Giovanni Pascoli – poet

Painful childhood inspired great verse

Giovanni Pascoli is considered to be
one of Italy's greatest poets

Giovanni Placido Agostino Pascoli, who was regarded as the greatest Italian poet writing at the beginning of the 20th century, was born on this day in 1855 in San Mauro di Romagna, then part of the Kingdom of Sardinia.

Pascoli’s poems in Latin won prizes and he was regarded by the writer Gabriele D’Annunzio as the finest Latin poet since the Augustan age, which lasted from approximately 43 BC to AD 18 and was thought to be the golden age of Latin literature.

Although Pascoli was the fourth of ten children, his family were comfortable financially and his father, Ruggero Pascoli, was administrator of an estate of farmland on which they lived.

But when Giovanni Pascoli was just 12 years old, his father, returning from Cesena in a carriage drawn by a black and white mare, was shot and killed by an assassin hiding in a ditch at the side of the road. The mare carried on slowly and brought home the body of her master, Ruggero, but the murderer was never brought to justice.

Giovanni Pascoli’s mother died the following year and five other children in the family had also died before he became an adult.

Giovanni Pascoli (right) as a child,
pictured with his father and two brothers

In 1871 Pascoli moved to live in Rimini with some of his siblings, where he began to join in with Socialist demonstrations. He was briefly imprisoned in Bologna for preaching political anarchy after a protest against the capture of the anarchist Giovanni Passannante, who had tried to kill King Umberto I.

Pascoli composed an Ode to Passannante, but he tore it up soon after reading it during a Socialist gathering in Bologna.

He had been studying at the University of Bologna under the poet, Giosuè Carducci, but after his imprisonment he began a career in teaching, first in secondary schools and then in universities, as a professor of Greek, Latin and Italian literature.

In 1905 he was appointed to the Chair of Italian Literature at Bologna.

Pascoli’s first literary work, Myricae, was a collection of short, delicate lyrics inspired by nature and reflecting the psychological unrest of his student years.

His best work is considered to be Canti di Castelvecchio, a collection of moving songs about his sad childhood that also celebrated nature and family life.

The cover of Pascoli's book
of lyric poetry, Myricae

These were written at the home in Castelvecchio di Barga - now known as Castelvecchio Pascoli - in Tuscany that he shared with his sister Maria after 1895.

In his later years, Pascoli wrote nationalistic and historic poetry such as Poemi del Risorgimento, published in 1913. The way he focused on small things in his poetry and scaled back on the era’s grandiose language and rhetoric is thought to have contributed to the modernisation of Italian poetry.

His poems were translated and published in English in the 1920s and he also translated poems by Wordsworth, Shelley and Tennyson into Italian.

Pascoli died in 1912 at the age of 56 in Bologna.

An Italian literary award, the Pascoli Prize, was established in 1962 to commemorate the 50th anniversary of his death and his birthplace was renamed San Mauro Pascoli in 1932 in his honour.

San Mauro is also notable for the ruins of former Roman
brick furnaces discovered during digging for a canal

Travel tip:

San Mauro Pascoli, renamed to honour the poet, is a town in what is now the province of Forlì-Cesena in the Emilia-Romagna region, about 100km (62 miles) southeast of Bologna and just 7.5km (4.7 miles) from the sea. The Italian shoe designer Giuseppe Zanotti was also born there. Pascoli's family home, in what is now Via Giovanni Pascoli, is open to the public as a museum. For more information visit www.casapascoli.it. The town is also notable for the remains of Roman brick furnaces discovered during the construction of the Romagnolo Emiliano Canal.

The Casa Pascoli at Castelvecchio was left to the hamlet
of Barga in Giovanni's sister Maria's will

Travel tip:

Giovanni Pascoli’s house in the hamlet of Castelvecchio Pascoli is also now a museum dedicated to his life and work. After the poet’s death in 1912, his sister, Maria, took care of the house, faithfully preserving its structure and original furnishings. She left the house to the Municipality of Barga in her will and it has since been declared a national monument. In the chapel, which had been restored by Pascoli himself, Maria was laid to rest after her death in 1953, next to her brother.


More reading:

Giosue Carducci, the first Italian to win a Nobel Prize in Literature

Salvatore Quasimodo, the engineer whose poetry won a Nobel Prize

How Gabriele D'Annunzio combined writing with a military career

Also on this day:

The Festa di San Silvestro

1842: The birth of Belle Époque artist Giovanni Boldini

1990: The death of architect Giovanni Michelucci

Home

Beatrice Cenci - Roman heroine

Aristocrat's daughter executed for murder of abusive father

Guido Reni's portrait of Beatrice, in prison
clothes, is thought to have been painted in 1662

Beatrice Cenci, the daughter of an aristocrat whose execution for the murder of her abusive father became a legendary story in Roman history, was born on this day in 1577 in the family's palace off the Via Arenula, not far from what is now the Ponte Garibaldi in the Regola district.

Cenci's short life ended with her beheading in front of Castel Sant'Angelo on 11 September 1599, with most of the onlookers convinced that an injustice had taken place.

Her father, Francesco Cenci, had a reputation for violent and immoral behaviour that was widely known and had often been found guilty of serious crimes in the papal court. Yet where ordinary citizens were routinely sentenced to death for similar or even lesser offences, he was invariably given only a short prison sentence and frequently bought his way out of jail.

Romans appalled at this two-tier system of justice turned Beatrice into a symbol of resistance against the arrogance of the aristocracy and her story has been preserved not only in local legend but in many works of literature.

In the early 19th century, Percy Bysshe Shelley, who was living in Italy, was so moved by her story that he turned it into a drama in verse entitled The Cenci: A Tragedy in Five Acts.

Subsequently, the story has been the subject of at least a dozen plays and short stories, including works by Stendhal, Alexandre Dumas, Antonin Arnaud, Nathaniel Hawthorne and Alberto Moravia. It has also inspired at least two full-length novels and five operas or musical dramas.

The Palazzo dei Cenci, off Via Arenula, was the Cenci
family's palatial home in the 16th century

The Mannerist painter Guido Reni painted a portrait of Cenci that is on display at the Galleria Nazionale di Arte Antica  in Palazzo Barberini. A sculpture of her carved by the American sculptor Harriet Goodhue Hosmer in 1857 can be found at the University of Missouri-St Louis.  The Italian director, Lucio Fulci, made a film of her life in 1969.

According to the legend, Francesco Cenci, one of the wealthiest men in Rome, abused his first wife Ersilia Santacroce and his sons and repeatedly raped Beatrice while living in the Palazzo Cenci. He was jailed for incest among other crimes but always freed early.

Beatrice's elder sister, Antonina, escaped when she was granted permission by the papal authorities to marry without her father's consent. But Beatrice was sent away, along with Cenci's second wife, Lucrezia, to live in the family's country castle at La Petrella del Salto in the Abruzzi mountains, together with his son by his second marriage, Bernardo.

There the abuse continued, leading Beatrice to write to her brother, Giacomo, in desperation.  When he joined them at the castle, in 1598, they devised a plot to kill Francesco.

With the help of two servants - one of whom, Olimpio, was thought to have been Beatrice's lover - they drugged Francesco and then bludgeoned him to death with a hammer, before throwing him off a balcony in the hope it would look like an accident.

Harriet Goodhue Hosmer's sculpture of Beatrice Cenci
at the University of Missuori-St Louis

However, the papal police decided to investigate what had happened, found blood in Francesco's bed and placed the family and Olimpio, under house arrest, where they were subjected to interrogation and torture.

Olimpio died without revealing that Beatrice was the mastermind but the others confessed one by one. All were sentenced to death with the exception of Bernardo, who was told he would witness the executions, serve a prison sentence and then live his life as a galley slave, although in the event he was released from prison after a year.

A protest on the streets of Rome by people who knew the circumstances behind the murder gained a short postponement of the execution. Yet Pope Clement VIII, anxious not to legitimise familial murders, showed no mercy.

Following the executions, Beatrice was buried in the church of San Pietro in Montorio, on Gianicolo hill in Trastevere.  The legend has it that every year on the night before the anniversary of her death, she comes back to the bridge where she was executed, carrying her severed head.

The plaque commemorating Beatrice Cenci on
Via di Monserrato in Rome

Travel tip:

Evidence of how much the story of Beatrice Cenci means to Rome can be found on Via di Monserrato, along the route the Cenci family members took on the morning of their executions, from the Corte Savella prison to Castel Sant'Angelo, accompanied by members of the Brotherhood of St. John the Decapitated. On the 500th anniversary of her death, the city put up a plaque, bearing the inscription: "From here, where once stood the prison of Corte Savella, on September 11, 1599 Beatrice Cenci was taken to the gallows, an exemplary victim of unfair justice."


Travel tip:

Some of the relics of the day of the execution have made their way to the Museo Criminologico in Via del Gonfalone, off the Lungotevere dei Sangallo. These include the so-called “sword of justice” that killed Lucrezia and Beatrice, as well as clothes worn by the monks who accompanied them. There is also a replica of a stripped man being drawn and quartered, which was the fate of Giacomo.


More reading:

How a dramatic storm took the life of the poet Shelley

The tragic nun whose funeral brought Rome to a standstill

The work that turned Alberto Moravia into a major literary figure

Also on this day:

1778: The birth of the poet and revolutionary Ugo Foscolo

1908: The birth of six-times Italian prime minister Amintore Fanfani

(Picture credits: sculpture by Quartermaster; plaque by Lalupa; via Wikimedia Commons)


Home

Death of the poet Shelley

Dramatic storm took the life of young literary talent

Portrait of Shelley by Amelia Curran,
painted in about 1819

English poet Percy Bysshe Shelley died on this day in 1822 while travelling from Livorno in Tuscany to Lerici in Liguria in his sailing boat, the Don Juan.

Just a month before his 30th birthday, the brilliant poet of the Romantic era drowned during a sudden, dramatic storm in the Gulf of La Spezia that caused his boat to sink.

His body was later washed ashore and, in keeping with the quarantine regulations at the time, was cremated on the beach bear Viareggio on the Tuscan coast.

Shelley had been living with his wife, the writer Mary Shelley, at a rented villa in Lerici and was returning to his home from Livorno, where he had been arranging the start up of a new literary magazine to be called The Liberal.

He had set sail with two other people on board the Don Juan at about noon on Monday 8 July.  His companions were a retired naval officer, Edward Ellerker Williams, and a boatboy, Charles Vivien. Both also perished.

A friend had watched Shelley’s departure until he was about ten miles out of the harbour and then there had been a storm and he had lost sight of the boat.

Three days later one of Shelley’s friends was informed that a water keg and some bottles from the boat had been washed up on to a beach near Viareggio.

Then the terrible news was received that two bodies had been found in the same area.

Shelley's cremation on the beach near Viareggio as depicted
by the French artist Louis Édouard Fournier

Shelley’s body was able to be identified by the volume of poetry by John Keats that had been found in his pocket.

The poet was cremated on the beach under the supervision of his friend, the poet Lord Byron, and others from his circle out in Italy. Byron is said to have gone for a swim while Shelley’s body burned. He is quoted as saying of Shelley: “He was the best and least selfish man I ever knew.”

Shelley’s ashes were later interred in the Protestant Cemetery in Rome.


Travel tip:

The Protestant Cemetery, where Shelley’s remains were buried, is in the rione (district) of Testaccio in Rome. The poet Keats was also buried there after dying of tuberculosis in Rome at the age of 25. Shelley’s three year-old son, William, was buried there after his death in Italy.

The Grand Hotel Royal in Viareggio is an example of
the Liberty style architecture characteristic of the town

Travel tip:

Viareggio is a popular seaside resort in Tuscany with excellent sandy beaches and some beautiful examples of Liberty-style architecture, including the Grand Hotel Royal.  There is a monument to Shelley in the Piazza Paolina.

(Photo of the Grand Hotel Royal by Sailko CC BY-SA 3.0)



Home