Antonino Votto – conductor

Outstanding operatic conductor made recordings with Callas

Antonino Votto was regarded as one of the finest
conductors of his era

Operatic conductor Antonino Votto was born on this day in 1896 in Piacenza in Emilia-Romagna.

He became famous in the 1950s because he conducted the orchestra for the acclaimed recordings made by soprano Maria Callas for EMI.

Votto was also considered one of the leading operatic conductors of his time on account of his performances at La Scala in Milan, where he worked regularly for nearly 20 years.

After Votto had attended the Naples conservatory for his music studies he went to work at La Scala, where he became an assistant conductor to Arturo Toscanini.

He made his official debut there in 1923, leading a performance of Puccini’s Manon Lescaut.

Votto went on to build a reputation as one of the most outstanding conductors of Italian opera, appearing at many other operatic venues in Italy and abroad.

Votto taught at the Giuseppe Verdi
conservatory in Milan

In 1941 he began teaching at the Giuseppe Verdi conservatory in Milan as the war limited operatic activity in Italy and in most parts of Europe.

One of his students was the present day Italian orchestra conductor, Riccardo Muti.

Recordings of Votto conducting opera live in the theatre were a great success. He conducted Bellini’s Norma in 1955 with Callas at La Scala and La Sonnambula in 1957 with Callas in Cologne. These are both considered to be great performances.

Votto also made a series of highly successful studio recordings in the 1950s with Callas, based on productions that had been staged at La Scala. Their collaborations for EMI on Puccini’s La Bohème and Verdi’s Un Ballo in Maschera in 1956 and Bellini’s La Sonnambula in 1957 were enthusiastically received by both the critics and the public.

Votto made his debut at Covent Garden in 1924 with performances of Puccini’s Madame Butterfly and Leoncavallo’s I Pagliacci.

His American debut came in 1960 when he appeared at the Chicago Opera House conducting Verdi’s Aida and Don Carlo.

Votto continued conducting at La Scala until 1967 and died in Milan in 1985.

The bronze statue of Ranuccio II Farnese by Francesco
Mochi is a feature of Piazza Cavalli in Piacenza

Travel tip:

Piacenza, where Votto was born, is a city in the Emilia Romagna region of northern Italy. The main square is named Piazza Cavalli because of its two bronze equestrian monuments featuring Alexander Farnese, Duke of Parma and his son Ranuccio II Farnese, Duke of Parma, who succeeded him. The statues are masterpieces by the sculptor Francesco Mochi.

Teatro alla Scala is Italy's most prestigious opera house

Travel tip:

Teatro alla Scala, where Votto conducted for 20 years, is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants. It was built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and the days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

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Lina Cavalieri – soprano

Christmas Day baby became singing beauty

Lina Cavalieri was described as 'the
world's most beautiful woman'

Singer and actress Lina Cavalieri was born Natalina - meaning 'Little Christmas' - Cavalieri on this day in 1874, in Viterbo in Lazio.

During her career she starred opposite Enrico Caruso in operas and earned the title of ‘the world’s most beautiful woman', while many of her female contemporaries tried to attain her hour-glass figure by using tight-laced corsetry.

Raised as one of five children in humble circumstances, she was expected to work to supplement the family income.  To this end, she sold flowers and sang on the streets of Rome.

After a music teacher heard her singing, she was offered some music lessons.  Subsequently, she found work as a café singer and then in theatres in Rome.

Increasingly popular both for her voice and her physical beauty, she made her way from Rome first to Vienna and then Paris where she performed in music halls including the Folies-Bergère and worked with singing coaches to develop her voice.

The progression to opera came in 1900, when she made her debut in Lisbon as Nedda in Pagliacci, by Ruggero Leoncavallo. It was in the same year that she married her first husband, the Russian Prince, Alexandre Bariatinsky, whom she had met in Paris and who had encouraged her to believe she should not be content with working in mere music halls.

The Lisbon audience gave her a difficult time, however, and the production was abandoned after only a few nights, at which point Bariatinsky left her.  Cavalieri returned to Paris and might have given up her operatic ambitions without the encouragement of her sister, Ada, who helped her rebuild her confidence.

Cavalieri starred opposite Enrico Caruso
in Paris and New York

After successes at Teatro San Carlo in Naples, in Warsaw, Ravenna, Palermo and St Petersburg, a breakthrough moment came when in 1905 she starred opposite Caruso in Umberto Giordano’s opera, Fedora, at the Sarah Bernhardt Theatre in Paris.

The performance was so successful they took the production to the Metropolitan Opera in New York.

Cavalieri stayed with the Met for two seasons, performing again with Caruso in 1907 in Giacomo Puccini’s opera Manon Lescaut. She became one of the most photographed stars of the time and women everywhere tried to copy her figure.

She had a brief, second marriage to Robert Winthrop Chanler, an American artist and a member of the Astor and Dudley-Winthrop families.  Married in 1910, the had separated within weeks and were divorced in 1912.

During her career she sang with many famous singers, including the French tenor Lucien Muratore, who became her third husband in 1913.

After retiring from the stage, Cavalieri ran a beauty salon in Paris and wrote an advice column on make-up for a magazine. She also launched her own range of beauty products and perfumes.

A poster for the film 'The World's Most
 Beautiful Woman' with Gina Lollobrigida

In 1915 she returned to Italy to make films and then went back to America, where she starred in silent movies, many of which have since been lost.

She moved to Italy again after marrying her fourth husband, the writer Paolo d’Arvanni.

Despite being in her sixties when the Second World War began, she became a volunteer nurse.

Tragically, Cavalieri and her husband were both killed in 1944 after an Allied bombing raid destroyed their home near Florence.

After her death, Cavalieri was painted repeatedly by the Italian artist Piero Fornasetti, who found her face in an old magazine and became obsessed with her, creating hundreds of versions of her image.

In 1955 she was portrayed by Gina Lollobrigida in the film Beautiful but Dangerous, which was alternatively called The World’s Most Beautiful Woman, a French-Italian production directed by Robert Z Leonard.

Travel tip:

Viterbo, where Lina Cavalieri was born, is the largest town in northern Lazio, situated about 80km (50 miles) north of Rome. In the 12th and 13th centuries, with Rome often chaotic as rival families engaged in feuds, Viterbo became a favourite refuge for embattled popes. Much of its most notable architecture, such as the Papal Palace, has echoes of that period. It was bombed heavily during the Second World War but much of its historical centre remained intact and nowadays it is a somewhat overlooked city.

The Villa del Poggio Imperiale outside Florence
(picture by Sailko via Wikimedia Commons)

Travel tip:

Lina Cavalieri was killed at her home just outside Florence at Poggio Imperiale, near the imposing neoclassical Villa del Poggio Imperiale, which was once the home of the Grand Dukes of Tuscany. It was seized from the Salviati family by the Medici and was then later given to Napoleon’s sister before becoming a girl’s school. Some of the frescoed state rooms are open to the public by appointment.

More reading:

Giuseppina Strepponi - the inspiration for Donizetti and Verdi

How Ruggero Leoncavallo created one of the world's favourite operas

Renata Tebaldi - soprano with the 'voice of an angel'

Also on this day:

Christmas in Italy


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