Norberto Bobbio - political philosopher

Intellectual regarded as foremost 20th century commentator

Norberto Bobbio was a university professor
and a forthright political commentator

Norberto Bobbio, a philosopher of law and political sciences who came to be seen as one of Italy’s most respected political commentators in the 20th century, died on this day in 2004 in Turin, the city of his birth.

He was 94 and had been in hospital suffering from respiratory problems. His funeral was attended by political and cultural leaders including the then-president of Italy, Carlo Azeglio Ciampi.  He had been writing essays well into his 90s, despite for much of his life suffering from bouts of what was described as “fatigue and melancholy”.

His extensive catalogue of work spanned almost seven decades of Italian political life and societal change from the rise of Fascism in the 1930s to the second premiership of Silvio Berlusconi, of whom he was an outspoken critic.

For much of his career, Bobbio was a professor at the University of Turin, where he was chair of philosophy of law from 1948 and, from 1972, of the faculties of legal and political philosophy and political science.

He was made a Life Senator in 1984, although he stayed away from playing an active role in Italian politics after failing to gain election to the parliament of the new Republic in 1946, standing on a liberal-socialist ticket.  Later he confessed that he was much relieved when a move to make him President in the 1990s did not succeed.

Bobbio was part of a famous group of Turin
intellectuals who opposed Fascism in the 1930s

Many of his books and collections of essays are regarded as seminal works, but among them The Future of Democracy: A Defence Of The Rules Of The Game (1984), State, Government and Society (1985), The Age of Rights (1990) and Right and Left (1994) are considered to have particular importance.

Right and Left was an analysis of left-right political distinctions, in which he argued that the incompatibility of the two poles boiled down to the Left's belief in attempting to eradicate social inequality, set against the Right regarding most social inequality to be the result of inherent natural inequalities, and seeing attempts to enforce social equality as utopian or authoritarian.

Bobbio was born into a middle-class Turin family, the son of a doctor  whose attitude to Fascism was that, set against Bolshevism, which was gathering pace in Italy at the time, it was the lesser of two evils.

His own political thinking was influenced by the group of friends he made at the Liceo Classico Massimo d'Azeglio in Turin, where he became part of the intellectual movement that included the novelists Cesare Pavese and Carlo Levi, his future publisher Giulio Einaudi, the critic Leone Ginsburg and the radical politician Vittorio Foa. 

Bobbio argued in favour of the 'historic compromise' between
the Communists and the Christian Democrats in the 1970s

They were all involved with the anti-Fascist magazine Riforma Sociale - Social Reform - published by Einaudi’s father, Luigi, a future President of Italy - that Mussolini had closed down and spent several weeks in jail as a result.

He was imprisoned again in 1943, this time by the Germans, after the illegal political party of which he was a member, the Partito d’Azione - the Action Party - became involved in resistance activity. Arrested in Padua, he was released after three months.

The party - for a while the main non-Communist opposition group - lacked popular support, however, and Bobbio failed in his bid for election to the assembly of the new Republic in 1946, after which he devoted himself to his academic life, taking positions at various universities teaching the philosophy of law.

Throughout his intellectual life, he was a strong advocate of the rule of law, and although by nature a socialist, he was opposed to what he perceived as the anti-democratic, authoritarian elements in most of Marxism. He was a strong supporter of the so-called 'historic compromise' - the proposed coalition of the Italian Communist Party and the Christian Democrats in the strife-torn 1970s - and a fierce critic of Silvio Berlusconi, whom he accused of presiding over a moribund political system that lacked idealism and hope.

Turin is famous for its beautiful royal palaces

Travel tip:

Turin was once the capital of Italy. It has a wealth of elegant streets and beautiful architecture, yet over the years has tended to be promoted less as a tourist attraction than cities such as Rome, Florence, Milan and Venice, possibly because of its long association with the Savoy family and subsequently the Italian royal family, who were expelled from Italy in disgrace when Italy became a republic at the end of the Second World War, their long-term unpopularity with some sections of Italian society compounded by their collaboration with Mussolini’s Fascists. Yet there is much to like about a stay in Turin. Aside from the splendour of the royal palaces, it has an historic café culture, 12 miles of arcaded streets and some of the finest restaurants in northern Italy.

Rivalta di Torino, looking towards the castle

Travel tip:

Norberto Bobbio was laid to rest at the cemetery in Rivalta di Torino, a small town in Piedmont, located about 14km (9 miles) southwest of Turin in the Sangone valley.  It is home to a medieval castle, which formed the heart of what was then a village in the 11th century. The castle and the village were owned by the Orsini family - long-standing Italian nobility dating back to medieval times - until 1823. In 1836, the French writer Honoré de Balzac was guest at the castle of its new owner, Count Cesare Benevello, as is recorded in an inscription on the wall.


More reading:

How Cesare Pavese introduced Italian readers to the great American novelists

Why the murder of Aldo Moro ended hopes for a 'historic compromise'

Giulio Einaudi - the publisher who defied Mussolini

Also on this day:

1878: The death of King Victor Emmanuel II

1878: Umberto I succeeds Victor Emmanuel II

1944: The birth of architect Massimiliano Fuksas


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Manuela Arcuri - actress and model

TV drama star who portrayed woman who killed Mafia boss

The glamorous Manuela Arcuri has evolved
from model to popular TV actress

The actress and former model Manuela Arcuri, who received accolades for playing the lead role in a truth-inspired drama about a grieving widow who shot dead a gang boss, was born on this day in 1977 in Anagni, an ancient town in southern Lazio.

Arcuri portrayed a character based on Assunta ‘Pupetta’ Maresca, who made headlines in 1955 when she walked into a bar in Naples and shot dead the Camorra boss who had ordered the killing of her husband, just three months after they were married.

The four-episode drama, aired in 2013 on the Italian commercial TV channel Canale 5, was called Pupetta: Il coraggio e la passione (Pupetta: Courage and Passion). Directed by Luciano Odorisio and also starring Tony Musante, Eva Grimaldi and Barbara De Rossi, the series confirmed Arcuri’s standing as a television actress of note, winning her the award of best actress at the 2013 Rome Fiction Fest.

She had appeared by then in leading roles in a number of TV dramas and mini-series, including Io non dimentico (I Don’t Forget), Il peccato e la vergogna (The Sin and the Shame) and Sangue caldo (Hot Blood).

Manuela Arcuri met the real 'Pupetta'
during the making of the 2013 series

Arcuri’s ambition from an early age was to forge a career in show business. She attended art school in Latina, where she grew up, before moving to Rome to enrol at the Pietro Scharoff Academy of Dramatic Arts, where she graduated in 1997.

A girl of classic Italian beauty, she took her first modelling assignments at the age of 15 and her career as a glamour model evolved more quickly than her acting career, although she was steadily building up film credits for minor roles.  Her magazine shoots led rapidly to her being projected as a sex symbol, which quickly opened doors into television, where glamorous female presenters remain a ratings winner.

In 2002, still a relative newcomer, she was given huge exposure when she was chosen to co-host the Sanremo Music Festival alongside the veteran male presenter, Pippo Baudo.

Now, bigger and better TV parts began to be offered. She participated in the popular TV drama series Carabinieri and in 2005 played the title role in Imperia, la grande cortigiana, a TV film about the 16th century Roman courtesan and celebrity, Imperia Cognati.

In 2008, she met the challenge of appearing at the Teatro Parioli in Rome in a six-week run of the comedy Il primo che mi capita, then landed her biggest TV role to that point as the female lead in Io non dimentico, a drama set in Naples in the 1930s.

The statue in Porto Cesareo
that caused such controversy

Arcuri has a large following of fans, some of whom have expressed their admiration for her in unusual ways, such as the statue that was erected in 2002 by the local tourist board to celebrate the beauty and prosperity of the fishing port and resort of Porto Cesareo in Puglia, about 30km (19 miles) from the city of Lecce.

Carved by the sculptor Salvatino De Matteis, it depicts a female figure carrying a hollow shell brimming over with fish but with the hair, facial features - and cleavage - of Ms Arcuri, beneath which is an inscription that hailed the actress as a symbol of beauty and prosperity, a perfect match for Porto Cesareo itself.

Not surprisingly, the choice of an actress and glamour model over a more traditional symbol, such as a goddess or saint, or even a mermaid, divided opinion, with outspoken protests in particular by the wives of local fishermen, who had begun a daily ritual of touching the statue’s buttocks to bring them luck before they set out to sea.

For a while the statue was removed, only to later be reinstated after an equally voluble outcry from those who approved of it.  Ms Arcuri, who attended the original unveiling, returned to see it reborn.

Romantically linked with a series of high-profile men, including the footballer Francesco Coco, Arcuri has had a long-term relationship with the entrepreneur Giovanni Di Gianfrancesco, with whom she had a four-year-old son, Mattia.

The Cathedral of Santa Maria Annunziata
in Anagni dates back to the 11th century

Travel tip:

Anagni, where Manuela Arcuri was born, is an ancient town in the province of Frosinone in Lazio, 70km (43 miles) southeast of Rome in an area known as Ciociaria, named after the primitive footwear, ciocie, a type of sandal, worn by people living in the area. The town produced four popes, the last one being Boniface VIII, who was hiding out there in 1303 when he received the famous Anagni slap, delivered by an angry member of the fiercely antipapal Colonna family after he refused to abdicate. After his death the power of the town declined and the papal court was transferred to Avignon. The medieval Palace of Boniface VIII, is near the Cathedral in the centre of the town.

Search for a hotel in Anagni with tripadvisor

The Cathedral of San Marco, in the 'ideal' Fascist town of
Latina in Lazio, was built in 1932

Travel tip:

Latina, a town built in the middle of what used to be the Pontine Marshes, south of Rome, has been described as a living monument to Fascism - not in the sense of celebrating the horrors of the darker side of Mussolini’s grip on power, but as an example of the dictator’s utopian dreams of efficient modern cities for the Italian people.  Mussolini drained the malaria-ridden Pontine swamps and gave the reclaimed land to peasants and settlers, building them houses in exchange for their labour and sweat. The centre of Latina - inaugurated in 1932 as Littoria - has been preserved almost as it was. The Fascist buildings remain in place, their rationalist architecture decorated with pagan statues as well as military and rural bas-reliefs. The Cattedrale di San Marco, designed by Oriolo Frezzotti and built in 1932, is a good example of the fusion of classical and modern, linear styles that was typical of Fascist architecture.


More reading:

The true story of Assunta Maresca - the 'little doll' who shot dead a Mafia boss 

Pippo Baudo - the record-breaking host of Sanremo

Mara Carfagna - from glamour model to politician

Also on this day:

1337: The death of the brilliant painter Giotto

1921: The birth of Sicilian writer Leonardo Sciascia

2016: The death of Maria Teresa de Filippis, the first woman to drive in Formula One


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Ruggiero Giovannelli – composer

Church musician wrote popular madrigals and songs

Ruggiero Giovannelli was maestro di
cappella at St Peter's for five years

Ruggiero Giovannelli, a religious composer who also wrote a surprising number of light-hearted madrigals, died on this day in 1625 in Rome.

He may have been a pupil of Giovanni Pierluigi da Palestrina, the most famous of the Roman School composers of the 16th century. Even though there is no documentary evidence to support this, there are stylistic similarities in their music.

On Palestrina’s death in 1594, Giovannelli was chosen to replace him as maestro di cappella at the Julian Chapel in St Peter’s Basilica.

Giovannelli was born in Velletri near Rome and not much is known about his life until 1583 when he became maestro di cappella at the church of San Luigi dei Francesi near the Piazza Navona in Rome. He moved on to become maestro di cappella at the Collegio Germanico, a pontifical college in Rome, in 1591.

His most important appointment was when he was chosen to replace Palestrina at St Peter’s in 1594, a position he held until 1599 when he became a singer at the Sistine Chapel, a position he held until he became maestro di cappella there in 1614.

Giovannelli was influenced by Giovanni Pierluigi da
Palestrina (above), whom he succeeded at St Peter's 

Giovannelli composed church music in the style of Palestrina, although after 1600 he experimented with innovations that reflected the beginning of the Baroque era. Manuscripts of his masses, motets and psalms are kept in the Vatican Library.

Giovannelli wrote a surprising amount of secular music, mostly madrigals and canzonettas. He wrote three books of madrigals for five voices and two books for four voices, as well as a large quantity of other secular songs. His music was reprinted in Italy and abroad, which indicates its popularity at the time.

After retiring in 1624, he died the following year. He is buried in the church of Santa Marta in Rome.

The Cathedral of San Clemente in Velletri, which dates
back to the fourth century

Travel tip:

Velletri, where Ruggiero Giovannelli was born, is a municipality outside Rome in the Alban Hills. It has a fourth century cathedral, the Cathedral of San Clemente, which was originally built over the ruins of a pagan temple, but was rebuilt in the 17th century and given a Renaissance-style portal. The town suffered extensive damage during bombing raids in the Second World War, although the cathedral survived.  In the 15th century, Velletri had the dubious claim to fame of being the host to what is believed to have been the world's first pawnshop.

Michelangelo's incredible work
on the ceiling of the Sistine Chapel

Travel tip:

The Sistine Chapel, where Ruggiero Giovannelli was both a singer and maestro di cappella, is in the Apostolic Palace, where the Pope lives, in Vatican City. The chapel takes its name from Pope Sixtus IV, the uncle of Pope Julius II, who had it restored during his papacy. Between 1508 and 1512, Michelangelo painted the ceiling at the request of Pope Julius II.  His amazing masterpiece is in bright colours, easily visible from the floor, and covers more than 400 square metres.



More reading:

Domenico Bartolucci - a musician who directed the Sistine Chapel choir under six 20th century popes

The tale of Carlo Gesualdo, the 16th century composer of madrigals who brutally killed his wife and her lover

Andrea Gabrieli, the father of Venetian music

Also on this day:

1655: The death of the controversial Pope Innocent X

1797: Italy's tricolore flag is hoisted for the first time

1920: The birth of actor Vincent Gardenia


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Baldassare Verazzi - painter

Piedmontese artist famous for image of uprising in Milan

Verazzi's Episodio delle Cinque Giornate
 (Combattimento a Palazzo Litta)

The painter Baldassare Verazzi, whose most famous work depicts a scene from the anti-Austrian uprising known as The Five Days of Milan, was born on this day in 1819 in Caprezzo, a tiny village in Piedmont, 120km (75 miles) from Turin in the hills above Lake Maggiore.

Something of a revolutionary in that he was an active supporter of the Risorgimento, it is supposed that he was in Milan in 1848 when citizens rose up against the ruling forces of the Austrian Empire, which controlled much of northern Italy.

The Cinque Giornate di Milano, in March of that year, comprised five days of street fighting that eventually resulted in the Austrian garrison being expelled from the city, marking the start of the First Italian War of Independence.

Verazzi’s painting, which is today on display at the Museum of the Risorgimento in the Castello Sforza in Milan, is entitled Episodio delle Cinque Giornate (Combattimento a Palazzo Litta), and shows three figures sheltering behind a barricade while another aims a rifle over the barricade, presumably in the direction of Austrian troops.

Born into a family of humble origins, Verazzi studied at the Brera Academy in Milan from 1833 to 1842 under the guidance of the Venetian painter Francesco Hayez. He participated in numerous art exhibitions in Milan and Turin.

In 1851 he won the prestigious Canonica Prize with The Parable of the Samaritan and in 1854 the Mylius Prize with his portrait of Raphael, which was presented to Pope Julius II.

Verazzi's Portrait of a Gentleman and Girls, in the
National Museum of Fine Arts in Buenos Aires

He became sought after for his frescoes, depicting historical scenes, such as his work on the dome of the enclosed annex to the Fatebenesorelle Hospital in Milan.

Although he had no shortage of work in Lombardy and Piedmont - his paintings can be found in many churches across the two regions - Verazzi took the bold decision in 1856 to move to South America.

Settling first in Buenos Aires, he became known for his historical and allegorical compositions, and for portraits, as well as the decorations at the Teatro Colón.

In Buenos Aires an intense rivalry developed between him and another Italian painter, Ignazio Manzoni, while he also had a dispute with General Justo José de Urquiza, an influential politician and military leader, which led him to move on to Montevideo in Uruguay, where he became a sought-after portraitist and decorated the frescoes of the Rotonda of the city cemetery.

Between Argentina, Uruguay and Brazil, he spent 12 fruitful years of his artistic career in South America, where he became one of the most appreciated and well-known painters.

He returned to Italy in 1868 but decided not to reopen his former studio in Milan in favour of taking up residence again in Caprezzo, although he ultimately decided that the wealth he had accumulated in South America deserved something grander.

Eventually, he took a fancy to the small town of Lesa, on the shores of Lake Maggiore and a favourite of the novelist Alessandro Manzoni.

He bought a extensive property in the hamlet of Villa Lesa, where he spent the last 16 years of his life, 1870 to 1886, and where his son Serafino, who also became a noted painter, was born in 1875.

The town of Lesa on the shores of Lake Maggiore, which
was once the home of novelist Alessandro Manzoni

Travel tip:

Lesa is a pretty town on the shores of Lake Maggiore, halfway between Stresa and Arona, known for its calm atmosphere and beautiful views. The town and surrounding area is notable for its many extravagant villas and palaces, with gardens and distinctive architecture, a legacy of its one-time popularity with noble families. It remains a sought-after area for the wealthy, such as the businessman and former prime minister Silvio Berlusconi, who owns the Villa Campari, built by Gaspare Campari, inventor of the famous aperitif liqueur.  On the lakeshore are the ruins of a castle that once guarded the town.

The Cascata del Toce waterfall is one of the attractions
of the province of Verbano-Cusio-Ossola in Piedmont

Travel tip:

Caprezzo is part of the province of Verbano-Cusio-Ossola, an area of unspoiled nature that encompasses many beautiful valleys such as Val d’Ossola, through which flows the Toce River and the dramatic Cascata del Toce waterfall. The area includes the picturesque Lake Mergozzo, the northern bank of Lake Orta and the town of Omegna, which in the early part of the 20th century was famous for the production of small domestic appliances, including the first coffee makers and pressure cookers. The province includes the western bank of Lake Maggiore that hosts renowned resorts of Cannobio, Cannero Riviera, Verbania, Baveno and Stresa, as well as the Borromean Islands, lying in the middle of Lake Maggiore, including the Baroque palace and gardens of Isola Bella.

More reading:

What happened in the Five Days of Milan

Why Alessandro Manzoni is considered to have written the greatest novel in Italian history

Garibaldi and the Expedition of the Thousand

Also on this day:

Befana - the Italian tradition on January 6

1907: Educationalist Maria Montessori opens her first school

1938: The birth of Italy's biggest-selling recording artist Adriano Celentano


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Severino Gazzelloni - flautist

Lead player with RAI orchestra considered a great of Italian music

Severino Gazzelloni was regarded as one of
Italy's finest flautist

The flautist Severino Gazzelloni, who for 30 years was the principal player of his instrument in the prestigious RAI National Symphony Orchestra but who had a repertoire that extended well beyond orchestral classical music, was born on this day in 1919 in Roccasecca, a town perched on a hillside in southern Lazio, about 130km (81 miles) south of Rome.

He was known for his versatility. In addition to his proficiency in classical flute pieces, Gazzelloni also excelled in jazz and 20th century avant-garde music. As such, many musicians and aficionados regard him as one of the finest flute players of all time.

Gazzelloni also taught others to master the flute. His notable pupils included the American jazz saxophonist Eric Dolphy and the Dutch classical flautist Abbie de Quant.

The son of a tailor in Roccasecca, Gazzelloni grew up in modest circumstances yet had music around him from a young age as his father played in a local band.  He taught himself music and became fascinated with the flute as an instrument, acquiring the technique to play it simply by practising for endless hours on his own.

Severino Gazzelloni's golden flute was made for him
by a craftsman in Germany

By the age of seven, his father considered him good enough to sit alongside him in the band, whose conductor and musical director, Giambattista Creati, recognised him as a musician of natural talent and great potential.

With Creati’s encouragement, Gazzelloni developed as a performer over the next few years and in 1934, at the age of 15, obtained a place at Italy’s premier conservatory, the National Academy of Santa Cecilia in Rome, where he graduated in 1942 under the guidance of the accomplished flautist Arrigo Tassinari.

During the war years he stayed in Rome, finding work in the orchestra at a variety theatre, where he met Alberto Semprini, who would go on to become director of the RAI National Symphony Orchestra.

When Gazzelloni played with that orchestra for the first time in 1944, it was called the Radio Roma Orchestra, led by Fernando Previtali. His debut appearance began an association that would last until the mid 1970s.

Gazzelloni was as comfortable playing jazz as he
was with classical music

He began to give solo recitals in 1945, launching his solo career with a tour of Belgium. His debut as a soloist in an Italian venue did not come until 1947, when Italy was beginning to get back on its feet after the devastation of the Second World War, and Gazzelloni gave a performance at the Teatro Eliseo in Rome.

His interest in avant-garde music developed after he had met the Venetian-born composer Bruno Maderna, through whom he was introduced to the Internationale Ferienkurse für Neue Musik - a summer school for ‘new music’ - that was held each year in Darmstadt, near Frankfurt.

Gazzelloni went to Darmstadt for the first time in 1952 and taught there continuously from 1956 to 1966.

In those years he developed friendships and professional relationships with some of the leading lights of the 20th century avant-garde movement, including Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Franco Donatoni, Olivier Messiaen, John Cage, Luciano Berio and Sylvano Bussotti.

The composer Igor Stravinsky composed
music for Gazzelloni

Berio, the experimental composer who was a pioneer of electronic music, Boulez, Maderna and Igor Stravinsky - the Russian-born pianist considered one of the most important composers of the 20th century - all wrote pieces specifically for Gazzelloni, who was nicknamed “the Golden Flute” - in part in recognition of his virtuosity but also because he did actually own a gold-plated flute, made for him by a German craftsman in 1956.

Gazzelloni is said to have enjoyed the informality of the jazz scene and one of his most successful tours came in 1976, when he was accompanied by the eminent classical pianist Bruno Canino and a jazz combo that comprised some of Italy’s top names, including the jazz piano player Enrico Intra, the saxophonist Giancarlo Barigozzi, bass guitarist Pino Presti, drummer Tullio De Piscopo and lead guitarist Sergio Farina.

At his peak as a soloist, Gazzelloni played as many as 250 concerts a year, as well as teaching at the Academy of Santa Cecilia and at the Chigiana Academy in Siena.

He died in Cassino, not far from Roccasecca, in 1992 in a clinic where he had been undergoing treatment for a brain tumour.

Two years after his death, the municipality of Roccasecca launched a musical festival in his honour and the event, the International Festival Severino Gazzelloni, is today an annual month-long event staged in August and September, supported by the Licinio Refice Conservatory of Frosinone and the University of Cassino and Southern Lazio, with sponsorship from businesses in the area.

The remains of the castle at Roccasecca

Travel tip:

The town of Roccasecca occupies a strategic position at the entrance to two narrow gorges that provide access to the Valle di Comino below the slopes of Monte Asprano. It has a castle built in the 10th century at the behest of the Abbot of Montecassino. The abbot later put the castle in the control of the D’Aquino family and it was there that Tommaso D’Aquino, the Dominican friar who was canonized as Saint Thomas Aquinas fifty years after his death, was supposedly born in 1225. The castle fell into disrepair in the 17th century.

The entrance to the Conservatory
of the Academy of Santa Cecilia

Travel tip:

The National Academy of Santa Cecilia is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano, but the historic conservatory in Via dei Greci remains, offering preparatory courses, and also houses the Italian Institute for Music History.



More reading:

How avant-garde composer Luigi Nono saw music as a form of political expression

Why Pino Presti is an important figure in Italian contemporary music

The brilliance of classical flute player Leonardo De Lorenzo

Also on this day:

1905: The birth of Michele Navarra - practising doctor and Mafia boss

1932: The birth of academic and novelist Umberto Eco

1948: The birth of anti-Mafia activist Giuseppe Impastato


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Giuseppe ‘Pino’ Greco - Mafia executioner

Notorious hitman thought to have committed at least 80 murders

Giuseppe 'Pino' Greco was one of the
Sicilian Mafia's most notorious killers

The notorious Mafia hitman Giuseppe Greco, who was convicted posthumously on 58 counts of murder but whose victims possibly ran into hundreds, was born on this day in 1952 in Ciaculli, a town on the outskirts of Palermo in Sicily.

More often known as ‘Pino’, or by his nickname Scarpuzzedda - meaning ‘little shoe’ - Greco is considered one of the most prolific killers in the history of organised crime.

The nephew of Michele Greco, who lived on an estate just outside Ciaculli and rose to be head of the Sicilian Mafia Commission - a body set up to settle disputes between rival clans - Pino Greco is generally accepted to have been responsible for 80 deaths, although some students of Cosa Nostra history believe he could have committed more than 300 killings.

Most of Greco’s victims were fellow criminals, the majority of them killed during the Second Mafia War, which began in 1978 and intensified between 1981 and 1983 with more than 1,000 homicides, as rival clans fought each other and against the state, with judges, prosecutors and politicians prominent in the fight against organised crime themselves becoming targets.

Greco, in fact, was convicted at the so-called Maxi Trial in the late 1980s of the murder of General Carlo Alberto dalla Chiesa, Italy’s counter-terrorism chief, who was shot to death in his car in Palermo in 1982 after being sent to Sicily with a brief to end the conflict.

General Carlo Alberto dalla was Greco's most high-profile
victim among the scores of murders he committed

In 1983, also in Palermo, he planted and detonated the car bomb that killed magistrate Rocco Chinnici, his two carabinieri escorts and the porter of the building where Chinnici lived.

As a young man, Greco was academically bright, excelling in the study of Latin and Greek, but his family background meant that his life in crime was effectively preordained. His father was also a contract killer, whose nickname Scarpa - ‘shoe’ - gave rise to Giuseppe’s nom de guerre.

The exact point at which he became part of the Mafia is not known but by 1979 he was sitting alongside his uncle, Michele, on the Commission, as the Ciaculli clans formed a powerful alliance with the Corleonesi, led by Salvatore 'Toto' Riina and Bernardo Provenzano.

It was on behalf of Riina and Provenzano, who instigated the internecine conflict that was to prove so deadly, that Pino carried out his reign of terror, working closely in particular with Filippo Marchese, a notorious Corleonesi hitman who ran the so-called Room of Death, an apartment in Palermo where victims would be taken to meet their fate.

Giuseppe Lucchese, who for a
time was Greco's partner in crime

Such was the nature of Greco’s work, however, that within days of organising with Marchese a massacre of nine gangsters invited to a barbecue at his uncle’s estate, Greco was ordered by Riina to kill Marchese, who was perceived as becoming too powerful.

Unfortunately for Greco, that fate would soon enough be his own, Riina’s craving for ultimate power brooking no sentiment. Greco's ‘mistake’ was to assume control of the Ciaculli mob on behalf of his uncle, who was in hiding.

Riina decided he had to reduce the strength of the Ciaculli, who lost eight members in a massacre in the Piazza Scaffa in central Palermo, and had decided that Greco had to go even as his erstwhile chief henchman was arranging the killing of another identified ‘enemy’ in police investigator Antonino Cassarà.

In September 1985, Greco invited two supposed friends, Vincenzo Puccio and Giuseppe Lucchese, into his villa outside Bagheria, about 20km (12 miles) east of Palermo, only for the pair to draw their weapons and shoot him dead. His body was never found and his death not confirmed until 1989 by an informant, Francesco Marino Mannoia, whose brother had also been in Greco’s house at the time of the killing.

By that time, the Maxi Trial, the extraordinary event spanning six years that saw the conviction of 360 defendants following the investigations led by Paolo Borsellino and Giovanni Falcone, had handed Greco a life sentence in absentia, along with Marchese, Riina and Provenzano among others.

The sandy beach at Mondello, the pretty resort just
along the coast from Palermo

Travel tip:

Palermo has plenty of attractions in the heart of the city, but there are also some good beaches nearby, the closest of which is at Mondello, about 10km (6 miles) out of town to the north. The former fishing village has a nice sweeping bay enclosing turquoise water and a beach of fine sand and a promenade lined with beautiful villas, many built in Liberty style at the start of the 20th century as summer retreats for the wealthier residents of the city.  The nature reserve of Capo Gallo, with its white rocks and clear water, is within walking distance of Mondello.

The Villa Palagonia in Bagheria reflected the town's
wealth in the early 18th century

Travel tip:

Bagheria, a town of around 55,000 inhabitants, became prosperous under Savoyard and Habsburg rule in the early 18th century, when the first of many grand villas were built in the town.  The two most striking baroque residences, Villa Valguarnera and Villa Palagonia, were designed by the architect Tommaso Maria Napoli and have echoes of architecture in Rome and Vienna, where he had worked previously.  Villa Palagonia is renowned for its complex external staircase, curved façades, and marble.  The town is the home of the film director Giuseppe Tornatore, most famous for Cinema Paradiso, and some of the location shooting took place there.


More reading:

How Bernardo Provenzano evaded the police for 43 years

Giovanni Falcone's lifelong crusade against the Mafia

Tommaso Buscetta, the Mafia 'pentito' who put hundreds behind bars

Also on this day:

1710: The birth of 'opera buffa' composer Giovanni Battista Pergolesi

1881: The birth of Gaetano Merola, founder of the San Francisco Opera

1975: The death of Carlo Levi, author of Christ Stopped at Eboli


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Renato Carosone – singer-songwriter

Composer revived popularity of the traditional Neapolitan song

Renato Carosone wrote such classic songs as
 Tu vuo' fa' l'Americano and Mambo Italiano

Renato Carosone, who became famous for writing and performing Neapolitan songs in modern times, was born Renato Carusone on this day in 1920 in Naples.

His 1956 song Tu vuo’ fa’ l’Americano - 'You want to be American' - has been used in films and performed by many famous singers right up to the present day.

Torero, a song released by him in 1957, was translated into 12 languages and was at the top of the US pop charts for 14 weeks.

Carosone studied the piano at the Naples Conservatory of San Pietro a Majella and obtained his diploma in 1937, when he was just 17. He went to work as a pianist in Addis Ababa and then served in the army on the Italian Somali front. He did not return to Italy until 1946, after the end of the Second World War.

Back home, he had to start his career afresh and moved to Rome, where he played the piano for small bands.

Carosone's Tu vuo' fa' l'Americano featured
in a 1958 movie starring Totò

He was asked to put together a group for the opening of a new club and signed Dutch guitarist, Peter van Houten and Neapolitan drummer, Gegè di Giacomo, with whom he launched the Trio Carosone.

When Van Houten left to pursue a solo career, Di Giacomo remained with Carosone and they recruited more musicians to form a new band.

The band was popular both in Italy and abroad during the 1950s and the songs Carosone composed, many inspired by his native city, achieved high sales after being recorded.

In 1957, Carosone and his band started off a US tour with a concert in Cuba and finished off with a triumphant performance at Carnegie Hall in New York.

In 1960, Carosone made the shock announcement that he was retiring. He was at the height of his career and his decision caused uproar. It was even suggested that he had received criminal threats, but nothing was ever proved. Away from the music business, Carosone took up painting.

He made a comeback in 1975 in a televised concert. He then performed in live concerts and at the Sanremo Music Festival, continuing to make TV appearances until the late 1990s.

Carosone retired from the music scene in 1960 but made
a comeback at the 1975 Sanremo Music Festival

His biggest hits, such as Tu vuo’ fa’ l’Americano, Mambo Italiano and Torero were written in collaboration with the Neapolitan lyricist Nicola Salerno, who was known as Nisa. They developed a perfect understanding and it was said that after just a few words from Carosone, Nisa could write a funny story based on them.

Carosone's original version of Tu vuo' fa' l'Americano was performed by him in the film Totò, Peppino e le fanatiche (directed by Mario Mattoli, 1958). The song was featured in the 1960 Melville Shavelson film It Started in Naples, in which it was sung by Sophia Loren. It was also performed by Rosario Fiorello in the 1999 film The Talented Mr. Ripley.

The melodies of Carosone, influenced by jazz and swing, helped revive the popularity of Neapolitan songs, which he presented in a modern manner.

Carosone died in 2001 in Rome at the age of 81 and was buried in the Flaminio Cemetery in the city.

Carosone's boyhood home in Naples was in a street close
to the historic square, the vast Piazza Mercato

Travel tip:

Carosone lived as a child in Vico dei Tornieri, in the historic centre of Naples near Piazza Mercato, which is now a lively commercial area, but was once the setting for the city’s important executions. He studied the piano at the Naples Conservatory, which has been housed in a monastery next to the Church of San Pietro a Majella since 1826. The church and monastery are in Via San Pietro a Majella, which leads off the top of Via dei Tribunali.

The Cimitero Flaminio in Rome, where Carosone was
buried, is the largest cemetery in the city

Travel tip:

Carosone was laid to rest in the Cimitero Flaminio in Via Flaminio in Rome, which is also known as Cimitero di Prima Porta, and is the largest cemetery in the city. Prima Porta is a suburb of Rome on the right bank of the Tiber. An important marble statue of Augustus Caesar was discovered in the area in 1863.

More reading:

The classic songs of Cesare Andrea Bixio

Giambattista De Curtis - the man behind Torna a Surriento

Why Totò is still regarded as Italy's finest funny man

Also on this day:

1698: The birth of poet and librettist Pietro Metastasio

1929: The birth of film director Sergio Leone

1952: The birth of politician Gianfranco Fini

Watch Renato Carosone and his musicians perform Tu vuo' fa' l'Americano

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