Andrea Moroni – architect

Cousin of brilliant painter left mark on Padua

The Basilica of Santa Giustina in Padua is
arguably Andrea Moroni's most famous work

Andrea Moroni, who designed many beautiful buildings in Padua and the Veneto region, died on this day in 1560 in Padua.

Born into a family of stonecutters in Albino near Bergamo in Lombardy, Moroni was the cousin and contemporary of Giovanni Battista Moroni, the brilliant Bergamo painter, who was also born in Albino.

Moroni the architect has works attributed to him in Brescia, another city in Lombardy about 50km (31 miles) east of Bergamo. He is known to have been in the city between 1527 and 1532 where he built a choir for the monastery of Santa Giulia.

He probably also designed the building in which the nuns could attend mass in the monastery of Santa Giulia and worked on the church of San Faustino.

As a result, he made his name with the Benedictine Order and obtained commissions for two Benedictine churches in Padua, Santa Maria di Praglia and the more famous Santa Giustina.

His contract with Santa Giustina was renewed every ten years until his death and he settled down to live in Padua.

Moroni supervised the construction of Palazzo del
Bo, the university building in the centre of Padua

He was commissioned by the Venetian Government to build the Palazzo del Podestà, which is now known as Palazzo Moroni in Via VIII Febbraio , and is currently the seat of Padua city Council. It is considered one of the most significant Renaissance buildings in the entire Veneto region.

Moroni was also involved in the construction of the Orto Botanico, Padua’s famous botanical gardens, where medicinal plants were grown, and some of the university buildings.

It is known that he supervised the construction of Palazzo del Bo, the main university building in the city, but there is some controversy over who designed the internal courtyard. Famous names such as Jacopo Sansovino and Andrea Palladio have been suggested rather than Moroni.

However the Loggia of the Palazzo del Capitaniato and the Palazetto have been attributed to him, along with Palazzo Zacco and the Charterhouse of Vigodarzere.

Some architectural historians believe Moroni’s reputation as an architect, and the question marks over whether some buildings attributed to him were really the work of others, may have suffered because his career coincided with that of Palladio.

The Chapel of St Luke at the Basilica di Santa,
where the remains of the saint are said to rest

Travel tip:

The Basilica di Santa Giustina in Padua is at the south-east corner of the square called Prato della Valle, where it is joined by Via Avezzano and Via Ferrari. At the back of the Presbytery, a magnificent altarpiece painted by Paolo Veronese in 1575 depicts the moment of her death. The basilica also contains Jacopo Bassano’s Santa Giustina enthroned with the saints Sebastian, Antonio Abate and Rocco, which was painted by him in around 1560 with the help of his son, Francesco, and is considered one of the most original examples of the Venetian Mannerist culture. Next door to the basilica there is a Benedictine monastery with frescoed cloisters and a famous library that can be visited by arrangement. The remains of Santa Giustina, a devout young woman who was martyred in 304, are buried in the church, which is also home to the tomb containing the body of St Luke the Evangelist, who was credited with writing the Gospel according to St Luke.

The Orto Botanico in Padua, now a UNESCO heritage
site, is thought to the world's first botanical garden

Travel tip:

Padua’s Botanical Garden (Orto Botanico), which was created in 1545, is thought to be the world’s first botanical garden. Now a UNESCO World Heritage Site, the garden, which still belongs to the University of Padua, is in Via Orto Botanico close to Prato della Valle. When it was founded, the garden was devoted to the growth of medicinal plants that could provide natural remedies. According to UNESCO, the garden has made a profound contribution to the development of many modern scientific disciplines, notably botany, medicine, chemistry, ecology and pharmacy.  The garden was designed by Moroni as a circle enclosing a square divided into four quadrants, in which the plants were grown. The Orto Botanico is open to the public every day apart from working Mondays with an entry fee of €10. 

Also on this day:

1440: The death of lawyer Baldus de Ubaldis

1876: The birth of car maker Nicola Romeo

1945: The death of dictator Benito Mussolini

1980: Prison escape sparks panic in Milan

Home

Giovanni Battista Moroni – artist

Portrait painter left visual record of a changing society

Moroni's portrait of Bernardo
Spini, a nobleman from his
home town of Albino

Giovanni Battista Moroni, who was considered one of the greatest portrait painters of the 16th century, died on this day in 1578 while working on a painting at a church just outside Bergamo in the northern region of Lombardy.

His wonderful legacy of portraits provides an illuminating insight into life in Italy in the 16th century, as he received commissions from merchants trying to climb the social ladder as well as from rich noblemen.

Moroni was born at Albino near Bergamo somewhere between 1510 and 1522 and went on to train under a religious painter from Brescia, Alessandro Bonvicino.

Although Moroni painted many acclaimed religious works, he became known much more for the vitality and realism of his portraits, for which he was once praised by Titian.

Some of Moroni’s work is in the Uffizi Gallery in Florence and the National Gallery in London but there are fine examples of Moroni’s work in the collection of the Accademia Carrara in Bergamo, such as The Old Man Sitting Down and the Portrait of Bernardo Spini.

One of Moroni’s finest religious works, the Coronation of the Virgin, can be seen in the church of Sant'Alessandro della Croce in Via Pignolo in Bergamo’s lower town.

Moroni’s unfinished painting of the Last Judgment can be seen in the church at Gorlago, just outside Bergamo, where he was working until just before his death on February 5, 1578.

Travel tip:

Bergamo is a fascinating historic city with two distinct centres. From the lower town you can see the beautiful upper town, the Città Alta, silhouetted against the sky. The upper town still has medieval buildings and towers, but the Venetians later built the impressive city walls and elegant palaces and fountains. At the heart of the upper town is Piazza Vecchia, said to be the most beautiful square in Italy, with the Colleoni Chapel, a stunning Renaissance building, nearby. There are plenty of interesting shops  and many excellent restaurants.

The magnificent facade of Bergamo's Accademia
Carrara, which houses a number of Moroni portraits

Travel tip:

You can see portraits by Moroni in Bergamo’s prestigious art gallery, Accademia Carrara. The magnificent palace just outside the Città Alta was built in the 18th century to house one of the richest private collections in Italy. It is the only Italian museum to be entirely stocked with donations and bequests from private collectors. Visitors can view works by the masters of the Venetian, Lombard and Tuscan Renaissances as well as great artists who came later, such as Lotto, Titian, Moroni, Rubens, Tiepolo, Guardi and Canaletto. Accademia Carrara, in Piazza Giacomo Carrara, is open Monday, Wednesday and Thursday from 10 am to 7 pm ; Friday from 10 am to 12 pm and Saturday and Sunday from 10 am to 8 pm . For more details visit www.lacarrara.it.

More reading:

Why Titian was a giant of Renaissance art

Cosimo I de' Medici and the origins of the Uffizi

How Bergamo painter Antonio Cifrondi captured images of 17th century life

Also on this day:

The Festival of Saint Agatha of Sicily

1964: The birth of footballer and coach Carolina Morace

Home