Anna Magnani - Oscar-winning film star

Roman one of only three Italians to land best actor award

Anna Magnani, the Rome-born
actress who died in 1973

Anna Magnani, who found fame for her performance in Roberto Rossellini's neorealist classic movie Rome, Open City and went on to become one of only three Italian actors to win an Academy Award, died on this day in Rome in 1973.

Magnani had been quietly suffering from pancreatic cancer and her death at the age of just 65 shocked her fans and even close friends. Rossellini, with whom she had a tempestuous five-year relationship before he ditched her for the Swedish actress, Ingrid Bergman, was at her bedside along with her son, Luca.  Rossellini was considered to be Magnani’s one great love. The American playwright Tennessee Williams, who wrote two parts for her in his plays (Serafina in The Rose Tattoo and Lady in Orpheus Descending) specifically with Magnani in mind, was so devastated he could not bring himself to attend her funeral.

Instead he sent 20 dozen roses to signify the bond they developed while working together over 24 years.  When Williams was in Rome they would meet for cocktails on the roof-top terrace of her home, overlooking the city, always at eight o'clock - "alle venti" in Italy, where times are generally expressed according to the 24-hour clock.  They would sign off letters and telegrams to one another with the words "Ci vediamo alle venti" or "See you at eight."

The funeral procession attracted crowds in the tens of thousands. Countless businesses closed and many streets were shut to traffic as Magnani's coffin was taken to the Basilica di Santa Maria Sopra Minerva, near the Pantheon in central Rome, where the service took place.  The Piazza Minerva was thronged with people, who broke into spontaneous cheering when the coffin appeared.

The original movie poster for the film
of the Tennessee Williams play

It was the movie version of The Rose Tattoo, for which Williams wrote the screenplay, that won Magnani her Oscar in 1955, playing opposite Burt Lancaster. She was the first of two Italian actresses to win the Academy Award, to be followed six years later by Sophia Loren for Vittorio De Sica's La Ciociara, which was renamed Two Women for the American market.

Loren’s role was originally designed for Magnani and Loren was supposed to play the role of her daughter. Magnani refused to play opposite Loren, who was already 26 years old and not right for a teenaged virgin, and actually gave De Sica the idea to cast Loren as the mother; a role for which she would win the Best Actress Oscar in 1962.

Roberto Benigni is the only Italian-born male actor to win an Oscar, for Life is Beautiful in 1998.

Magnani's acting was notable in that she was able to bring her own personality, her affinity with the ordinary people she grew up with, to her roles, in which she was often cast as una popolana - a coarse woman of working class background.  Raised largely by her grandparents in a poor, working-class part of Rome, Anna was a product of a short-lived marriage between her mother, Marina Magnani, and an itinerant Calabrian father (who worked in Egypt) whom she met only once.

Some erroneous biographical notes suggest she was born in Alessandria, Egypt but Magnani herself insisted that while her mother may have been in Egypt when she fell pregnant, she had moved back to Rome and was living in the Porta Pia area by the time she gave birth.  Magnani was given her maternal surname, the last name of both her mother and grandmother.

While Anna had a tough upbringing in Rome, her grandmother managed to send her to a convent school, learned French, played piano, and, at age 17, went on to study at the Eleonora Duse Royal Academy of Dramatic Art in Rome for two years. She often said she felt more at home with the more down-to-earth people in her own neighborhood as it taught her to become streetwise at a young age. Magnani soon was supporting herself by singing in cabarets and nightclubs, where her performances drew comparisons with the French singer, Edith Piaf.

Magnani had her first film role in the 1920s, although it was 20 years before her breakthrough in Rossellini's 1945 movie Rome, Open City, which is generally regarded as the first film in the Italian neorealist genre to achieve commercial success. Magnani's performance as Pina, the pregnant widow of an Italian resistance fighter murdered by the occupying Germans forces as she tries to protect her fiance, was acclaimed for its brilliance. Although she was not regarded as a conventional beauty, she had an earthy sensuality that audiences found captivating.

Anna Magnani, centre, in a scene from Rome, Open City,
the film that was the turning point in her career

Her relationship with Rossellini, often punctuated with violent rows in which they were renowned for throwing crockery at one another, foundered after five years, when Rossellini began an affair with Bergman, reneging on a promise to make Magnani the star of his 1950 film, Stromboli, and giving the role instead to the Swedish actress.  Magnani retaliated  by making her own film with director William Dieterle entitled Vulcano.

Yet Magnani's career never faltered as it this very time, in 1949-50, that her friendship with American playwright Tennessee Williams would blossom. She went on to work with many of the great Italian directors, such as Luchino Visconti, Pier Paolo Pasolini and Federico Fellini, whose 1972 film, Roma, would be her last.

Magnani married Italian director, Goffredo Alessandrini, in the 1930s but they were together only briefly before the marriage was annulled.  Her son, Luca, was born in 1942, the product of an affair with an Italian actor, Massimo Serato. Luca was stricken with polio as a child (1944) but Anna dedicated her life to caring for him in his younger years and providing him with the best (Swiss) medical care. Luca Magnani - Anna fought in court for him to keep her maternal surname - would go on to be a noted architect and real estate developer.

Luca Magnani's daughter, Olivia Magnani, born in Bologna in 1975, has followed her grandmother in becoming a movie actress. She is the fifth generation to carry on the Magnani name.

The stage play, Roman Nights, by Italo-American playwright Franco D’Alessandro recounts the inspired, fruitful, and tumultuous friendship between Anna Magnani and Tennessee Williams. 

The beautiful vaulted ceiling of the Basilica
di Santa Maria sopra Minerva in Rome

Travel tip:

The Basilica di Santa Maria sopra Minerva is the only existing example of an oroginal Gothic church in Rome, its Renaissance-style frontage concealing a Gothic interior featuring an arched vaulted ceiling painted blue with gilded stars.  It contains a marble sculpture, Cristo della Minerva, by Michelangelo, and the strikingly beautiful Carafa Chapel, with frescoes by Filippino Lippi.  Buried in the church are Saint Catherine of Siena, the Renaissance painter Fra Angelico, and at least four popes.

Travel tip:

Porta Pia, from which the neighbourhood in which Anna Magnani was born takes its name, is a gate in Rome's Aurelian Walls, designed by Michelangelo and named after Pope Pius IV.  It was close to Porta Pia that a breach of the walls made by Bersaglieri soldiers from the north of Italy enabled Rome to be captured and completed the unification of Italy in 1870.  It was also the scene of a failed assassination attempt on Benito Mussolini in 1926 by anti-Fascist activist Gino Lucetti.

Also on this day:

1982: The birth of World Cup winning football coach Enzo Bearzot

1997: St Francis Basilica struck by earthquake

More reading:

Roberto Rossellini - father of neorealism

Federico Fellini - genius behind La Dolce Vita

Gina Lollobrigida - 60s sex symbol

(Photo of interior of Basilica by Tango7174 GFDL)

Home

Zucchero Fornaciari – singer

Sweet success for writer and performer

Zucchero is known for the passion and
emotion of his stage performances

The singer/songwriter now known simply as Zucchero was born Adelmo Fornaciari on this day in 1955 in Roncocesi, a small village near Reggio Emilia.

In a career lasting more than 30 years, he has sold more than 50 million records and has become popular all over the world.

He is hailed as ‘the father of the Italian blues’, having introduced blues music to Italy, and he has won many awards for his music. He has also been given the Order of Merit of the Italian Republic.

As a young boy, Zucchero lived in the Tuscan seaside resort of Forte dei Marmi, where he sang in the choir and learned to play the organ at his local church.

He became fond of soul music and began to write his own songs and play the tenor saxophone. He started playing in bands while studying veterinary medicine but gave up his studies to follow his dream of becoming a singer.

He took the stage name of Zucchero, the Italian word for sugar, which was a nickname one of his teachers had given him.

Zucchero with U2 lead singer Bono at a U2
concert in Turin in 2015

Zucchero took part in the San Remo song contest for the second time in 1985 and although his song ‘Donne’ did not win, it went on to become a hit single.

His 1987 album Blues became the highest selling album in Italian history and made Zucchero a household name. His next album Oro, Incenso e Birra, which included guest spots by Ennio Morricone, Eric Clapton and Rufus Thomas, then outsold it.

Zucchero has sung in duets with Paul Young, Sting, and Luciano Pavarotti and his collaboration on the song Miserere with the young Andrea Bocelli won popularity for the up-and-coming tenor.

He sang regularly in the concerts organised by Pavarotti to raise money for children in war zones and more recently he has sung at the Concert for Emilia, to raise money for earthquake victims, and in the Voices for Refugees concert in Vienna in 2015.

Watch Zucchero on stage at the Arena in Verona

His new single, Streets of Surrender, which is dedicated to the victims of the recent Paris attacks, will be among the songs he will perform in his concerts at the Arena in Verona taking place between now and 28 September.

Travel tip:

Roncocesi, where Zucchero was born, is a hamlet – frazione -- of Reggio Emilia, situated about seven kilometres outside the city. Reggio Emilia is an ancient walled city in Emilia-Romagna that has many beautiful buildings within the hexagonal shape of its historic centre. Roman remains mingle with medieval palaces and Renaissance and Baroque masterpieces.

Stage construction under way at the Arena di Verona 

Travel tip:

The Arena di Verona, where Zucchero is appearing in concert between 16 and 28 September, is a wonderful surviving example of a first-century Roman amphitheatre, which has now become a famous location for large-scale, outdoor productions of opera each summer.

See Zucchero's back catalogue of music at Amazon.com

(Main photo of Zucchero by Danielle dk CC BY-SA 3.0)
(Bono & Zucchero photo by angelo freddo)

Home

Marco Tardelli - footballer

Joyous celebration lasting image of Italy's 1982 World Cup win

Marco Tardelli loses himself in his joy
after scoring in the 1982 World Cup final

Marco Tardelli, the footballer whose ecstatic celebration after scoring a goal in the final became one of the abiding images of Italy's victory in the 1982 World Cup, was born on this day in 1954.

The midfield player, who spent much of his club career with one of the best Juventus teams of all time, ran to the Italian bench after his goal against West Germany gave the Azzurri a 2-0 lead, clenching both fists in front of his chest, tears flowing as he shook his head from side to side and repeatedly shouted "Gol! Gol!" in what became known as the Tardelli Scream.

Italy went on to complete a 3-1 win over the Germans in the Santiago Bernabéu Stadium in Madrid with Paolo Rossi and Antonio Altobelli scoring Italy's other goals.  Tardelli, who was part of Italy's squad for three World Cups, had earlier scored against Argentina in the second group phase.

Tardelli later said that he felt he "was born with that scream inside me" and its release was sparked by the sheer joy at realising a dream he had nurtured since he was a child, of scoring in the final of a World Cup.

It meant that when he retired as a player in 1988 he could look back on winning international football's greatest prize as well as every competition in which he participated in club football.

During his career with Juventus, whom he joined in 1975 and left after 11 seasons, the Turin team won the Scudetto - the Serie A title - five times, the Coppa Italia twice, plus the UEFA Cup, the Cup-Winners' Cup and the European Cup, as well as the UEFA Super Cup.

Relive Marco Tardelli's goal and celebration from the 1982 World Cup final

He and his Juventus team-mates Antonio Cabrini and Gaetano Scirea were the first three players in football history to have collected winners' medals for all three major European club competitions.  His goal in the first leg of the 1977 UEFA Cup final against Athletic Bilbao helped Juventus win their first European title.

Tardelli was born in the tiny village of Capanne di Careggine, in the mountainous Garfagnana area of northern Tuscany.  The village has between 500 and 600 residents.

He began his career with Pisa, then in Serie C, moved next to Serie B club Como and joined Juventus in 1975.  He went on to play 376 matches for Juventus, scoring 51 goals, before moving to Internazionale in 1985, spending two seasons in Milan before completing his playing career with a season in Switzerland, playing for St Gallen.

Called up for the national team in 1976, he won 81 international caps and scored six goals, captaining his country between 1983 and 1985.

During an era when Italian football was heavily defensive, Tardelli stood out for his versatility, a hard-tackling yet technically skilful and elegant defensive midfielder, with an ability to contribute in attack too.  He could play anywhere in midfield or defence but was also blessed with accurate passing ability with both feet and a powerful shot.

Tactically intelligent, it was inevitable he would move into coaching.  Indeed, he was hired by the Italian Football Federation as soon as he retired as a player.

Appointed as head coach of the Under-16 Italian national team in 1988, he quickly graduated to assistant Under-21 coach under Cesare Maldini before trying his hand in club football with Como, with whom he won promotion to Serie B.

Marco Tardelli and Giovanni Trapattoni during their time
in charge of the Republic of Ireland national team

After a stint with another Serie B team, Cesena, he returned to the Federation and head coach of the Italian Under-21 team, winning the European Under-21 Championship and reaching the quarter-finals at the 2000 Olympics.

His return to club football with Internazionale ended after one season, a string of embarrassing defeats culminating in a 6-0 defeat to local rivals AC Milan. Tardelli was fired in June 2001 and spells with Bari, the Egyptian national team and Arezzo brought no success.

He then spent five years working alongside Giovanni Trapattoni as assistant manager of the Republic of Ireland national team.  The pair took the Irish team to the finals of Euro 2012 but were dismissed after failing to qualify for the 2014 World Cup and Tardelli has worked largely as a pundit since then. He has recently published an autobiography, Tutto o niente: La mia storia (All or Nothing: My Story).

The Church of San Pietro in Careggine

Travel tip:

Careggine stands on a plateau offering stunning views of the strikingly beautiful Monte Pisanino and the valley it overlooks. The parish Church of St Peter, founded in 720, still conserves parts of its original medieval structure, including the bell tower, despite damage suffered in an earthquake in 1920.

Travel tip:

The Garfagnana is the mountainous area around the Serchio valley north of the walled city of Lucca.  Its heavy annual rainfall means that the lower mountain slopes have a lush covering of dense woodland, mainly sweet chestnut trees.  The main towns are Castelnuovo di Garfagnana, home to the impressive Rocca Ariostesca (Ariosto's Castle), and Barga, which is famous for its annual opera and jazz festivals. Barga was once dubbed "the most Scottish town in Italy" because its surrounding countryside bears similarities with the Scottish Highlands and has twinned with no fewer than four towns in Scotland.

More reading

Paolo Rossi's World Cup hat-trick marks redemption

Marcello Lippi - World Cup winning coach

A fourth World Cup for the Azzurri

(Photo of Marco Tardelli and Trapattoni by Michael Cranewitter CC BY-SA 3.0)
(Photo of Careggine church by Davide Papalini CC BY-SA 3.0)

Home

Mussolini's last stand

Deposed dictator proclaims Republic of Salò 

A Luftwaffe general inspects soldiers of the Italian Social
Republic in Rome in 1943

In what would prove the final chapter of his political career - and his life - Benito Mussolini proclaimed the creation of the Italian Social Republic on this day in 1943.

The establishment of this new state with the Fascist dictator as its leader was announced just 11 days after German special forces freed Mussolini from house arrest in the Apennine mountains.

Although Mussolini was said to be in failing health and had hoped to slip quietly into the shadows after his escape, Hitler's compassion for his Italian ally - whose rescue had been on the direct orders of the Fuhrer - did not extend to giving him an easy route into retirement.

Faced with an Allied advance along the Italian peninsula that was gathering momentum, he put Mussolini in charge of the area of northern and central Italy of which the German army had taken control following the Grand Fascist Council's overthrow of the dictator.

Although the area was renamed the Italian Social Republic - also known as the Republic of Salò after the town on the shores of Lake Garda where Mussolini's new government was headquartered - it was essentially a puppet German state.  Only Germany and its other ally, Japan, recognised it as legitimate.

Mussolini and Hitler in Munich with
Ciano second left in the picture

Reluctant though he was now to continue what he knew was a losing fight against the Allies, Mussolini did take advantage of his restored powers by taking revenge against those Fascists he perceived to have betrayed him by voting for his removal.

These included his son-in-law, Count Galeazzo Ciano, his former Foreign Minister, who had fled to Germany after Mussolini's reinstatement only to be sent back on Hitler's orders.  Mussolini's daughter, Edda, pleaded with her father for Ciano to be spared but she was ignored. Ciano and five others were executed by firing squad.

Although Mussolini was theoretically head of his own Italian army, which numbered about 150,000 personnel, decisions were taken in Germany, among them an order to carry out mass executions of Italian citizens in revenge for attacks on German soldiers by the Italian resistance.  One such attack in March 1944 triggered the slaughter of 335 Italians in retaliation for a bomb attack that killed 33 German soldiers. Mussolini was powerless to prevent the massacre of his own citizens, which hardly helped his popularity.

Meanwhile, the Allied advanced steadily forced the German army into retreat and by April 1945 the end for Mussolini and his Italian Social Republic was becoming inevitable.  In his public speeches, Mussolini was defiant, urging his people to ‘fight to the last Italian’. Secretly, however, he was plotting his escape.

On April 25, accompanied by a few fellow Fascists who still supported him, he and his mistress, Claretta Petacci, fled Salò, hoping to reach neutral Switzerland. His wife, Rachele, was left behind in Salò.  He had been on the run for only a day, however, when he was recognised at a checkpoint set up by Italian partisans on the shores of Lake Como and captured.

Two days later, Mussolini, Petacci and the rest of his entourage were executed, after which their bodies were taken to Milan and suspended for public display from a beam above a petrol station.

Travel tip:

For all its regrettable association with such a despised figure as Mussolini, Salò has recovered to become a pleasant resort on the shore of Lake Garda, visited by many tourists each year. Its promenade is the longest of any of the lakeside towns and it has a Duomo rebuilt in Gothic style in the 15th century as well as a museum commemorating, among other things, the resistance against Fascism.

Piazzale Loreto in Milan today, a square bearing little
resemblance to how it looked in 1945

Travel tip:

Visitors to Milan hoping to find the scene of Mussolini's final humiliation, when his body and those of his mistress and accomplices were hung upside down from a beam across an Esso petrol station, will find little evidence that the event took place.  Piazzale Loreto, the location of the Esso station, was renamed Piazza Quindici Martiri in honour of 15 Italian partisans murdered by Fascist militia in the same square in 1944. Nowadays a busy intersection of the SP11 highway north-west of the city centre at the end of the Corso Buenos Aires, it has changed in appearance so much as to be unrecognisable in comparison with archive pictures showing how it was in the 1940s.

(Wartime photos from German archives)
(Photo of Piazzale Loreto by Arbalete CC BY-SA 3.0)

More reading

Germans free Mussolini in daring Gran Sasso raid

Partisans capture and execute dictator Mussolini

Home