Lina Poletti - writer and feminist

One of first Italian women to come out as gay

Poletti was an intellectual and
a feminist campaigner

The writer, poet and playwright Lina Poletti, who was one of the first gay Italian women to openly declare their sexuality, was born on this day in 1885 in Ravenna.

Poletti, an active campaigner for the emancipation of women, had relationships with a number of high-profile partners, including the writer Sibilla Aleramo and the actress Eleonora Duse.

Her own works included the epic Il poemetto della guerra (The War Poem), many essays and lectures on her literary heroes, including Dante Alghieri, Giovanni Pascoli and Giosuè Carducci, and a number of collections of poetry.

One of four daughters born to Francesco Poletti and his wife Rosina Donati, who ran a business making ceramics, Lina’s birth name was Cordula.  She was said to be a rebellious child, misunderstood by her sisters and something of a loner, often disappearing into the attic of their house in Via Rattazzi, or hiding in the tree house in the garden.

After finishing high school in Ravenna, she enrolled against her family’s wishes at the University of Bologna, where she became acquainted with Pascoli, a fellow student, and wrote a celebrated thesis on the poetry of Carducci.

By this time, she had changed her name, rejecting Cordula, which she disliked, in favour of Lina. She adopted an androgynous appearance, wearing her hair cut short and dressing in men’s clothes.

Sibilla Aleramo, who Poletti met
at a congress for women in 1908

She became part of the growing women’s movement in the early part of the 20th century, attending the First National Congress of Women hosted by the Consiglio Nazionale delle Donne Italiane (National Council of Italian Women) in Rome in 1908, where delegates agreed on a commitment to women's suffrage and full recognition of women's legal and civic rights.

It was there that she met Aleramo, whose novel, Una donna, about the life of an oppressed woman in 19th century Italy, is regarded as the country’s first feminist novel. 

The two shared a commitment to changing the subordinate position women held in Italian society and worked together on projects to provide education to rural peasants, as well as joining in with relief efforts in Calabria and Sicily following the catastrophic earthquake of December 1908.

Aleramo was in a relationship with Giovanni Cena, another writer, but began an affair with Poletti, which lasted around a year but ended when Aleramo tried to convince Poletti that she could love both her and Cena at the same time, which Poletti found difficult to accept.

The following year, Poletti married Santi Muratori, the director of the Biblioteca Classense in Ravenna, although they rarely spent a night under the same roof. In any event, she soon met Eleonora Duse, regarded as one of Italy’s finest actresses, who was suffering a personal crisis and had announced her retirement from acting.

Eleonora Duse, the actress, with whom
Poletti had a stormy relationship

Poletti proposed to write plays for Duse that would inspire her to act again and revive her career. The two began a passionate romantic relationship. They took a house in Arcetri, near Florence, and later moved to Venice, where they became part of an avant-garde literary circle frequented by the likes of Max Reinhardt and Gabriele D'Annunzio.

However, the two began to have frequent rows, each displaying a volatile temperament and their relationship ended in acrimony and legal action as Duse demanded that Poletti hand over the manuscripts of the plays on which they had collaborated.

Poletti devoted the next few years to writing before entering another relationship - one that would prove more lasting - with Countess Eugenia Rasponi, a noblewoman from Ravenna almost 12 years her senior and an ardent fellow feminist.

She moved in with the Countess at the Palazzo Rasponi Murat, a 15th century palace that is one of the oldest in Ravenna. They hosted a Consiglio Nazionale delle Donne Italiane congress at the palace in 1921, after which they decided to move to Rome.

They invited philosophers and writers to their home on Via Giovanni Battista Morgagni but after organising a seminar for Jiddu Krishnamurti, an Indian philosopher who had spoken out against Fascism, they found themselves constantly under the scrutiny of authorities. Their home was raided frequently. 

Nonetheless, it was an enduring relationship, lasting 40 years and ending only with the death of Rasponi in 1958.  Poletti herself died in Sanremo, the Ligurian coastal resort, in 1971 at the age of 86.

The tomb of the poet
Dante, in Ravenna

Travel tip:

As well as being the former capital of the Western Roman Empire, Ravenna was also the city where the 13th century poet Dante Alighieri lived in exile until his death in 1321. Dante's tomb is next to the Basilica of San Francesco, not far from where Poletti grew up. The city is renowned for its wealth of well-preserved late Roman and Byzantine architecture and eight UNESCO World Heritage Sites. One of the most important examples of early Christian Byzantine art and architecture is the Basilica of San Vitale, which is famous for its fine Byzantine mosaics.

Arcetri is situated in tree-clad hills to the
south of the centre of Florence

Travel tip:

Arcetri, located in the hills south of the centre of Florence beyond the Arno river, is famous as the place in which the astronomer and physicist Galileo Galilei was kept under house arrest by the Roman Inquisition after refusing to accept that the earth was flat, a view that was considered heresy. The town is the home of the Arcetri Observatory. The 16th century writer Francesco Guicciardini, who compiled what is regarded as the first history of Italy, is said to have lived in a house in arcetri called Villa Ravà.

Also on this day:

410: Rome sacked by the Visigoths

1545: The birth of military leader Alessandro Farnese, Duke of Parma

1576: The death of the painter, Titian

1707: The birth of comic actress Zanetta Farussi, mother of Casanova

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Augusto De Angelis - crime writer

One of the first Italians to write detective novels

Augusto De Angelis had many
years working as a journalist

Regarded by many as the father of Italian crime fiction, the novelist Augusto De Angelis was born on this day in 1888 in Rome.

His first detective novel,  Il banchiere assassinato (The Murdered Banker), was published in 1935, six years after Italian publishers Mondadori launched their crime series in yellow covers that would later result in the word gialli being used to refer to mystery novels and films.

However, until Alessandro Varaldo's Il sette bello in 1931 there were no Italian authors on the Mondadori list to begin with, as the publishers did not see Italy as the right setting for the crime genre at that time. De Angelis did not agree with this, as he thought crime fiction was a natural product resulting from the fraught and violent times he was living in and writing about as a journalist.

De Angelis gave up studying jurisprudence to embark on a career in journalism and worked for some of the most important daily newspapers during the first half of the 20th century, such as La Stampa and La Gazzetta del Popolo in Turin, Il Resto di Carlino in Bologna and L’Ambrosiano in Milan.

He began his literary career by writing plays and non-fiction and then wrote a spy novel in 1930. But his most successful novels were his detective stories featuring Commissario Carlo De Vincenzi. To begin with, Italy's Fascist dictator Benito Mussolini approved of the crime fiction genre because it celebrated the achievements of the forces of order over evil and chaos by bringing about just solutions and restoring tranquillity. However, Mussolini and his associates eventually became wary of Italy being seen to be anything less than idyllic by the outside world.

De Angelis was among the first Italian
authors in Mondadori's gialli series

Il banchiere assassinato was the first of 20 novels by De Angelis to feature Commissario De Vincenzi of the squadra mobile of Milan, which the novelist produced over the next eight years. De Angelis had a unique style and created a detective who could not have been more different from famous characters already popular with readers, such as the eccentric and clever Sherlock Holmes and the methodical, fussy little Belgian, Hercule Poirot.

It is interesting to see how many of the traits of Commissario De Vincenzi have appeared in fictional Italian detectives since. De Vincenzi’s loyalty to his friends and care for his subordinates is a quality shown by Donna Leon’s detective, Brunetti, and his disregard for the rules, unorthodox  behaviour and moments of inspiration are characteristics of both Michael Dibdin’s Zen and Andrea Camilleri’s Montalbano.

The cultured and often emotional detective, De Vincenzi, was to become very popular with the Italian public, but the Fascist government eventually came to regard his creator, De Angelis, as their enemy.

De Angelis was arrested and imprisoned by the authorities in 1943, accused of being anti-Fascist. He was released from prison after three months, but was soon tracked down by a Fascist activist to where he was staying in Bellagio. De Angelis was beaten up so badly by the thug that he died of his wounds in hospital in Como in 1944.

Pushkin Vertigo's English translation
of The Murdered Banker 

The Murdered Banker is now regarded as a highly significant novel in the history of Italian crime fiction. The story starts on a foggy night in Milan, when police officer De Vincenzi is on the night shift. He is visited at his police station by an old schoolfriend, Giannetto Aurigi. While he is talking to his friend, who is clearly worried about something, De Vincenzi receives a call about a body being discovered in a house nearby and when he is given the address, he is horrified to discover the body has been found in his friend’s apartment.

He goes on to discover that Aurigi owes a lot of money , which was due to be paid that night, and that the dead body is that of the banker who lent it to him. De Vincenzi doesn’t just have to solve the crime, he has to prove his old friend is innocent of it and he has to do it quickly before the investigating magistrate becomes involved. He tells his friend that he has to tell him everything, or he could soon be facing the firing squad, but Aurigi just keeps repeating that he doesn’t know anything.

Fortunately, there are plenty of other suspects, such as Aurigi’s beautiful fiancée, his future father-in-law, Count Marchionni, and the mysterious tenant living in the apartment above. De Vincenzi is determined to get to the truth and he lays a clever trap for the murderer.

Some of the De Vincenzi novels were adapted for television by RAI in the 1970s with Paolo Stoppa playing the role of the detective. An English translation of The Murdered Banker was published by Pushkin Vertigo in 2016.

A vintage postcard showing how Milan looked
in the 1930s at the time De Angelis was writing

Travel tip:

The Murdered Banker is set in Milan during the 1930s, where gentlemen wore evening dress when they were out at night. De Angelis would have known the city well from his time working for L’Ambrosiano. The opera house, Teatro alla Scala, which features in The Murdered Banker, was treated almost like a club and people in society visited each other in their boxes during the opera.  Milan’s world- famous opera house was officially inaugurated in 1778. It replaced the Teatro Regio Ducale which had been destroyed by fire. The new theatre was built on the site of the former Church of Santa Maria alla Scala, which is how it got its name. It is situated right in the centre of Milan opposite the Galleria Vittorio Emanuele II. La Scala, as it is popularly known, has hosted premieres of operas by Rossini, Donizetti, Verdi and Puccini and the world’s finest singers have appeared on its stage.

A steep stone staircase
typical of Bellagio

Travel tip

Bellagio in Lombardy, where De Angelis was living just before his death, is a village on a promontory jutting out into Lake Como, at the point at which the lake divides into two legs, the more easterly of which is called Lago di Lecco. It is known for its cobbled lanes, elegant buildings, steep stone staircases, red-roofed and green-shuttered houses. The Villa Serbelloni Park, an 18th century terraced garden, offers spectacular views of the lake. The villa itself was once popular with European royalty, numbering Maximilian I of Austria and Queen Victoria of England among its guests.

Also on this day:

1503: The birth of Giovanni della Casa, 16th century author and advocate of good manners

1909: The birth of partisan Walter Audisio, who claimed to be the man who executed Mussolini

1952: The birth of Olympic sprint champion Pietro Mennea

1971: The birth of footballer Lorenzo Amoruso 

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Maurizio De Giovanni – crime writer

Detective novelist has opened up his native Naples to crime fiction fans

Maurizio De Giovanni worked in a 
bank before becoming a full-time writer

Bestselling author Maurizio De Giovanni was born on this day in 1958 in Naples in southern Italy.

His novels have been translated into English, Spanish, Catalan, French and German and have sold well over a million copies throughout Europe.

De Giovanni is best known for his two fictional detectives, Commissario Ricciardi, who works as a detective in 1930s Naples, and Ispettore Lojacono, who has been transferred to present day Naples from his home town of Agrigento in Sicily, after being accused of associating with the Mafia.

He has also written stories featuring a very different character, a social worker called Mina Settembre, who is based at a clinic in Naples specialising in providing psychological support.

In 2005, De Giovanni won a writing competition for unpublished authors with a short story, I vivi e i morti - The Living and the Dead -  which was set in the 1930s and featured the character Commissario Ricciardi. 

He was working in a bank at the time, a job for which by his own admission he had no particular inclination but which paid the bills. Always known as a bookworm, he wrote stories that he would show his colleagues. In fact, it was his co-workers who entered him for the competition, without his knowledge.

His success inspired his first novel, Le lacrime del pagliaccio - The Tears of the Clown - which was later republished in English as I Will Have Vengeance – The Winter of Commissario Ricciardi.

De Giovanni was inspired by
his parents' memories of Naples

He wrote his early stories in the Naples of the 1930s in part because his parents, who were also born in Naples, would share their memories with him of the city before World War Two.

I Will Have Vengeance was followed in 2008 by Blood Curse- The Springtime of Commissario Ricciardi and subsequently by Everyone in Their Place – The Summer of Commissario Ricciardi in 2009 and the Day of the Dead – The Autumn of Commissario Ricciardi in 2010. 

To date De Giovanni has written 13 Commissario Ricciardi novels, 10 of which have been published in English.

In 2012, he ventured into the noir genre with The Crocodile, which was the first appearance by his other detective, Ispettore Lojacono.

He was then inspired by the 87th Precinct series by the American author Ed McBain to write a police procedural, The Bastards of Pizzofalcone. His five Pizzofalcone novels have now been made into a television series by RAI, starring Alessandro Gassmann - son of the celebrated actor, Vittorio Gassman - as Ispettore Lojacono. In 2021 it aired for a third season.

His Commissario Ricciardi and Mina Settembre stories have also been adapted for television.

De Giovanni, who has lived and worked for most of his life in Naples, has also written features and short stories about sport - and for the theatre.

He adapted the American novelist Ken Kesey’s One Flew Over the Cuckoo’s Nest and David Manet’s play American Buffalo for Italian theatre audiences and has written three original stage plays - Ingresso indipendente, Mettici la mano and Il silenzio grande.

Il silenzio grande - The Great Silence - is a two-act comedy that was first staged at the Teatro Diana in Naples and turned into a film - directed by Alessandro Gassman - that was shown at the 2021 edition of the Venice Film Festival.

The Teatro di San Carlo is thought to be the
oldest opera house the the world still in use

Travel tip:

Much of De Giovanni’s debut novel, I Will Have Vengeance, takes place in the Teatro di San Carlo in Naples, the city’s historic opera house. Teatro di San Carlo was officially opened in 1737, way ahead of La Scala in Milan and La Fenice in Venice. Built in Via San Carlo close to Piazza del Plebiscito, the main square in Naples, Teatro di San Carlo quickly became one of the most important opera houses in Europe and renowned for its excellent productions. The theatre was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I, and took just eight months to build. This was 41 years before La Scala and 55 years before La Fenice opened. San Carlo is now believed to be one of the oldest, if not the oldest, remaining opera houses in the world. Both Gioachino Rossini and Gaetano Donizetti served as artistic directors at San Carlo and the world premieres of Donizetti’s Lucia di Lammermoor and Rossini’s Mosè were performed there.

The Piazza del Plebiscito in Naples, as seen
from the Pizzofalcone hill

Travel tip:

Pizzofalcone, where De Giovanni’s police procedural series is set, is an area of the San Ferdinando district, situated between Piazza del Plebiscito and the Royal Palace and Castel dell’Ovo and the Santa Lucia area. It is essentially a hill, also known as Monte di Dio. It is so called because in the 13th century Charles I of Anjou, who was King of Naples at the time, had a falconry built there. Its elevated position offers panoramic views of the Naples coastline stretching towards Mergellina along the Riviera di Chiaia. De Giovanni has spoken about Pizzofalcone, which has both upmarket and poor neighbourhoods, as a microcosm of the city of Naples.

Also on this day:

1425: The birth of Bianca Maria Visconti – Duchess of Milan

1675: The birth of Pope Benedict XIV

1941: The birth of comic book artist Franco Bonvicini

1996: The death of auto engineer Dante Giacosa

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Angelo Beolco - playwright

Actor and dramatist with a genius for comedy

Angelo Beolco's plays were written in
Paduan dialect spiced with vulgarities

One of the most powerful Italian dramatists of the 16th century, Angelo Beolco, who was nicknamed Ruzzante (or sometimes Ruzante) after his favourite character, died on this day in 1542 in Padua in the Veneto region.

Beolco was famous for his rustic comedies, which were written mostly in the Paduan dialect of the Venetian language.

Many of his plays featured a peasant called Ruzzante and they painted a vivid picture of life in the Paduan countryside during the 16th century.

Beolco was born in Padua in 1496 and was the illegitimate son of a doctor. His mother was possibly a maid in the household where he was brought up by his father. He received a good education and after his father’s death became manager of the family estate. In 1529, he also became manager of a farm owned by a nobleman, Alvise Cornaro, who had retired to live in the Paduan countryside. Cornaro later became Beolco’s friend and protector.

Beolco met and associated with Paduan intellectuals of the time, such as the poet Pietro Bembo and the scholar and dramatist Sperone Speroni, which led to him developing an interest in the theatre.

His first attempts at acting and writing plays may have been delivering impromptu sketches at wedding parties.

It is established that in 1520 he was already known as Ruzzante and that he played a role in a play put on at a palace in Venice. It was after this that he put together his own theatrical troupe. His first plays were staged in Ferrara between 1529 and 1532 and then later in Padua at the residence of his friend, Cornaro.

Beolco was a friend of the poet
Pietro Bembo (above)

In Beolco’s first printed play, La pastoral, which was categorised as a rural comedy, Arcadian shepherds tell of their frustrated love affairs, while, in contrast, the peasants Ruzzante and Zilio deliver rustic verses in dialect, spiced with vulgarities and obscenities, beginning with Ruzzante’s first line in the play.

Much of the play’s comical effect comes from the contrast between the two languages, which provides the opportunity for misunderstandings and plays on words.

One of the characters is a physician, who earns the gratitude of Ruzzante for prescribing a fatal medicine to his stingy father. This unites the young peasant with his long-awaited inheritance.

In his later plays and monologues, Beolco shifts more to the Venetian language, while maintaining his social satire.

In the Oratione, a welcome speech for Bishop Marco Cornaro, who was later to become the 59th Doge of Venice, he suggests measures the new prelate should consider for improving the life of the peasants, including castrating the priests, or forcing them to marry, in order to give peace of mind to the local men and their wives.

Beolco’s plays were sometimes considered unfit for educated audiences because of the lascivious themes and vulgar language and this occasionally led to performances being cancelled.

In one of his best-known pieces, Il parlamento de Ruzante, the character tells of his return from the Venetian war front only to find that he has lost his wife, land and honour. The speech begins with Ruzzante’s favourite expletive.

Linguistic studies have concluded that Ruzante’s speech was not an accurate record of Paduan dialect of the day, but to some extent, a theatrical dialect created by Beolco.

Playwright Dario Fo put Beolco on the same level as the French playwright, Molière, claiming that he is the true father of the Venetian comic theatre (commedia dell’arte) and said that he was the most significant influence on his own work.

Beolco wrote at least 11 plays and monologues, but died in Padua when he was in his late forties, while preparing to stage a play by his friend, Speroni, for the Accademia degli Infiammati. Despite his theatrical success, Beolco was very poor for most of his life. Speroni once remarked that, while Beolco had an unsurpassed understanding of comedy, he was unable to perceive his own tragedy.

The Basilica di Sant'Antonio is one
of Padua's most impressive sights

Travel tip:

Padua, where Angelo Beolco was born and died, is in Italy’s Veneto region, situated 52km (32 miles) to the west of Venice. Padua is close to the stunning Euganean hills and many of the Venetian villas designed by architect Andrea Palladio. It is home to the second oldest university in Italy, the magnificent Basilica di Sant’Antonio, and one of the world’s greatest art treasures, the frescoes by Giotto in the Cappella Scrovegni, which tell the life stories of the Virgin Mary and Christ.

Padua hotels by Booking.com

The Ruzzante statue next to
Padua's Teatro Verdi

Travel tip:

There is a statue of Angelo Beolco (Ruzzante) next to the Teatro Verdi in Padua. The beautiful 18th century theatre, named after the composer Giuseppe Verdi, is in Via del Livello in the centre of the city, close to Piazza dei Signori. Teatro Verdi now presents operas, musicals, plays, ballets and concerts organised by the Teatro Stabile del Veneto.

Also on this day:

1826: The birth of inventor Innocenzo Manzetti

1861: The proclamation of the Kingdom of Italy

1925: The birth of actor Gabriele Ferzetti

1939: The birth of football coach Giovanni Trapattoni

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Giorgio Bassani - writer and novelist

Best-known work reflected plight of wealthy Jewish Italians in 1930s

Giorgio Bassani's novels drew on his
own background in Ferrara

Giorgio Bassani, rated by many critics as alongside the likes of Cesare Pavese, Elsa Morante and Alberto Moravia among the great postwar Italian novelists, was born on this day in 1916 in Bologna.

Bassani’s best-known work, his 1962 novel Il giardino dei finzi-contini - The Garden of the Finzi-Continis - was turned into an Oscar-winning movie by the director Vittorio De Sica.

Like much of his fiction, The Garden of the Finzi-Continis is semi-autobiographical, drawing on his upbringing as a member of an upper middle-class Jewish family in Ferrara, the city in Emilia-Romagna, during the rise of Mussolini’s Fascists and the onset of World War Two.

Bassani, who was the editor of a number of literary journals and a respected screenplay writer, had already achieved recognition for his work through his Cinque storie ferraresi - Five Stories of Ferrara - which won the prestigious Strega Prize in 1956.

But it was The Garden of the Finzi-Continis that won him international acclaim. The novel was part of a series that expanded on the same theme in presenting a picture of the world during the author's formative years, against a background of state-promoted antisemitism.

The son of a doctor and an aspiring singer, Bassani was born in Bologna. His father, Angelo Enrico Bassani, had served with the Italian Army as a medical officer in World War One and was on furlough in Bologna, where his pregnant wife, Dora, joined him but went into labour during the visit.

They were both from Ferrara, where they returned after the war ended. Giorgio was named after the patron saint of the Po Valley city, on whose feast day his parents had become engaged.

Bassani's most famous novel is
a Penguin Modern Classic

With his younger brother, Paolo, and their little sister, Jenny, Bassani had a childhood that was, at first, idyllic. They lived in a big family home on Via Cisterna del Follo, receiving their education at the Liceo Ludovico Ariosto and spending many hours outdoors, playing tennis or football, taking their summer holidays in the seaside resorts of the northern Adriatic coastline, and going skiing in the winter.

There was wealth on both sides of the family. Their paternal grandfather had been a landowner and cloth merchant; their maternal grandfather was a professor of medicine and head of the main hospital in Ferrara, an expert in gastroenterology who was still working right up to his death, aged 99. 

Yet the ambitions of all three siblings were thwarted by Mussolini’s anti-semitic Racial Laws. Giorgio, a talented pianist, completed his degree at the Faculty of Arts and Letters at the University of Bologna, but with Jews barred from most professions the only work he could find was as a teacher at the Jewish School in Via Vignatagliata.

Paolo hoped to become a doctor, like his father and grandfather, but with Jews barred from Italian universities, he was forced to go to France, where he studied engineering instead, before being expelled following the German invasion. Jenny became one of Giorgio’s pupils at the Jewish School but, with little prospect of making a career in Ferrara, fled to Florence.

It was while he was teaching, in 1940, that Bassani published his first novel,  Una città di pianura  - A City of the Plain - which he wrote under a pseudonym, Giacomo Marchi, so as to evade the race laws. It was around this time that he became a political activist, joining the anti-Fascist resistance. He was arrested in May 1943 but thankfully spent only a couple of months in jail, freed after Italy formally surrendered to the allies and Mussolini was arrested.

Dominique Sanda and Lino Capolicchio, stars of the
film version of The Garden of the Finzi-Continis

The threat to the safety of Jews was not over, however.  With his new wife, Valeria, whom he married soon after his release from prison, he too fled to Florence, where they lived under assumed names with forged passports.  Bassani managed somehow to rescue his parents, and his sister Jenny, from the advancing Germans; Paolo, who eventually returned to Italy after a spell on the run in Spain, fought in the resistance and survived, settling in Rome. Sadly, most of their extended family left in Ferrara died at the Buchenwald concentration camp.

Bassani, too, drifted south to Rome, where his literary career gathered pace. As an editorial director of the publisher Feltrinelli, he was responsible for the posthumous publication of Giuseppe Tomasi di Lampedusa's novel Il Gattopardo - The Leopard. He published some poetry and short stories of his own before his Cinque storie ferraresi raised his profile following the award of the Premio Strega.

His 1958 novel, Gli occhiali d'oro - The Gold-Rimmed Spectacles, which was later also made into a film, examined the marginalisation of Jews and homosexuals and ultimately became the first in a series of books known as Il romanzo di Ferrara - the Ferrara Stories.  

The Garden of the Finzi-Continis, which was one of the series, is narrated by a young middle-class Jew in the Italian city of Ferrara, who is fascinated with the Finzi-Continis, a wealthy Jewish family, and especially by their beautiful daughter Micòl, with whom he becomes infatuated.

The Finzi-Continis live in a lavish walled estate, which becomes a meeting place for other wealthy Jews, who find sanctuary there. The narrator - himself called Giorgio - finds his love for Micòl ultimately unrequited in a poignant portrait of a family and friends enjoying their final days of freedom before the horrors of the world outside the walls close in on them. 

After Dietro la porta - Behind the Door (1964), L'airone - The Heron (1968) and L'odore del fieno - The Smell of May (1972) completed his series of Ferrara stories, Bassani wrote very little more in the way of fiction.

Estranged from his wife, he spent the final years of his life with his companion, Portia Prebys, an American-born professor of literature, whom he met in 1977. Suffering from Parkinson’s, Alzheimer’s and a heart complaint, he died in 2000 at the age of 84. 

De Sica’s film of The Garden of the Finzi-Continis, which starred Lino Capolicchio as Giorgio and Dominique Sanda as Micòl, won the Academy Award for Best Foreign Language Film in 1972.

The centre of the city of Ferrara, looking
down from the Castello Estense

Travel tip:

Ferrara is a city in Emilia-Romagna, about 50 km (31 miles) to the north-east of Bologna. It was ruled by the Este family between 1240 and 1598. Building work on the magnificent Este Castle in the centre of the city began in 1385 and it was added to and improved by successive rulers of Ferrara until the end of the Este line.  The castle was purchased for 70,000 lire by the province of Ferrara in 1874 to be used as the headquarters of the Prefecture.   Ferrara is also notable for Palazzo dei Diamanti, a palace in Corso Ercole I d’Este, that takes its name from the 8500 pointed diamond shaped stones that stud the façade, diamonds being an emblem of the Este family. It was designed by Biagio Rossetti and completed in 1503. The palace now houses the Pinacoteca Nazionale di Ferrara on its first floor.

Hotels in Ferrara by Booking.com

The bustling Via Giuseppe Mazzini is part of
what used to be Ferrara's Ghetto

Travel tip:

Via Vignatagliata in Ferrara, where Giorgio Bassani found work as a teacher at the Jewish School - formerly at No 79 - is part of what used to be the city’s Jewish Ghetto, established in 1624, when about 1,500 Jews lived in Ferrara. Centrally situated, only about 500km (546 yards) from the Castello Estense, it remained open, on and off, until 1859, when it was permanently closed, although it remained the heart of the city’s Jewish community for many years afterwards. Criss-crossed by cobbled streets, the area maintains much of its structure and character. Its main street, Via Giuseppe Mazzini, which begins at Piazza della Cattedrale, is largely pedestrianised and has evolved into one of Ferrara’s main shopping streets.

Also on this day:

1678: The birth of composer Antonio Vivaldi

1848: The approval of the Albertine Statute, which became the basis for the Italian Constitution

1943: The birth of singer-songwriter Lucio Dalla

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Gabriele Rossetti - poet and revolutionary

Academic fled to England after exile from Naples

Gabriele Rossetti became a revolutionary
after moving to Naples as a student

The poet and academic Gabriele Rossetti, who was a key figure in a revolutionary secret society in 19th century Italy known as the Carbonari, was born on this day in 1783 in the city of Vasto in Abruzzo.

A Dante scholar known for his detailed and sometimes controversial interpretations of The Divine Comedy and other works, Rossetti’s own poetry was of a patriotic nature and regularly contained commentaries on contemporary politics, often in support of the growing number of popular uprisings in the early 19th century.

He became a member of the Carbonari, an informal collective of secret revolutionary societies across Italy that was active between 1800 and 1831, promoting the creation of a liberal, unified Italy. He came into contact with them after moving to Naples to study at the city's prestigious university.

Similar to masonic lodges in that they had used secret signals so that fellow members could recognise them and even a coded language, the Carbonari were founded in Naples, where their membership included military officers, nobility and priests as well as ordinary citizens. 

A librettist at the city’s Teatro San Carlo and later curator at the Capodimonte Museum, Rossetti’s standing in Naples society made him an important figure within the group, which was the driving force behind the 1820 uprising in the city which, with the help of a mutiny among the army, forced King Ferdinand I to agree to a constitution.

The Piazza Gabriele Rossetti in his home city of
Vasto, with the monument to him in the centre

It was a short-lived affair, however. After a congress to discuss a response to the uprising, Ferdinand sought help from Austria - his in-laws included the Habsburg empress Maria Theresa - and returned to Naples with an army of 50,000 that easily crushed the force of 8,000 Neapolitans pitted against him, promptly dismissing the newly-appointed parliament and tearing up the constitution.

This so outraged Rossetti that he published a poem that amounted to a tirade against Ferdinand’s tyranny. Immediately branding him a traitor, the King issued a warrant for Rossetti's arrest and announced a death sentence. Fortunately, Rossetti managed to escape, fleeing first to Malta, where he remained in hiding for three years before an admiral of the British Royal Navy helped him travel to London.

He settled in England, supporting himself by giving Italian lessons and publishing two volumes of commentary on Dante’s La divina commedia (The Divine Comedy). 

The commentary claimed that The Divine Comedy was written in the code language of a humanistic secret society that was opposed to political and ecclesiastical tyranny. Rossetti’s interpretation is now regarded as unrealistic but at the time it helped him attain the position of professor of Italian at King’s College, London, a post he held until his eyesight began to fail in 1847.

In 1826 he had married Frances Mary Lavinia Polidori, daughter of another Italian exile in England, Gaetano Polidori. Their four children - Maria Francesca, Dante Gabriel, William Michael and Christina Georgina - all grew up to be distinguished writers or artists in their own right. 

Rossetti died in London in April 1854 at the age of 71 and was buried in Highgate Cemetery. The main square in Vasto was named after him, with a monument to him at its centre.

The 15th century Castello Caldoresco presides 
over the centre of the city of Vasto

Travel tip:

Vasto is not a well known destination among overseas tourists but with an elevated position overlooking the Adriatic in the south of Abruzzo it is a small city well worth a visit, offering beautiful panoramic views of the coastline in addition to a charming medieval centre, with narrow alleyways and the impressive Castello Caldoresco. Built in the early 15th century, the square castle is built around an inner courtyard with cylindrical towers in three of the four corners. The Piazza Gabriele Rossetti is behind the castle.  In addition to the attractions of the city, it is just a 15-20 minute walk down the hill to golden, sandy beach at Marina di Vasto, which while thronged by Italian families in July and August is relatively quiet outside the main Italian holiday season.

The Reggia di Capodimonte in Naples, home of
one of Italy's most important art collections

Travel tip:

The Museo di Capodimonte, where Rossetti was curator before he was forced to flee the city, is an art museum located in the Reggia di Capodimonte, a grand Bourbon royal palace a few kilometres from the centre of Naples. Housing the most important collection of Neapolitan painting and decorative art, as well as works from other Italian schools of painting and ancient Roman sculptures, it is one of the biggest museums in Italy.  The palace dates back to 1783, when it was built by King Charles VII of Naples and Sicily. Adjoining an area of woodland now known as the Real Bosco di Capodimonte, it was originally intended to be a hunting lodge but evolved as a replacement for the Reggia di Portici as the seat of Charles’s court. The King’s fabulous Farnese art collection, which he had inherited from his mother, Elisabetta Farnese, became the basis for the museum’s collection.

Also on this day:

1740: The death of Cardinal Pietro Ottoboni, patron of music and art

1907: The birth of entrepreneur Domenico Agusta

1915: The birth of jam maker Karl Zuegg

1940: The birth of racing driver Mario Andretti

1942: The birth of footballer and coach Dino Zoff

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The death of Giosuè Carducci – poet

National poet’s work inspired the fight for a united Italy

Carducci's funeral procession drew
huge crowds on to the streets of Bologna

The poet Giosuè Carducci, who was the first Italian to win the Nobel prize in Literature, died on this day in 1907 in Bologna.

Aged 71, he passed away at his home, Casa Carducci, near Porta Maggiore, a kilometre and a half from the centre of the Emilia-Romagna city. He had been in ill health for some time and was not well enough to travel to Stockholm to receive his prize, awarded in 1906, which was instead presented to him at his home.

His funeral at the Basilica di San Petronio in Piazza Maggiore followed a procession through the streets that attracted a huge crowd.

Carducci had been one of the most influential literary figures of his age and was professor of Italian literature at Bologna University, where he lectured for more than 40 years.

The Italian people revered Carducci as their national poet and he was made a senator for life by the King of Italy in 1890.

Carducci was born in 1835 in the hamlet of Val di Castello, part of Pietrasanta, in the province of Lucca in Tuscany and he spent his childhood in the wild Maremma area of the region.

After studying at the University of Pisa, Carducci was at the centre of a group of young men determined to overthrow the prevailing Romanticism in literature and return to classical models.

Carducci's poetry became an inspiration
to patriots fighting for a united Italy

Carducci was attracted to Greek and Roman authors and also studied the works of Italian classical writers such as Dante, Torquato Tasso and Vittorio Alfieri.

The poets Giuseppe Parini, Vincenzo Monti and Ugo Foscolo were influences on him, as is evident from his first book of poems, Rime, produced in 1857.

In 1863, Carducci showed both his great power as a poet and the strength of his republican, anticlerical feelings in his Inno a Satana - Hymn to Satan - and, in 1867, in his Giambi ed epode - Iambics and Epodes - inspired by the politics of the time.

The best of Carducci’s poetry came in 1887 with Rime nuove - New Rhymes - and Odi Barbare - Barbarian Odes - which evoke the landscape of the Maremma and his childhood memories, the loss of his only son, and also recall the glory of Roman history.

Carducci’s enthusiasm for the classical led him to adapt Latin prosody to Italian verse and to imitate Horace and Virgil. His poetry was to inspire many Italians fighting for independence and for a united Italy.

The poet became the first Italian to receive the Nobel Prize for Literature in 1906. According to the Swedish Academy this was awarded ‘not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style and lyrical force, which characterise his poetic masterpieces’.

Carducci also wrote prose prolifically in the form of literary criticism. biographies, speeches and essays and he translated works by Goethe and Heine into Italian.

After his funeral on 19 February he was laid to rest at the Certosa di Bologna, the city’s monumental cemetery.

Pietrasanta's Cattedrale
di San Martino

Travel tip:

Pietrasanta, the town where Carducci was born, is on the coast of northern Tuscany, to the north of Viareggio. It had Roman origins and part of a Roman wall still exists. The medieval town was built in 1255 upon the pre-existing Rocca di Sala fortress of the Lombards and the Duomo (Cathedral of San Martino) dates back to the 13th century. Pietrasanta grew in importance in the 15th century due to its marble, the beauty of which was first recognised by the sculptor, Michelangelo.

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Leonardo Bistolfi's monument to Giosuè Carducci
in the garden of the Casa Carducci in Bologna

Travel tip:

The Museum of the Risorgimento in Bologna is now housed on the ground floor of the house where Carducci died in Piazza Carducci in the centre of the city. The museum has exhibits and documents that chronicle the history of the Risorgimento from the Napoleonic invasions of Italy to the end of the First World War. The museum was first inaugurated in 1893 and moved to Casa Carducci, the last home of the poet, in 1990.  In the garden, there is an imposing monument to Carducci by the sculptor Leonardo Bistolfi.

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More reading:

How the revolutionary Ugo Foscolo expressed Italian sentiment in verse

Why Dante Alighieri remains in exile from his native Florence

The nobleman whose poetry inspired the oppressed

Also on this day:

1740: The birth of type designer Giambattista Bodoni

1918: The birth of designer Achille Castiglioni

1935: The birth of vocalist Edda Dell’Orso

1970: The birth of footballer Angelo Peruzzi

1979: The birth of motorcycle world champion Valentino Rossi

(Picture credits: Pietrasanta cathedral by Stephencdickson; Bologna monument by Nicola Quirico; via Wikimedia Commons)

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Mario Tobino – poet, novelist and psychiatrist

Doctor was torn between literature and his patients

Tobino combined his work in mental
health with a literary career

The author and poet who was also a practising psychiatrist, Mario Tobino, was born on this day in 1910 in Viareggio in Tuscany.

Tobino was a prolific writer whose works dealt with social and psychological themes. His novel, Il clandestino, inspired by his experiences fighting as a partisan to liberate Italy in 1944, won him the Premio Strega, the most prestigious Italian literary award.

After completing his degree in medicine in 1936, Tobino embarked on a career working in a mental hospital, treating people with mental disabilities.

He went to work as a doctor in Libya in 1940 but had to flee when war broke out in the country. His experiences were recorded in his book, Il deserto della Libia, which was published in 1952.

In 1953, his novel, Libere donne di Magliano, established him as an important Italian writer. In 1972, another novel, Per le antiche scale won the Premio Campiello, an annual Italian literary award. Both novels were inspired by his experiences as a director of a psychiatric hospital at Maggiano, a suburb of Lucca.

His novel Il manicomio di Pechino, published in 1990, also drew on his medical experiences, his relationships with his patients and his personal dilemma as an individual divided by his allegiance to his profession and his passion for literature.

Per le antiche scale won
the Premio Campiello

Tobino’s strong attachment to his native region of Tuscany is another recurrent motif in his work. He published Gli ultimi giorni di Magliano followed by La ladra in 1984 and Tre amici in 1988. He received the Premio Pirandello on 10 December 1991 in Agrigento and died the next day, aged 81.

He began working in 1942 as a doctor at the mental hospital of Lucca on the outskirts of  the city at Maggiano, where he was to remain for the next 40 years. The hospital, known as Spedale per I Pazzi, was founded by the republic of Lucca in the second half of the 18th century and is thought to be the oldest mental hospital in Italy. It was also in 1942 that Tobino met Paola Olivetti, who was to be his life-long companion.

The Mario Tobino Foundation, based at the site of the former hospital in Via Fregionaia, which was closed in 1999, was created in 2006 to preserve and develop the important cultural heritage of his work as a writer and psychiatrist. The Foundation also aims to promote the regional and national debate about the future of psychiatric help.

Viareggio's sea front is famed for its
Liberty-style architecture

Travel tip:

Viareggio, where Mario Tobino was born, is a popular seaside resort in Tuscany with excellent sandy beaches and some beautiful examples of Liberty-style architecture. The remains of the English poet Shelley, who drowned at sea, were washed up on a beach near the resort in 1822. They were identified because of the volume of poetry by John Keats found in his pocket and he was cremated on the beach under the supervision of his friend, the poet Lord Byron. There is a monument to Shelley in Piazza Paolina in Viareggio.

The hospital complex retained some 
features of the monastery

Travel tip:

The Spedale per I Pazzi, where Mario Tobino worked, was formed in 1773 at Maggiano after the Republic of Lucca had put forward a request to Pope Clement to suppress the Monastery of the Lateran Canons of Santa Maria of Fregionaia. The monastery was then adapted for the care of mental patients and was officially opened on 20 April 1773. The day after, the first 11 patients were transferred from Carcere Cittadino della Torre, the city’s Tower prison.

Also on this day:

1728: The birth of composer Niccolò Piccinni

1749: The birth of dramatist and poet Count Vittorio Alfieri

1941: The birth of controversial archbishop Carlo Maria Viganò

1957: The death of conductor Arturo Toscanini

1998: The death of interior and set designer Renzo Mongiardino

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Attilio Bertolucci - poet

Pastoral scenes and family life inspired writer from Parma

Attilio Bertolucci was an important
figure in 20th century Italian poetry 

Writer and poet Attilio Bertolucci was born on this day in 1911 in San Lazzaro, a hamlet in the countryside near Parma in Emilia-Romagna.

Bertolucci wrote about his own family life and became renowned for the musicality of his language while describing humble places and human feelings. He became an important figure in 20th century Italian poetry and was the father of film directors Bernardo and Giuseppe Bertolucci.

Attilio Bertolucci was born into a middle-class, agricultural family. He began writing poems at the age of seven and published his first collection of poems, Sirio, when he was 18.

He went to study law at the University of Parma when he was 19, but soon gave it up in favour of literary studies. He also went to the University of Bologna to study art history. He went on to teach art history at the Maria Luigia boarding school in Parma.

He became a book reviewer and theatre and film critic for the Parma newspaper, La Gazzetta, and developed anti-fascist feelings along with other intellectuals at the time. He worked as foreign editor for the poetry publisher, Guanda, and introduced a range of modern poetry from overseas to Italy.

When he was 20, his work, Fuochi di Novembre, earned him the praise of the Italian poet Eugenio Montale, which enhanced his reputation.

Bertolucci with Bernardo (left), the elder of his two
sons, during the shooting of his 1976 epic, Novecento 

Bertolucci married Ninetta Giovanardi in 1938 but they continued to live in his parental home near Parma. They had their first son, Bernardo, in 1941 and their younger son, Giuseppe, in 1947.

In 1951 he published La capanna Indiana, which won the Viareggio Prize for Literature. In the same year the family moved to Rome. Among the readers who admired his work was the film director Pier Paolo Pasolini, who became a close friend.

In Rome, Bertolucci worked for the publisher, Garzanti, for Italian radio, and for the daily newspaper, La Repubblica.

From the 1960s onwards the Bertolucci family alternated between their apartment in Rome, their 17th century house in the Apennine village of Casarola, which they visited  in the spring and summer, and their home by the sea in the Ligurian village of Tellaro, where they lived during the autumn. In nearby Lerici, Bertolucci became president of the committee for the Lerici Prize and biennial literary conference.

The cover of Bertolucci's
first published poetry

He published Viaggio d’inverno in 1971, which is considered one of his finest works. It was seen as marking a change to a more complex style from that of his earlier works, where he used humble language to describe pastoral situations.

From 1975, he directed the prestigious literary review magazine Nuovi Argomenti, along with Enzo Siciliano and Alberto Moravia. In 1984 he won another Viareggio Prize for the narrative poem Camera da letto.

His last work was La lucertola di Casarola, a collection of works from his youth, which he published in 1997.

Attilio Bertolucci died in Rome in 2000 at the age of 88. Selections of his poetry have been translated into English by the poets and translators, Charles Tomlinson and Allen Prowle.

Parma is famous for Prosciutto di Parma and
Parmigiano-Reggiano cheese

Travel tip:

Parma is an historic city in the Emilia-Romagna region, famous for its ham (Prosciutto di Parma) and cheese (Parmigiano-Reggiano), the true ‘parmesan’. The city was given as a duchy to Pier Luigi Farnese, the illegitimate son of Pope Paul III, and his descendants ruled Parma till 1731. The composer, Verdi, was born near Parma at Bussetto and the city has a prestigious opera house, the Teatro Regia. Parma is divided into two parts by a stream. Attilio Bertolucci once wrote about it: ’As a capital city it had to have a river. As a little capital it received a stream, which is often dry.’ This refers to the time when Parma was capital of the independent Duchy of Parma.

Boats fill the tiny quayside at the fishing village
of Tellaro in Liguria, where Bertolucci had a home

Travel tip:

Tellaro, where the Bertolucci family had a seaside home, is a small fishing village on the east coast of the Gulf of La Spezia in Liguria and a frazione of the comune of Lerici. Tellaro has been rated as one of the most beautiful villages of Italy by the guide, I Borghi più belli d’Italia. The Romantic poet Percy Bysshe Shelley and his writer wife, Mary Shelley, lived there in the rented Casa Magni in the early 1820s and drew inspiration from their beautiful surroundings for their writing until Shelley’s death at sea in 1822.

Also on this day:

1626: The consecration of St Peter’s Basilica in Rome

1630: The birth of Eleonora Gonzaga, Holy Roman Empress

1804: The birth of Alfonso Ferrero La Marmora, military leader and statesman

1891: The birth of architect and designer Gio Ponti

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