Francesco Berni - poet

The short turbulent life of a witty satirist   

Francesco Berni depicted in a
18th century drawing 

Tuscan writer Francesco Berni, whose satirical verses poked fun at two Popes and one of his contemporary Italian poets, died on this day in 1535 in Florence.

Berni became known for his distinctive style of burlesque writing, which imitated serious literary forms in a humorous way. This technique became known as ‘bernesco’ and was a device later used by many other poets.

Some people believed his death, when he was in his thirties, was due to having been poisoned in revenge for refusing to take part in a plot to kill either Ippolito de’ Medici or an Italian Cardinal named Giovanni Salviati, but this is not certain.

Berni was born in either 1497 or 1498 in Lamporecchio in Tuscany. His father, Niccoló, who was a doctor, came from an established Florentine family, but he was poor. Berni spent his early years living in Florence and, when he was about 20, he entered the service of Cardinal Bernardo Bibbiena and his nephew, Angelo Dovizi, and moved to Rome with them.

At the time of the election of Pope Adrian VI, Berni circulated some witty verses that may have caused offence and he then found himself having to leave the capital city for a while and moved to live in Abruzzo. He returned in 1523 and accepted a post as a clerk, or a secretary, to Gian Matteo Giberti, who had an important role as datary to Pope Clement VII, which was a powerful post, responsible for processing official documents, granting dispensations and conferring benefices.

However, Berni found his duties working for Giberti irritating but, in the meantime, earned himself some celebrity because of his inventive satirical poetry. In about 1530, he was able to relinquish his post to concentrate on his writing, having obtained a canonry in Florence Cathedral, an office that relieved his precarious financial situation.

The writer’s Tuscan translation of Orlando Innamorato, a work that had been composed by the Renaissance author Matteo Maria Boiardo, went on to eclipse the original version, as it was preferred by many readers. The original had been written in the less popular Ferrarese dialect, making it more difficult for a lot of people to read. 

Pope Clement VII was one of Berni's
targets for his satirical verse

Berni’s play La Catrina, which was described as a lively, rustic farce, was also highly regarded at the time, but Berni was to become more well-known for his burlesque poetry.

Some of his output is regarded as savagely satirical, such as his verses attacking his fellow Tuscan poet, Pietro Aretino, and those aimed at the Popes, Adrian VI and Clement VII. 

However, some of his most popular work, which was written in the style of Petrarchan verse, was inspired by relatively unimportant, everyday subjects, such as a poem he wrote mocking his friend’s shorn beard.

Sadly, Berni died, at the age of about 38. After his death, a story circulated that he had been poisoned by Duke Alessandro de’ Medici for having refused to poison the Duke’s cousin, Ippolito de’ Medici, but this has never been proved one way or the other. It was also claimed in a letter written at the time that Berni died from ingesting the poison that he had refused to administer to Cardinal Giovanni Salviati, a Florentine diplomat.

Whether either story is true or not, it is thought more likely that Berni’s mysterious death occurred as a result of being caught up in the political intrigues going on at the time among the Medici, rather than because he had seriously offended any of the targets of his satirical verses. 

Berni’s acclaimed translation and revision of Boiardo’s Orlando Innamorato has also provided scholars with a clue about his own opinions about religion. In one of his poetic introductions to a canto, he revealed that he was favourably disposed toward the new Reformation principles being introduced in Italy at the time, which may explain the bitterness of some of his remarks in the satirical verses that he had written about the Church.

Several streets in Italian cities have been named after the poet. You can find a Via Francesco Berni in Florence, Empoli, Pietrasanta, Varese, and Verona.

Packets of brigidini, Lamporecchio's speciality
wafer biscuits, on sale at a market

Travel tip:

Lamporecchio, where Francesco Berni was born, is a comune - municipality - in the province of Pistoia in Tuscany. It is about 13km (eight miles) south of Pistoia. The town is known for the invention of brigidini, which are thin, anise-flavoured wafers, and the berlingozzo, a cake typically eaten during the Carnival. The noble Rospigliosi family, of which Pope Clement IX was a member, has its roots in Lamporecchio. With a population of around 7,500,  Lamporecchio is located in the Valdinievole, a valley that extends between Pistoia and Lucca, in an area halfway between the Fucecchio Marsh and the hills of Montalbano, which are planted with vineyards and olive trees. Halfway along the valley - and a good base for visiting the area - is the town of Montecatini Terme, famous for its thermal baths that can be enjoyed in the town’s Liberty-style spa resorts.

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Brunelleschi's colossal dome of the Cattedrale di
Santa Maria del Fiore dominates the skyline

Travel tip:

Berni achieved financial security and was able to concentrate on his poetry after 1530 when he obtained a canonry at Florence Cathedral. Otherwise known as Santa Maria del Fiore, or the Duomo of Florence, the cathedral dominates the city skyline with its immense, brick-built dome designed by the Florentine Renaissance architect Filippo Brunelleschi. It was built without scaffolding and given an inner shell to provide a platform for the timbers that support the outer shell. The architect died in 1446 before it was completed, but a statue of Brunelleschi was erected in Piazza del Duomo. The dome was his greatest achievement, and would forever define the city of Florence. It remains, to this day, the largest masonry dome in the world.

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More reading:

How satirist Giuseppe Parini mocked the aristocracy of 18th century Milan

Why Pietro Aretino was both admired and feared by the nobility

Ludovico Ariosto, Renaissance author of the epic poem, Orlando Furioso

Also on this day:

1805: Napoleon Bonaparte was declared King of Italy

1955: The death of racing driver Alberto Ascari

1977: The birth of footballer Luca Toni

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Bernardo Accolti – poet and politician

Writer rose to become a duke but died in poverty

Bernardo Accolti became one of the most
popular love poets of the Renaissance

One of the most popular and well-known Italian love poets of the late Renaissance, Bernardo di Benedetto degli Accolti, was born on this day in 1458 in Arezzo In Tuscany.

Referred to as ‘Unico Aretino’ because of his noble origins and his ability to express himself in verse, Accolti lived at many of the Italian courts and had platonic relationships with some of the most important noblewomen of his time, including Lucrezia Borgia, Isabella d’Este and Elisabetta Gonzaga.

Although born into a noble family, Accolti always had ambitions to acquire more social status for himself, and he eventually managed to accumulate enough money to purchase a Duchy to rule over.

While he was growing up, Accolti had lived with his family in Florence, where he received a humanist education. After moving to Rome when he was a young man, he started writing poetry.

One of his most well-known works, which has survived to this day, is his comedy in verse, Virginia, which was based on a story from Boccaccio’s Decameron and was composed for a wedding in Siena.

But the poet was then exiled from Florence for reasons that are not known and so he returned to Rome, where he was given work as a writer of papal bulls by Pope Alexander VI.

After receiving a pardon by Florence, he returned to the city, but he was exiled again in 1497. Always loyal to the Medici, he was accused of financing the attempt made by Piero Il Fatuo to conquer the city.

Accolti had lent him 200 florins to carry out a plot against Girolamo Savanorala, who was then head of the Florentine Republic. The main conspirators were caught and beheaded and Accolti was exiled permanently.

The painter Raphael painted Accolti as
one of the figures in his Parnassus fresco

But after he returned to Rome, he found his popularity as a poet had grown and he was sought after by many of the Italian courts.

Accolti travelled to Milan, Mantua, Urbino, and Naples, where he would sing his own verses and accompany them on the lute, or lira da braccio, a Renaissance stringed instrument.

He had close relationships with many of the noble ladies he encountered, but it is thought his true love was revealed in his verses to Elisabetta Gonzaga, Duchess of Urbino. He also dedicated two sonnets to Lucrezia Borgia, but there is no evidence that he was ever her lover.

After Giovanni de’ Medici became Pope Leo X in 1513, Accolti was given high office because of his previous loyalty to the Medici family.

The first printed editions of his works were published at this time, Virginia in 1512, and a few years later, a collection of his verses.

By then he had amassed enough wealth to buy the Duchy of Nepi from the Pope, an ancient city now in the province of Viterbo in Lazio. He moved into the fortress that had been built there by the Borgias and he built a new residential wing on to it with a motto over the entrance.

But he proved to be a poor administrator and sometimes took violent reprisals against people who opposed him in the Duchy. In 1523, there was a revolt against him by the locals but he managed to suppress it with the help of the Pope’s Swiss Guards.

After being expelled from Nepi three times, Accolti was unable to gather the funds to reconquer it for a fourth time.

Pope Paul III, who had been his protector until then, revoked his title of Duke, as he was intending to give the Duchy to his own illegitimate son. Nepi was later incorporated into the Duchy of Castro.

Accolti returned to Rome, poor and desperate He died there in February 1535, leaving two illegitimate children, Alfonso Maria and Virginia.

A definitive collection of his work was published in Venice by Nicolo d’Aristotele in 1530 and it was reprinted in the year of Accolti’s death.

In 1996, a full collection of his verses was published, which included 58 previously unpublished poems that had been kept in the Vatican archives.

Accolti appears as a character in some passages of Baldassare Castiglione’s The Book of the Courtier, and he was a close friend of Pietro Aretino, who was also a poet from Arezzo.

The beautiful Piazza Grande in Arezzo, the sloping
square, paved in red brick, at the heart of the city

Travel tip:

Arezzo is one of the wealthiest cities in Tuscany. Despite its medieval centre suffering massive damage during the Second World War, targeted for its strategic importance on the Italian rail network, many monuments, churches and museums survived or were reconstructed. Its main sights include the Basilica di San Francesco, with its beautiful History of the True Cross fresco cycle by Piero della Francesca, the central Piazza Grande, with its sloping pavement in red brick, the Medici Fortress, the duomo and a Roman amphitheatre. The original duomo was built on the nearby Pionta Hill, over the burial place of Donatus of Arezzo, who was martyred in 363. In 1203 Pope Innocent III had the cathedral moved within the city's walls, to the current site in another elevated position a short walk from Piazza Grande.  The construction of the current structure started in 1278 and continued in phases until 1511, although the façade visible today, designed by Dante Viviani, was not completed until 1914, replacing one left unfinished in the 15th century.  The interior contains several notable artworks, including a relief by Donatello, entitled Baptism of Christ, and a cenotaph to Guido Tarlati, lord of Arezzo until 1327, said to be designed by Giotto, near to which is Piero della Francesca's Mary Magdalene.  

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The Rocca - or Castello Borgia - casts an imposing
shadow over the town of Nepi in northern Lazio

Travel tip:

Nepi, the town that Accolti acquired when he bought the Duchy of Nepi, can be found 50km (31 miles) north of Rome, about 20km (12.4 miles) from Lago Bracciano. It is in the area known as ancient Etruria, having been a pre-Roman settlement before the Romans arrived and established a stronghold in 383 BC and eventually conquered the entire region. Throughout the Renaissance era, it was the feudal domain of the noble families of Lazio and passed successively from the Orsini to the Colonna and then the Borgia. The Rocca - the 15th-century Borgia Castle that was once the property of Lucrezia Borgia - dominates the skyline making it an imposing presence.  Accolti's coat of arms was discovered in a residential extension of the castle, dating it between September 1521 and the beginning of 1535. A graceful monumental aqueduct looks Roman but was built in more recent history to carry spring water. Acqua di Nepi mineral water is bottled and distributed nationwide. The ancient Porta Roman was the main gate, and is still the primary entry to the historic centre. Other attractions include the Palazzo Comunale, a Renaissance style villa built by Sangallo the Younger for Duke Pier Luigi Farnese, which has in front of it a fountain presumed to have been the world of Gian Lorenzo Bernini. 

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Also on this day:

1522: The birth of naturalist Ulisse Aldrovandi

1871: The birth of adventurer Scipione Borghese

1920: The birth of partisan Manrico Ducceschi 

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Pietro Aretino – writer

Satirist was both admired and feared by the nobility

Pietro Aretino, captured by his friend, the
Venetian painter Titian in around 1545

Poet, playwright and prose writer Pietro Aretino was born on this day in 1492 in Arezzo in Tuscany.

Aretino became famous for his satirical attacks on important figures in society and grew wealthy from the gifts he received from noblemen who feared being exposed by his powerful pen.

Although he was the son of an Arezzo shoemaker, he pretended to be the natural son of a nobleman and took his name from Arretium, the Roman name for Arezzo.

He moved to Perugia while still very young and lived the life of a painter, but in 1517 when he was in his early twenties, Aretino moved on to Rome, where he secured the patronage of the rich banker, Agostino Chigi.

When Pope Leo X's pet elephant, Hanno, died, Aretino wrote a satirical pamphlet, The Last Will and Testament of the Elephant Hanno, cleverly mocking the leading political and religious figures in Rome at the time. This established his fame as a satirist. He then wrote a series of viciously satirical lampoons supporting the candidacy of Giulio de’ Medici for the papacy. Giulio duly became Pope Clement VII in 1523.

Despite being supported by the Pope and his patron, Chigi, Aretino was finally forced to leave Rome because of writing a collection of ‘lewd sonnets’, sonetti lussuriosi, in 1524.

The painter Titian became a good friend
and supporter of Aretino

By 1527 Aretino had settled in Venice where he was admired but also feared by those in power and he received enough money to be able to live in a grand - albeit dissolute - style.

He became a close friend of the painter Titian and sold paintings on Titian’s behalf to Francis I, the King of France.

Titian’s portrait of Aretino, painted in around 1545, shows him wearing a gold chain that he had received as a gift from the King of France.

It is claimed Francis I of France and Charles V of Spain both paid him a pension at the same time, each hoping he would damage the reputation of the other.

Aretino wrote six volumes of letters that were published from 1537 onwards which reveal his cynicism and justify the name he gave to himself, ‘flagello dei principe’ - scourge of princes.

He was particularly vicious in his attack on Romans, not forgetting that they had forced him to move to Venice. In his Ragionamenti - Discussions - written between 1534 and 1536, Roman prostitutes reveal to each other the moral failings of many of the important men in the city and in his Dialogues, he examines the carnality and corruption among Romans at the time.

Aretino’s dramas present well observed pictures of lower-class life, free from the conventions that burdened other contemporary dramas. The best known is Cortigiana - The Courtesan - published in 1534, a lively and amusing insight into the life of the lower classes in Rome.

Aretino captured in another portrait
by Titian, painted in 1512

Aretino also wrote a tragedy, Orazia, published in 1546, which has been judged to be the best Italian tragedy written in the 16th century.

Pietro Aretino died in 1556 in Venice aged 64. It was claimed at the time that he either suffocated because he could not stop laughing, or fell backwards and hit his head while laughing.

He was buried in the Church of San Luca, which lies between St Mark’s Square and the Rialto bridge in Venice.

In 2007, the composer Michael Nyman set some of Aretino’s Sonetti lussoriosi to music under the title 8 Lust Songs. Aretino’s texts again caused controversy when the songs were performed in London in 2008 as the printed programmes containing extracts had to be withdrawn after there were allegations of obscenity.

The interior of the 13th century Basilica di San Francesco
in Piazza San Francesco in the heart of Arezzo

Travel tip:

Arezzo, where Pietro Aretino was born and acquired his surname, is an interesting old town in eastern Tuscany, which was used as the location for the 1997 film Life Is Beautiful. One of the scenes in the film took place in front of the Badia delle Sante Flora e Lucilla, a medieval abbey. Right in the centre of the town, the 13th century Basilica di San Francesco in Piazza San Francesco is the most famous sight in Arezzo and attracts many visitors as it contains Piero della Francesco’s cycle of frescoes, The Legend of the True Cross, painted between 1452 and 1466 and considered to be his finest work.

The church of San Luca in Venice, which can be found
between Piazza San Marco and the Rialto bridge

Travel tip:

Pietro Aretino was buried in the Church of San Luca close to Salizzada San Luca in the St Mark’s sestiere of Venice. On his tombstone was the epitaph: ‘Here lies Aretino, poet Tosco, that everyone spoke poorly about, except Christ, who apologised saying: ‘I do not know him.’’ This inscription was later removed, either by the Inquisition, or during restoration work on the floor of the church in the 18th century. It is claimed many journalists, writers and non-believers used to visit the church looking for Aretino’s tomb. On either side of the altar there used to be paintings from the 16th century, in which Aretino was portrayed as part of the crowd. It has been claimed that the paintings were removed by one of the priests in the 19th century to discourage the interest and they have still not been put back.

Also on this day:

1317: The death of Sant’Agnese of Montepulciano

1949: The birth of Massimo D’Alema, Italy’s first Communist prime minister

1951: The death of anti-Fascist politician Ivanoe Bonomi


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