Showing posts with label Palazzo Farnese. Show all posts
Showing posts with label Palazzo Farnese. Show all posts

28 January 2019

Giovanni Alfonso Borelli – physiologist and physicist

Neapolitan was the first to explain movement


Giovanni Alfonso Borelli was a  pioneer of biomechanics
Giovanni Alfonso Borelli was a
pioneer of biomechanics
The scientist who was the first to explain muscular movement according to the laws of statics and dynamics, Giovanni Alfonso Borelli, was born on this day in 1608 in Naples.

Borelli was also the first to suggest that comets travel in a parabolic path.

He was appointed professor of mathematics at Messina in 1649 and at Pisa in 1656. After 1675 he lived in Rome under the protection of Christina, the former Queen of Sweden. She had abdicated her throne in 1654, had converted to Catholicism and gone to live in Rome as the guest of the Pope.

Remembered as one of the most learned women of the 17th century, Christina became the protector of many artists, musicians and intellectuals who would visit her in the Palazzo Farnese, where she was allowed to live by the Pope.

Borelli’s best known work is De Motu Animalium - On the Movement of Animals - in which he sought to explain the movements of the animal body on mechanical principles. He is therefore the founder of the iatrophysical school. He dedicated this work to Queen Christina, who had funded it, but he died of pneumonia in 1679 before it was published.

A page from Borelli's De Motu Animalium on arm movement
A page from Borelli's De Motu
Animalium
on arm movement
For this work he has become known as the father of modern biomechanics. The American Society of Biomechanics named its most prestigious award the Giovanni Borelli Award in 1984.

The award is given to scientists for the originality, quality and depth of their research, and its relevance to the field of biomechanics.

Borelli also wrote astronomical works, including a treatise in 1666 that considered the influence of attraction on the satellites of Jupiter.  In a letter published in 1665, using the pseudonym Pier Maria Mutoli, he was the first to suggest the idea that comets travel in a parabolic path.

The Castel Nuovo in Naples, built in the 13th century and rebuilt by Alfonso I in 1453
The Castel Nuovo in Naples, built in the 13th century
and rebuilt by Alfonso I in 1453
Travel tip:

Borelli was born in the Castel Nuovo area of Naples to a Spanish infantryman serving in the city and a young Neapolitan girl. The castle was called ‘nuovo’, new, when it was built in the 13th century to distinguish it from two earlier ones in Naples, Castel d’Ovo and Castel Capuano. Alfonso I, King of Naples and Sicily, had it completely rebuilt in 1453, the year of his triumphant entry into Naples. Alfonso later ordered the construction of the superb Arco di Trionfo, one of the most significant expressions of early Renaissance culture in southern Italy.

The Palazzo Farnese in Rome, once home of the former Queen Christina of Sweden, now houses the French embassy
The Palazzo Farnese in Rome, once home of the former
Queen Christina of Sweden, now houses the French embassy
Travel tip:

Palazzo Farnese, where Borelli would visit his patron, Queen Christina, is one of the most important High Renaissance palaces in Rome. Owned by the Italian republic, the palazzo in Piazza Farnese was given to the French Government in 1936 for a period of 99 years and currently serves as the French embassy in Italy. One of the scenes in Puccini’s opera Tosca is set in Palazzo Farnese.

More reading:

The physicist who inspired Mary Shelley's Frankenstein

The 18th century anatomist who turned pathology into a science

The scientist who gave new 'life' to a dead frog and a new word to the language

Also on this day:

1453: The birth of Renaissance beauty Simonetta Vespucci

1813: The birth of scientist Paolo Gorini

1978: The birth of goalkeeper Gianluigi Buffon


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1 May 2018

Laura Betti - actress and jazz singer

Long-time companion of director Pier Paolo Pasolini


Laura Betti made her screen debut in Fellini's 1960 classic about fame and decadence, La Dolce Vita
Laura Betti made her screen debut in Fellini's 1960 classic
about fame and decadence, La Dolce Vita
The actress and singer Laura Betti, who appeared in a number of important Italian films in the 1960s and 1970s, including Federico Fellini’s La Dolce Vita, Bernardo Bertolucci’s Novecento and Pier Paolo Pasolini’s Teorema, was born on this day in 1927 in Casalecchio di Reno, in Emilia-Romagna.

In addition to Teorema, which won her the coveted Volpi Cup for best actress at the 1968 Venice Film Festival, Betti appeared in six other Pasolini films as the two developed a special and unlikely relationship.

Betti, a vivacious blonde with striking good looks, had no shortage of suitors among the authors, artists, singers and aspiring actors that made up her circle in Rome in the 1950s, but Pasolini was homosexual and had no interest in her in a romantic sense.

Yet he became a regular guest at her apartment near the Palazzo Farnese and she wrote many years later that a kind of love developed between them. They met while he was an unknown poet and it was with her encouragement that he realised his aspiration to become a director.

Betti the jazz singer was a popular performer in Rome nightclubs
Betti the jazz singer was a popular
performer in Rome nightclubs
Over time she effectively became his cook and housekeeper and after his death in 1975, the victim of a brutal murder that was never fully explained, she devoted much of her time to preserving his memory and championing his work.

She was the driving force behind the establishment of the Pasolini Foundation in Bologna, where he was born. She also set up an annual literary prize in his name.

The daughter of a barrister, she was born Laura Trombetti. Her first interest was in singing, particularly jazz, and she moved to Rome at a young age, acquiring a following on the cabaret circuit, for which her husky voice was ideal.  Both Pasolini and Alberto Moravia supplied material for her act.

Her interpretations of jazz tunes and songs by Bertolt Brecht brought comparisons with the sultry-voiced French singer Juliette Greco. She released a number of albums, which sold well.

Betti's first venture into theatre came with a 1955 production of Arthur Miller's Crucible staged by Luchino Visconti, although the night clubs continued to be her domain for much of the late 1950s until Fellini launched her film career with a cameo role in La Dolce Vita (1960), as one of the authentic Roman eccentrics in the beach villa orgy sequence.  It was the first of 76 movies in her career.

Her first Pasolini film was La Ricotta, a controversial 40-minute short that featured Orson Welles as an American director shooting a film about the Passion of Christ in Rome, with Betti a temperamental Madonna.

Laura Betti was for many years the companion of enigmatic director Pier Paolo Pasolini (left)
Laura Betti was for many years the companion of
enigmatic director Pier Paolo Pasolini (left)
In 1968, her first substantial Pasolini role, as the peasant maid in a bourgeois household in Teorema, won the best actress award at the 1968 Venice festival.

After returning to the stage to give an electrifying performance in Samuel Beckett's Not I for the Rome Municipal Theatre, her next Pasolini film role was in The Canterbury Tales (1972), shot in England, in which she was the Wife of Bath.

In the early 1970s, she also appeared in films by Marco Bellocchio, Mauro Bolognini, Miklos Jancso and the Taviani Brothers. She was also in Bernardo Bertolucci's Last Tango In Paris (1972), Novecento (1976) and La Luna (1979).

After Pasolini's murder, Betti was sceptical, like many, of the explanation for his death and the confession by Giuseppe Pelosi, a 17-year-old youth he had paid for sex, when the evidence suggested the involvement of more than one attacker.  She preferred the idea that, as a communist sympathiser, he had been the victim of a conspiracy of the political Right, perhaps because he knew damaging secrets about senior figures, a theory that gained credence when it emerged that the Italian secret services were involved in the investigation into his death.

She continued to appear in films for her whole life, although at the same time devoting much time to travelling in Italy, and around the world, to fight Pasolini's corner. In 2001, she made a 90-minute documentary, Pier Paolo Pasolini: The Reason For A Dream, emphasising what she considered to be his optimistic vision of the future.

Betti, who never married, struggled with her health in the early 2000s and died of a heart attack in 2004.

The Villa Marescalchi, outside Casalecchio di Reno
The Villa Marescalchi, outside Casalecchio di Reno
Travel tip:

Casalecchio di Reno, which takes its name from the Roman word for a small collection of houses, in this instance clustered around the Reno river, is nowadays effectively a suburb of Bologna. An important industrial area in the early part of the 20th century, it was heavily bombed by the Allies in the Second World War, its population growing rapidly as it was rebuilt after 1945. The Villa Marescalchi, just outside the town, once contained paintings by the noted Bolognese painter Cesare Baglioni, but these were destroyed in a bombing raid.

The Palazzo Farnese now houses the French Embassy
The Palazzo Farnese now houses the French Embassy
Travel tip:

The Palazzo Farnese is one of the most important High Renaissance palaces in Rome, which currently serves as the French Embassy in Italy. Designed in 1517 for the Farnese family, it was expanded when Alessandro Farnese became Pope Paul III in 1534. The palace was designed by Antonio da Sangallo the Younger and the development involved input from Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta, who were alls prominent in Rome in the 16th century.

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3 November 2017

Annibale Carracci – painter

Bolognese master produced his most influential work in Rome


A self-portrait of Annibale Carracci
A self-portrait of Annibale Carracci
The Baroque painter Annibale Carracci was born on this day in 1560 in Bologna.

Annibale and his followers were to become highly influential in the development of Roman painting, bringing back the classical tradition of the High Renaissance.

He was probably apprenticed as a painter with members of his own family in Bologna. But his talents began to develop during a tour of northern Italy in the 1580s. He lodged in Venice with the painter Jacopo Bassano, whose style of painting influenced him for a time.

Annibale has been credited with rediscovering the early 16th century painter Correggio, who had almost been forgotten outside Parma. Annibale’s Baptism of Christ, painted in 1585 for the Church of San Gregorio in Bologna, is a brilliant tribute to him.

In 1582 Annibale opened a studio in Bologna with his brother, Agostino Carraci, and his older cousin, Ludovico Carracci. While working there, Annibale painted The Enthroned Madonna with St Matthew in 1588 for the Church of San Prospero in Reggio.

By the time Annibale collaborated with the other two Carracci on frescoes in the Palazzo Magnani (now the Palazzo Salem) and two other noble houses in Bologna, he had become the leading master among them.

Carracci's Madonna Enthroned with St Matthew hangs in a gallery in Dresden
Carracci's Madonna Enthroned with St
Matthew
hangs in a gallery in Dresden
In 1595 Annibale went to Rome to work for the rich, young cardinal Odoardo Farnese, who wanted the principal floor of his palace decorated with frescoes.

In Rome, Annibale studied Michelangelo, Raphael and ancient Greek and Roman art in order to adapt his style to his new surroundings.

After decorating the study in Palazzo Farnese, he was joined by his older brother, Agostino, in the chief enterprise of his career, painting the frescoes of the coved ceiling of the Galleria with love fables from Ovid.

These decorations were considered to be a triumph of classicism tempered with humanity. The powerfully modelled figures in these frescoes have been seen as an imaginative response to Michelangelo’s frescoes on the ceiling of the Sistine Chapel.

The Galleria Farnese became an invaluable place for young painters to study until well into the 18th century and proved a rich feeding ground for Gian Lorenzo Bernini among others.

Annibale was underpaid for his long and intense labours in the Palazzo Farnese and he gave up working on it altogether in 1605.

Annibale's Baptism of Christ
Annibale's Baptism of Christ
He subsequently produced some of his finest religious paintings, including landscapes for the Palazzo Aldobrandini in Frascati that were to influence the work of Domenichino and Nicolas Poussin in Rome.

Annibale died at the age of 48 in 1609 in Rome after a few years of illness. He was buried according to his wish near Raphael in the Pantheon. Many of his assistants and pupils, such as Domenichino and Guido Reni, were later to become the pre-eminent artists for the next few decades.


Part of the ceiling at the Palazzo Fernese in Rome
Part of the ceiling at the Palazzo Fernese in Rome
Travel tip:

Palazzo Farnese, where Annibale Carracci did some of his best work in the Galleria, is one of the most important High Renaissance palaces in Rome. Owned by the Italian republic, the palazzo in Piazza Farnese was given to the French Government in 1936 for a period of 99 years and currently serves as the French embassy in Italy. One of the scenes in Puccini’s opera Tosca is set in Palazzo Farnese.

Carracci is buried alongside Raphael at The Pantheon in Piazza della Rotonda in the heart of Rome
Carracci is buried alongside Raphael at The Pantheon in
Piazza della Rotonda in the heart of Rome
Travel tip:

The Pantheon in Piazza della Rotonda, is one of the best preserved ancient buildings in Rome. It was built as a temple but was converted into a Christian church in the seventh century. The Pantheon now contains the tombs of painters and kings. Along with Annibale Carracci, King Umberto I of Italy, King Victor Emmanuel II of Italy and Raphael are buried there.