15 February 2016

Galileo Galilei – astronomer and physicist

Scholar has been judged to be the founder of modern science 


A portrait of Galileo Galilei painted
in 1636 by Justus Sustermans 
Renaissance scientist Galileo Galilei was born on this day in 1564 in Pisa.  He was an astronomer, physicist and engineer and has been called the father of observational astronomy and of modern science.

His astronomical observations, made with the help of telescopes he designed and engineered himself, confirmed the phases of Venus, discovered the four largest satellites of Jupiter and analysed sunspots. He cannot be credited with inventing the telescope, his own having come later than one patented in Holland, although he was certainly a pioneer of its development. Among Galileo's other inventions, however, the military compass is accepted as solely his.

Controversy marred Galileo's later life. His astronomical observations and other aspects of his scientific knowledge led him to support the view of the Polish scientist Nicolaus Copernicus in the previous century that the sun rather than the earth was the centre of the solar system.

This led to his trial and conviction by the Roman Catholic Inquisition as a heretic. He avoided being burned at the stake by reluctantly recanting the statements he had made in a publication on the subject but spent the last 10 years of his life under house arrest at his villa at Arcetri, south of Florence. 

Galileo was educated at a monastery near Florence and considered entering the priesthood but he enrolled instead at the University of Pisa to study medicine.

In 1581 he noticed a swinging chandelier being moved to swing in larger and smaller arcs by air currents. He experimented with two swinging pendulums and found they kept time together although he started one with a large sweep and the other with a smaller sweep. It was almost 100 years before a swinging pendulum was used to create an accurate timepiece.

Two of Galileo Galilei's early telescopes, which are kept at the Museo Galileo in Florence
Two of Galileo Galilei's early telescopes, which
are kept at the Museo Galileo in Florence
He talked his father, Vincenzo, a noted lutenist and composer, into letting him study mathematics and natural philosophy instead of medicine and by 1589 had been appointed to the chair of Mathematics at Pisa.


He moved to the University of Padua where he taught geometry, mechanics and astronomy until 1610. His interest in inventing is thought by some historians to have been driven by family circumstances. After the death of their father, Galileo's younger brother, Michelangelo or Michelagnolo, who also became a lutenist and composer, was financially dependent on his older sibling, who saw the invention and patenting of new devices as a way to generate extra income.

During his own lifetime and subsequently, Galileo tended to be referred to by his first name only, as was common during the 16th and 17th centuries in Italy. He is thought to be related to Galileo Bonaiuti, an important physician, professor, and politician in Florence in the 15th century.

Galileo's appearance before the Inquistion led to him being threatened with being burnt at the stake
Galileo's appearance before the Inquistion led to
him being threatened with being burned at the stake
Like Galileo Galilei almost two centuries later, Bonaiuti was buried in the Florence's Basilica of Santa Croce, the resting place of many significant historical figures, including the sculptor Michelangelo Buonarotti, the statesman and author Niccolò Machiavelli and the composer Gioachino Rossini.

Galileo's financial situation might have been better had he not deviated from his father's wish for him to study medicine, which at the time offered a better prospect of a comfortable career. But after his early experiments with pendulums while ostensibly studying medicine, he attended a lecture on geometry and persuaded his father to let him switch to mathematics and natural philosophy.  Soon, his inventive mid led to his creation of a thermoscope, a forerunner of the thermometer.

In time Galileo became Chair of Mathematics at Pisa University before moving to the University of Padua, where he taught geometry, mechanics and astronomy and made significant discoveries in both pure science and applied science, for example on the strength of materials and in his advancement of the telescope. He enjoyed the patronage of the Medici and Barberini families at times during his life.

Following his conviction for heresy and subsequent house arrest, from 1633 until his death at Arcetri in 1642, Galileo wrote one of his finest works, Two New Sciences, about the laws of motion and the principles of mechanics.

Pisa's famous leaning tower is unmissable
by visitors to the Campo dei Miracoli
Travel tip:

Pisa, the town of Galileo’s birth, is famous the world over for its leaning tower, one of the most popular tourist attractions in Italy . Already tilting when it was completed in 1372, the bell tower of the cathedral is in Piazza del Duomo, also known as Piazza dei Miracoli or Campo dei Miracoli in the centre of Pisa.  Pisa's other attractions include a wealth of well-preserved Romanesque buildings, Gothic churches and Renaissance piazzas. The city has a lively charm enhanced by its reputation as a centre of education. The University of Pisa, founded in 1343, now has elite status, rivalling Rome’s Sapienza University as the best in Italy, and a student population of around 50,000 makes for a vibrant cafe and bar scene. Not far from the city is the resort of Marina di Pisa, a seaside town located 12km (7 miles) from Pisa that began to develop in the early 17th century and grew rapidly after a railway line from Pisa opened in 1892. That growth saw the opening of restaurants and hotels and the construction of many beautiful Art Nouveau and neo-medieval villas. 


The Museo Galileo in Florence is housed in the 11th century Palazzo Castellani on Piazza dei Giudici
The Museo Galileo in Florence is housed in the 11th
century Palazzo Castellani on Piazza dei Giudici
Travel tip:


The Museo Galileo in Florence is in Piazza dei Giudici close to the Uffizi Gallery. It houses one of the biggest collections of scientific instruments in the world in Palazzo Castellani, an 11th century building. The first floor's nine rooms contain the Medici Collections, which include his two extant telescopes and the framed objective lens from the telescope with which he discovered the Galilean moons of Jupiter, plus his thermometers and a collection of terrestrial and celestial globes. The nine rooms on the second floor house instruments and experimental apparatus collected by the 18th-19th century Lorraine dynasty, which bear witness of the remarkable contribution of Tuscany and Italy to the progress of electricity, electromagnetism and chemistry.  The museum is open Mondays to Sundays from 9.30 to 18.00, closing at 13.00 on Tuesdays. 

More reading:







(Picture credits: Telescopes by Sailko; Leaning Tower by Softeis; via Wikimedia Commons)

(Painting locations: Galileo portrait (1636-40) by Justin Sustermans, National Maritime Museum, Greenwich, London; Galileo facing the Roman Inquisition (1857) by Cristiano Banti, private collection)





14 February 2016

San Valentino and Sant’Antonino



Celebrations for two different Italian saints


Saint Valentine, a third century Roman martyr, is commemorated with a feast day on this day every year.

His name has become associated with the tradition of courtly love but all that is really known about him is that he was martyred and buried at a cemetery on the Via Flaminia in Rome on 14 February.

His feast day was first established in 496 by a Pope who revered him. It is thought he was imprisoned and tortured and then hastily buried, but that his disciples later retrieved his body.
Sorrento's Sant'Antonino looks across the square
 to the Basilica named after him.

During the Middle Ages it was believed that birds paired in mid-February and this is probably why Saint Valentine’s Day became associated with romance.

But while lovers all over the world raise a glass to Saint Valentine on this day, residents and visitors in Sorrento celebrate the festival of Sant’Antonino, the city’s patron saint.

Sant’Antonino Abate died on 14 February, 626. He is credited with saving the life of a child swallowed by a whale and also protecting Sorrento against plague and invasion.

Each year on the anniversary of his death, a silver statue of Sant’Antonino is carried in a procession through the streets of Sorrento and there are festive lights, fireworks, and musical events in his name.

Travel tip: 

Sant’Antonino’s body is buried in a crypt that became part of the Basilica di Sant’Antonino, a magnificent church that dates from the 11th century, but has been added to and refurbished over the years and is situated in Sorrento’s Piazza Sant’Antonino. Inside the Basilica, another statue of the saint is surrounded by the many offerings from sailors who have been saved from shipwrecks over the centuries and believe it was thanks to the intervention of Sant’Antonino.

Travel tip:

A statue of the Saint stands among the palm trees in the middle of Piazza Sant’Antonino opposite Sorrento’s town hall. Just off the square, the Via Santa Maria delle Grazie has many interesting shops, bars and restaurants, including the long-established Ristorante Sant'Antonino, named after the saint, which serves fish, seafood and Sorrentine specialities.

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13 February 2016

Fire at Teatro di San Carlo

Royal theatre reopens quickly after blaze 


The damage wreaked by the 1816, captured in a painting by an unknown artist
The damage wreaked by the 1816 fire, captured in a
painting by an unknown artist
Fire broke out during a dress rehearsal for a ballet at Teatro di San Carlo in Naples on this day in 1816.

The flames spread quickly, destroying a large part of the building in less than an hour.

The external walls were the only things left standing, but on the orders of Ferdinand IV, King of Naples, the prestigious theatre was rebuilt at once.

It was reconstructed following designs drawn up by architect Antonio Niccolini for a horseshoe-shaped auditorium with 1,444 seats. A stunning fresco was painted in the centre of the ceiling above the auditorium depicting a classical subject, Apollo presenting to Minerva the greatest poets of the world.

The rebuilding work took just ten months to complete and the theatre reopened to the public in January 1817.

Teatro di San Carlo had opened for the first time in 1737, way ahead of Teatro alla Scala in Milan and La Fenice in Venice.

Gioachino Rossini is among the former artistic directors at San Carlo
Gioachino Rossini is among the former
artistic directors at San Carlo
Built in Via San Carlo close to Piazza Plebiscito, the main square in Naples, Teatro di San Carlo had quickly become one of the most important opera houses in Europe, known for its excellent productions.

The original theatre was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I, and took only eight months to build.

The official inauguration was on the King’s saint’s day, the festival of San Carlo, on the evening of November 4. There was a performance of Achille in Sciro by Pietro Metastasio with music by Domenico Sarro, who also conducted the orchestra for the music for two ballets.

This was 41 years before La Scala and 55 years before La Fenice opened. San Carlo is now believed to be one of the oldest remaining opera houses in the world, if not the oldest.

Both Gioachino Rossini and Gaetano Donizetti served as artistic directors at San Carlo and the world premieres of Donizetti’s Lucia di Lammermoor and Rossini’s Mosè were performed there.

During the Second World War the theatre was damaged by bombs but after the liberation of Naples in 1943 it was repaired and was able to reopen.

Between 2008 and 2009 a major refurbishment was carried out but the theatre reopened again to the public in 2010.


Inside Teatro di San Carlo, looking down  from above the royal box
Inside Teatro di San Carlo, looking down
from above the royal box
Travel tip:

In the magnificent auditorium, the focal point is the royal box surmounted by the crown of the Kingdom of the Two Sicilies. Opera enthusiasts can take a guided tour of the theatre and see the foyers, the auditorium, the boxes and the royal box. Tours run at 10.30, 11.30, 12.30, 14.30, 15.30 and 16.30 between Monday and Saturday and at 10.30, 11.30 and 12.30 on Sundays. Booking is recommended.



Travel Tip:

Close to Teatro di San Carlo in the centre of ‘royal’ Naples, there are many other sights, such as Galleria Umberto I, Caffè Gambrinus, the church of San Francesco di Paola and Palazzo Reale, that are all well worth visiting.


More reading:

The 1996 fire that destroyed La Fenice opera house in Venice

How Pietro Metastasio progressed from street entertainer to renowned librettist

Donizetti - the musical genius born in a darkened basement

Also on this day:




(Painting: Rossini portrait by Vincenzo Camuccini, Museo del Teatro alla Scala in Milan) 

12 February 2016

Franco Zeffirelli – film director

Shakespeare adaptations made director a household name


Franco Zeffirelli excelled in adapting classic plays and operas for the big screen
Franco Zeffirelli excelled in adapting
classic plays and operas for the big screen
The film, opera and television director Franco Zeffirelli was born on this day in Florence in 1923.


He is best known for his adaptations of Shakespeare plays for the big screen, notably The Taming of the Shrew (1967), with Richard Burton and Elizabeth Taylor, Romeo and Juliet (1968) and Hamlet (1990) with Mel Gibson. 

Boldly, he cast two teenagers in the title roles of Romeo and Juliet and filmed the tragedy against the backdrop of 15th century buildings in Serravalle in the Veneto region. His film became the standard adaptation of the play and has been shown to thousands of students over the years.

His later films include Jane Eyre (1996) and Tea with Mussolini (1999), while he directed several adaptations of operas for the cinema, including I Pagliacci (1981), Cavalleria rusticana (1982), Otello (1986), and La bohème (2008). 

Zeffirelli's name was, in fact, an invention, and a misspelled one to boot.

He was the child of Alaide Garosi, a fashion designer, as a result of an affair with a wool and silk dealer, Ottorino Corsi. Since both his parents were married to other partners, his registered surname could neither be Garosi or Corsi. Instead, his mother intended him to be registered as Zeffiretti - the Italian for 'little breezes' - in a reference to a line in Mozart's opera, Idomeneo. However, it was misspelled in the register and he became Gian Franco Corsi Zeffirelli.
Zeffirelli worked with Luchino Visconti in his early days of film direction
Zeffirelli worked with Luchino Visconti
in his early days of film direction

Alaide died when Franco was six and he subsequently was looked after within expatriate English community in Florence, an experience that later inspired his film Tea with Mussolini, which was semi-autobiographical.

Zeffirelli studied art and architecture at Florence University before fighting as a partisan during the Second World War.

After the war he worked as a scenic painter in Florence until he was hired by Luchino Visconti, initially as an actor and stage director in his theatre company, and subsequently as assistant director on his 1948 film La terra trema (The Earth Trembles). He also worked with directors Vittorio De Sica and Roberto Rossellini in Italy's booming post-war cinema industry.

His focus then switched more to stage design, particularly for opera. His first major design for opera was a 1952-53 production of Gioachino Rossini’s L’Italiana in Algeri for La Scala in Milan. He maintained his link with opera in theatrical and arena settings throughout his career, working on notable productions of La traviata, Lucia di Lammermoor, La Bohème, Tosca, Falstaff, and Carmen. He became a friend of Maria Callas, eventually directing her in La Traviata in America and in Tosca at the Royal Opera House in London, with Tito Gobbi.
A 17-year-old Olivia Hussey in Zeffirelli's Romeo and  Juliet, which established the director's reputation
A 17-year-old Olivia Hussey in Zeffirelli's Romeo and
Juliet,
which established the director's reputation

The Taming of the Shrew was Zeffirelli's first film as director in 1967. It was originally planned that Sophia Loren and Marcello Mastroianni would take the starring roles but to help fund production it was decided that Taylor and Burton would give the film a higher profile. 

Zeffirelli's major breakthrough came the year after with Romeo and Juliet (1968), which earned $14.5 million dollars at the box office in the United States and made Zeffirelli's name, earning him a nomination for Best Director at the Oscars, although at the same time it set a standard that some critics believe he never quite met in his subsequent work, for all his success. 

As well as Shakespeare adaptations, Zeffirelli made a number of films with religious themes, such as a life of St. Francis of Assisi entitled Brother Sun, Sister Moon (1972), then his TV mini-series Jesus of Nazareth (1977), although these attracted criticism from some religious groups for what they perceived as the blasphemous representation of biblical figures. 

Zeffirelli, who received the Order of Merit of the Italian Republic in 1977, is a former senator for the Forza Italia political party and received an honorary knighthood in Britain in 2004. 

UPDATE: Franco Zeffirelli died in Rome in June 2019 at the age of 96.


The Florence floods of 1966 did huge damage to precious art treasures
The Florence floods of 1966 did huge damage
to precious art treasures

Travel tip:

The University of Florence can trace its origins back to the 14th century, but the modern University, where Zeffirelli studied, dates back to 1859, when a number of higher studies institutions were grouped together. When his native Florence was flooded in the 1960s, causing millions of pounds worth of damage to precious art and literary treasures and the buildings housing them, Zeffirelli made a documentary film, Florence: Days of Destruction, to raise funds for the disaster appeal.

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A typical Serravalle palace

Travel tip:

Serravalle, where Zeffirelli filmed Romeo and Juliet, was combined with the town of Ceneda nearby and renamed Vittorio in 1866 in honour of King Vittorio Emanuele II. After the last decisive battle of the First World War had taken place nearby, Vittorio was renamed Vittorio Veneto. The small town of Serravalle is the more picturesque of the two places that make up Vittorio Veneto and its fine 15th century palazzi and pretty arcaded streets made a wonderful backdrop for Zeffirelli’s film.