Giorgio Massari - architect

Work in 18th century Venice had echoes of Palladio

The Chiesa dei Gesuati is seen by
many as Massari's masterpiece 

The architect Giorgio Massari, who designed a number of significant churches and palaces in Venice in the 18th century, was born on this day in 1687.

Massari’s legacy in Venice includes the imposing Palazzo Grassi on the Grand Canal and the church of Santa Maria del Rosario, commonly known as the Gesuati, on the Giudecca Canal, which is acknowledged as his masterpiece.

He redesigned Santa Maria della Visitazione - known as the Pietà - the church on the Riva degli Schiavoni famous for its association with the great Baroque composer Antonio Vivaldi, who wrote some of his most famous music while working as a violin teacher at the adjoining orphanage.

Outside Venice, Massari designed villas and churches around Brescia, Treviso and Udine. 

His designs, especially his churches and villas, were often influenced by the work of the 16th century Classical architect Andrea Palladio and by Massari’s fellow Venetian, the Baroque sculptor and architect Baldassare Longhena.

Massari was born in the San Luca parish of the San Marco sestiere. His father, Stefano, was a carpenter from a village near Brescia in Lombardy. 

Little is known of his early life, although it is thought he may have studied under the supervision of Antonio Gaspari, who may himself have learned from Longhena.

Although it is likely that he had worked on other projects, the first to have been attributed to Massari is a house now known as the Villa Lattes at Istrana in the province of Treviso, which he designed in around 1712 for a wealthy merchant, Paolo Tamagnin.

Massari's Palazzo Grassi, on the Grand Canal,
has many features of the Classical design style

His reputation grew through his successes in both civil and religious architecture, which included the Palladian-style Villa Corner at Cavasagra, also in Treviso province, and the Oratory of Santa Maria della Salute in Badia Polesine, near Rovigo, which combined elements of Palladian, Rococo and neoclassical.

He began work on the Gesuiti church after the original architect had died. The project was only in its infancy and the Dominican friars who commissioned the building were so impressed with Massari’s plans that they ditched the drawings left behind by the first architect.

Situated on Fondamenta Zattere in the Dorsoduro sestiere, looking out over the broad Giudecca Canal, the Gesuati pays homage in its design to Palladio’s San Giorgio Maggiore, the landmark church on the small island at the eastern tip of the Giudecca, with its facade of Corinthian columns topped by a triangular pediment.

With its dome and twin adjoining bell towers, meanwhile, it compliments Palladio’s Chiesa del Santissimo Redentore, which overlooks the Giudecca Canal from the opposite bank.

Also in Dorsoduro, Massari worked extensively on Ca’ Rezzonico, a monumental Baroque palace on the Grand Canal that had been designed by Baldassarre Longhena in 1649 but abandoned after the family who commissioned it fell on hard times. Massari was invited to complete the project more than 100 years later after it was bought by Giambattista Rezzonico, whose family were from the Como area of Lombardy.

It was while he was finishing the Ca’ Rezzonico that Massari was hired to design a new Palazzo Grassi on behalf of the Grassi family, who had acquired the building in 1655. The new palace based on Massari’s designs was constructed between 1748 and 1772. Designed along academic classical lines, it was the last grand palazzo built on the Grand Canal before the fall of the Venetian Republic.

Massari's villas, such as the Villa Giovanelli near
Padua, often echoed the style of Andrea Palladio

Massari’s involvement with the church of Santa Maria della Visitazione, known as La Pietà, which is situated only a short distance from Piazza San Marco and the Doge’s Palace, apparently began after he won a competition to redesign it, in 1736. It is thought that he spoke to Vivaldi, who was the choirmaster, about the acoustics, although work did not begin until four years after the composer’s death.

The facade, which again has echoes of Palladio in its Corinthian columns and triangular pediment, was not actually finished until the early 20th century, although it is faithful for the most part to Massari’s design.

Other works in Venice attributed to Massari include the church of San Marcuola on the Grand Canal in Cannaregio and the facade of what is now the Academy of Fine Arts in Dorsoduro.

Outside Venice, he designed churches in Brescia and its province, in Scorzè near Treviso, and in Udine. He also contributed to the renovation of the cathedrals in Udine and Padua.

When Paolo Tamagnin died in 1734, Massari married his widow, Pisana Bianconi, and settled with her in a house in the Castello sestiere that had been owned by her late husband.

Widowed in 1751 without children, Massari died in 1766 at the age of 79. His body was buried in the Tamagnin tomb in the church of San Giovanni in Bragora in Castello.

Massari finished the Ca' Rezzonico palace in
accordance with Baldassare Longhena's designs

Travel tip:

Ca’ Rezzonico, which Massari finished according to the designs of Baldassare Longhena, displays paintings by the leading Venetian painters of the 18th century, including Francesco Guardi and Giambattista Tiepolo. The latter was commissioned to paint the ceilings of two salons in 1758, to celebrate the election of Carlo, the younger brother of Giambattista Rezzonico, as Pope Clement XIII, and the marriage of Ludovico Rezzonico to Faustina Savorgnan, uniting the two richest families in Venice. The last of the Rezzonico family to live in the palace died in 1810, since when it has been bought and sold many times. The English poet Robert Browning died in the Ca’ Rezzonico in 1889 at the time it was owned by his son, Robert Barrett Browning. For a period in the 20th century it was the home of Cole Porter, the American composer and songwriter, who rented it for $4,000 a month. Nowadays, it houses the Museum of 18th Century Venice, hosting many precious examples of the furniture and decorations of the period, it has a wealth of Venetian paintings, including works by Tiepolo, Canaletto and Guardi.

The interior of San
Luca Evangelista

Travel tip:

The church of San Luca Evangelista in the San Marco sestiere, where Giorgio Massari was baptised, can be found on Rio de San Luca, a side canal off the Grand Canal behind Palazzo Grimani di San Luca. The church itself, which dates back to the 11th century, when it was the family place of worship for the Dandalo and Pizzamano families.  It has a simple facade but a richly decorated interior that features frescoes by Sebastiani Santi and altarpieces by Paolo Veronese and Palma il Giovane. 

Also on this day:

54: The death of Roman emperor Claudius

1815: The execution of Joachim Murat, former King of Naples

1884: The birth of anarchist Mario Buda

1899: The birth of sportsman and entrepreneur Piero Dusio

1985: The death of silent movie star Francesca Bertini

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Carlo Mollino - architect and polymath

A Renaissance man of the mid-20th century

Carlo Mollino's talent was
nurtured by his engineer father

The multi-talented architect Carlo Mollino, who designed buildings, interiors and furniture but whose talents also ran to writing and photography, racing car design, aerobatic flying and downhill skiing, was born on this day in 1905 in Turin.

Mollino, whose style has been described as an eclectic fusion of the modern and the surreal, was responsible for several notable public buildings, including the Turin Chamber of Commerce and the headquarters of the Horse Riding Club of Turin, as well as several striking private residences and apartment buildings.

He also designed the extraordinary Lago Nero Sled Station, at Sauze d'Oulx, the winter resort 50km (31 miles) north of Turin, and rebuilt the interior of the Teatro Regio opera house in Turin 40 years after a catastrophic fire left little behind the the 18th century facade intact.

Never married in his 68 years, Mollino also had a deeply secretive side, which manifested itself in a number of apartments he kept, the whereabouts of which he disclosed to no one, not even his closest friends and acquaintances.

One of these, in a 19th century villa overlooking the Po river in the centre of Turin, which he preserved as a kind of idealistic shrine, filled with his favourite objects but where it is thought he never actually lived, is now a museum, the Casa Mollino.

Mollino was raised in comfortable surroundings in a 19th-century neo-Gothic villa in Rivoli, about 20km (12 miles) west of Turin. His father, Eugenio, was an important civil engineer who, over the course of his career, built more than 300 buildings in Turin.  His father’s work was evidently something that captured the imagination of the young boy, who astonished his teachers at the age of just six by drawing a detailed cross section of a car engine and an illustration of an imaginary town drawn with accurate perspective.

Mollino's Lago Nero Sled Station,
which he called a "flying chalet"

An only child, Mollino grew up in an environment populated mainly by women, the house being home to three great aunts and two female housekeepers as well as his mother, Jolanda. After high school, he studied engineering at the Polytechnic of Turin he attended the Royal Superior School of Architecture, making friends with students at the Academy of Fine Arts, to which it was attached.

After graduating, he worked in Eugenio’s studio, from which he pursued his own projects as well as helping his father. The first major work to bear his own stamp was the offices of the Farmers’ Federation in Cuneo, a city about 100km (62 miles) south of Turin, the commission for which was a prize in a competition. The building, which had influences of metaphysical art, immediately identified Mollino as an architect eager to challenge conventions.

At the same time, Mollino was devoting much of his energy to writing. His novel, the Life of Oberon, in which the main character was an architect called Oberon, was published in several instalments in the architecture magazine, Casabella. The novel, seen to be ahead of its time in its protagonist’s description of nature and history as the environments in which architects work, and of the capacity of designs to tell a story, has been interpreted as a personal manifesto.

Mollino's foyer of the Teatro Regio
opera house in Turin

Mollino’s first acknowledged architectural masterpiece was the headquarters of the Società Ippica Torinese - the Horse Riding Club of Turin - which he completed in 1940. The building combines elements of surrealism and metaphysical art with modernism in an innovative design.

War interrupted Mollino’s architectural career. He escaped being sent away to fight after a friend gave him a job as a technician at an aeronautical construction company.  

Mollino was by then living in an apartment in Turin but left the city because of Allied bombing and returned to live in the family villa in Rivoli. During the war years, he wrote books on photography and skiing, at which he was so proficient he qualified as an instructor. His Il Messaggio dalla Camera Oscura was the first compendium on the history of photography to be published in Italy. 

The years after the war were his most productive as as an architect, during which he built the Lago Nero Sled Station on behalf of the car designer Piero Dusio, owner of the Cisitalia company, which resembled a traditional log ski chalet suspended on concrete trusses, the Casa del Sole apartment building in Cervinia, a new Monumental Cemetery on the outskirts of Turin, the interior of Turin’s RAI Auditorium and the Casa Cattaneo, a rationalist villa overlooking Lago Maggiore.

The dining room from one of Mollino's
apartments illustrated his interior design work

The death of his father in 1953 pushed Mollino into a personal crisis, during which he almost abandoned architecture. His consuming interests were photography, latterly of an increasingly erotic nature as he sought to highlight what he saw as the aesthetic qualities of the female form, car design - his Bisiluro racing car, built in 1955, competed at the 24 Hours of Le Mans - and aerobatic flying, by which he became excited after obtaining his pilot’s license in 1956.  It was during this time that his one serious relationship, with the sculptress Carmelina Piccolis, came to an end.

His focus on architectural projects returned in the late 1950s and continued until his death in 1953 from cardiac arrest. By then, he had sealed his legacy with the Chamber of Commerce building in Turin, the design of which allowed for large functional spaces free from columns, and the Teatro Regio opera house, the interior of which saw Mollino create a spectacular elliptical auditorium with a shell-like roof and lightning that resembled icicles, and a labyrinthine foyer based on the enormous subterranean vaults imagined by the 18th century artist, Giovanni Battista Piranesi.

After his death in 1973, it was discovered that he had created in his secret apartment in Via Napione between 1961 and 1970 a collection of different rooms, each lavishly decorated in individual style, one of which was furnished with a boat-shaped bed on a blue carpet, surrounded with symbols of ancient funeral rituals and some of his personal treasures and photographs. It is thought this was the room in which he intended to spend his final hours, although in the event he was working in his studio when he died.

The museum, which can be visited by private appointment, is now maintained by Italian design expert Fulvio Ferrari and his son Napoleone.

Juvarra's unfinished facade
of the Castle of Rivoli

Travel tip:

The town of Rivoli, where Mollino grew up, is notable for the Castle of Rivoli, probably built in the 9th–10th centuries and acquired by the House of Savoy in the 11th century.  In 1273 King Edward I of England visited the castle en route from the Crusades and the castle was the first place of public veneration of the Shroud of Turin, the length of cloth claimed to have been wrapped around the body of Christ after the crucifixion. Work on the current Baroque structure began in the 17th century and was redesigned but never finished by the architect Filippo Juvarra in the 18th century. Since the late 20th century it has been home to a permanent collection of 20th-century Italian art.

Mollino's elliptical auditorium at the Teatro
Regio Torino, with its icicle lighting

Travel tip:

The Teatro Regio Torino, which was Mollino’s last major work, can be found in Piazza Castello close to the Palazzo Reale in the centre of Turin. The theatre has had of a chequered history. Inaugurated in 1740, it was closed by royal decree in 1792 then reopened with the French occupation of Turin during the early 19th century, first as the Teatro Nazionale and then the Teatro Imperiale before its original name was reinstated with the fall of Napoleon in 1814. It endured several financial crises in the late 1800s but limped into the 20th century only to be burnt down in the catastrophic fire in 1936. It remained dark for 37 years until reopening in 1973. The rebuilt theatre, with Mollino’s striking contemporary interior design hidden behind the original facade, was inaugurated with a production of Verdi's I vespri siciliani directed by Maria Callas and Giuseppe Di Stefano.

Also on this day:

1527: The Sack of Rome

1895: The birth of silent movie star Rudolph Valentino

1963: The birth of ballerina Alessandra Ferri

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Michele Busiri Vici - architect

Key designer in Costa Smeralda project

The church of Stella Maris in Porto Cervo has the
soft lines typical of Michele Busiri Vici's style

The architect Michele Busiri Vici, whose distinctive work featured heavily in the development of the Costa Smeralda in Sardinia as an exclusive holiday playground in the 1960s, was born on this day in 1894 in Rome.

Along with the French architect Jacques Couelle and his fellow Italian, Luigi Vietti, Vici was commissioned by the Aga Khan, Prince Shah Karim al-Husseini, to develop the area at the northeastern tip of the island and build a new resort, Porto Cervo.

The prince, himself said to be worth $13.3 billion as one of the world’s richest royals, assembled a consortium of investors to finance the project, which began in 1961 and remains a destination popular with celebrities, business and political leaders and other wealthy individuals.

Vici’s contributions included the highly distinctive church of Stella Maris in Porto Cervo, the Hotel Romazzino and Hotel Lucia della Muntagna and numerous villas. 

He also left his mark on Porto Rafael, a small resort founded by another wealthy individual, Raphael Neville, Count of Berlanga de Duero, in the late 1950s.  There he designed the Piazzetta, a chapel, and private villas for clients such as Peter Ward, a brother of the Earl of Dudley, and the Guinness heiress Maureen Dufferin, who was a cousin of the Aga Khan.

Vici was engaged
by the Aga Khan

Busiri Vici followed in a long line of architects, going right back to the union of the French Beausire family with the Vici family of Arcevia, near Ancona in the Marche region. 

On the French side of the dynasty was Jean Beausire, an engineer and fountain maker who was chief of public works in Paris for Kings Louis XIV and Louis XV of France between 1684 and 1740. On the Italian side, Andrea Vici (1743–1817) worked under Luigi Vanvitelli on the Royal Palace of Caserta near Naples and later on projects for the Vatican. 

Michele’s older brother, Clemente Busiri Vici, designed churches for Pope Pius XI, such as Gran Madre di Dio and San Roberto Bellarmino, on which another brother, Andrea, also worked.  

Michele Busiri Vici graduated in 1921 from the Rome School of Engineering.  At first, he worked with his brother Clemente, working on projects such as a castle for the Gaulino family in Sestri Levante in Liguria and a villa-museum for the Gaulino family in Turin, now a prestigious hotel.

In 1930, branching out on his own, he created the Villa Attolico near Porta Latina in Rome, restored the Castle of Torre in Pietra and designed gardens around the archaeological site of Ostia Antica.

A villa in the Costa Smeralda designed by Michele
Busiri Vici, valued at around €14 million (£11.76m)

His reputation was only enhanced when he received an award from the city of New York for the design of the Italian Pavilion at the 1939 New York World's Fair. His talent for designing coastal villas that harmonised with the landscape, a characteristic of his work on the Costa Smeralda, emerged when he was asked to devise a plan for the development of the coast of Sabaudia in Lazio, in an area reclaimed by Mussolini from the Pontine Marshes, as a consequence of which he designed and built numerous villas in the area between Sabaudia and San Felice Circeo. 

With soft lines, whitewashed walls and fixtures painted in the colour now known as 'Busiris Green', these villas in what became known as the Mediterranean style were his trademark, although he regularly worked on other projects to ensure he was not pigeonholed as simply a designer of coastal villas.

These included the interior of the turbine steamship Raphael for the Italian Navigation Company, and urban projects that contributed to the redevelopment of Athens and Rome. In the Italian capital, his distinctive designs still stand out in the Via Vigna Stelluti, Ponte Milvio and Parioli areas.

In his work on the Costa Smeralda, the soft lines and whitewashed walls of his villas around Sabaudia were embellished with terracotta tiles and ceramics and even incorporated the huge, granite boulders that were a common feature of the handscape. 

Busiri Vici retired in 1977 and died in Rome four years later, aged 86. His grandson, also named Michele Busiri Vici, followed him into architecture. He is principal and founder of Space4Architecture (S4A), based in New York.

The Costa Smeralda is famed for its miles of
white, sandy beaches in northern Sardinia

Travel tip:

Originally the name of a small stretch of coastline near the town of Arzachena in northern Sardinia, the Costa Smeralda, known in Sardinian dialect as Montes de Mola, now incorporates some 20km (12 miles) of white sand beaches, lined with golf clubs and exclusive hotels and has become one of the most expensive locations in Europe in terms of property prices, with houses costing up to €330,000 ($348,000; £252,000) per square metre. In addition to Porto Cervo, the main towns are Liscia di Vacca, Capriccioli, and Romazzino.  Each September, the Sardinia Cup sailing regatta is held off the coast, while wealthy residents and visitors can take mark in polo matches at Gershan. near Arzachena. The area is rich in archaeological sites from the Nuragic period, which lasted about 1,500 years from the Bronze Age until the Roman colonisation of the island in 238 BC.

The Piazzetta in Porto Rafael, which was
designed by Michele Busiri Vici

Travel tip:

Porto Rafael was founded by Raphael Neville, Count of Berlanga de Duero, in the late 1950s. Neville was the son of Edgar Neville, the Hollywood film director, who inherited his title from his maternal family, who were Spanish aristocrats. Although he defied his father’s wish that he study architecture at college in favour of a more bohemian lifestyle, after buying an area of land by the sea near the town of Palau, he had enough interest in the subject to draw the design for a port.  Over time, with the encouragement of friends, the financial support of contacts and the work of architects such as Michele Busiri Vici, the port was built and well-heeled buyers began to acquire plots of land to build villas.  The attraction for them was that, unlike the flashier Porto Cervo, there was no tourist hotel and therefore no crowds. Even today, Porto Rafael, though it has a yacht club, boasts only a limited number of shops.

Also on this day:

1660: The birth of composer Alessandro Scarlatti

1913: The birth of car designer Pietro Frua

1930: The birth of campaigning politician Marco Pannella 

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Stefano Boeri - architect

Milan urban planner famous for Vertical Forest

Stefano Boeri is a specialist in
sustainable development projects

The architect Stefano Boeri, a specialist in environmentally sustainable developments and best known for his Bosco Verticale - Vertical Forest - project in Milan, was born on this day in 1956 in Milan.

The Bosco Verticale consists of two residential tower blocks in the Isola neighbourhood in the north of the city, just beyond the Porta Garibaldi railway station.  The two towers, one of 111m (364 ft), the other of 76m (249 ft), incorporate 8,900 sqm (96,000 sq ft) of terraces that are home to approximately 800 trees, 5,000 shrubs and 11,000 perennial plants.

The vegetation - the equivalent of what might be found in three hectares of woodland but with a footprint of just 3,000 sqm - mitigates against urban pollution, absorbing dust and carbon dioxide while producing oxygen. The trees also provide natural climate control for the inhabitants, shading the interior from sun in the summer and blocking cold winds in the winter.

Boeri incorporated other features to make the building self-sufficient, generating energy from solar panels and using filtered waste water to irrigate the plants.

Construction of the towers began in late 2009 and the project was completed in 2014, since which time similar projects have been started in Lausanne in Switzerland, Eindhoven and Utrecht in the Netherlands and several cities in China.

Boeri studied architecture at the Polytechnic University of Milan, where he earned a master's degree, before adding a PhD in architecture in 1989 from the Istituto Universitario di Architettura di Venezia.

Boeri's Bosco Verticale tower blocks are now
a eyecatching feature of the Milan skyline

He was editor-in-chief of the international architectural magazine Domus from 2004 to 2007 and the Italian monthly design magazine Abitare from 2007 to 2011. He founded Multiplicity, a research agency investigating the relationships between geopolitics and urban planning, took part in numerous international exhibitions and wrote many academic articles.

In 1999, he founded the Boeri Studio with fellow architects Gianandrea Barreca and Giovanni La Varra, that evolved in 2009 into Stefano Boeri Architetti, in partnership with Michele Brunello, which now has offices in Shanghai and Doha, Qatar as well as Milan.

Between April 2011 and March 2013, Boeri was Head of Culture, Design and Fashion for the city of Milan, and between July 2014 and October 2015 was Councillor for Culture and Major Events for the Mayor of Florence.

Other notable projects for which Boeri was responsible include the Villa Méditerranée in Marseille and the House of the Sea of La Maddalena in Sardinia.

The Villa Méditerranée in Marseille, with the city's
Romanesque-Byzantine style cathedral in the distance

The Villa Méditerranée is a museum and cultural center dedicated to historical, cultural, scientific, and sociological matters affecting countries bordering the Mediterranean. Located in the docks area of the port of Marseille, the building features a cantilevered exhibition floor and an underwater conference suite.

Located on the south-western edge of the port area of La Maddalena, the main a town in the Maddalena archipelago off the northern tip of the island of Sardinia, the House of the Sea building, which is used for commercial purposes as well as hosting exhibitions dedicated to nautical and sailing events, is a striking structure consisting of two rectangular elements of different sizes, one placed flush with the quay and, suspended above, a larger upper body that juts out over the water.

Boeri is married to Maddalena Bregani, a former TV writer and editor who co-founded the Multiplicity agency with him and now works as a consultant in projects around the cultural production and the communication fields, based in Milan. 

The Unicredit Tower is
another Isola landmark

Travel tip:

Situated adjacent to the Porta Garibaldi railway station, Isola used to be one of Milan’s toughest working-class neighbourhoods but since the early 2000s, after rents in the sought-after Brera and Navigli districts increased sharply, artists and young professionals began to be drawn to the Isola area’s village vibe and much cheaper apartments and is now one of the city’s trendiest,  up-and-coming areas, well connected to the city centre by a metro line. The area boasts a vibrant nightlife, chic boutiques, some fine restaurants and an array of cafes serving good coffee and delicious pastries. The area has also become famous for second-hand shops that stock vintage designer pieces, such as Chanel bags and Ferragamo shoes.

The Maddalena Archipelago is known for its
white sand beaches and crystal clear waters

Travel tip:

The Maddalena Archipelago is a group of islands in the Strait of Bonifacio between the French island of Corsica and north-eastern Sardinia (Italy). It consists of seven main islands and numerous small islets, the largest one of which is the island of La Maddalena with its homonymous town. Maddalena has the same clear waters and wind blown granite coastlines as the nearby upmarket tourist resorts of the Costa Smeralda but remains a haven for wildlife, home to the Parco Nazionale Arcipelago di La Maddalena.

Also on this day:

1343: Amalfi destroyed by tsunami

1881: The birth of Angelo Roncalli, the future Pope John XXIII

1939: The birth of actress Rosanna Schiaffino

1950: The birth of novelist Giorgio Faletti

1955: The birth of dance show judge Bruno Tonioli

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