Showing posts with label Gian Gastone de' Medici. Show all posts
Showing posts with label Gian Gastone de' Medici. Show all posts

25 August 2021

Alessandro Galilei - architect

After frustrations in England Florentine made mark in Rome


Giuseppe Berti's portrait of Alessandro Galilei
Giuseppe Berti's portrait of
Alessandro Galilei
The architect Alessandro Galilei, best known for the colossal Classical façade of the basilica of San Giovanni in Laterano in Rome, was born on this day in 1691 in Florence.

From the same patrician family as Renaissance polymath Galileo Galilei but not a direct descendant, Galilei’s father was a notary, Giuseppe Maria Galilei. Though his father considered the family to be noble still, their standing had fallen somewhat under Medici rule.

Alessandro studied mathematics and engineering at the prestigious Accademia dei Nobili in Florence, where he was instructed in building techniques and perspective among other things. 

As he sought to develop a career, Galilei met John Molesworth, son of Viscount Robert Molesworth, who spent three years in Florence as an envoy to the Medici court. Molesworth used his time there to indulge his interests in architecture, art, music, literature and poetry and developed a close friendship with Galilei, whose designs he admired.  He sponsored Galilei to spend time studying in Rome and when his posting in Italy was at an end, invited him to return to England with him.

Galilei’s designs had a Classical bent that put him at odds with the fashion for Baroque that was still dominant in Italy but appealed to Molesworth and to his father, who was keen to launch a new architectural movement, to which the subscribers included Sir Thomas Hewitt and Edward Lovett Pearce, who Galilei had met in Florence while Pearce was in Italy to study the architecture of Andrea Palladio.

The facade of Castletown House, home of Irish politician William Conolly, was designed by Galilei
The facade of Castletown House, home of Irish
politician William Conolly, was designed by Galilei
Although Galilei’s time in London yielded few commissions as Molesworth’s movement failed to take off, he had more success in Ireland, where Robert Molesworth introduced him to William Conolly, Speaker of the Irish House of Commons and the wealthy owner of Castletown House, a palatial house near Dublin. He invited Galilei to design a new façade, and though the Italian did not remain in England to execute his plans, they were carried through by Pearce.

Before he returned to Florence, Galilei also designed the Doric portico on the east front of Kimbolton Castle in Huntingdonshire for Charles, Duke of Manchester.

In 1719, Galilei was appointed engineer of court buildings and fortresses to the courts of the Grand Dukes of Tuscany, Cosimo III and Gian Gastone de' Medici. Again, however, his severe, heavily Classical designs failed to win him the grand projects he hoped to secure.

His fortunes changed in 1730 when a Florentine Cardinal, Lorenzo Cortini, was elected as pope, taking the name of Pope Clement XII. He called Galilei to Rome in 1731 to build his family's chapel, the Cappella Corsini, in the Basilica di San Giovanni in Laterano.

Pope Clement XII gave Galilei his most prestigious project
Pope Clement XII gave Galilei
his most prestigious project
At around the same time, Clement XII announced ambitious plans to renovate the basilica, which was the oldest and highest ranking of the four papal basilicas in the city but had suffered neglect after twice being damaged by fire in the 14th century, before being rebuilt in the 16th century.

He announced a competition for a new façade. Designs were submitted by 26 architects and the award of the commission to Galilei attracted raised eyebrows, especially since the consensus was that Luigi Vanvitelli’s entry was far superior.

Galilei completed the project in 1735, after which the sheer scale of his design, topped with enormous statues of saints, attracted more controversy, with critics complaining that it was far more suited to a palace than a church. It was not until Neoclassicism became popular in subsequent years that his work earned the appreciation that was missing in his lifetime.

Also responsible for the Baroque façade of the church of San Giovanni dei Fiorentini in Rome, Galilei died in Rome in 1737, at the age of just 46. A portrait of him by his contemporary, Giuseppe Berti, today hangs in the entrance hall of Castletown House.

Galilei's façade of the Basilica di San
Giovanni in Laterano was controversial
Travel tip:

Although the Basilica di San Giovanni in Laterano is in the Appio/San Giovanni neighbourhood of Rome, southeast of the city centre, some 4km (2.5 miles) southwest of the Vatican, because it is a property of the Holy See, the basilica and its adjoining buildings enjoy an extraterritorial status from Italy, in accordance with the terms of the Lateran Treaty of 1929. The oldest and most important of Rome’s four major basilicas, it is officially Rome’s cathedral.  The church’s history can be traced to the reign of the Roman emperor Constantine the Great, who converted the Lateran Palace to a church in 324 after he had converted to Christianity.  

The church of San Giovanni dei Fiorentini overlooks the Tiber
The church of San Giovanni dei
Fiorentini overlooks the Tiber
Travel tip:

The church of San Giovanni dei Fiorentini can be found in the Ponte district of central Rome, overlooking the Tiber, just across the river from Castel Sant’ Angelo and about 10 minutes’ walk from Piazza Navona. It was conceived after Pope Leo X organised a competition in 1518 for a new church on the site of the old church of San Pantaleo. The architects who submitted designs included Baldassare Peruzzi, Jacopo Sansovino, Antonio da Sangallo the Younger and Raphael. Although Sansovino won the competition, the building was constructed by Sangallo and Giacomo della Porta, with Carlo Maderno taking over in 1602. Galilei’s façade was not added until 1734.


Also on this day:

79: The eruption of Vesuvius destroys Pompeii

655: The death of Saint Patricia of Naples

1509: The birth of Ippolito II d’Este

1609: Galileo Galilei demonstrates his telescope


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7 February 2019

Vittoria delle Rovere – Grand Duchess of Tuscany

Bride who brought the treasures of Urbino to Florence


Vittoria della Rovere, a portrait by the Flemish painter Justus Sustermans, circa 1639
Vittoria della Rovere, a portrait by the Flemish
painter Justus Sustermans, circa 1639
Vittoria della Rovere, who became Grand Duchess of Tuscany, was born on this day in 1622 in the Ducal Palace of Urbino.

Her marriage to Ferdinando II de’ Medici was to bring a wealth of treasures to the Medici family, which can still be seen today in the Palazzo Pitti and the Uffizi Gallery in Florence.

Vittoria was the only child of Federico Ubaldo della Rovere, the son of the Duke of Urbino, Francesco Maria. Her mother was Claudia de’ Medici, a sister of Cosimo II de’ Medici.

As a child it was expected that Vittoria would one day inherit the Duchy of Urbino, but Pope Urban VIII convinced Francesco Maria to leave it to the Papacy and the Duchy was eventually annexed to the Papal States.

Instead, at the age of nine, Vittoria received the Duchies of Rovere and Montefeltro and an art collection.

Vittoria had been betrothed to her Medici cousin, Ferdinando, since the age of one and was sent by her mother to be brought up at the Tuscan court.

Vittoria and her husband, Ferdinando II de' Medici,  also by Sustermans, probably painter in around 1660
Vittoria and her husband, Ferdinando II de' Medici,
also by Sustermans, probably painter in around 1660
The marriage was arranged by Ferdinando’s grandmother, Christina of Lorraine, who had been acting as joint regent of the Duchy with Ferdinando’s mother, Maria Maddalena of Austria. Even after Ferdinando II reached his majority in 1628, the dowager Grand Duchess Christina remained the power behind the throne until her death eight years later.

The wedding between Vittoria and Ferdinando took place in 1633, when she was just 11 years old. Her inheritance was included in her dowry which was offered to the Medici family and her art collection became the property of the Grand Duchy of Tuscany.

Vittoria was educated in a convent and the marriage was not consummated until six years later. Vittoria had two sons who both died soon after birth, but in 1642 gave birth to Cosimo de’ Medici, who was styled Grand Prince of Tuscany.

Shortly after the birth of Cosimo, Vittoria is said to have caught her husband in bed with a page and the couple became estranged.

It was not until 1659 that they were reconciled, after which Vittoria gave birth to their last child, Francesco Maria.

The Villa del Poggio Imperiale, as depicted by the 18th century Florentine printmaker Giuseppe Zocchi
The Villa del Poggio Imperiale, as depicted by the 18th
century Florentine printmaker Giuseppe Zocchi
Ferdinando II died in 1670 and was succeeded by his eldest son, who became Cosimo III.

Vittoria vied with her daughter-in-law, Marguerite Louise d’Orleans, for power, but Cosimo took his mother’s side and assigned to her the day-to-day administration of Tuscany. She was formally admitted into the Grand Duke’s Consulta or Privy Council.

Eventually Cosimo III and Marguerite agreed to separate on condition that Marguerite went to live at the Abbey Saint Pierre de Montmartre in Paris and Vittoria was made guardian of her three grandchildren.

In later life Vittoria spent time living in the Villa del Poggio Imperiale in Arcetri to the south of Florence, to which she transferred some of her art collection. She died at Pisa in 1694 at the age of 72 and was buried at the Basilica of San Lorenzo in Florence.

Her titles of Rovere and Montefeltro became extinct when her grandson, Gian Gastone de’ Medici, died in 1737 without an heir, ending the Medici line. Vittoria’s only granddaughter, Electress Palatine Anna Maria Luisa, who had married Elector Johann Wilhelm II, willed the contents of the Medici properties to the Tuscan state in 1743, ensuring Vittoria’s inheritance and the art works collected by the Medici for nearly three centuries remained in Florence.

The Ducal Palace at Urbino is thought to have been completed by the High Renaissance architect Donato Bramante
The Ducal Palace at Urbino is thought to have been completed
by the High Renaissance architect Donato Bramante
Travel tip:

Urbino, where Vittoria was born, is inland from the Adriatic resort of Pesaro, in the Marche region. It is a majestic city on a steep hill and was once a centre of learning and culture, known not just in Italy but also in its glory days throughout Europe. The Ducal Palace, a Renaissance building made famous by The Book of the Courtier by Castiglione, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.



The Palazzo Pitti in Florence, as seen from the Giardini Boboli behind the palace, was Vittoria's home
The Palazzo Pitti in Florence, as seen from the Giardini
Boboli behind the palace, was Vittoria's home
Travel tip:

Palazzo Pitti, where Vittoria lived as Grand Duchess of Tuscany, was originally built for the banker, Luca Pitti, in 1457 in the centre of Florence. He wanted to outshine the Medici family, but they later bought it from his bankrupt heirs and made it their main residence in 1550. Today visitors can look round the richly decorated rooms and see treasures from the Medici collections. The Palatine Gallery contains 16th and 17th century paintings, including works by Raphael. The Treasury, which was once known as the Silver Museum, displays Medici household treasures, such as silver tableware, stone vases and precious jewellery.



More reading:

Gian Gastone de' Medici - the last Medici to rule Florence

Why Cosimo II de' Medici sponsored and supported Galileo Galilei

The life of Claudia de' Medici, Vittoria's mother

Also on this day:

1497: Savonarola lights his Bonfire of the Vanities

1909: The birth of Amedeo Guillet, the last army office to lead a charge against the British

1941: The birth of '60s pop star Little Tony

(Picture credits: Ducal Palace by Zyance; Palazzo Pitti by Stefan Bauer via Wikimedia Commons)


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24 May 2016

Gian Gastone de' Medici – Grand Duke of Tuscany

The last Medici to rule Florence


Portrait of Gian Gastone de' Medici
A portrait of Gian Gastone de' Medici,
the last in a line of Florentine rulers
Gian Gastone de' Medici, the seventh and last Grand Duke of Tuscany, was born on this day in 1671 in the Pitti Palace in Florence.

He was the second son of Grand Duke Cosimo III and Marguerite Louise d’Orleans.

Because his elder brother predeceased him he succeeded his father to the title in 1723.

He had an unhappy arranged marriage and the couple had no children so when he died in 1737 it was the end of 300 years of Medici rule over Florence.

He spent the last few years of his reign confined to bed, looked after by his entourage.

One of his final acts was to order the erection of a statue to Galileo in the Basilica of Santa Croce.

He was buried in the Basilica of San Lorenzo and Francis Stephen of Lorraine succeeded to the title of Grand Duke of Tuscany.

Travel tip:

The Palazzo Pitti, known in English as the Pitti Palace, is on the south side of the River Arno, a short distance from the Ponte Vecchio. It became the main residence of the rulers of the Grand Duchy of Tuscany and is now the largest museum complex in Florence.

Photo of the Museo Galileo
The Museo Galileo in Piazza dei Giudici houses one of the
world's biggest collections of scientific instruments
Travel tip:


There is a museum dedicated to Galileo in Florence, the Museo Galileo in Piazza dei Giudici close to the Uffizi Gallery. It houses one of the biggest collections of scientific instruments in the world in Palazzo Castellani, an 11th century building. The museum is open Mondays to Sundays from 9.30 to 18.00, closing at 13.00 on Tuesdays.

(Photo of the museum courtesy of Museo Galileo CC BY-SA 3.0)