Showing posts with label 1580. Show all posts
Showing posts with label 1580. Show all posts

30 August 2018

Emanuele Filiberto – Duke of Savoy

Ruler who made Turin the capital of Savoy


A  portrait of Emanuele Filiberto, Duke of  Savoy, by an unknown artist
A  portrait of Emanuele Filiberto, Duke of
Savoy, by an unknown artist
Emanuele Filiberto of Savoy, who was nicknamed testa di ferro (iron head) because of his military prowess, died on this day in 1580 in Turin.

After becoming Duke of Savoy he recovered most of the lands his father Charles III had lost to France and Spain and he restored economic stability to Savoy.

Emanuele Filiberto was born in 1528 in Chambery, now part of France. He grew up to become a skilled soldier and served in the army of the emperor Charles V, who was the brother-in-law of his mother, Beatrice of Portugal, during his war against Francis I of France. He distinguished himself by capturing Hesdin in northern France in July 1553.

When he succeeded his father a month later he began the reacquisition of his lands.

His brilliant victory over the French at Saint Quentin in northern France in 1557 on the side of the Spanish helped to consolidate his power in Savoy.

Emanuele Filiberto, as portrayed by the Italian painter Giorgio Soleri
Emanuele Filiberto, as portrayed by the
Italian painter Giorgio Soleri
The peace of Cateau-Cambresis in 1559 ended the wars between Charles V and the French Kings and restored part of the Duchy of Savoy back to Emanuele Filiberto on the understanding that he would marry Margaret of France, the sister of King Henry II. They had one child, Charles Emmanuel I of Savoy, who succeeded him as duke.

Emanuele Filiberto took advantage of the political struggles between the European powers to slowly increase his domain.

The city of Turin was part of the territory he recovered from the French and he moved Savoy’s capital from Chambery to Turin in 1562, fortifying and enlarging the city. He also substituted Italian for Latin as the official language of Savoy.

Just before his death in the city at the age of 52 he was arranging for Savoy to acquire the Marquisate of Saluzzo.

Emanuele Filiberto was buried in the Chapel of the Holy Shroud in Turin Cathedral.

Turin's duomo - the Cattedrale di San Giovanni Battista
Turin's duomo - the Cattedrale di San Giovanni Battista
Travel tip:

Turin Cathedral, or the Cattedrale di San Giovanni Battista as the Duomo is known in Italian, was built between 1491 and 1498 on the site of an old Roman theatre. Emanuele Filiberto is one of the members of the House of Savoy buried there, while others are buried in the Basilica di Superga on the outskirts of the city.

Emanuele Filiberto brought the Shroud of Turin (above) to Turin from Chambery in France
Emanuele Filiberto brought the Shroud of Turin (above)
to Turin from Chambery in France
Travel tip:

It is fitting that Emanuele Filiberto is buried in the Chapel of the Holy Shroud as he was responsible for having the Shroud brought from Chambery in France to the Duomo in Turin in 1578 and it has remained there ever since.  A project for the enlargement of the Duomo in order to create a more luxurious home for the Shroud was begun in 1649 by Bernardino Quadri and completed by Guarino Guarini.  In 2002 the Shroud was restored so that the reverse side of the cloth could be photographed for the first time. In 2013 high definition images of the Shroud were put out on the internet and on television. These could be magnified on computers to show details not visible to the naked eye.  Pope Francis urged people to contemplate the Shroud with awe but he stopped short of asserting its authenticity.

More reading:

The Duke of Savoy responsible for a notorious massacre

Why Savoy duke Victor Amadeus I may have been poisoned

Iolanda of Savoy - the banished princess

Also on this day:

1585: The death of composer Andrea Gabrieli

1860: The birth of New York crime fighter Joe Petrosino


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19 August 2016

Andrea Palladio - world's favourite architect

Humble stonecutter became his profession's biggest name


Andrea Palladio, whose designs have been  copied the world over
Andrea Palladio, whose designs have been
copied the world over
Andrea Palladio, the humble stonecutter who became the most influential architect in the history of his profession, died on this day in 1580, aged 71.

The cause of his death is not clear but some accounts say he collapsed while inspecting the construction of the Tempietto Barbaro, a church in Maser, a town in the Veneto not far from Treviso.

He was initially buried in a family vault in the church of Santa Corona in Vicenza, the city in which he spent most of his life, but later re-interred at the civic cemetery, where a chapel was built in his honour.

Examples of Palladio's work can be found all over the region where he lived and in Venice, where he was commissioned to build, among other architectural masterpieces, the Church of San Giorgio Maggiore, the focal point of the view across the lagoon from St Mark's Square through the Piazzetta.

He built a substantial number of villas for wealthy clients across the Veneto region, some of them lining the Brenta Canal that links the lagoon of Venice with Padua. Others such as the Villa Capra, otherwise known as La Rotonda, famous for its symmetrically square design with four six-columned porticoes, can be found in open countryside near Vicenza.

Vicenza itself features many of Palladio's designs, including the fabulous Teatro Olimpico, in which perspective was used to create the optical illusion of city streets receding from the stage.  He was working on the theatre at the time of his death, after which the project was finished by his son, Silla, one of five children, and Palladio's assistant, Vincenzo Scamozzi.

The Church of San Giorgio Maggiore, one of Venice's most familiar views, was among Palladio's triumphs
The Church of San Giorgio Maggiore, one of Venice's most
familiar views, was among Palladio's triumphs
Palladio was born Andrea Di Pietro della Gondola, the son of a miller, in Padua in November 1508. He found work as a stonecutter the workshop of a sculptor before moving to Vicenza when he was 16, joining a guild of stonemasons and bricklayers.

It was while working for the poet and scholar Gian Giorgio Trissino, that his career began to gather pace.  Trissino not only gave him the name Palladio, after the Greek goddess of wisdom, Pallas Athene, but encouraged and helped him to study classical architecture in Rome. He was fascinated with the work of Marcus Vitruvius Pollio, architect and engineer of the 1st century BC. It was while in Rome that he came across the Pantheon, with its huge hemispheric dome inspired by Vitruvius, which was to influence many of his designs.

Trissino also introduced Palladio to a number of wealthy and influential families, including the Barbaro brothers, through whom he ultimately became chief architect of the Republic of Venice, having already occupied the equivalent position in Vicenza.

Palladio received his first commissions in the 1530s and thereafter was in constant demand, his style inspiring other architects outside Italy, at first in Europe and later around the world.  One factor in the spread of his fame was his publication in 1570 of his treatise, I Quattro Libri dell'Archittetura (The Four Books of Architecture), which set out rules others could follow.

The style of his designs became so popular that in Britain, for example, there was an explosion of town halls, assembly rooms, country houses, churches, inns and farmhouses that owed the essence of their design to Palladio's interpretation of classical Roman architecture.

The pattern was replicated elsewhere.  The White House, the residence occupied by the most powerful man in the world, the President of the United States, has many echoes of Palladio.

The unmistakably Palladian Church of the Redeemer - Il Redentore - commands the Giudecca Canal
The unmistakably Palladian Church of the Redeemer -
Il Redentore - commands the Giudecca Canal
Travel tip:

The Church of San Giorgio Maggiore, situated on the island of the same name across the lagoon and directly opposite the Doge's Palace and the Riva degli Schiavoni, is one of Venice's most recognisable sights.  Along the Giudecca island, opposite the Fondamenta Zattere that flanks the Giudecca Canal on the Dorsoduoro side, is the Church of the Redeemer, better known as Il Redentore, of which the facade is another Palladian masterpiece.

Travel tip:

The city of Vicenza is almost a living museum of Palladio's works, featuring 23 buildings designed by the architect that have been included on UNESCO's list of World Heritage Sites.  In addition to the Villa Capra, which lies outside the centre, and the Teatro Olimpico, there is the Basilicata Palladiana on Vicenza's central Piazza dei Signori, the Palazzo Thiene and the Palazzo Barbaran da Porto, which houses the Museo Palladio.  There is a statue of Palladio in the Piazza dei Signori.

More reading:



Giacomo Barozzi da Vignola - contemporary of Palladio who helped spread Renaissance style

(Photo of Il Redentore by Satdeep Gill CC BY-SA 4.0)

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