of Saint-Etienne, where Pierre began his career in the clothing industry in 1936 when he was taken on as a tailor’s apprentice.

He moved to Vichy in 1939 and worked during the Second World War for the Red Cross before relocating to Paris in 1945, determined to make his name in the fashion world.

The trademark Pierre Cardin bubble dress of the 1950s
The trademark Pierre Cardin
bubble dress of the 1950s
At first, he worked with the Italian designer Elsa Schiaparelli and designed costumes for the film director Jean Cocteau. before joining Christian Dior.  His talent shone through from an early stage and in 1950 he started his own fashion house.

The first Pierre Cardin dresses were unveiled at a lavish masquerade ball in 1953 – dubbed ‘the party of the century’ – in a palace on the Grand Canal in Venice.

Cardin’s first boutique, Eve, opened in Paris in 1954, the same year that his so-called ‘bubble dress’ – a loose-fitting dress tightened near the waistline and brought in at the hem to create a ‘bubble’ effect – brought him international success.

He became known for his avant-garde designs, inspired often by things he had seen in travelling around the world.  His clothes for a while showed a Japanese influence after he had visited Tokyo in 1957 to open Japan’s first high fashion store.

Later, after he had visited NASA headquarters in Washington, his designs began to have a futuristic space-age look.

Cardin was one of the first designers to realise the potential of ready-to-wear as haute couture began to decline in the 1960s. Indeed, he was expelled from the snooty Chambre Syndicale – the guardian of fashion standards – for launching a ready-to-wear line in the department store Printemps, although he was quickly reinstated.

He was also a pioneer of the designer label culture, launching a collection during the late 1960s that was the first to include the designer’s logo stitched on each garment.  He became something of an iconic figure of the Swinging Sixties era, designing clothes for both The Beatles – the collarless jackets were his idea – and The Rolling Stones.

The Pierre Cardin logo is known the world over
The Pierre Cardin logo is known the world over
In 1971 he turned a former theatre in Paris into Espace Cardin, where he would not only show his clothes but would also promote rising artistic talents – in music and theatre – by offering them the chance to perform on his stage.

In time, much to the disapproval of some of his contemporaries in the Paris fashion world, the Pierre Cardin name began to appear on all manner of products – from baseball caps to cars – as the company sought to exploit the brand.  Some critics condemned him for ‘cheapening’ the company’s image; others applauded his entrepreneurialism.

The company bought Maxim’s in Paris in 1981 and from it developed a worldwide chain of exclusive restaurants and hotels.

In 2011, the business was valued at around $1 billion. Cardin’s proud boast was that he built the business from scratch, without ever having to borrow money.

Cardin, now in his 90s and, until recently, still designing clothes personally in his studio, owns among other homes a castle at Lacoste, Vaucluse once owned by the Marquis de Sade and a palazzo in Venice that he claims once belonged to Giacomo Casanova, although history shows that its historical owner was Giovanni Bragadin di San Cassian, Bishop of Verona and Patriarch of Venice.


The Ca' d'Oro is one of the most famous palaces on the Grand Canal in Venice
The Ca' d'Oro is one of the most famous palaces
on the Grand Canal in Venice
Travel tip:

The buildings that line the Grand Canal in Venice, of which there are about 170, were mostly built between the 13th and the 18th century, when noble Venetian families wanted to show off their wealth in suitable palaces. Among the most famous are the Palazzo Barbaro, Ca' Rezzonico, Ca' d'Oro, Palazzo Dario, Ca' Foscari, Palazzo Barbarigo and the Palazzo Venier dei Leoni, which today houses the Peggy Guggenheim Collection.














10 March 2017

Lorenzo Da Ponte - writer and impresario

Colourful life of Mozart's librettist


Lorenzo da Ponte, as depicted in a 19th century engraving by Michele Pekenino
Lorenzo da Ponte, as depicted in a 19th
century engraving by Michele Pekenino
The librettist Lorenzo Da Ponte, who could be described on two counts as a figure of considerable significance in the story of opera, was born on this day in 1749 in Ceneda - since renamed Vittorio Veneto - about 42km (26 miles) north of Treviso in the Veneto region.

Da Ponte wrote the words for 28 operas by 11 composers, including three of Mozart's greatest successes, Don Giovanni, The Marriage of Figaro and Così fan tutte.

He also opened New York City's first opera house in 1833 at the age of 84 and is credited with introducing the United States both to Mozart and Gioachino Rossini.

To say Da Ponte led a colourful life would be putting it mildly.

He was born Emanuele Conegliano at a time when Ceneda was a strongly Jewish community. His mother, Rachele, died when he was only five and at the age of 14 he was baptised as a Catholic along with his father, who wanted to marry a Catholic girl but could do so only if he converted.

In accordance with tradition, Emanuele took the name of the priest who baptised him, in his case the Bishop of Ceneda, Lorenzo Da Ponte.

Through the Bishop's influence, Emanuele and his two brothers were enrolled in the seminary of Ceneda and Lorenzo was ultimately ordained as a priest.  By then he had begun writing poetry.  One of his earliest pieces - curiously, given his calling - was entitled An Ode to Wine.

The front page of a programme for the presentation of the Marriage of Figaro
The front page of a programme for the
presentation of the Marriage of Figaro
He moved to Venice in 1773 to be the priest of the church of San Luca, although his lifestyle was hardly befitting of a man of the cloth.  He fell into the company of members of minor Venetian nobility who were penniless but whom convention forbade to work and were therefore obliged to turn to gambling and debauchery to make a living.

Although he was a Catholic priest, Da Ponte took a mistress, who bore him two children but manipulated him into parting with money, largely to support her gambling-addicted brother. Ultimately Da Ponte was charged with 'public concubinage' and 'abduction of a respectable woman' and it was alleged in court that he had been living in a brothel. He was found guilty and banished from Venice for 15 years.

He fled to Gorizia, nowadays a town on the border of Italy and Slovenia but then part of Austria, where he lived as a writer. In time his friend Caterino Mazzolà, the poet of the Saxon court, invited him to Dresden, where he was given a letter of introduction to the composer Antonio Salieri.

With Salieri's help, Da Ponte obtained the post of librettist to the Italian Theatre in Vienna.  As court poet and librettist, Da Ponte collaborated with Mozart, Salieri and Vicente Martín y Soler. As well as writing, between 1786 and 1790, the libretti in Italian for the three aforementioned Mozart operas, he enjoyed commercial success with Soler's Una cosa rara.

His fortunes changed with the death of the Austrian Emperor Joseph II in 1790, after which he was dismissed from the Imperial Service. Unable to return to Venice, he set off for Paris but on learning of the worsening political situation in France, and the arrest of the king and queen, he rerouted to London, accompanied by a new companion, Nancy Grahl, with whom he eventually had four children.

St Patrick's Cathedral on Mulberry Street in  Manhattan saw thousands turn out for funeral
St Patrick's Cathedral in Mulberry Street in
Manhattan attracted thousands to the funeral
In London, he was briefly a grocer and then an Italian teacher before in 1803 becoming librettist at the King's Theatre. Financial stability eluded him, however, and in 1805, after a number of theatrical and publishing ventures failed, the threat of bankruptcy persuaded him to uproot again, this time to the United States, where Nancy and other members of his family had relocated a year earlier.

After arriving in Philadelphia, Da Ponte went first to Sunbury, Pennsylvania, where again he ran a grocery store and gave Italian lessons. He moved to New York to open a bookstore, at the same time taking an unpaid appointment as the first professor of Italian literature at Columbia College.

Determined to spread the Italian culture in the United States, he collaborated in 1825 with the Spanish baritone and entrepreneur Manuel García to stage the first performance in New York of Mozart's Don Giovanni. He also introduced the United States to Rossini's music.

In 1828, at the age of 79, Da Ponte became a naturalised US citizen and five years later founded the New York Opera Company. He was no more adept at business than he had ever been, however, and the company had to be disbanded after two seasons and the theatre sold to pay the company's debts.

Twice, in 1839 and 1841, the theatre was destroyed by fire, yet from the ashes rose the New York Academy of Music and the New York Metropolitan Opera.

Da Ponte died in New York in 1838 and it was a measure of the affection he had accrued that his funeral at the city's historic St. Patrick's Cathedral on Mulberry Street in the area known as Little Italy attracted thousands of mourners. There is a memorial to him in Calvary Cemetery in Queens, although it is thought he was actually buried at a church in lower Manhattan.

Travel tip:

In 1866, soon after the Veneto was annexed by the Kingdom of Italy, the towns of Ceneda and Serravalle were joined into one city named after the King of Italy, Vittorio Emanuele.  During the First World War, Vittorio was the site of the last battle between Italy and Austria-Hungary, won by Italian troops. The suffix "Veneto" was added to the city's name in 1923 as a commemoration of the victory and many Italian cities now have a Via Vittorio Veneto, the most famous of which became the centre of Rome's 'Dolce Vita' culture in the 1950s.

Hotels in Venice from Expedia

The Chiesa di San Luca in Venice
Travel tip:

The Chiesa di San Luca in Venice, where Da Ponte was priest, can be found next to the Rio de San Luca canal in the San Marco district. It has a simple facade but inside can be found frescoes by Sebastiano Santi, and altarpieces by Paolo Veronese and Palma il Giovane

Hotels in Venice from Hotels.com


More reading:


How Tito Gobbi found global fame

La Traviata - the world's favourite opera



Also on this day:

1872: The death of revolutionary patriot Giuseppe Mazzini

1900: The birth of architectural sculptor Corrado Parnucci

Selected books:

Memoirs Of Lorenzo Da Ponte (New York Review Books Classics)

Lorenzo Da Ponte: The Extraordinary Adventures of the Man Behind Mozart, by Rodney Bolt 

(Picture credits: St Patrick's Cathedral by Jim.henderson; Chiesa di San Luca by Godromil; via Wikimedia Commons)


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27 July 2016

Mario Del Monaco – tenor

Singer became famous for his interpretations of Otello


Mario del Monaco, dressed for his most famous role as Otello in Verdi's opera of the same name
Mario Del Monaco, dressed for his most famous
role as Otello in Verdi's opera of the same name
Opera singer Mario Del Monaco, who was renowned for the amazing power of his voice, was born on this day in 1915 in Florence.

His family were musical and as a child he studied the violin but he developed a passion for singing as well.

He studied at the Rossini Conservatory in Pesaro, where he first met and sang with the soprano Renata Tebaldi, who was to partner him regularly later in his career.

Del Monaco made a big impact with his debut performance as Lieutenant Pinkerton in Puccini’s Madam Butterfly in Milan in 1940.

He became popular with the audience at the Metropolitan Opera in New York in the 1950s, making many appearances in dramatic Verdi roles.

He was one of the four Italian tenors at their peak in the 1950s and 1960s, sharing the limelight with Giuseppe Di Stefano, Carlo Bergonzi and Franco Corelli.

Del Monaco became famous for his interpretation of the title role in Verdi’s Otello, which, it is estimated, he sang hundreds of times.

Listen to the voice of Mario Del Monaco



He started making recordings for HMV in 1948 in Milan and was later partnered by Renata Tebaldi in a series of Verdi and Puccini operas recorded for Decca.

Del Monaco retired from the stage in 1975 and spent his last years living in a villa near Treviso in the Veneto with his wife, Rina, a former singer.

He died in Mestre, near Venice, in 1982 at the age of 67, having been in poor health since sustaining serious injuries in a road accident several years previously.  He was buried in Pesaro, where he grew up.  At his own request, he was laid to rest dressed in his favourite Otello costume.

Giancarlo Del Monaco, one of his two sons, followed him into opera as a director, making his debut in Siracusa in 1964 with a production in which his father starred, and going on to work at some of the world's top opera houses, including La Scala in Milan and the Met.

Travel tip:

Pesaro, where Del Monaco grew up and studied at the Rossini Conservatory, is a beautiful, traditional seaside resort on the Adriatic coast, renowned for its sandy beach. Rossini’s birthplace, at Via Rossini 34, is now a museum dedicated to the composer and there is also a theatre named after him. A Rossini opera festival is held in Pesaro every summer.


The statue of Mario del Monaco in Piazza Borsa in Treviso
The statue of Mario Del Monaco
in Piazza Borsa in Treviso
Travel tip:

Treviso’s municipal theatre in Corso del Popolo was renamed Teatro Comunale Mario Del Monaco after the tenor and operatic costumes he wore are on display there. Close by in Piazza Borsa there is a bronze statue showing him in costume.

More reading:


How Italy mourned the death of Giuseppe Verdi

The genius of Giacomo Puccini

Renata Tebaldi: the voice of an angel



(Photo of Mario Del Monaco as Otello by MDM 1915 CC BY-SA 4.0)

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