Giacomo Radini-Tedeschi – bishop

Progressive priest who shaped the destiny of a future Pope

Giacomo Radini-Tedeschi, the
Bishop of Bergamo

Giacomo Radini-Tedeschi, Bishop of Bergamo, who was a mentor for the future Pope John XXIII, died on this day in 1914 in Bergamo.

He was Bishop of the Diocese of Bergamo from 1905 until his death and is remembered with respect because of his strong involvement in social issues at the beginning of the 20th century when he sought to understand the problems of working class Italians.

Radini-Tedeschi was born in 1857 into a wealthy, noble family living in Piacenza in Emilia-Romagna.

He was ordained as a priest in 1879 and then became professor of Church Law in the seminary of Piacenza.

In 1890 he joined the Secretariat of State of the Holy See and was sent on a number of diplomatic missions.

In 1905 he was named Bishop of the Roman Catholic Diocese of Bergamo by Pope Pius X and was consecrated by him in the Sistine Chapel.

Angelo Roncalli, Pope John XXIII

Radini-Tedeschi was a strong supporter of Catholic trade unions and backed the workers at a textile plant in Ranica, a district of Bergamo Province, during a labour dispute.

Working for him as his secretary at the time was a young priest named Angelo Roncalli who had been born at Sotto il Monte just outside Bergamo into a large farming family.

Roncalli went on to become Pope John XXIII in 1958 but never forgot the values Radini-Tedeschi had taught him.

The Bishop became ill with cancer and died at the age of 57 just after the outbreak of the First World War. His last words are reputed to have been: ‘Angelo, pray for peace.’

Travel tip:

Piacenza, where Radini-Tedeschi was born, is on the western edge of Emilia-Romagna and is in a strategic position between the River Po and the Appenines, situated between Bologna and Milan. It has many fine churches and old palaces with splendid gardens to explore. Piacenza Cathedral was built in 1122 and is a good example of northern Italian Romanesque architecture.

The Church of Santa Maria Immacolata
delle Grazia in Bergamo's lower town

Travel tip:

A landmark in Bergamo’s lower town is the church of Santa Maria Immacolata delle Grazie in Viale Papa Giovanni XXIII, one of the main thoroughfares. The huge church on the corner of Porta Nuova has a 19th century green cupola topped with a golden statue with an early 20th century campanile next to it. But the origins of the church date back to 1422 when a convent was built on the site dedicated to Santa Maria delle Grazie. The beautiful cloisters have been preserved within the church buildings although the convent was suppressed at the beginning of the 19th century. The neoclassical design for the new church was created by architect Antonio Preda. In 1907 the main altar was consecrated in the presence of the bishop, Giacomo Radini- Tedeschi, accompanied by his 26-year-old secretary, Angelo Roncalli, the future Pope John XXIII.

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Giuseppe Meazza - Italy's first superstar

Inter striker who gave his name to the San Siro stadium

Giuseppe Meazza's matinée idol looks
led him to be likened to Rudolph Valentino

Italian football's first superstar, the prolific goalscorer Giuseppe Meazza, died on this day in 1969, two days before what would have been his 69th birthday.

Most biographical accounts of his life say Meazza was staying at his holiday villa in Rapallo, on the coast of Liguria, when he passed away but John Foot, the Italian football historian, says he died in Monza, much closer to his home city of Milan.

Meazza, who was equally effective playing as a conventional centre forward or as a number 10, spent much of his career with Internazionale, the Milan club for whom he scored a staggering 243 league goals in 365 appearances.

In the later stages of his career he left Inter after suffering a serious injury, initially joining arch rivals AC Milan.  A year after his death, the civic authorities in Milan announced that the stadium shared by the two clubs in the San Siro district of the city would be renamed Stadio Giuseppe Meazza in his honour.

Born in the Porta Vittoria area of Milan, not far from the centre, Meazza had a tough upbringing.  His father was killed in the First World War when Giuseppe was only seven.  He was a rather sickly child and was sent to an 'open-air' school in the city - one of a number that sprang up across Europe to combat the spread of tuberculosis - in the hope his health would improve.

Like most young boys, he played football games in the street and it is said he developed his skills by playing barefoot. His mother needed him to help on the family fruit and vegetable stall and hid his shoes in the hope he would not be able to play. He was 12 before he was allowed to join an organised team.

Giuseppe Meazza made his Inter debut
as a 17-year-old 

His talent was brought to the attention of AC Milan when he was 13 but they rejected him as too skinny.  However, an Inter scout saw him juggling a rag ball in the street near his home and after a trial he was quickly signed up, the club deciding if they fed him well he would grow stronger.

Their faith paid off.  After scoring twice on his debut as a 17-year-old, Meazza went on to be Inter's leading scorer season after season.

Inevitably he was selected for Italy's national team and established himself as a key member of the side that won two World Cups under manager Vittorio Pozzo in 1934 and 1938, the second time as captain. In 53 appearances for the Azzurri, he scored 33 times.   He was a natural goalscorer, particularly when faced with the opposition goalkeeper one-on-one, when he would almost always come out on top.

Although stocky and somewhat short, he was blessed with good looks and found himself adopted as a poster boy for Mussolini's Fascists, who saw him as a symbol of manliness and athleticism.  His early nickname 'il Balilla' was a reference to Mussolini's youth movement.

He made the most of his fame, which won him advertising contracts for toothpaste and the brilliantine he applied liberally to his hair, which gave him something of a Rudolph Valentino look.  He had an apartment in the centre of Milan not far from Inter's former home at the Arena Civica, drove expensive sports cars and was never short of female company.

He left Inter after suffering a blood clot in his left leg in the 1938-39 season, after which he was never the same player, although he managed to extend his career by another seven years, playing for AC Milan, Juventus, Varese and Atalanta before returning to Inter for one final season.

Meazza's tomb at the Monumental Cemetery in Milan

On retirement, he starred as himself in a movie and then went into coaching.  He was not so successful in this role as he had been as a player but did oversee the development of some fine youth players at Inter, including Sandro Mazzola, who also played number 10 for Italy, and the defender Giacinto Facchetti.

No stranger to Milan's nightlife, he did not help his health in retirement by smoking heavily.  He remained fêted wherever he went but tired of celebrity towards the end of his life, when he wanted his declining health to be kept secret and requested shortly before he died that his funeral should be a small, private affair and that there should even be no headstone.

He was buried at the Monumental Cemetery in Milan, where his grave is marked, but simply with his name and his dates.

Travel tip:

Porta Vittoria has a special significance in Italian history.  Formerly known as Porta Tosa, the eastern gate in the old Spanish Walls of Milan, it was the first strategic position to be taken by the Milanese rebels during the so-called Five Days of Milan (Cinque Giornate di Milano) in 1848, during the First Italian War of Independence, in which the Austrians were driven out of the city.  The gate was demolished in the late 19th century and an obelisk erected in its place in what is now the Piazza Cinque Giornate.

The Castello sul Mare at Rapallo

Travel tip:

Rapallo, where Meazza spent his holidays, is a resort on the Ligurian coast between Chiavari and the jet-set haunt of Portofino.  It has a pretty harbour and lush hillsides dotted with villas rise from the sea.  Also notable, right on the very seafront, is the Castello sul Mare - the castle on the sea - built in 1551 to counter frequent pirate attacks.

More reading:

Internazionale - how the club began in 1908

Ulisse Stacchini - the man who built the original San Siro



(Castello sul Mare picture by RegentsPark CC BY-SA 3.0)
(Meazza's tomb picture by batrace CC BY-SA 2.0)

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Jacopo Peri – composer and singer

Court musician produced the first work to be called an opera

The music and words from the
prologue of Peri's Euridice

The singer and composer Jacopo Peri, also known as Il Zazzerino, was born on this day in 1561 in Rome.

He is often referred to as the ‘inventor of opera’ as he wrote the first work to be called an opera, Dafne, in around 1597.

He followed this with Euridice in 1600, which has survived to the present day although it is rarely performed. It is sometimes staged as an historical curiosity because it is the first opera for which the complete music still exists.

Peri was born in Rome to a noble family but went to Florence to study and then worked in churches in the city as an organist and a singer.

He started to work for the Medici court as a tenor singer and keyboard player and then later as a composer, producing incidental music for plays.

Peri’s work is regarded as bridging the gap between the Renaissance period and the Baroque period and he is remembered for his contribution to the development of dramatic vocal style in early Baroque opera.

Peri began working with Jacopo Corsi, a leading patron of music in Florence, and they decided to try to recreate Greek tragedy in musical form. They brought in a poet, Ottavio Rinuccini, to write a text and produced Dafne as a result. It was performed privately at Corsi’s home in Florence and then several more times over the next few years. This is now believed to be the first opera.

The tomb of Jacopo Peri in the Church of Santa Maria
Novella in Florence

They then collaborated on Euridice, which was performed in 1600 at Palazzo Pitti on the occasion of Maria dè Medici’s marriage to Henry IV of France. Peri is believed to have sung the role of Orpheus himself on this occasion.

This more public staging of Peri’s work awakened wider interest in opera as a new form of music.

Peri went on to produce other operas and pieces of music for court entertainments. Few of his compositions are still performed today but it is thought he had a big influence on the composers that came later, such as Claudio Monteverdi.

Peri died in Florence in 1633 and was buried in the Church of Santa Maria Novella in the city.

Travel tip:

Palazzo Pitti, where Euridice was first performed in 1600, was originally built for the banker Luca Pitti in 1457 in the centre of Florence, to try to outshine the Medici family. They later bought it from his bankrupt heirs and made it their main residence in 1550. Today visitors can look round the richly decorated rooms and see treasures from the Medici collections.

The Church of Santa Maria Novella in Florence
was built in the 13th century

Travel tip:

The Gothic Church of Santa Maria Novella, where Peri is buried, was built in the 13th century by the Dominicans. The railway station of the same name was built in the 1930s opposite the church to replace the original 19th century station. Peri’s gravestone in the nave of the church credits him with inventing opera.

More reading:

How Monteverdi developed opera as a popular genre

How Cosimo II de Medici maintained family tradition for patronage of the arts

(Pic of José Antonio Bielsa Arbiol (CC BY-SA 4.0)

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Andrea Palladio - world's favourite architect

Humble stonecutter became his profession's biggest name

Andrea Palladio, whose designs have been
copied the world over

Andrea Palladio, the humble stonecutter who became the most influential architect in the history of his profession, died on this day in 1580, aged 71.

The cause of his death is not clear but some accounts say he collapsed while inspecting the construction of the Tempietto Barbaro, a church in Maser, a town in the Veneto not far from Treviso.

He was initially buried in a family vault in the church of Santa Corona in Vicenza, the city in which he spent most of his life, but later re-interred at the civic cemetery, where a chapel was built in his honour.

Examples of Palladio's work can be found all over the region where he lived and in Venice, where he was commissioned to build, among other architectural masterpieces, the Church of San Giorgio Maggiore, the focal point of the view across the lagoon from St Mark's Square through the Piazzetta.

He built a substantial number of villas for wealthy clients across the Veneto region, some of them lining the Brenta Canal that links the lagoon of Venice with Padua. Others such as the Villa Capra, otherwise known as La Rotonda, famous for its symmetrically square design with four six-columned porticoes, can be found in open countryside near Vicenza.

Vicenza itself features many of Palladio's designs, including the fabulous Teatro Olimpico, in which perspective was used to create the optical illusion of city streets receding from the stage.  He was working on the theatre at the time of his death, after which the project was finished by his son, Silla, one of five children, and Palladio's assistant, Vincenzo Scamozzi.

The Church of San Giorgio Maggiore, one of Venice's most
familiar views, was among Palladio's triumphs

Palladio was born Andrea Di Pietro della Gondola, the son of a miller, in Padua in November 1508. He found work as a stonecutter the workshop of a sculptor before moving to Vicenza when he was 16, joining a guild of stonemasons and bricklayers.

It was while working for the poet and scholar Gian Giorgio Trissino, that his career began to gather pace.  Trissino not only gave him the name Palladio, after the Greek goddess of wisdom, Pallas Athene, but encouraged and helped him to study classical architecture in Rome. He was fascinated with the work of Marcus Vitruvius Pollio, architect and engineer of the 1st century BC. It was while in Rome that he came across the Pantheon, with its huge hemispheric dome inspired by Vitruvius, which was to influence many of his designs.

Trissino also introduced Palladio to a number of wealthy and influential families, including the Barbaro brothers, through whom he ultimately became chief architect of the Republic of Venice, having already occupied the equivalent position in Vicenza.

Palladio received his first commissions in the 1530s and thereafter was in constant demand, his style inspiring other architects outside Italy, at first in Europe and later around the world.  One factor in the spread of his fame was his publication in 1570 of his treatise, I Quattro Libri dell'Archittetura (The Four Books of Architecture), which set out rules others could follow.

The style of his designs became so popular that in Britain, for example, there was an explosion of town halls, assembly rooms, country houses, churches, inns and farmhouses that owed the essence of their design to Palladio's interpretation of classical Roman architecture.

The pattern was replicated elsewhere.  The White House, the residence occupied by the most powerful man in the world, the President of the United States, has many echoes of Palladio.

The unmistakably Palladian Church of the Redeemer -
Il Redentore - commands the Giudecca Canal

Travel tip:

The Church of San Giorgio Maggiore, situated on the island of the same name across the lagoon and directly opposite the Doge's Palace and the Riva degli Schiavoni, is one of Venice's most recognisable sights.  Along the Giudecca island, opposite the Fondamenta Zattere that flanks the Giudecca Canal on the Dorsoduoro side, is the Church of the Redeemer, better known as Il Redentore, of which the facade is another Palladian masterpiece.

Travel tip:

The city of Vicenza is almost a living museum of Palladio's works, featuring 23 buildings designed by the architect that have been included on UNESCO's list of World Heritage Sites.  In addition to the Villa Capra, which lies outside the centre, and the Teatro Olimpico, there is the Basilicata Palladiana on Vicenza's central Piazza dei Signori, the Palazzo Thiene and the Palazzo Barbaran da Porto, which houses the Museo Palladio.  There is a statue of Palladio in the Piazza dei Signori.

More reading:

Teatro Olimpico - how Scamozzi realised Palladio's vision

Giacomo Barozzi da Vignola - contemporary of Palladio who helped spread Renaissance style

(Photo of Il Redentore by Satdeep Gill CC BY-SA 4.0)

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