11 October 2016

Cesare Andrea Bixio - composer and lyricist

Pioneer of Italian film music left catalogue of classic songs


Cesare Andrea Bixio
Cesare Andrea Bixio
Cesare Andrea Bixio, the composer behind such classic Italian songs as Vivere, Mamma, La mia canzone al vento and Parlami d'amore Mariù, was born in Naples on this day in 1896. 

Bixio enjoyed many years of popularity during which his compositions were performed by some of Italy's finest voices, including Beniamino Gigli, Tito Schipa and Carlo Buti, and later became staples for Giuseppe Di Stefano and Luciano Pavarotti.

He was also a pioneer of film soundtrack music, having been invited to compose a score for the first Italian movie with sound, La Canzone dell'Amore, in 1930. As well as writing more than 1,000 songs in his career, Bixio penned the soundtracks for more than 60 films.

Bixio's father, Carlo, was an engineer from Genoa; his grandfather was General Nino Bixio, a prominent military figure in the drive for Italian Unification and one of the organisers of Garibaldi's Expedition of the Thousand.

Carlo, who died when Cesare was only six years old, married a Neapolitan, Anna Vilone, who wanted him to pursue a career in engineering, like his father. However, after developing an interest in music at an early age he had other ideas.

He wrote his first song, Suonno e Fantasia - Sound and Fantasy - when he was only 13 years old. He loved the variety shows that were popular in Naples and all over Italy as he was growing up and it was not long before he received the first payment for his work.

The movie poster for Solo per Te, starring Beniamino Gigli with music by Bixio
The movie poster for Solo per Te, starring
Beniamino Gigli and with music by Bixio
It came after he had waited outside the stage door one night for the singer Domenico 'Mimì' Maggio and told him he had written a song for him, called Canta Maggio.  Maggio liked it so much he included it in a performance, for which Bixio was paid six lire.

As important as that first financial reward was, equally so was the chance to meet some of the most influential figures in the Neapolitan music scene, such as Ernesto de Curtis, brother of Gianbattista - famous for Torna a Surriento - and Eduardo di Capua, who wrote the melody for 'O Sole Mio.

More successes followed and in 1920 Bixio set up his own publishing company, initially in Naples but soon to move to Milan, where he was able to operate from a prestigious address in Galleria del Corso.

This was to bring him real wealth when he signed a lucrative contract worth some 64,000 lire - a colossal sum at the time - to compose for the French revue star Gabrè - who was actually a Calabrian called Aurelio Cimato - at the Casino de Paris.

In turn, this brought him work at the Folies Bergère music hall and with one of the darlings of French cabaret in the 1920s, Lys Gauty.

However, it was the burgeoning movie business that enabled Bixio to create the legacy of famous songs still performed today, many of which stemmed from his partnership with the Italian lyricist, Bixio Cherubini.


Watch Andrea Bocelli sing Mamma





These included Mamma, from the 1940 film of the same name starring operatic tenor Beniamino Gigli, who also sang Nanna nanna della vita - Lullaby of life - in the 1938 production Solo per Te.

Bixio, centre, flanked by the actor Walter Chiari and the director Vittorio di Sica
Bixio, centre, flanked by the actor Walter Chiari
and  the director Vittorio di Sica
Parlami d'amore Mariù came from the 1932 movie Gli uomini, che mascalzoni! - Men, what scoundrels!- for which the lyrics were written by Ennio Neri for Vittorio di Sica, an actor and singer who would later win Academy Awards as a director.

Equally popular with contemporary singers is Bixio's Vivere, title track from the 1937 film starring Tito Schipa, another tenor from an opera background.

He continued to write for the big screen until around 1960, after which soundtracks for television became part of his repertoire.  His songs have featured in films even since his death such as Raging Bull, released in 1980, which included Vivere and Stornelli fiorentini, and two movies in 1990, The Freshman and Goodfellas, both of which featured Parlami d'amore Mariù.

Bixio, whose son Carlo Andrea Bixio was a music and television producer, died in Rome in 1978, aged 81.

The historic and beautiful Teatro Bellini in Via Vincenzi Bellini in central Naples
The historic and beautiful Teatro Bellini in Via Vincenzi
Bellini in central Naples
Travel tip:

Naples has a thriving theatre scene of which the world famous opera house Teatro san Carlo is just one part.  In the centre or close by are many more, including the elegant and historic Teatro Bellini, situated halfway between the Dante and Museo metro stations, the Teatro delle Palme in the fashionable Chiaia district, the Teatro Diana in Vomero, the Teatro Greco-Romano and the Teatro Augusteo.

Travel tip:

Bixio's Milan office in Galleria del Corso was a few steps away from Corso Vittorio Emanuele II, a porticoed street connecting Piazza Duomo and Piazza San Babila which today is one of the city's upmarket shopping areas, particularly for clothing and accessory boutiques.  Closed to traffic by day, in the evening Corso Vittorio Emanuele II is notable for its concentration of cinemas and late-night bars and remains crowded until the early hours.

(Photo of Teatro Bellini by Armando Mancini CC BY-SA 2.0)

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10 October 2016

Daniele Comboni – Saint

Missionary who worked miracles after his death


Daniele Comboni
Daniele Comboni
The Feast Day - festa - of Saint Daniel Comboni - San Daniele - is held on this day every year in Italy.

Saint Daniel, who was a Roman Catholic missionary to Africa, died on this day at the age of 50 in 1881 in Khartoum in the Sudan. He was canonised in 2003 by Pope John Paul II in recognition of two miracle cures claimed to have been brought about by his intercession.

Comboni was born in 1831 at Limone sul Garda in the province of Brescia in Lombardy in northern Italy.

His parents were poor and he was the only one of their eight children to live to become an adult.

Comboni was sent away to school in Verona and after completing his studies prepared to become a priest.

He met and was profoundly influenced by missionaries who had come back from Central Africa and three years after his ordination set off with five other priests to continue their work.

After they reached Khartoum some of his fellow missionaries became ill and died because of the climate, sickness and poverty they encountered, but Comboni remained determined to continue with his mission.

On his return to Italy, while praying for guidance at the tomb of Saint Peter in Rome, Comboni came up with the idea of a missionary project to save Africa.

A statue of Daniele Comboni in Verona, where
he was educated before training to be a priest
He wanted the Church and society to be more concerned about Africa and so he launched appeals throughout Europe for aid for Africa.

He established missionary institutes for men and for women, becoming the first person to bring women into missionary work in central Africa.

In 1877 he was named Vicar Apostolic of Central Africa and ordained a bishop. In 1880 he travelled to Africa again to speak out against the slave trade, but the following year, after falling ill with disease, he died. His last words were believed to have been: ‘I am dying, but my work will not die.’

His work was continued by the Comboni missionaries, whose numbers grew to nearly 2000 members spread all over the world.

More than 100 years later it was believed that an Afro-Brazilian girl and a Muslim mother from the Sudan were both cured of illness by a miracle worked through Comboni’s intercession.

This led to Comboni being canonised by Pope John Paul II in St Peter’s in Rome in 2003.

The stairway to the church of San Rocco in Limone sul Garda
The stairway to the church of San
Rocco in Limone sul Garda
Travel tip:

Limone sul Garda where Comboni was born is one of the most popular resorts on Lake Garda and the only tourist attraction on the north west side of the lake. It can be reached from Riva del Garda along a narrow road that travels through tunnels inside the cliffs. In the centre of the town is the 15th century church of San Rocco, built by residents of Limone who had survived the plague. It is accessed by a picturesque stairway decorated with flowers and plants and is one of the most photographed sights in Limone.

Travel tip:

Lake Garda is Italy’s largest lake, with soft hills at the southern end and steep rugged cliffs at the northern end where Limone is situated. The beauty of Lake Garda has been praised by Catullus, Dante and Goethe over the centuries and nowadays it is a popular holiday destination in Italy visited by tourists from all over the world.

(Photo of Comboni statue by Giacomo Augusto 2 CC BY-SA 3.0)
(Photo of San Rocco stairway from visitlimonesulgarda.com)

More reading:


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Celebrating the Feast of Saint Francis of Assisi 

From Naples to New York, Italians celebrate the Festival of San Gennaro



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9 October 2016

Vajont Dam Disaster

Catastrophic flood may have killed 2,500


The Vajont Dam, pictured before the disaster of 1963, was considered a triumph of  engineering.
The Vajont Dam, pictured before the disaster of 1963, was
considered a triumph of  engineering.
Prone to earthquakes because of its unfortunate geology, Italy has suffered many natural disasters over the centuries, yet the horrific catastrophe that took place on this day 53 years ago in an Alpine valley about 100km north of Venice, killing perhaps as many as 2,500 people, was to a significant extent man-made.

The Vajont Dam Disaster of October 9, 1963 happened when a section of a mountain straddling the border of the Veneto and Fruili-Venezia Giulia regions in the Fruilian Dolomites collapsed in a massive landslide, dumping 260 million cubic metres of forest, earth and rock into a deep, narrow reservoir created to generate hydroelectric power for Italy's industrial northern cities.

The chunk of Monte Toc that came away after days of heavy rain was the size of a small town yet within moments it was moving towards the water at 100km per hour (62mph) and hit the surface of the reservoir in less than a minute.

The effect was almost unimaginable.  Within seconds, 50 million cubic metres of water was displaced, creating a tsunami that rose to 250m high.  The dam held, but the colossal volume of water had nowhere to go but over the top and into the Piave valley below.

Where the village of Longarone had stood, all that  remained was mud and debris.
Where the village of Longarone had stood, all that
 remained was mud and debris.
The landslide was timed at 10.39pm.  In the valley, dotted with villages, many residents were already in bed, others locking up, some making their way home.  They had no chance of escape.  The only warning was a rumbling in the distance, accompanied by a sudden, strengthening wind, that rapidly turned into a deafening roar.

The force behind the surge of water was such that its initial impact with the valley floor after its 250m descent through the narrow Vajont gorge left a crater 60m (200ft) deep and 80m across.

As the water rushed onwards into the Piave valley, it pushed along a pocket of air generating more energy than was created by the atomic bomb that flattened Hiroshima. It was so powerful that most of the victims were found naked, their clothes ripped off them by the blast.

Within a matter of minutes, the villages of Longarone, Pirago, Rivalta, Villanova and Faè had been wiped from the map and 80 per cent of their inhabitants were dead, accounting for around 2,000 of the fatalities.

Others died in villages further downstream, as well as on the opposite side of the reservoir to the landslide, where another huge wave swept up the hillside.

It is estimated that more than half those killed were never found, their bodies buried too deep to be recovered under the vast mud plain that the water left behind.  Others were carried for miles along the Piave River, some possibly into the Adriatic.

The collapse of the mountain filled in almost  half of the reservoir in minutes
The collapse of the mountain filled in almost
half of the reservoir in minutes
A cemetery exists at Fortogna, which commemor- ates all those known to have died, although the headstones - identical blocks of marble in uniform rows - do not necessarily correspond with the remains buried immediately underneath. In many cases there are no remains at all.  To the dismay of relatives, flowers and personal memorials are not permitted to be left.

In the immediate aftermath of the disaster, the Italian government and the two authorities involved with the construction of the dam - the Adriatic Energy Corporation (Societa Adriatica di Elettrica) and, at a later stage, the National Entity for Electricity (Ente nazionale per l'energia elettrica) - attributed the catastrophe to natural causes. Journalists who suggested otherwise were accused of "undermining public order".

Later, however, it emerged that many warnings about the instability of the site chosen had been ignored and the project had been allowed to continue despite a number of landslides over a period of four years before the disaster.

A number of engineers eventually went on trial and some were convicted of negligence but the sentences handed out were seen by many as too lenient.  The government was urged to sue the Adriatic Energy Corporation for compensation but in the end decided against it.

Among events held to commemorate the 50th anniversary of the disaster in 2013, a stage of the Giro d'Italia cycle race finished in the municipality of Erto e Casso on the northern side of the reservoir, with the next stage starting in Longarone.

Longarone was completely rebuilt as a modern village
Longarone was completely rebuilt as a modern village
Travel tip:

Nowadays, the largely undamaged Vajont Dam - itself a triumph of engineering, at 262m (860ft) the tallest in the world at the time of construction - is open to the public and a small memorial chapel has been built.  The rebuilt village of Longarone contains a memorial church designed by one of Italy's most influential 20th century architects, Giovanni Michelucci.

Travel tip:

The most important city in the upper Piave valley, situated about 30km south of Longarone, is Belluno, a former Alpine Town of the Year, where there has been a settlement of some kind since around 220BC.  Subsequently it passed into the hands of the Romans.  The sarcophagus of Caius Flavius Hosilius and his wife Domitia can be found in the church of Santo Stefano, which was built on the site of a Roman cemetery.

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8 October 2016

Antonio Cabrini - World Cup winner

Star of 1982 became coach of Italy's women


Antonio Cabrini starred in the bianconeri strip of Juventus
Antonio Cabrini starred in the
bianconeri strip of Juventus
World Cup winner and former Juventus defender Antonio Cabrini celebrates his 59th birthday today.

Cabrini, who went on to becone head coach of the Italian women's national team, was born on October 8, 1957 in Cremona.

He took his first steps in professional football with his local team, Cremonese, and moved from there to Atalanta of Bergamo, but it was with the Turin club Juventus that he made his mark, forming part of a formidable defence that included goalkeeper Dino Zoff plus the centre-back Claudio Gentile and the sweeper Gaetano Scirea.

During Cabrini's 13 seasons in Turin, the Bianconeri won the Serie A title six times, as well as the 1985 European Cup, plus the Coppa Italia twice, the UEFA Cup and the European Super Cup, and the Intercontinental Cup.

Milan's Paolo Maldini tends to be recognised as the greatest defensive player produced by Italy but Cabrini's abilities put him only just behind.

Known by his fans as Bell'Antonio for his good looks and the elegance of his football, Cabrini's game possessed all the qualities required of a left-back.  His positional sense and speed of thought served him well in defensive duties and he was also exceptional going forward.

He was a key figure in the defeat of Liverpool in the 1985 European Cup final, although the memories of the Juventus victory in the Heysel Stadium in Brussels will forever be tarnished because of the deaths of 39 supporters - mainly Italians - when a wall collapsed during disturbances before the match began.

Antonio Cabrini starred in the bianconeri strip of Juventus
Italy's team to play Argentina at the 1982 World Cup. Back
 row (l-r): Zoff, Antognoni, Scirea, Graziani, Collovati,
Gentile; Front: Rossi, Conti, Cabrini, Oriali, Tardelli.
Cabrini scored 33 goals for Juventus and his tally of nine for the national team is the most by any defender for the Azzurri.

One of these came in the 1982 World Cup finals in Spain, when he scored the winner in a 2-1 victory over holders Argentina in the second group round, in which the Azzurri also beat Brazil to emerge as a force to be reckoned with.

Cabrini missed a first-half penalty in the final, but it was forgotten when second-half goals by Paolo Rossi, Marco Tardelli and Alessandro Altobelli enabled Italy to defeat West Germany and win the trophy for the third time.

In all Cabrini won 73 caps for the national side.  He made his debut aged only 20 in the opening match of the 1978 World Cup finals in Argentina, at the end of which he was named Best Young Player of the Tournament after Italy reached the semi-finals.

He also played in the 1986 finals in Mexico, finishing his career with the distinction of having been picked in the starting line-up for every match played by the Azzurri in three consecutive World Cup tournaments.

Cabrini, who captained Italy on 10 occasions, played his last international match in 1987 but continued in club football for another four years, eventually leaving Juventus for Bologna, where he spent his final two seasons.

He did not begin his coaching career for almost 10 years.  Starting out in Serie C1 with the Tuscan club Arezzo, he almost won a promotion in his first season, his team losing in the play-offs.  Yet subsequent spells in charge at Crotone, Pisa and Navaro brought no success.

Antonio Cabrini today
Antonio Cabrini today
In 2007 he accepted the position of head coach of Syria's national team only for the contract to be cancelled amid the fall-out from a row between the Syrian FA and the national team's sponsors.

Therefore his appointment in 2012 to coach the women's Italian national team came as a surprise to many but Cabrini's record so far has been good.

The Azzurri women reached the quarter-finals of the 2013 European Championships and were considered unlucky not to qualify for the 2015 World Cup, finishing second in the qualifying group but losing 3-2 on aggregate to the Netherlands in the final of a play-off involving the four best runners-up.

Italy's women have never won an international tournament but Cabrini will have another chance to put that right at Euro 2017, which is being hosted by the Netherlands next summer.

Italy qualified by finishing runners-up to Switzerland in their qualifying group, in which they lost at home and away to the group winners but won at home and away against the Czech Republic, Northern Ireland and Georgia, scoring 26 goals and conceding only eight.

Away from football, Cabrini has been politically active as a member of the centre-left Italia dei Valori (Italy of Values) party founded by the former anti-corruption magistrate, Antonio di Pietro.

He was married in 1983 and has two children, 32-year-old Martina and Edoardo, 28, but has now separated from his wife, Consuelo.  He has been with his current partner, fashion manager Marta Sannito, for seven years.

UPDATE: Cabrini spent five years as coach of Italy's national women's team before being replaced by Milena Bertolini in 2017.

A statue of the violin-maker Stradivari in Cremona
A statue of the violin-maker
Stradivari in Cremona
Travel tip:

Although Antonio Cabrini is not the only notable footballer to be born in Cremona - the former Italy, Juventus and Chelsea striker Gianluca Vialli is another - the northern Italian city is more famous for its long association with music.  It hosts a number of important music festivals and has been a centre for the manufacture of musical instruments since the 16th century.  The great violin makers of the Amati family, as well as Andrea Guarneri and Antonio Stradivari, both of whom learned the craft from Nicolò Amati, established Cremona's reputation for producing the best violins in the world.  Violins are still made in the city to this day.

Travel tip:

Juventus is one of the two major football clubs in Turin, the other being Torino.  Although Juventus now play at a stadium on the northern perimeter of the city in the Vallette district, the club's roots are in the city centre.  Their original ground was in what is now known as the Parco Cavalieri di Vittorio Veneto, a large green space between Corso IV Novembre and Corso Galileo Ferraris just south of the city centre, which in the late 19th century was Piazza d'Armi, an army parade ground.  Nearby is the Stadio Olimpico, now the home of Torino, which was formerly called Stadio Comunale, where the two clubs co-habited until 1990.

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