Gaetano Bresci - assassin

Anarchist who gunned down a king

Gaetano Bresci plotted to kill Umberto I while
working as a silk weaver in New Jersey

Gaetano Bresci, the man who assassinated the Italian king Umberto I, was born on this day in 1869 in Coiano, a small village near Prato in Tuscany.

He murdered Umberto in Monza, north of Milan, on July 29, 1900, while the monarch was handing out prizes at an athletics event.  Bresci mingled with the crowd but then sprang forward and shot Umberto three or four times with a .32 revolver.

Often unpopular with his subjects despite being nicknamed Il Buono (the good), Umberto had survived two previous attempts on his life, in 1878 and 1897.

Bresci was immediately overpowered and after standing trial in Milan he was given a life sentence of hard labour on Santo Stefano island, a prison notorious for its anarchist and socialist inmates.

He had been closely involved with anarchist groups and had served a brief jail term earlier for anarchist activity but had a motive for killing Umberto.

A silk weaver by profession, he was living in the United States, where he had emigrated in the 1890s and had settled in New Jersey with his Irish-born wife. 

Working as a weaver in a mill in Paterson, New Jersey, Bresci and others set about propagating anarchist ideas among the large local Italian immigrant population, eventually setting up a newspaper, La Questione Social.

An artist's idea of the scene in Monza as Bresci is
overpowered after shooting the king

Bresci became one of the main contributors to the paper, devoting much of his free time to writing and organising fellow anarchists, when he heard about a horrific event in Milan on May 6, 1898 that would determine the course of the rest of his life.

Following the so-called ‘bread riots’ - a prolonged campaign of strikes and demonstrations across Italy to protest against the rising cost of living - a mass demonstration of workers had taken place in Milan on that day.

There were outbreaks of violence and the Italian army were positioned to protect key buildings. The march took an increasingly threatening nature and, fearing an attack upon the Royal Palace, General Florenzo Bava-Beccaris ordered troops to fire on the crowd.

The shootings, known as the Bava-Beccaris massacre, officially left 80 people dead, although the true number was possibly double that.

Bresci was so incensed he vowed to avenge the workers who had been cut down on the streets of Milan that day and hatched his plot to kill the king.

He kept it a secret even from those fellow anarchists with whom he had worked so closely in Paterson. In May 1900, with no explanation, he asked for the return of a $150 loan he had made to set up La Questione, a move that left some of his comrades deeply bitter towards him.

Bresci set sail for Italy on May 17, 1900 and carried out his plan two months later.  His sentence was pronounced on August 29 and his friends and family consoled themselves with the knowledge that at least he was still alive.

However, only a year later he was dead, in mysterious circumstances, discovered hanged in his cell. His death was recorded as suicide but there were strong suspicions that he was kicked to death by prison guards, who attempted to conceal evidence from investigators by throwing his body into the sea.

How the abandoned prison on Santa Stefano looks today

Travel tip:

Santo Stefano is an island in the Tyrrhenian Sea off the west coast of Italy, part of the Pontine Islands.  The prison built by the Bourbons in 1797 remained in use until 1965. It was one of the prisons used extensively by the Fascists to imprison opponents of Benito Mussolini’s regime.  The future president of the republic, Sandro Pertini, was incarcerated there for a while.  These days, the island is uninhabited but for the tourists who visit each day.

The church of Saints Peter and Paul in Coiano

Travel tip:

The small hamlet of Coiano, where Bresci was born, can be found on the hills bordering the Elsa and the Elba valleys, near Castelfiorentino, about midway between Florence and Livorno, not far from Empoli. It is known for its monumental Romanesque church dedicated to Saints Peter and Paul in Via Francigena. It is a typical example of Romanesque12th century Pisa-Volterra architecture with a façade made of half sandstone and half brick, probably due to a collapse of the upper part.

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Luciano Berio – composer

War casualty who became significant figure in Italian music

Luciano Berio was an experimental
composer with a prolific output

The avant-garde composer Luciano Berio, whose substantial catalogue of diverse work made him one of the most significant figures in music in Italy in the modern era, was born on this day in 1925 in Oneglia, on the Ligurian coast.

Noted for his innovative combining of voices and instruments and his pioneering of electronic music, Berio composed more than 170 pieces between 1937 and his death in 2003.

His most famous works are Sinfonia, a composition for orchestra and eight voices in five movements commissioned by the New York Philharmonic Orchestra in 1968, and dedicated to the conductor Leonard Bernstein, and his Sequenza series of 18 virtuoso solo works that each featured a different instrument, or in one case a female voice alone.

Berio's musical fascinations included Italian opera, particularly Monteverdi and Verdi, the 20th-century modernism of Stravinsky, the Romantic symphonies of Schubert, Brahms and Mahler, folk songs, jazz and the music of the Beatles.

All these forms influenced him in one way or another and even his most experimental work paid homage to the past. In writing operas, concerti, string quartets or pieces for solo instruments, Berio could be said to have contributed to tradition, even if composing pieces that followed traditional forms was far from his thinking.

The apparent chaos of Sinfonia, for example, may seem as far away from a traditional symphony as is possible and yet conforms to the principle of what constitutes a symphony, a combination of different moods, keys and emotions. 

Berio at a formal appearance in The Hague in 1972, pictured
with Princess Beatrix and Prince Claus of The Netherlands

The eight voices often speak or shout rather than sing, yet in superimposing texts by authors ranging from James Joyce to Samuel Beckett and snatches from many classical and romantic works of music on to a framework of the scherzo of Mahler's Second Symphony, Berio creates, by definition, a symphony.

Berio came from a musical background. Both his grandfather Adolfo and father Ernesto were organists and he might have become a concert pianist but for the misfortune that befell him in the Second World War.

It was late in the conflict – 1944 – when he was called up. He considered joining the resistance movement, but feared what the consequences might be for his family and so accepted conscription.  Given a loaded gun on his first day, he was trying to learn how it worked when it went off, badly injuring his right hand.

He spent three months in a military hospital before fleeing to Como, joining the partisans after all. When, after the war, he entered the Milan Conservatory, it was clear his hand injury would prevent him achieving proficiency as a pianist, at which point he decided to concentrate on composition.

A suite for piano he had written in 1947 was his first work to be publicly performed. He earned his keep by accompanying singing classes and accepting conducting engagements in small opera houses.

The Studio Fonologia in Milan that Berio helped establish

One of the singers he accompanied was Cathy Berberian, an American soprano with whom he fell in love and married within a few months. He visited the United States for the first time on honeymoon and thereafter became a frequent visitor, where he won a scholarship to study at Tanglewood in Massachusetts, the summer home of the Boston Philharmonic.

At the same time, Berio was beginning to experiment with electronic music.  He and Bruno Maderna, another Italian he had met at an annual summer school on Germany where avant-garde composers would congregate, became co-directors of an electronic studio within the Milan studios of the state broadcaster, RAI.

He and Berberian divorced in 1964 but Berio continued to spend much of his time in New York with his second wife, Susan Oyama, a Japanese psychology student. He had founded the Juilliard Ensemble while teaching at the Juilliard School of Music. He resigned from the Juilliard in 1971, divorcing Oyama in the same year.

He returned to Italy and bought a house to renovate in the hill town of Radicondoli, near Siena, where he planted vineyards and fruit trees. He moved into the house in 1975 and was soon married for a third time, to the Israeli musicologist, Talia Pecker.  

Berio, whose other acclaimed works include Opera and Coro, both composed in the 1970s, La Vera Storia (1981) and Outis (1996), remained an active composer until his death.  He was Distinguished Composer in Residence at Harvard University until 2000, when he became president of the Accademia Nazionale di Santa Cecilia in Rome, where he was living at the time of his death.

The waterfront at Imperia, looking towards Porto Maurizio

Travel tip:

Oneglia, where Luciano Berio was born, ceased to exist as a town in its own right in 1923, when it and its neighbour, Porto Maurizio, were subsumed into a new city of Imperia, created by Benito Mussolini as part of his drive to create ideal Fascist cities. Today, Imperia is part industrial port and part tourist resort.  What used to be Oneglia is at the eastern end of Imperia, around Piazza Dante, which is at the centre of a long shopping street, Via Aurelia.

The church of Santi Simone e Guida
in the ancient town of Radicondoli

Travel tip:

Radicondoli, situated about 50km (31 miles) west of Siena, is a beautiful walled medieval town of Etruscan origins, perched on a hilltop and offering outstanding views of the surrounding countryside, looking out over typical rolling Tuscan hills.  The town itself, with quaint cobbled streets, is home to little more than 1,000 inhabitants, with an economy and lifestyle based on farming, and a diet rich in local produce.

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Zeno Colò - Olympic skiing champion

Downhill ace reached speeds of almost 100mph with no helmet

Zeno Colò, pictured on the way to his 1947
skiing world speed record

Zeno Colò, the first Italian to win an Olympic alpine skiing title when he took the downhill gold at the 1952 Oslo Winter Games, died on this day in 1993, aged 72.

The winner, too, of the downhill and giant slalom World championship titles in Aspen in 1950, Colò achieved his success during a brief window in a life spent on skis.

Deprived of prime competitive years by the Second World War, part of which he spent as a prisoner of war, he began his career late, in 1947 at the age of 27, only to be banned for life in 1954 under the strict rules defining amateur status after he endorsed a brand of ski boots and a ski jacket.

Colò was born in Tuscany but in a mountainous part of the region in the village of Cutigliano, which is 678m (2,044ft) above sea level and is just 14km (9 miles) from Abetone, one of the largest ski resorts in the Apennines, with more than 50km (31 miles) of ski slopes, several of which were designed by Colò himself.

He began competitive skiing at the age of 14 and was selected for the Italian national team at 15. The outbreak of war brought his career to a stop but he maintained his skills as a member of an army alpine patrol in Cervinia, close to the Swiss border.

He remained in Cervinia after the war had finished and in 1947, the first year of his resumed career, on the Italian side of the nearby Klein Matterhorn (the Little Matterhorn), he set a world speed record of 158.8kph (98.7 mph), which stood for 13 years. The previous record of 136 kph (85mph), set by Leo Gasperl had stood for 16 years.

Using wooden skis,Zeno Colò won Olympic and world
titles in downhill and giant slalom competitions

Colò thus established himself as one of the first great downhill skiers. His so-called “turtle egg" position was the precursor of egg position that skiers still use today to reduce drag. His achievement in clocking such a speed was all the more remarkable, considering he used skis from wood and did not wear a helmet.

His big successes came at the World championships in 1950 in Aspen, when he won gold medals in both downhill and giant slalom, and the silver in slalom, followed two years later, at the 1952 Olympics in Oslo, with gold in the downhill.

Colò also finished fourth in the giant slalom and the slalom. Italy would wait two decades for its next Olympic gold in alpine skiing until Gustav Thöni's took giant slalom gold in 1972.

He was the first Italian to win the downhill title at the World championships and the first of any nationality to win the giant slalom, which was contested for the first time that year. Staying on in Aspen afterwards, he took in the North American championships, where he was also winner of the downhill.

Colò was Italy's torch bearer at the 1956
Olympics despite being banned

After the Oslo Games, Colò linked his name to a ski boot maker and a ski jacket. According to the regulations of the time, this breached his amateur status and in 1954 he was barred from participating in subsequent competitions.

Colò protested against the disqualification but his appeals were dismissed. Although he was allowed to compete in the national championships, it was the end of his international career. Pointedly, Italy selected him for the Olympics of Cortina d'Ampezzo in 1956 as a simple torchbearer.

He retired from competition with a record in the Italian Alpine ski championships of 29 wins in downhill, four in giant slalom, 10 in special slalom and six in combined disciplines.

Skiing remained the focus of his life, however. Leaving behind competitive skiing, he became a ski instructor at the Abetone resort, which he helped promote and develop as the ski resort of the Pistoia province. In 1973 he designed three ski slopes, which he named Zeno 1, 2 and 3.

He retained his connection with the Alps as director of the ski school in Madesimo, in the province of Sondrio in northern Lombardy.

In 1989 the Italian Winter Sports Federation finally revoked the disqualification imposed on him in 1954, although by then his days of competition were in the distant past. A lifelong smoker, his death in 1972 was the result of lung cancer.

Since Colò won his Olympic gold, Italy has won 12 more Alpine skiing gold medals, three of the them collected by the great Alberto Tomba.

The Palazzo Pretorio in Cutigliano

Travel tip:

Colò was born in Cutigliano and died in San Marcello Pistoiese, a small town less than 10km (6 miles) away. Cutigliano is an attractive medieval village, its roots possibly going back to Roman times but more likely to have origins in the eighth or ninth centuries, when it was a staging post on the mountain road linking Pistoia with Modena.  The 14^th-century Palazzo Pretorio is built in Florentine Renaissance style.

Travel tip:

San Marcello Pistoiese is a much larger place than Cutigliano, with a population of about 7,000 and again with a medieval heritage.  The churches of Santa Caterina and San Marcello are worth visiting, the latter featuring a mural by the 18^th century Florentine artist Giuseppe Gricci.  San Marcello is home to the Pistoia Mountains Astronomical Observatory.

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Fra Bartolommeo - Renaissance great

Friar rated equal of Michelangelo, Raphael and Leonardo

Bartolommeo's God the Father with SS
Catherine of Siena and Mary Magdalene
can be seen at Villa Guinigi in Lucca

Fra Bartolommeo, the Renaissance artist recognised as one of the greatest religious painters, was born on this day in 1472 in Savignano di Vaiano, in Tuscany.

Also known as Baccio della Porta, a nickname he acquired because when he lived in Florence his lodgings were near what is now the Porta Romana, Bartolommeo created works that chart the development of artistic styles and fashion in Florence, from the earthly realism of the 15th century to the grandeur of High Renaissance in the 16th century.

His most famous works include Annunciation, Vision of St Bernard, Madonna and Child with Saints, the Holy Family, the Mystic Marriage of St Catherine, God the Father with SS Catherine of Siena and Mary Magdalene and Madonna della Misericordia.

Bartolommeo always prepared for any painting by making sketches, more than 1,000 in total over the years he was active.  Around 500 of them were discovered at the convent of St Catherine of Siena in Florence in 1722, where nuns were unaware of their significance.

Vision of St Bernard with SS Benedict and John the
Evangelist, housed in the Uffizi Gallery in Florence

He is also remembered for his striking profile portrait of Fra Girolamo Savonarola, the fanatical priest under whose influence he came in the 1490s.  He came to believe the message that Savonarola preached, that much of the art and literature of the Renaissance was sinful and that the sole purpose of painting should be to illustrate the lessons of the bible.

Consequently, he threw many of his own early paintings, particularly those which contained nudity or other sensual images, on Savonarola's famous bonfires.  When Savonarola was arrested, hung and burned at the stake in 1498, Bartolommeo gave up painting and entered the friary of San Domenico in Prato as a novice.

He entered the convent of San Marco in Florence in 1500 and was persuaded to return to painting in 1504 when his superior asked him to do so for the benefit of the order, who sold artworks to raise money.  He became head of the monastery workshop, a position occupied some 50 years earlier by another great Renaissance artist, Fra Angelico.

Before taking orders, Bartolommeo, the son of a mule driver, had been an apprentice in the Florence workshop of Cosimo Rosselli.  He set up a studio with another Florentine painter, Mariotto Albertinelli and soon came to be considered one of the greatest talents of his generation, his works standing comparison with those of Michelangelo, Raphael and Leonardo da Vinci.

Fra Bartolommeo's portrait of Fra Girolamo
Savonarola is in the San Marco museum

Savonarola's influence changed the direction of Bartolommeo's career. If he had not entered Holy Orders, it is likely he would have become an even more famous name.  Where Raphael and Michelangelo went to Rome to work at the Vatican, he stayed behind in Florence.

After resuming his career he nonetheless made an indelible mark on the history of art.  Following the completion of his Vision of St. Bernard in 1507 for a chapel in the Badia Fiorentina, he befriended Raphael when the younger artist visited Florence and they were said to have influenced each other.  When Bartolommeo eventually did travel to Rome in 1513, Raphael completed two unfinished pictures in Florence.

In the meantime, Bartolommeo had spent time in Venice, where he painted a Holy Father, St. Mary Magdalene and St. Catherine of Siena for the Dominicans of San Pietro Martire in Murano. As the Dominicans failed to pay for the work, he took it back to Lucca, where it can be seen now.

Also in Lucca, he painted an altarpiece Madonna and Child with Saints for the local cathedral and was then commissioned to paint an altarpiece for the Sala del Consiglio of Florence, now in the Museum of San Marco.

In Rome, he painted a Peter and Paul, now in the Pinacoteca Vaticana, returning to Florence to execute his St. Mark Evangelist for the Palazzo Pitti in Florence and the frescoes in the Dominican convent of Pian di Mugnone, near Fiesole, just outside Florence. His last work is fresco of Noli me tangere also in Pian di Mugnone.

Fra Bartolommeo died in 1517 at the age of 44. The painter and art historian Giorgio Vasari recorded that he suffered a “violent fever” after “having eaten some figs.” But it is thought more likely that he died of malaria.

The Palazzo Pretorio in Prato

Travel tip:

The city of Prato is just half an hour from Florence yet is almost Tuscany's forgotten gem.  It has a commercial heritage founded on the textile industry and its growth in the 19th century earned it the nickname the "Manchester of Tuscany". Prato is the home of the Datini archives, a significant collection of late medieval documents concerning economic and trade history, produced between 1363 and 1410, yet also has many artistic treasures, including frescoes by Filippo Lippi, Paolo Uccello and Agnolo Gaddi inside its Duomo and the external pulpit by Michelozzo and Donatello. The Palazzo Pretorio is a building of great beauty, situated in the pretty Piazza del Comune, and there are the ruins of the castle built for the medieval emperor and King of Sicily Frederick II.

Check TripAdvisor's guide to Prato hotels

The Church of San Marco in Florence

Travel tip:

The San Marco religious complex in Florence comprises a church and a convent. During the 15th century, the convent was home to both the painter Fra Angelico as well as the preacher Savonarola.  The convent was stripped from the Dominicans in 1808, during the Napoleonic Wars, and again in 1866, when it became a possession of the state.  Until recently, it still housed a community of Dominican friars, but is now home to the Museo Nazionale di San Marco, where Fra Bartolommeo's portrait of Savonarola is on display.  Also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo.

More reading:

What made Michelangelo the greatest of all the great artists

The precocious genius of Raphael

Artist and inventor - the extraordinary talents of Leonardo da Vinci

Also on this day:

1925: The birth of 'spaghetti western' producer Alberto Grimaldi

(Picture credits: Palazzo Pretorio by Massimilianogalardi; Church of San Marco by Sailko; both via Wikimedia Commons)

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Zucchero Fornaciari – singer

Sweet success for writer and performer

Zucchero is known for the passion and
emotion of his stage performances

The singer/songwriter now known simply as Zucchero was born Adelmo Fornaciari on this day in 1955 in Roncocesi, a small village near Reggio Emilia.

In a career lasting more than 30 years, he has sold more than 50 million records and has become popular all over the world.

He is hailed as ‘the father of the Italian blues’, having introduced blues music to Italy, and he has won many awards for his music. He has also been given the Order of Merit of the Italian Republic.

As a young boy, Zucchero lived in the Tuscan seaside resort of Forte dei Marmi, where he sang in the choir and learned to play the organ at his local church.

He became fond of soul music and began to write his own songs and play the tenor saxophone. He started playing in bands while studying veterinary medicine but gave up his studies to follow his dream of becoming a singer.

He took the stage name of Zucchero, the Italian word for sugar, which was a nickname one of his teachers had given him.

Zucchero with U2 lead singer Bono at a U2
concert in Turin in 2015

Zucchero took part in the San Remo song contest for the second time in 1985 and although his song ‘Donne’ did not win, it went on to become a hit single.

His 1987 album Blues became the highest selling album in Italian history and made Zucchero a household name. His next album Oro, Incenso e Birra, which included guest spots by Ennio Morricone, Eric Clapton and Rufus Thomas, then outsold it.

Zucchero has sung in duets with Paul Young, Sting, and Luciano Pavarotti and his collaboration on the song Miserere with the young Andrea Bocelli won popularity for the up-and-coming tenor.

He sang regularly in the concerts organised by Pavarotti to raise money for children in war zones and more recently he has sung at the Concert for Emilia, to raise money for earthquake victims, and in the Voices for Refugees concert in Vienna in 2015.

Watch Zucchero on stage at the Arena in Verona

His new single, Streets of Surrender, which is dedicated to the victims of the recent Paris attacks, will be among the songs he will perform in his concerts at the Arena in Verona taking place between now and 28 September.

Travel tip:

Roncocesi, where Zucchero was born, is a hamlet – frazione -- of Reggio Emilia, situated about seven kilometres outside the city. Reggio Emilia is an ancient walled city in Emilia-Romagna that has many beautiful buildings within the hexagonal shape of its historic centre. Roman remains mingle with medieval palaces and Renaissance and Baroque masterpieces.

Stage construction under way at the Arena di Verona 

Travel tip:

The Arena di Verona, where Zucchero is appearing in concert between 16 and 28 September, is a wonderful surviving example of a first-century Roman amphitheatre, which has now become a famous location for large-scale, outdoor productions of opera each summer.

See Zucchero's back catalogue of music at Amazon.com

(Main photo of Zucchero by Danielle dk CC BY-SA 3.0)
(Bono & Zucchero photo by angelo freddo)

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Marco Tardelli - footballer

Joyous celebration lasting image of Italy's 1982 World Cup win

Marco Tardelli loses himself in his joy
after scoring in the 1982 World Cup final

Marco Tardelli, the footballer whose ecstatic celebration after scoring a goal in the final became one of the abiding images of Italy's victory in the 1982 World Cup, was born on this day in 1954.

The midfield player, who spent much of his club career with one of the best Juventus teams of all time, ran to the Italian bench after his goal against West Germany gave the Azzurri a 2-0 lead, clenching both fists in front of his chest, tears flowing as he shook his head from side to side and repeatedly shouted "Gol! Gol!" in what became known as the Tardelli Scream.

Italy went on to complete a 3-1 win over the Germans in the Santiago Bernabéu Stadium in Madrid with Paolo Rossi and Antonio Altobelli scoring Italy's other goals.  Tardelli, who was part of Italy's squad for three World Cups, had earlier scored against Argentina in the second group phase.

Tardelli later said that he felt he "was born with that scream inside me" and its release was sparked by the sheer joy at realising a dream he had nurtured since he was a child, of scoring in the final of a World Cup.

It meant that when he retired as a player in 1988 he could look back on winning international football's greatest prize as well as every competition in which he participated in club football.

During his career with Juventus, whom he joined in 1975 and left after 11 seasons, the Turin team won the Scudetto - the Serie A title - five times, the Coppa Italia twice, plus the UEFA Cup, the Cup-Winners' Cup and the European Cup, as well as the UEFA Super Cup.

Relive Marco Tardelli's goal and celebration from the 1982 World Cup final

He and his Juventus team-mates Antonio Cabrini and Gaetano Scirea were the first three players in football history to have collected winners' medals for all three major European club competitions.  His goal in the first leg of the 1977 UEFA Cup final against Athletic Bilbao helped Juventus win their first European title.

Tardelli was born in the tiny village of Capanne di Careggine, in the mountainous Garfagnana area of northern Tuscany.  The village has between 500 and 600 residents.

He began his career with Pisa, then in Serie C, moved next to Serie B club Como and joined Juventus in 1975.  He went on to play 376 matches for Juventus, scoring 51 goals, before moving to Internazionale in 1985, spending two seasons in Milan before completing his playing career with a season in Switzerland, playing for St Gallen.

Called up for the national team in 1976, he won 81 international caps and scored six goals, captaining his country between 1983 and 1985.

During an era when Italian football was heavily defensive, Tardelli stood out for his versatility, a hard-tackling yet technically skilful and elegant defensive midfielder, with an ability to contribute in attack too.  He could play anywhere in midfield or defence but was also blessed with accurate passing ability with both feet and a powerful shot.

Tactically intelligent, it was inevitable he would move into coaching.  Indeed, he was hired by the Italian Football Federation as soon as he retired as a player.

Appointed as head coach of the Under-16 Italian national team in 1988, he quickly graduated to assistant Under-21 coach under Cesare Maldini before trying his hand in club football with Como, with whom he won promotion to Serie B.

Marco Tardelli and Giovanni Trapattoni during their time
in charge of the Republic of Ireland national team

After a stint with another Serie B team, Cesena, he returned to the Federation and head coach of the Italian Under-21 team, winning the European Under-21 Championship and reaching the quarter-finals at the 2000 Olympics.

His return to club football with Internazionale ended after one season, a string of embarrassing defeats culminating in a 6-0 defeat to local rivals AC Milan. Tardelli was fired in June 2001 and spells with Bari, the Egyptian national team and Arezzo brought no success.

He then spent five years working alongside Giovanni Trapattoni as assistant manager of the Republic of Ireland national team.  The pair took the Irish team to the finals of Euro 2012 but were dismissed after failing to qualify for the 2014 World Cup and Tardelli has worked largely as a pundit since then. He has recently published an autobiography, Tutto o niente: La mia storia (All or Nothing: My Story).

The Church of San Pietro in Careggine

Travel tip:

Careggine stands on a plateau offering stunning views of the strikingly beautiful Monte Pisanino and the valley it overlooks. The parish Church of St Peter, founded in 720, still conserves parts of its original medieval structure, including the bell tower, despite damage suffered in an earthquake in 1920.

Travel tip:

The Garfagnana is the mountainous area around the Serchio valley north of the walled city of Lucca.  Its heavy annual rainfall means that the lower mountain slopes have a lush covering of dense woodland, mainly sweet chestnut trees.  The main towns are Castelnuovo di Garfagnana, home to the impressive Rocca Ariostesca (Ariosto's Castle), and Barga, which is famous for its annual opera and jazz festivals. Barga was once dubbed "the most Scottish town in Italy" because its surrounding countryside bears similarities with the Scottish Highlands and has twinned with no fewer than four towns in Scotland.

More reading

Paolo Rossi's World Cup hat-trick marks redemption

Marcello Lippi - World Cup winning coach

A fourth World Cup for the Azzurri

(Photo of Marco Tardelli and Trapattoni by Michael Cranewitter CC BY-SA 3.0)
(Photo of Careggine church by Davide Papalini CC BY-SA 3.0)

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Andrea Bocelli - tenor

Singer has perfect voice for either opera or pop

Andrea Bocelli performing a concert outdoors in the
 United States, where he has a big following

Tenor Andrea Bocelli was born on this day in 1958 in La Sterza, a hamlet or frazione of Lajatico in Tuscany.

Bocelli, who is blind, had poor eyesight from birth and was diagnosed with congenital glaucoma, but he lost his sight completely at the age of 12 after an accident while playing football.

He always loved music and started to learn the piano at the age of six. But after hearing a recording by opera singer Franco Corelli, he set his heart on becoming a tenor.

Bocelli won his first singing competition in Viareggio with ‘O sole mio’ at the age of 14.

He has since sold 150 million records worldwide and performed for four US presidents, three Popes and the British Royal family. His voice has been acclaimed by critics as perfect for either opera or pop.

Bocelli originally studied law and spent one year working as a lawyer, but in 1992 the great Italian tenor Luciano Pavarotti heard a recording of his unique voice performing Italian rock and pop artist Zucchero’s song Miserere and helped his career take off.

Andrea Bocelli (right) with the late Luciano Pavarotti and rock
 musician Zucchero at one of Pavarotti's fund-raising events

He sang Miserere with Zucchero during a European tour and performed it at the San Remo song festival, where he won the newcomer’s section with the highest ever number of votes. He later performed it at Pavarotti’s annual charity concert in Modena.

He has sung duets with many top names in the classical and popular music world, made recordings, performed in concerts and operas and appeared on television all over the world. 

Many of his recordings have enjoyed record sales figures. His album Sacred Arias became the all-time biggest-selling classical crossover album by a solo artist when sales reached five million copies and, with more than 20 million copies sold worldwide, his 1997 pop album Romanza became the best-selling album by an Italian artist of any genre in history.

Watch Andrea Bocelli perform his hit single Time to Say Goodbye with British artist Sarah Brightman

Bocelli was made a Grand Officer of the Order of Merit of the Italian Republic in 2006 and was honoured with a star on the Hollywood Walk of Fame in 2010.

Bocelli's open-air Teatro del Silenzio, which he helped
to create near his home town of Lajatico in Tuscany

Travel tip:

Lajatico in the province of Pisa lies among rolling hills within easy distance of Florence and Pisa. Every summer, Bocelli performs in a concert with guest singers and musicians at the Teatro del Silenzio, an open air amphitheatre he helped establish in his home town. 

Travel tip:

La Sterza, the hamlet where Andrea Bocelli was born, is about two and a half kilometres from Lajatico and is surrounded by gentle sloping countryside dotted with olive trees. It is a prime area for strawberry cultivation and the local people celebrate producing their crops each year with a strawberry festival at the beginning of May.

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Cigoli – painter and architect

First artist to paint a realistic moon

Cigoli's fresco at the Church of Santa Maria Maggiore shows
 the Madonna standing on a pock-marked crescent moon

The artist Cigoli was born Lodovico Cardi on this day in 1559 near San Miniato in Tuscany.

He became a close friend of Galileo Galilei, who is said to have regarded him as the greatest painter of his time. They wrote to each other regularly and Galileo practised his drawing while Cigoli enjoyed making astronomical observances.

Cigoli painted a fresco in the dome of the Church of Santa Maria Maggiore in Rome depicting the Madonna standing upon a pock-marked lunar orb, exactly as it had been seen by Galileo through his telescope.

This is the first example still in existence of Galileo’s discovery about the surface of the moon being portrayed in art. The moon is shown just as Galileo had drawn it in his astronomical treatise, Sidereus Nuncius, which published the results of Galileo’s early observations of the imperfect and mountainous moon.

Until Cigoli’s fresco, the moon in pictures of the Virgin had always been represented by artists as spherical and smooth.

Cigoli's Martyrdom of St Stephen is in
the Uffizi Gallery in Florence

Lodovico Cardi was born at Villa Castelvecchio di Cigoli, and was therefore commonly known as Cigoli.

He trained as an artist in Florence under the Mannerist painter Alessandro Allori. But he later discarded Mannerist principles and painted to express his own feelings and ideas.

Cigoli also worked with the architect Bernardo Buontalenti in Florence and the imposing inner courtyard of the Palazzo Nonfinito in the city is believed to have been designed by Cigoli.

He painted a version of Ecce Homo for a Roman patron, which was subsequently taken by Napoleon to the Louvre in Paris. It was later restored to Florence and can now be seen in Palazzo Pitti.

Also for the Pitti Palace, Cigoli painted a Venus and Satyr and a Sacrifice of Isaac.

He became so famous and admired that when he travelled to Rome he was personally welcomed and greeted by the Florentine ambassador to the city.

For St Peter’s in Rome, Cigoli painted St Peter Healing the Lame. For the Church of San Paolo fuori le mura, he painted an unfinished Burial of St Paul. In a fresco for the Villa Borghese he painted a Story of Psyche.

Among other important Cigoli paintings are his Martyrdom of St Stephen and Stigmata of St Francis, which are both now in the Uffizi Gallery in Florence.

Just before Cigoli’s death in Rome in June 1613 he was made a Knight of Malta by Pope Paul V.

The statue of Lodovico Cardi in his home
village of Cigoli in Tuscany

Travel tip:

Villa di Castelvecchio di Cigoli, the artist’s birthplace, is now referred to simply as Cigoli and is a hamlet - frazione - of the town of San Miniato in the province of Pisa in Tuscany. The Bishop’s Sanctuary in San Miniato has a Baroque façade designed by Cigoli.  There is a statue of Lodovico Cardi outside the Santaurio della Madonna Madre dei Bambini. San Miniato is also famous for white truffles and during the last three weeks of November hosts a festival dedicated to the white truffle, which is harvested in the surrounding area and is more highly valued than the black truffles found in other regions of Italy.

Travel tip:

After Cigoli’s death in Rome in 1613, his remains were transferred to Florence and buried in the Church of Santi Michele Arcangelo and Gaetano da Thiene in Via de Tornabuoni. The Church is one of the most important examples of the Baroque style of architecture in the city. Cigoli’s family tomb is between the second and third chapel on the left.

(Photos of Martyrdom of St Peter and statue by Sailko CC BY 3.0)

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Francis Marion Crawford – author

Novelist found inspiration while living in Sorrento

Francis Marion Crawford

The American writer Francis Marion Crawford was born on this day in 1854 in Bagni di Lucca in Tuscany.

A prolific novelist, Crawford became known for the vividness of his characterisations and the realism of his settings, many of which were places he had visited in Italy.

He chose to settle in later life in the coastal resort of Sorrento in Campania where he even had a street named after him, Corso Marion Crawford.

Crawford was the only son of the American sculptor, Thomas Crawford. He spent his childhood going backwards and forwards between Italy and America and studied at various American and European Universities.

He spent some time in India where he found the inspiration for his first successful novel, Mr Isaacs, which was published in 1882.

In 1883 he returned to Italy to settle there permanently. He lived at the Hotel Cocumella in the village of Sant’Agnello just outside Sorrento to begin with. He then bought a nearby farmhouse, from which he developed the Villa Crawford, an impressive clifftop residence easily identifiable from the sea by the tall buttresses Crawford added as a safeguard against erosion.

The Villa Crawford, now a guesthouse, has a prime
position overlooking the Bay of Naples

He was married to Elizabeth Christophers Berdan, daughter of the American Civil War General, Hiram Berdan. They had two sons and two daughters, one of whom became a nun and lived at the Villa Crawford when it became a convent after her father's death.

The Villa, which was donated to the order of the Daughters of Maria Ausiliatrice, has recently been refurbished as a guesthouse.

Many of his later novels have Italian settings, such as Don Orsino, published in 1892, which is about the effects of social change on an Italian family.

His novels sold in thousands in the United States, gaining him fame and prestige as a writer.  He would often return to America to deliver lectures on Italian history, about which he wrote several books.

He died at the Villa Crawford after suffering a heart attack in 1909.  He was buried in the cemetery of Sant'Agnello.

Travel tip:

Bagni di Lucca, where Crawford was born, is a small town in Tuscany that became popular during the 19th century because of its thermal springs. For a while the town was the summer resort of Napoleon and his court and a casino and dance hall were built there. Elizabeth Barrett Browning and her husband, Robert Browning, spent their summers in Bagni di Lucca during their time in Italy in the 1840s and 1850s.

The entrance to the Grand Hotel Cocumella in Sant'Agnello,
where Crawford lived before buying his clifftop villa nearby

Travel tip:

The Corso Marion Crawford in the seaside resort of Sant’Agnello leads down to the sea from Corso Italia, the main road connecting Sant’Agnello with the resort of Sorrento. The historic Hotel Cocumella, where Crawford stayed during the 1880s, is in Via Cocumella, just off Corso Marion Crawford.

More reading:

Lady Blessington's Neapolitan Journals

Torquato Tasso - Sorrento's Renaissance poet


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Cosimo de' Medici

Banker who founded the Medici dynasty

This portrait of Cosimo by Jacopo da Contormo
 can be viewed in the Uffizi Gallery in Florence

The first of the Medici rulers of Florence, Cosimo di Giovanni de' Medici, died on this day in 1464 in Careggi in Tuscany.

Cosimo had political influence and power because of the wealth he had acquired as a banker and he is also remembered as a patron of learning, the arts and architecture.

Cosimo, who is sometime referred to as Cosimo the Elder (il Vecchio) was born into a wealthy family in Florence in 1389. His father was a moneylender who then joined the bank of a relative before opening up his own bank in 1397.

The Medici Bank opened branches in Rome, Geneva, Venice and Naples and the Rome branch managed the papal finances in return for a commission.

The bank later opened branches in London, Pisa, Avignon, Bruges, Milan and Lubeck, which meant that bishoprics could pay their money into their nearest branch for the Pope to use.

In 1410, Baldassarre Cossa, who was on one side of a power struggle within the Catholic Church, borrowed money from the bank to buy himself into the office of Cardinal and in return put the Medici in charge of all the papal finances.   This gave the Medici family the power to threaten defaulting debtors with excommunication.

Cosimo and his younger brother Lorenzo took over the running of the bank from their father in 1420 and Cosimo established power over Florence using his wealth to control votes. He was described at the time as ‘king in all but name'.

The Villa Medici in Careggi near Florence, where
Cosimo died in 1464

Eventually his enemies had him imprisoned him in the Palazzo Vecchio for the crime of ‘failing to conquer Lucca’ but he managed to have his sentence changed to exile. He went to live in Padua and then to Venice, taking his bank with him.

When the order of banishment was lifted he was able to return to Florence, where effectively he was to govern the city for the next 30 years.

Cosimo worked to create peace in northern Italy by establishing a balance of power between Florence, Venice and Milan, which allowed for the development of the Renaissance.

The architects Brunelleschi and Michelozzo carried out Cosimo’s building projects in Florence and artists such as Ghiberti, Donatello and Fra Angelico were commissioned to produce works of art for him.

Cosimo also organised a methodical search for ancient manuscripts in Europe and the East and the books and documents procured by him are now housed in the Laurentian Library (Biblioteca Medicea-Laurenziana), which was built in a cloister of the Basilica di San Lorenzo.

Cosimo had married Contessina de' Bardi, who was from another wealthy banking family, in about 1415 and the couple had two sons, Piero and Giovanni.

On his death on 1 August 1464 Cosimo was succeeded by Piero, who later became the father of Lorenzo the Magnificent.

The Government of Florence awarded Cosimo the title Pater Patriae, Father of the Country, which is carved on his tomb in the Church of San Lorenzo.

Travel tip:

Cosimo died in 1464 at the Villa Medici at Careggi, in the hills above Florence. The villa had been purchased in 1417 by Cosimo’s father as a working farm to make his family self sufficient. Cosimo employed the architect Michelozzo to remodel it around a central courtyard overlooked by loggias. Cosimo’s grandson, Lorenzo, later extended the terraced garden and the shaded woods.

The interior of the Basilica of
San Lorenzo in Florence

Travel tip:

The Basilica of San Lorenzo, where Cosimo is buried, is in the centre of the market district and is one of the biggest churches in Florence. It also claims to be the oldest in the city as it dates back to 393. Cosimo’s father offered to pay for a new building to replace the 11th century Romanesque structure there at the time and commissioned Brunelleschi to design it. Michelangelo later designed the Biblioteca Medicea-Laurenziana to house the Medici family’s collection of manuscripts.

More reading:

How Cosimo II maintained the family tradition

Grand designs of Cosimo I


(Photo of Villa Medici by Sailko CC BY-SA 3.0)
(Photo of San Lorenzo Basilica by Stefan Bauer CC BY-SA 2.5)

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Amedeo Modigliani – artist

Illness marred the life of creative genius 

Amedeo Modigliani: A photograph taken in
 about 1918, when the artist was 34 years old

Painter and sculptor Amedeo Clemente Modigliani was born on this day in 1884 in Livorno in Tuscany.

The artist went on to become famous for his portraits and his paintings of nudes, which were characterised by their elongated faces and figures.

Modigliani did not receive much acclaim during his lifetime, but after his death his work became popular and achieved high prices.

He was born into a Jewish family and suffered health problems as a child, but began drawing and painting from an early age and begged his family to take him to see the paintings in the Uffizi in Florence.

His mother enrolled him at the art school of Guglielmo Micheli in Livorno where he received artistic instruction influenced by the style and themes of 19th century Italian art.

In 1902 Modigliani enrolled in the school of nude studies at the Accademia di Belle Art in Florence and then moved on to Venice to continue his studies.

Modigliani's portrait of his lover,
Jeanne Hébuterne

In 1906 he moved to Paris, where he set up a studio with Jacob Epstein.

He lived with a beautiful young French art student, Jeanne Hébuterne, from 1917 until he became ill with tuberculosis and died in 1920, at the age of just 35. She threw herself out of a window the day after his death, killing herself and her unborn child.  The two are buried in the Père Lachaise cemetery in Paris.

Travel tip:

Livorno, where Modigliani was born, is a port on the western coast of Tuscany, which deals with thousands of cruise ship passengers each day.  The city used to be known as Leghorn in English and there is an English cemetery in Via Giuseppe Verdi, which houses the graves of many former British residents, including the novelist, Tobias Smollett.

Travel tip:

The Uffizi in Florence, where Modigliani asked to be taken as a child, is one of the oldest and most famous art galleries in the world and houses a wealth of Renaissance art treasures. Located in Piazzale degli Uffizi close to Piazza della Signoria and the famous Palazzo Vecchio in Florence, it was originally built as a suite of offices in 1560, but later became used by the Medici family to display their art treasures. For more information, visit www.uffizi.org. 

More reading:

Giorgio Vasari - art's first historian

The merchant's wife immortalised as the Mona Lisa

The wonderful legacy of Tintoretto


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