Showing posts with label Bologna. Show all posts
Showing posts with label Bologna. Show all posts

29 October 2019

Carlo Emanuele Ruspoli – Duke of Morignano

Noble architect is now a prolific writer


Carlo Emanuele Ruspoli became Duke of Morignano in 2003
Carlo Emanuele Ruspoli became
Duke of Morignano in 2003
Carlo Emanuele Maria Ruspoli was born on this day in 1949 in Rome.

He became the third Duke of Morignano in 2003, succeeding his father, Prince Galeazzo Ruspoli.

Carlo had previously graduated as a Doctor of Architecture from the Sapienza University of Rome and he now works as a researcher and writer.

He is a prolific author of works on history and anthropology as well as historical novels, drawing on his own family heritage and his fascination with the East.

The House of Ruspoli is one of the great aristocratic families of Rome and all members hold the title of Prince of the Holy Roman Empire.

The family’s origins can be traced back to their ancestor, Marius Scotus, in the eighth century, the Ruspoli family of Florence in the 13th century, and the Marescotti family of Bologna.

A branch of the Ruspoli family moved to Rome in the 17th century. Their last descendant, Vittoria Ruspoli, Marchioness of Cerveteri, married Sforza Marescotti, Count of Vignanello, a descendant of the Farnese family, but to make sure the House of Ruspoli continued, one of Vittoria’s sons, Francesco Maria Marescotti Ruspoli, took on the name and coat of arms of the House of Ruspoli.

In 1721 Pope Benedict XIII conferred on Francesco Maria the title of Principe Romano for himself and his descendants ad infinitum.

Emanuele Ruspoli, the great grandfather of Carlo Emanuele Ruspoli
Emanuele Ruspoli, the great grandfather
of Carlo Emanuele Ruspoli
One of Francesco’s descendants, Francesco, the third Prince of Cerveteri, was created Prince of the Holy Roman Empire by the Emperor Francis II in 1792, a title for himself and all his male descendants.

His son, Bartolomeo Ruspoli, was a colonel in the Piedmontese army and fought in the battles leading up to Italian unification. He was paralysed from the waist down after a blast from a hand grenade, but continued to participate in the fighting in a wheelchair pushed by his assistant.

His son, Emanuele Ruspoli, also fought for Italian unification and became a Senator and twice served as Mayor of Rome.

Emanuele’s eldest son by his third marriage was Francesco Alvaro Ruspoli, who was educated at Eton College in England for five years. He became the first Duke of Morignano in 1907. His son, Galeazzo Ruspoli, the second Duke of Morignano, was Carlo Emanuele Ruspoli’s father.

In 1975, Carlo Emanuele Ruspoli married Dona Maria de Gracia de Solis-Beaumont y Tellez-Giron. They had a daughter, Donna Maria de Gracia Giacinta Ruspoli, who married Don Javier Isidro Gonzalez de Gregorio y Molina in 2009. Carlo now has a granddaughter, Donna Maria de Gracia Gonzalez de Gregorio y Ruspoli.

Carlo Emanuele Maria Ruspoli, the third Duke of Morignano, celebrates his 70th birthday today.

An 18th century engraving of the Palazzo Ruspoli by the Italian engraver Giuseppe Vasi
An 18th century engraving of the Palazzo Ruspoli by
the Italian engraver Giuseppe Vasi
Travel tip:

Palazzo Ruspoli in Via del Corso in Rome is still owned by the Ruspoli family today. It is a large Renaissance-style palace, situated where the Corso intersects with Largo Carlo Goldoni and Piazza di San Lorenzo in Lucina in the Campo Marzio area. It was renovated by the architect Bartolomeo Ammanatti in the 16th century and then by the architect Martino Longhi the Younger in the 17th century. The palace was acquired by the Ruspoli family in 1776 and in the 19th century it sheltered the exiled Napoleon III. The palace’s main feature is its great staircase, which has four flights, each made up of 30 marble steps, and is considered one of the four marvels of Rome.

The modern campus of the Sapienza University of Rome was designed in the 1930s by Marcello Piacentini
The modern campus of the Sapienza University of Rome
was designed in the 1930s by Marcello Piacentini
Travel tip:

The Sapienza University of Rome, where Carlo Emanuele Ruspoli studied architecture, was founded in 1303 by Pope Boniface VIII and is now one of the largest universities in Europe. The main campus is in what is now called Piazzale Aldo Moro near Rome’s Termini Railway station. The buildings were designed by the architect Marcello Piacentini in the 1930s. Aldo Moro, who was twice Prime Minister of Italy and was kidnapped and killed by the Red Brigades in 1978, was professor of the Institutions of Law and Criminal Procedure at the University in the 1960s.

Also on this day:

1922: Mussolini is appointed Prime Minister

1960: The birth of particle physicist Fabiola Gianotti

2003: The death of the 'Prince of Tenors' Franco Corelli


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20 June 2019

Valerio Evangelisti - novelist

Writer's stories of the Inquisition are bestsellers


Valerio Evangelisti is best known for his science fiction,
fantasy and historical novels, popular across Europe
The bestselling novelist Valerio Evangelisti, best known for his science fiction, fantasy, historical novels and horror stories, was born in Bologna on this day in 1952.

He is famous in Italy for his series of novels featuring the inquisitor Nicolas Eymerich and for the Magus trilogy, all of which have been translated into many languages.

Eymerich is a real historical character, a member of the order of the Dominicans and of the Spanish Inquisition who was born in 1320 in Girona, Catalonia.  Evangelisti portrays him as a cruel and ruthless man who acts without mercy to protect the Catholic Church against threats of both natural and supernatural origin.

Evangelisti uses the Eymerich novels to investigate the mysterious phenomena in medieval Europe that strategically influenced the great historical events of the time, creating a dark and nightmarish picture of the epoch.

The Magus trilogy is a romanticized biography of the famous Middle Ages writer of prophecies, Nostradamus. The three novels, Il presagio (The Omen), L’inganno (The Deceit) and L'abisso (The Abyss) were also bestsellers in Italy.

Evangelisti had a job at the
Treasury Department 
Evangelisti graduated with a degree in Political Science from the University of Bologna in 1976 with a historical-political thesis. He began a career in the Ministero delle Finanze (Treasury Department), but wrote in his spare time, mainly historical essays, books and articles.

In 1993, his first novel, entitled Nicolas Eymerich, inquisitore won the Urania Award, established by a magazine with the aim of discovering new talent in the field. He wrote more novels in the series, at a rate of approximately one a year until 2002, after which they became less frequent. He returned to the character from time to time, however. The most recent, Il fantasma di Eymerich - Eymerich’s phantom - was published only last year.

Evangelisti's novels are popular in France (where he won several literary awards), Spain, Germany and Portugal as well as in his home country. Some recent works reflect his enthusiasm for heavy metal music, namely the short stories collection Metallo urlante (referring to the French magazine Metal Hurlant).

He has written other novels set during the American Civil War, while one of his latest novels, Noi saremo tutto - We Shall Be All - spans several decades of the last century, exploring the life of Eddie Florio, an Italian-American gangster, against the background of the history of the trade unions and the workers' battles for civil rights, including many real-life characters from the New York underworld.

Evangelisti, who has a home in Mexico as well as in his native Bologna, sets two novels - Il collare di fuoco (The Fire Collar) and Il collare spezzato (The Broken Collar) - in the Central American country, as well as another - Tortuga, a story about pirates - in the Caribbean.

A lifelong Communist, Evangelisti stood as an independent candidate in the 2009 European elections in the Anticapitalist List (formed by the union between the Communist Refoundation and the Italian Communist Party in the so-called Federation of the Left) and in 2011 in the administrative elections for the municipality of Bologna for the Federation of the Left.

He is now a vocal backer of the extreme left-wing list of Power to the People.

Piazza Maggiore is the hub of the historic city of Bologna
Piazza Maggiore is the hub of the historic city of Bologna
Travel tip:

The history of Bologna, one of Italy's oldest cities, can be traced back to 1,000BC or possibly earlier, with a settlement that was developed into an urban area by the Etruscans, the Celts and the Romans.  The University of Bologna, the oldest in the world, was founded in 1088.  Bologna's city centre, which has undergone substantial restoration since the 1970s, is one of the largest and best preserved historical centres in Italy, characterised by 38km (24 miles) of walkways protected by porticoes.  At the heart of the city is the beautiful Piazza Maggiore, dominated by the Gothic Basilica of San Petronio, which at 132m long, 66m wide and with a facade that touches 51m at its tallest, is the 10th largest church in the world and the largest built in brick.

The Archiginnasio at the  University of Bologna
The Archiginnasio at the
University of Bologna
Travel tip:

Bologna University, where Evangelisti studied, was founded in 1088 and is the oldest university in the world. The oldest surviving building, the Archiginnasio, is now a library and is open Monday to Friday from 9 am to 7 pm, and on Saturdays from 9 am to 2 pm. It is a short walk away from Piazza Maggiore and the Basilica di San Petronio in the centre of the city.

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13 May 2019

Francesco Pistocchi – singer and composer

Child prodigy who wrote many operas and also taught


A 19th century bust of Pistocchi on display at the Biblioteca della Musica in Bologna.
A 19th century bust of Pistocchi on display at
the Biblioteca della Musica in Bologna.
Francesco Pistocchi, a singer who became known to audiences as Pistocchino, died on this day in 1726 in Bologna.

Pistocchi left the world many operas, oratorios and cantatas he had composed, which are now highly regarded for their melodic elegance and colourful harmony.

Born Francesco Antonio Mamiliano Pistocchi in Palermo in 1659, Pistocchi became a child prodigy because of his beautiful soprano voice. He began performing as a singer in public at the age of three and the first music he composed, Capricci puerili, was published when he was just eight years old.

Believed to have become a castrato, Pistocchi made regular appearances as a singer in Bologna’s cappella musicale at the Basilica of San Petronio, where his father was a violinist, from 1670 onwards.

He later had a brilliant opera career as a contralto, touring in Italy and Germany and serving at the court in Parma in the 1680s.

His opera, Il leandro, was premiered at Teatro alle Zattere in Venice in 1679.

The famous castrato Farinelli's teacher was a former pupil of Pistocchi
The famous castrato Farinelli's teacher was
a former pupil of Pistocchi 
In 1696 Pistocchi became Court Kapellmeister for the Duke of Ansbach in Germany. His operas, Il Narciso and Le pazzie d’amore e dell’interesse, were presented in Ansbach in the late 1690s and another of his works, I rivali generosi, was premiered in Reggio Emilia in 1710.

After Pistocchi returned to live in Italy in 1702 he was named virtuoso di camera e di cappella to Prince Ferdinand of Tuscany.

Towards the end of his life, Pistocchi taught singing in Bologna. Among his notable pupils were Antonio Bernacchi, a castrato, and Annibale Pio Fabri, a tenor. Bernacchi later taught the famous castrato, Farinelli. Through his students, and their further pupils, much of Pistocchi’s skill and knowledge was passed on to the famous singers of the 18th century.

He was elected president of the Accademia Filarmonica twice, in 1708 and 1710, but after his voice began to deteriorate, Pistocchi closed his singing school. He was ordained a priest in 1715 in the Oratorian Order founded by San Filippo Neri in Bologna.

Pistocchi died in Bologna in 1726.

A recording of Pistocchi’s Oratorio, Il Martirio di San Adriano, was released by Pan Classics in 2013.

The Basilica di San Petronio, with its unfinished facade, is the largest brick-built Gothic church in the world
The Basilica di San Petronio, with its unfinished facade, is
the largest brick-built Gothic church in the world
Travel tip:

The Basilica di San Petronio, where Pistocchi sang in the cappella musicale in the 1670s, is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest brick-built Gothic church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The facade was designed by Domenico da Varignana and started in 1538 by Giacomo Ranuzzi but was never finished. The main doorway was decorated by Jacopo della Quercia of Siena with scenes from the Old Testament on the pillars, eighteen prophets on the archivolt, scenes from the New Testament on the architrave, and a Madonna and Child, Saint Ambrose and Saint Petronius on the tympanum.


The Oratory of San Filippo Neri was reconstructed after the war
The Oratory of San Filippo Neri
was reconstructed after the war
Travel tip:
The Oratory of San Filippo Neri in Bologna, where Pistocchi took religious orders, is a late baroque building in Via Manzoni. It was constructed from the sacristry of the adjacent church, which is now known as the Chiesa dei Filippini Madonna di Galliera e Filippo Neri. The Oratory was suppressed in 1866 and the building was for a time used as a barracks. It was badly damaged by Allied bombing during the Second World War but was faithfully reconstructed using old photographs in 1997.



More reading:

How Farinelli became music's first superstar

Senesino, the castrato who worked with Handel

Why a teacher of the finest 18th century singers died in poverty

Also on this day:

1804: The birth of Venetian revolutionary Daniele Manin

1909: The first Giro d'Italia leaves Milan

1938: The birth of former prime minister Giuliano Amato





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29 January 2019

Bomb destroys Archiginnasio anatomical theatre

Historic facility hit in 1944 air raid



The Archiginnasio anatomical theatre is surrounded by statues of eminent physicians carved in wood
The Archiginnasio anatomical theatre is surrounded by
statues of eminent physicians carved in wood
The historic anatomical theatre of the Palazzo Archiginnasio, the original seat of the University of Bologna, was almost completely destroyed in a bombing raid on the city by Allied forces on this day in 1944.

The northern Italian city was a frequent target during the final two years of the conflict because of its importance as a transport hub and communications centre.  The wing of the palazzo housing the anatomical theatre, built between 1636 and 1638, took a direct hit on the night of January 29.

Although it is unlikely that the university - the oldest in the world - was a specific target, bombing was much less precise 75 years ago and collateral damage was common and often widespread.

As well as its importance in the history of medical research, the anatomical theatre was notable as an art treasure, mainly for the 18th century carved wooden statues by Silvestro Gianotti depicting great physicians of history, from the Greek physicians Hippocrates and Galenus onwards, including many who worked at the university, such as Fabrizio Bartoletti, Marcello Malpighi, Mondino de Liuzzi and Gaspare Tagliacozzi.

Gaspare Tagliacozzi was one of the many physicians who worked in the Archiginnasio
Gaspare Tagliacozzi was one of the many
physicians who worked in the Archiginnasio
The theatre, built in the form if an amphitheatre, was designed in 1637 by the Bolognese architect Antonio Levanti, a pupil of Annibale Carracci.

The ceiling, completed between 1647 and 1649 had the figure of Apollo, the god of Medicine, in the middle, surrounded by symbolic images of constellations carved in wood.

The centrepiece of the table was the white table on which the dissection of human or animal bodies took place.  These were open to the public and took place in the presence of an Inquisition priest.

To the side, in an elevated position, the cattedra del lettore - teacher’s desk - was flanked by two spellati - skinned men - statues, sculpted in 1734 from drawings by Ercole Lelli, a local painter of the late Baroque period who became famous for his anatomical sculptures in wax.

Incredibly, despite the destruction, the theatre was faithfully reconstructed after the war had ended thanks to the painstaking recovery from the rubble of anything that could be reused, including the majority of the statues.

The theatre today is open daily to the public, along with other parts of the Palazzo Archiginnasio, which was the seat of the university until 1803. The original marble table is not the one on display, mainly out of consideration for visitors whose sensitivities might be offended by the sight of indelible blood stains.

The city of Bologna as a whole suffered extensive damage from bombing during the Second World War II. The worst raids took place in 1943. On July 24, a massive bombardment destroyed a significant part of the historic city centre and killed about 200 people, with 44 per cent of the buildings in the centre listed as having been destroyed or severely damaged. On September 25, sustained bombing of the wider city left more than 1,000 people dead.

The inner courtyard of the Archiginnasio, which was completed in 1563
The inner courtyard of the Archiginnasio,
which was completed in 1563
Travel tip:

The construction of the Archiginnasio, situated behind the Basilica di San Petronio, began after nearby Piazza Maggiore was remodeled under papal orders in the 16th century. It was commissioned by Pope Pius IV through the papal legate Charles Borromeo, who entrusted the project to the architect Antonio Morandi. The building, inaugurated on October 21, 1563, was to house the Schools of the Legisti (Canon and Civil law) and Artisti (philosophy, medicine, mathematics, natural sciences and physics). The building was named Archiginnasio after the classical term which was used to designate the Studium, as the University was first called, of Bologna. The Archiginnasio ceased to be the seat of the university in 1803, when the university moved to Palazzo Poggi, where it is still located today.  The original building now houses the Archiginnasio Municipal Library, the largest library in Emilia-Romagna.

he Basilica di San Petronio is the largest brick-built church in the world, reaching 51m (167ft) high
The Basilica di San Petronio is the largest brick-built church
in the world, reaching 51m (167ft) high
Travel tip:

The Basilica di San Petronio, is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest, brick-built church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The 10th-largest church in the world at 132m (433ft) long and 66m (271ft), the vault reaches 45m (148ft) inside and 51m (167ft) in the facade. The basilica, built as a communal project, was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000.  Work on the facade was abandoned in the early 16th century by order of Pope Pius IV over fears that it would upstage St Peter's Basilica in Rome as the grandest church in Italy. It has never been completed.

More reading:

The 16th century plastic surgeon who pioneered nose jobs

San Marino is bombed by British planes

Allied troops land at Salerno

Also on this day:

1909: The death of Felice Beato, war photographer

1924: The birth of avant-garde musician Luigi Nono

1996: Fire destroys La Fenice opera house in Venice


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20 January 2019

Rafael Bombelli – mathematician

First person to explain algebra in simple language



The front cover of the 1579 edition of Bombelli's text, published in Bologna
The front cover of the 1579 edition of
Bombelli's text, published in Bologna
Rafael Bombelli, the mathematician regarded as the inventor of complex numbers, was baptised and was also probably born on this day in 1526 near Bologna.

He wrote a book about algebra in simple language that could be understood by everyone, giving a comprehensive account of what was known about the subject at the time. The first three volumes, published in 1572, were the first European texts to explain how to perform computations with negative numbers.

Rafael Bombelli was the eldest son of Antonio Mazzoli, a wool merchant, who had changed his name to Bombelli to disassociate himself from the reputation of his family. His grandfather had taken part in a failed attempt to seize Bologna on behalf of the Bentivoglio family but had been caught and executed. Antonio Mazzoli was able to return to Bologna only after changing his name to Bombelli.

It is thought that Rafael Bombelli did not attend university but was taught by an engineer-architect named Pier Francesco Clementi.

He followed Clementi into the profession and acquired a patron, Alessandro Rufini. His patron was given the right to reclaim marsh land in the Val di Chiana by the Pope and Bombelli worked on this project until 1555 when there was an interruption to the reclamation work.

Bombelli wrote his algebra book while staying in his patron's villa in Frascati, outside Rome
Bombelli wrote his algebra book while staying in
his patron's villa in Frascati, outside Rome
While he was waiting for the project to start again he decided to write an algebra book, while living in the comfortable surroundings of his patron’s villa just outside Rome in Frascati.

He felt that the reason for arguments between mathematicians was the lack of a careful exposition of the subject. The only books about algebra were not accessible to people without a thorough grasp of mathematics and he deliberately used simple language to make the book available to people who had not received higher education.

He died in Rome in 1572, soon after the first three volumes of the book were published. The unfinished manuscript of the other two volumes was discovered in a library in Bologna in 1923 and published in 1929.

Despite the delay in publication, Bombelli’s Algebra was a very influential work and was praised by later mathematicians because his analysis of the subject showed him to be far ahead of his time.

A crater on the moon has been named the Bombelli crater in honour of him.

The church of Santa Maria Assunta in Borgo Panigale
Travel tip:

Bombelli’s family lived in Borgo Panigale, a small town to the north of Bologna, which was annexed to the city by the Fascist government in 1937. It is now home to Bologna’s Guglielmo Marconi airport and the motorbike manufacturer Ducati. The Bologna artist Elisabetta Sirani painted an altarpiece for the parish church of Borgo Panigale. It is thought the name stems in part from the land around the site of the town, which was formerly used for the cultivation of the foxtail millet cereal called panìco in Italian.

The facade of the Villa Falconieri in Frascati, where Bombelli stayed
The facade of the Villa Falconieri in
Frascati, where Bombelli stayed
Travel tip:

The Villa Falconieri in Frascati, to the south of Rome, was originally called Villa Rufina, having been built for Alessandro Rufini in 1546. It was while staying in this villa that Bombelli wrote his famous work on Algebra, which he dedicated to his patron, Rufini. The villa, which was renovated by the leading Roman Baroque architect Francesco Borromini after it was sold in 1628, houses many beautiful frescoes and is surrounded by splendid Italian gardens with a small lake bordered by cypresses. Now the headquarters of the Vivarium Novum Latin and Humanities Academy, it is open to the public from 10am to 1pm each Sunday.

More reading:

The mathematician who turned down Peter the Great of Russia

The maths professor who won the equivalent of a Nobel Prize at just 34

The mathematician and scientist who discovered the secret of embalming

Also on this day:

1920: The birth of filmmaker Federico Fellini

1950: The birth of former Vogue editor Franca Sozzani

1987: The birth of motorcycle racer Marco Simoncelli


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7 November 2018

Gaspare Tagliacozzi - surgeon

Professor invented rhinoplasty procedure


Gaspare Tagliacozzi perfected a way of forming a new nose using skin from the arm
Gaspare Tagliacozzi perfected a way of
forming a new nose using skin from the arm
Pioneering plastic surgeon Gaspare Tagliacozzi died on this day in 1599 in Bologna.

During his career, Tagliacozzi had developed what became known as ‘the Italian method’ for nasal reconstruction.

He improved on the procedure that had been carried out by the 15th century Sicilian surgeons, Gustavo Branca, and his son, Antonio.

Tagliacozzi wrote a book, De Curtorum Chirugia per Insitionem - On the Surgery of Mutilation by Grafting - which described in great detail the procedures carried out in the past to repair noses amputated during battle.

Surgeons who came after him credit him with single-handedly revolutionising the procedure and inventing what is today referred to as a rhinoplasty procedure.

Tagliacozzi was born in Bologna in 1545. He studied medicine, natural sciences and anatomy at the University of Bologna, gaining a degree in philosophy and medicine by the age of 24.

After he was appointed professor of surgery and professor of anatomy at the University he taught at the Archiginnasio, famous for its anatomical theatre, where he procured the bodies of executed prisoners to use in dissections.

An illustration of a patient with arm strapped in place across the nose
An illustration of a patient with arm
strapped in place across the nose
The operation for nasal reconstruction had been developed in Italy as early as the 15th century because of injuries sustained in battle, or when duelling using rapiers.

Tagliacozzi improved the reconstructive surgery method by taking skin from the arm using specially designed instruments to make the correct shape.

The flap of skin from the arm was attached to the nose and the patient’s arm was bandaged in the raised position for about 20 days, or until the skin of the arm had attached itself to the nose. The pedicle was then severed from the arm and after 14 days the attached skin was shaped so that it resembled a nose.

In his book explaining the procedure he writes: ‘We restore, rebuild and make whole those parts which nature hath given, but which fortune has taken away. Not so much that it may delight the eye, but that it might buoy up the spirit, and help the mind of the afflicted.’

Tagliacozzi died in Bologna on 7 November 1599 and was buried in the church of San Giovanni Battista de’ Celestini, as he had stipulated in his will. A solemn mass attended by doctors and colleagues was held in his honour later that month in the same church.

However, his body was later exhumed on the orders of the Catholic Church and reburied on unconsecrated ground, the church hierarchy having deemed that his surgery interfered with the handiwork of God.

After Tagliacozzi’s death, ‘the Italian method’ was not used again until the 19th century when a German plastic surgeon performed the procedure again.

Tagliacozzi also wrote a book about reconstructive surgery procedures for lips and ears.

The statue of Tagliacozzi in the anatomical theatre of the Archiginnasio
The statue of Tagliacozzi in the
anatomical theatre of the Archiginnasio
Travel tip:

The world’s first university was established in Bologna in 1088 and attracted popes and kings as well as students of the calibre of Dante, Copernicus and Boccaccio. You can visit the university’s former anatomy theatre, where Tagliacozzi worked, in the oldest university building, the Archiginnasio, which is open to the public Monday to Saturday from 9 am to 1 pm, admission free. There is a wooden statue of Tagliacozzi holding a nose in his right hand, set in a niche in the wall of the anatomy theatre.

The church of San Giovanni Battista de' Celestina in the centre of Bologna
The church of San Giovanni Battista de'
Celestina in the centre of Bologna


Travel tip:

The church of San Giovanni Battista de’ Celestini in Bologna is a Renaissance-style Roman Catholic church located on Via D'Azeglio, where the Celestine order had built a monastery and church in the 14th century. In 1482, the church had become the home of the parish.It was rebuilt in 1535 on the site of a 13th century building in Piazza de’ Celestini.

More reading:

The 17th century anatomist whose work still benefits astronauts today

How Gabriele Falloppio made key discoveries about human reproduction

Italy's 18th century cataract surgeon

Also on this day:

The feast day of Ercolano, patron saint of Perugia

1512: Niccolò Machiavelli dismissed from office

1944: The birth of football legend Luigi Riva


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4 November 2018

Guido Reni – painter

Bolognese artist who idealised Raphael


Guido Reni: a self-portrait executed in about 1603, currently in the Palazzo Barberini in Rome
Guido Reni: a self-portrait executed in about
1603, currently in the Palazzo Barberini in Rome
The leading Baroque painter, Guido Reni, was born on this day in 1575 in Bologna, then part of the Papal States.

He was to become a dominant figure in the Bolognese school of painting, which emerged under the influence of the Carracci, a family of painters in Bologna. He was held in high regard because of the classical idealism of his portrayals of mythological and religious subjects.

Although his father, Daniele, wanted him to follow in his footsteps as a musician, Guido Reni passionately wanted to become an artist and was apprenticed to the Flemish painter Denis Calvaert when he was 10 years old. He focused on studying the works of Raphael, who, for the rest of his life, remained his ideal.

Reni went on to enter the academy led by Ludovico Carracci, the Accademia degli Incamminati - The academy of the newly-embarked - in Bologna. He was received into the guild of painters in the city in 1599 when he was nearly 24.

After this he divided his time between his studios in Bologna and Rome.

One of his most famous works, Crucifixion of St Peter, which is now in the Vatican Museum in Rome, was painted for Cardinal Aldobrandini in 1605.

Reni's dramatic depiction of the Crucifixion of St Peter (1605)
Reni's dramatic depiction of the
Crucifixion of St Peter (1605)
Early in his career, Reni executed important commissions for Pope Paul V, painting frescoes in churches in Rome, including the Basilica of Santa Maria Maggiore. One of his most celebrated works from this period is the Aurora fresco, painted between 1613 and 1614 for the large central hall of the Casino dell’Aurora, located in the grounds of the Palazzo Pallavicini-Rospigliosi.

Reni travelled to Naples in 1622 to paint frescoes on the ceiling of the chapel of San Gennaro in the Cathedral.

In 1630, the Barberini family commissioned from Reni a painting of the Archangel Michael for the Church of Santa Maria della Concezione dei Cappuccini. There was a rumour that Reni had represented Satan, crushed under St Michael’s foot, with the facial features of Cardinal Giovanni Battista Pamphili, in revenge for a slight he had experienced from him.

Reni’s unique style was to paint religious and mythological subjects in light, soft colours, posing the figures gracefully, as in Atalanta and Hippomenes, executed in 1625.

Ancient Greek sculptures and the frescoes of Raphael were the main inspiration for his type of art.

He became one of the most famous painters of his day in Europe and was the model for other Italian Baroque artists who came later.

Reni died, aged 66, in 1642 in Bologna. He was buried in the Rosary Chapel of the Basilica of San Domenico. The painter Elisabetta Sirani, whose father had been Reni’s pupil, and who was considered by many to have been the artistic reincarnation of Reni, was later interred in the same tomb.

Reni painted frescoes in the Naples Duomo, also known as the Cattedrale di San Gernnaro
Reni painted frescoes in the Naples Duomo, also known
as the Cattedrale di San Gernnaro
Travel tip:

The Duomo in Naples, in Via Duomo, off Via Tribunali, was built over the ruins of two earlier Christian churches for Charles I of Anjou at the end of the 13th century. One of the main attractions inside is the Royal Chapel of the Treasure of San Gennaro, which contains Reni’s frescoes, along with many other precious works of art. The Duomo is also sometimes referred to as Cattedrale di San Gennaro. It is open to the public from 8.30am to 1.30pm and 2.30 to 8pm, Monday to Saturday, and 8.30am to 1.30pm and 4.30 to 7.30pm on Sundays.

The Basilica of San Domenico in Bologna, where Reni is buried, contains several important works of art
The Basilica of San Domenico in Bologna, where Reni is
buried, contains several important works of art
Travel tip:

Guido Reni is buried in the Rosary Chapel of the 13th century Basilica of San Domenico in Piazza San Domenico in Bologna. The church is close to the Archiginnasio, once the main building of the University of Bologna. Behind the red-brick façade of the church, which was added as recently as 1910, lies a treasure house of art including works by Pisano, Michelangelo, Iacopo da Bologna and Guido Reni himself. In the Rosary Chapel, the most important work is the Mystery of the Rosary, a group of paintings worked on by Lodovico Carracci, Bartolomeo Cesi, Denis Calvaert, Lavinia Fontana, Guido Reni and Domenichino. The artist Elisabetta Sirani was later interred in the same tomb as Guido Reni.

More reading:

Elisabetta Sirani - talented young painter whose sudden death shocked Bologna

How Annibale Carracci made his mark in Rome

Domenichino - the Bolognese master who rivalled Raphaal

Also on this day:

1333: Florence devastated by catastrophic floods

1737: The inauguration of Teatro San Carlo in Naples

1964: The birth of crime writer Sandrone Dazieri


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2 November 2018

Gaspare Nadi - builder and diarist

Craftsmen kept chronicle for 50 years


The bell tower of the Palazzo d'Accursio in  Bologna was one of Nadi's projects
The bell tower of the Palazzo d'Accursio in
Bologna was one of Nadi's projects
Gaspare Nadi, a builder who became famous for the insight into life in 15th century Italy provided by a diary he maintained for half a century, was born on this day in 1418 in Bologna.

Nadi worked on several important buildings in Bologna, including the bell tower of the Palazzo d’Accursio and several churches. He built the library of the Basilica of San Domenico.

He attained the position of Master Mason in the local guild of bricklayers, whom he also served for many terms as guild manager and other official positions.

Yet it was the diary he began to compile in 1452 that became his legacy. Written in idiomatic Bolognese, it proved to be an extraordinary document, a source for historians seeking to understand how families and society functioned in the Italy of Nadi’s lifetime.

As well as detailing family issues, the diary explained much about the construction industry of the time, with entries about clients and remuneration, injuries suffered by workers, the times demanded to turn around projects and the workings of the guilds, even down to the taverns in which members met and the vineyards that supplied their wine.

Nadi's extraordinary diaries are still available to read today
Nadi's extraordinary diaries are still
available to read today
There were also references to broader topics such as the duties of the city corporations in relation to the maintenance of public order and the pursuing of thieves. Nadi described deliberations on how a defence force would be enlisted for circumstances in which the city was in danger from its enemies.

Nadi was born in a house on the Via dei Pelacani (now Via Giuseppe Petroni) in the parish of San Vitale in Bologna. His father, Filippo di Domenico, a tanner, died in 1427, after which his mother, Chiara, married Giacomo Senzabarba, a shoemaker.

He moved to Faenza at the age of 15, with the intention of pursuing a career in the law. Two years later he returned to Bologna but his step-father refused to maintain him there and he was forced to move out. Fortunately, he was given by friends help first to learn to read and write and then to find work.

He was apprenticed as a barber in 1436. However, the cost of training was prohibitive and he turned instead to learning how to build walls under the guidance of the master builder Bartolomeo Negri.  In May of that year, he helped the engineer Aristotele Fioravanti complete the bell tower of the Palazzo d’Accursio - also known as the Palazzo del Comune - in the centre of Bologna.

In 1444, after completing his professional training in Ferrara, he married Catelina di Antonio di Bernardo, the daughter of a Florentine tailor, and the following year he moved to live with his in-laws in Prato, where he continued to practice his profession.

Catelina bore him six children and six other failed pregnancies in the space of 13 years, which is thought to have contributed to her death in 1462, after which Nadi married twice more, losing his second wife, Francesca, and his eldest son, Girolamo, in an outbreak of plague.  His third marriage, to Caterina, was unhappy and Nadi moved out to live with another son, Giovanni.

He died in 1504 at the age of 85 and is buried in the parish church of San Vitale.

Bologna's Piazza Maggiore at dusk, looking towards the Palazzo d'Accursio - or Palazzo del Comune
Bologna's Piazza Maggiore at dusk, looking towards
the Palazzo d'Accursio - or Palazzo del Comune
Travel tip:

The Palazzo del Comune in Bologna’s Piazza Maggiore began life in the 13th century as Palazzo d'Accursio, the residence of the jurist Accursius. Over time, it was expanded and attached to adjacent buildings to house civic offices. In 1336 it became the seat of the Anziani - Elders - the highest magistrates of the city, and then the city's seat of government. In the 15th century it was refurbished under the designs of the architect Fioravante Fioravanti, who added the clock tower - Torre d'Accursio - in which Nadi installed the bell.

The Due Torri - the Asinelli and Garisenda towers - a feature of the Bologna skyline
The Due Torri - the Asinelli and Garisenda
towers - a feature of the Bologna skyline
Travel tip:

Via Giuseppe Petroni, where Nadi was born (known then as Via dei Pelacani) is in central Bologna, linking Piazza Giuseppe Verdi - home of the Teatro Comunale di Bologna, the city’s principal opera venue - with Piazza Aldrovandi, named after the geologist Ulisse Aldrovandi (1522- 1605). Piazza Aldrovandi has a permanent food market, with stands selling fruit and vegetable as well as cheese, fish and other produce on a daily basis. The Piazza Aldrovandi is only 550m along Strada Maggiore from the Due Torri - the Torre degli Asinelli, which is the tallest leaning medieval tower in the world, and its sister, the Garisenda tower - which represent one of the symbols of the city.

Also on this day:

1475: The death of Bergamo condottiero Bartolomeo Colleoni

1893: The birth of car designer Battista Pinin Farina

1906: The birth of film director Luchino Visconti



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23 October 2018

Alex Zanardi - racing driver and Paralympian

Crash victim who refused to be beaten

Ex-motor racing champion Alex Zanardi won his first  Paralympic gold medals at the 2012 Games in London
Ex-motor racing champion Alex Zanardi won his first
 Paralympic gold medals at the 2012 Games in London
Alessandro 'Alex’ Zanardi, a title-winning racing driver who lost both legs in an horrific crash but then reinvented himself as a champion Paralympic athlete, was born on this day in 1966 in the small town of Castel Maggiore, just outside Bologna.

Zanardi was twice winner of the CART series - the forerunner of IndyCar championship of which the marquee event is the Indianapolis 500 - and also had five seasons in Formula One.

But in September 2001, after returning to CART following the loss of his contract with the Williams F1 team, Zanardi was competing in the American Memorial race at the EuroSpeedway Lausitz track in Germany when he lost control of his car emerging from a pit stop and was struck side-on by the car of the Canadian driver Alex Tagliani.

The nose of Zanardi’s car was completely severed as Tagliani's car slammed into Zanardi's cockpit, just behind the front wheel, and the Italian driver suffered catastrophic injuries. Rapid medical intervention saved his life after he lost almost 75 per cent of his blood volume but both legs had to be amputated, one at the thigh and the other at the knee.

Zanardi driving for the Williams F1 team at the 1999 Canada Grand Prix in Montreal
Zanardi driving for the Williams F1 team at the 1999
Canada Grand Prix in Montreal
For most drivers, it would have been the end of their career yet Zanardi, although he would never compete in open wheel racing again, fought back from his injuries, learned how to use prosthetic legs he designed himself and, within just 19 months of his accident, was back behind the wheel.

Extraordinarily, he first returned to Lausitz in a gesture of defiance, completing the 13 laps that remained of his fateful 2001 race in a car adapted with hand-operated brake and accelerator controls.

But this was to be no belated farewell to his sport. Noting that his lap times were fast enough to have put him fifth on the grid of the 2003 German 500 event that followed his appearance on the track, Zanardi plotted a comeback.

In a touring car modified to allow the use of prosthetic feet, he made his comeback in a competitive race in October 2003 in a European Touring Car Championship race at Monza and finished seventh. The following season Zanardi returned to racing full-time, driving for Roberto Ravaglia's BMW Team Italy-Spain. 

Zanardi in action for the Italian team at the 2016 Paralympics in Rio de Janeiro, where he won two gold medals
Zanardi in action for the Italian team at the 2016 Paralympics
in Rio de Janeiro, where he won two gold medals
The series evolved into the World Touring Car Championship in 2005 and Zanardi was to race for BMW for five seasons. Incredibly, he won four races, his first coming in August 2005 at Oschersleben in Germany, no more than 220km (137 miles) from Lausitz.

If that were not enough proof of his extraordinary and undiminished zest for competition, halfway through his five seasons with BMW, Zanardi took up handcycling, a Paralympic sport in which paraplegic athletes race one another in a kind of high-tech tricycle.

He finished fourth in the handcycle category at the New York Marathon of 2007 after just four weeks of training

In 2009 he won the Venice Marathon in the category for the disabled, riding his wheelchair in 1hr 13 mins 56 secs and the 2010 Rome City Marathon in 1:15.53. In 2011, at his fourth attempt, Zanardi won the New York Marathon in his handcycling class.

Zanardi drove in the World Touring Car Championships for BMW after his crash
Zanardi drove in the World Touring Car
Championships for BMW after his crash
Selected for the Italian team at the 2012 London Paralympics, Zanardi won gold in the men's road time trial H4 by a margin of 27.14 seconds as well as the individual H4 road race, plus a silver medal for Italy in the mixed team relay H1-4.  These events took place at Brands Hatch, a motor racing circuit where Zanardi had previously competed in a car.

Zanardi has won an impressive 10 gold medals at four World Championships and picked up two more golds - in the H5 road time trial and the H2-5 mixed team replay - at the Rio Paralympics in 2016.

He has also become a major force in Ironman events and only last month set a world record for a disabled athlete en route to an amazing fifth place overall at the Ironman Italy Emilia-Romagna.  Taking on 2700 mainly able-bodied athletes, he completed the course - made up of a 3.8km (2.4 miles) sea swim, 180km (112 miles) of handcycling and a 42.2km (26.2 miles) wheelchair marathon - a time of 08:26.06, smashing his own world record, set in Barcelona, by more than half an hour.

His Barcelona time of 08:58.59 had made him the first disabled athlete to complete an Ironman triathlon in less than nine hours.

Born into a working class family in Castel Maggiore, Zanardi began racing go-karts at the age of 13, his father, Dino, having been persuaded it was safer than allowing him to ride a motorcycle on public roads.

He stepped up to Formula Three car racing in 1988 and won his first important title in 1990, moving into F1 the following year. His F1 career was the least successful of all his ventures, yielding just one point from his sole podium finish in 41 starts.

Zanardi, who suffered tragedy as a child when his sister, Cristina, died in a road accident, has been married since 1996 to Daniela. They have a son, Niccolò, who was born three years before his accident. He has co-written two books about his life -  Alex Zanardi: My Story (2004) and Alex Zanardi: My Sweetest Victory (2004).

The Villa Zarri, in Castel Maggiore, is now the home to a distillery producing some of Italy's finest brandy
The Villa Zarri, in Castel Maggiore, is now the home
to a distillery producing some of Italy's finest brandy
Travel tip:

Castel Maggiore, where Zanardi was born, is a municipality of more than 18,000 inhabitants that was formerly known as Castaniolo. Its origins are Roman and it did not become Castel Maggiore until the early 1800s, when workshops opened to make agricultural machinery and tools.  The surrounding countryside is notable for a number of beautiful private villas built for the ancient noble families of the area, including Villa Zarri, now a renowned brandy distillery.

Bologna's Piazza Maggiore with the Basilica San Petronio
Bologna's Piazza Maggiore with the Basilica San Petronio
Travel Tip:

The history of Bologna itself can be traced back to 1,000BC or possibly earlier, with a settlement that was developed into an urban area by the Etruscans, the Celts and the Romans.  The University of Bologna, the oldest in the world, was founded in 1088.  Bologna's city centre, which has undergone substantial restoration since the 1970s, is one of the largest and best preserved historical centres in Italy, characterised by 38km (24 miles) of walkways protected by porticoes.  At the heart of the city is the beautiful Piazza Maggiore, dominated by the Gothic Basilica of San Petronio, the largest brick built church in the world.

More reading:

How Riccardo Patrese became a key figure in the glory years of Williams F1

The brilliance of Mario Andretti, conqueror of F1 and IndyCar

Elio de Angelis - the last of the 'gentleman racers'

Also on this day:

The Feast Day of St John of Capistrano

1457: The Doge of Venice, Francesco Foscari, is thrown out of office


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5 October 2018

Alberto Sughi - painter

20th century artist who was unwitting victim of plagiarism


Alberto Sughi's work was copied by a Japanese artist who had visited his studio in Cesena
Alberto Sughi's work was copied by a Japanese artist
who had visited his studio in Cesena
The artist Alberto Sughi, an acclaimed  20th century painter whose style was defined as “existential realism”, was born on this day in 1928 in Cesena in Emilia-Romagna.

Sughi was regarded as one of the greatest artists of his generation but is often remembered mainly for his unwitting part in a famous case of plagiarism.

It happened in 2006 when a Japanese painter, Yoshihiko Wada, was awarded the prestigious Art Encouragement Prize, the Japanese equivalent of the Turner Prize, for a series of paintings depicted urban life in Italy - one of Sughi’s specialities.

A month after the award was announced in March of that year, the Japan Artists Association and Agency for Cultural Affairs received an anonymous tip-off questioning the authenticity of Wada's work, which then sparked an investigation into possible plagiarism.

The anonymous accuser had noted that several pieces of Wada’s art in an exhibition before the award was decided bore striking similarities to paintings by Sughi. Two examples were Wada’s Boshi-zo (Mother and Child), which looked almost exactly like Sughi’s Virgo Laurentana, even in tiny details, and Wada’s Muso (Reverie), which appeared to be a near-identical copy of Sughi’s Piano Bar Italia.

One of the paintings Wada passed off as his own was one of  Sughi's many works depicting women in bars
One of the paintings Wada passed off as his own was one of
Sughi's many works depicting women in bars
Wada initially denied plagiarism. He claimed he he had known Sughi since he studied in Italy in the 1970s, and had been influenced by him while studying with him.

Later, Wada changed his story, saying he had painted with Sughi "in collaboration" and therefore the paintings were not plagiarised. He described his own paintings as "an homage to Sughi".

However, when contacted by the Japanese embassy in Italy in early May, Sughi denied the pair had worked together and said he was unaware Wada was even an artist. According to Sughi, Wada had introduced himself merely as a fan and had visited him as many as five times, always asking if he could photograph his work.

Subsequently, Japan’s Agency for Cultural Affairs took the decision to strip Wada of the award, the first time such a decision had been taken since the Art Encouragement Prize was inaugurated in 1950.  Sughi considered suing but later revealed he had received a visit from Wada shortly before the decision to disqualify him was announced, after which he had concluded that the shame he would suffer was punishment enough.

Sughi painted a number of works in which his theme was the relationship between man and nature
Sughi painted a number of works in which his theme was
the relationship between man and nature
Self-taught, Sughi began drawing before he could write, inspired by an uncle who painted as a hobby. He worked as an illustrator for the newspaper Gazzetta del Popolo in Turin in the 1940s and began to paint at the same time, choosing the realism of figurative art over the abstract styles that were fashionable. His paintings often depicted moments from daily life, with no attempt to moralise.

It was a visit to the Venice Biennale in 1948, where he was captivated by a still life by the French painter André Fougeron, that did most to influence the style he favoured. Later that year, Sughi moved to Rome where he remained until 1951. There he met several artists, including Marcello Muccini and Renzo Vespignani who were part of the Gruppo di Portonaccio, an affiliation of like-minded painters who would meet and work in Portonaccio, a poor, industrialised suburb.

He returned to Cesena, where he would be based until the early 1970s, when he left his studio in the city for a country house in the hills.

Sughi was still active as a painter well into his eighth decade of life
Sughi was still active as a painter well into
his eighth decade of life
Sughi’s work followed thematic cycles, beginning with his so-called 'green paintings', which examined the relationship between man and nature (1971–1973), followed by the Cena - Supper - cycle (1975–1976), in which his focus was on bourgeois society. This preceded Imagination and Memory of the Family, dating from the early 1980s, and Evening or Reflection, from 1985.  In 2000 he exhibited a series of large canvases entitled Nocturnal.

The director Ettore Scola chose as poster for his 1980 film La terrazza one of Sughi’s paintings from his Cena series.

Sughi’s standing in the art world was such that galleries and museums not only in Italy but in Russia and South America staged regular exhibitions of his work.

Between December 2005 and January 2006, a large retrospective exhibition of Sughi’s work was held at the Palazzo della Pilotta in Parma, containing 642 of his works, including paintings, tempera, drawings, and lithographs, made between 1959 and 2004.

Sughi died in Bologna in March 2012 at the age of 83.  Today, his works are held in the collections of the Hungarian National Gallery in Budapest, the Uffizi Gallery in Florence, and the Galleria d’Arte Maggiore in Bologna, among others.

The Piazza del Popolo is the main square of Cesena
The Piazza del Popolo is the main square of Cesena
Travel tip:

Cesena, where Alberto Sughi was born, is an historic city in Emilia-Romagna, about 38km (24 miles) south of Ravenna and a similar distance northwest of Rimini. The city found fame of an unwanted kind in 1377 when Pope Gregory’s legate ordered the murder of thousands of citizens for revolting against the papal troops, in the so-called ‘Cesena bloodbath’. The city recovered and prospered under the rule of the Malatesta family in the 14th and 15th centuries, who rebuilt the castle, Rocca Malatestiana, and founded a beautiful library, Biblioteca Malatestiana, which has been preserved in its 15th century condition and still holds valuable manuscripts.

A pair of giant hands reaching from the water to prop up the Ca' Sagredo Hotel was an exhibit at the 2017 Venice Biennale
A pair of giant hands reaching from the water to prop up the
Ca' Sagredo Hotel was an exhibit at the 2017 Venice Biennale
Travel tip:

The Venice Biennale is an international art exhibition featuring architecture, visual arts, cinema, dance, music, and theatre that is held at various venues in the Castello district of Venice every two years during the summer. It was founded in 1895 as the International Exhibition of Art of the City of Venice to promote “the most noble activities of the modern spirit without distinction of country.” The festival expanded in 1932 to include the Venice International Film Festival and again in 1934 with the addition of the International Theatre Festival. After World War II it became the leading showcase for contemporary and avant-garde art and in 1998 it expanded again to include architecture and dance. It typically attracts more than 300,000 visitors to the city.

More reading:

Giorgio Morandi - the 20th century master of still life

How Giorgio de Chirico founded the scuola metafisica

The man who invented Concrete Art

Also on this day:

1658: The birth of Mary of Modena

1712: The birth of the great Venetian artist Francesco Guardi



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